Jauch had ties to one of the oldest clock-maker families in the Black Forest. The Gerbrueder Jauch company, known for manufacturing hall, wall, and mantel clocks, faced challenges in late 1979 due to export restrictions, ultimately leading to bankruptcy in 1986.
Jauch schoolhouse-style clock
Renowned for providing affordable yet attractive clocks for average households, Gerbrueder Jauch GmbH produced clocks like the drop octagon schoolhouse-style clock, reminiscent of classic American designs. However, within the realm of German clockmakers, I would not place this particular maker among the elite. In terms of comparison to American counterparts, it aligns more closely with companies like the Sessions Clock Company, the company that provided clocks for the average home.
Measuring 23 inches in height, 15 inches in width, and nearly 5 inches in depth, this clock very closely resembles the dimensions of schoolhouse clocks from over a century ago. Unlike antique American clocks with oak cases, this one features a more cost-effective pine case.
Jauch clock with flip-up dial bezel
Its bezel adopts a flip-up design for winding, distinguishing it from clocks with right-swinging dial bezel doors.
The clock bears the inscription “Western Germany” on the dial and movement, with the movement stamped with a production date of July 1979. For history enthusiasts, it’s noteworthy that German reunification took place in 1989, simplifying the dating of clocks from this era.
AnotherJauch wall clock with a faux regulator case, a customer’s clock
This clock requires a very long #7 key for winding, which may pose a challenge even for some collectors that have an abundance of spare keys.
The clock’s issues, suspected to be related to the anchor escapement or potential bushing wear in the top part of the train, present an interesting repair challenge.
Despite being a non-functional find, purchased for a mere $1.65 at a local thrift shop, the clock has some potential for restoration. Thrift shops often price items low for quick turnover, and this vintage mechanical clock, though uncommon among donated goods, offers promise. While the case may show signs of wear, a thorough cleaning and a fresh clear-coat finish can easily revive its appearance.
Given the absence of basic issues, apart from a scuffed-up case, restoring this Jauch clock to working order should be a manageable task, making it worthy of a price of more than $1.65, I would think.
While clock sales aren’t my usual trade, occasionally, I part with clocks to cover supplies and fund additions to my growing collection.
Every time I glance at one of the vintage clocks in my collection, I am struck by the exceptional level of craftsmanship and marvel at how a mechanical device crafted over a century ago can still maintain precise timekeeping.
Mechanical clocks are machines designed to measure, keep, and indicate time. Mechanical clocks rely on a combination of essential components to operate accurately, including a power source, gear train, escapement mechanism, regulating device, and display indicator. Each component plays a critical role in maintaining the clock’s accuracy and precision in timekeeping.
For simplicity, our discussion will be limited to mechanical clocks driven by a pendulum.
Let’s examine each function in detail.
Power:
The power source of a mechanical clock comes from winding the spring or lifting the weight.
Clock weights
Energy is transferred from the winder’s hand to the mainspring or weight, which stores the energy. When the clock is running, the energy is gradually released through the gears through the escapement, causing them to turn and power the clock’s movement. This movement, in turn, powers the clock’s hands and other features, such as the striking gears. Essentially, the mechanical energy from the winding mechanism is converted and transferred through various parts of the clock to keep time.
Mainspring for an American time and strike clock
Gears:
Gears, which are circular components with teeth, facilitate the transfer of energy through the gear train and turn each succeeding gear. In the case of the time-side gear train, it connects to the escape wheel, which rotates at a faster speed than the main wheel because of the interplay between the gears.
Reduction gears are commonly used in the striking or chiming mechanism of the clock, which sounds the hour or quarter-hour. The striking mechanism requires a slower and more prolonged release of energy, and reduction gears help to achieve this by slowing down the rate of rotation of the striking hammers.
Fusee
In some clock designs, the gear train may also incorporate a fusee, a cone-shaped pulley with a spiral groove, which compensates for the decreasing tension of the mainspring as it unwinds. The fusee acts as a mechanical amplifier, multiplying the force of the mainspring as it unwinds and compensating for the reduction in power over time. This allows the clock to maintain accurate timekeeping even as the mainspring unwinds.
Overall, the gear train and reduction gears are essential components of a clock’s mechanism, enabling the precise transfer and conversion of energy to power its movement and features.
Escapement:
The escapement allows the power to “escape” at a controlled rate. The tick-tock sound heard from a mechanical clock is caused by the verge catching and releasing the teeth of the escape wheel, transmitting an impulse to the pendulum to keep it swinging.
Escape wheel and pallets
Regulator:
The regulator controls the speed of the clock. Pendulums with longer rods oscillate more slowly, while those with shorter rods oscillate faster.
The rate of the escapement, which controls the release of energy from the gear train, can be adjusted by altering the effective length of the pendulum, which is the oscillating component of the clock’s regulating system. This can be done by adjusting the position of the pendulum weight or changing the length of the pendulum rod. By altering the length of the pendulum, the clock can be regulated and keep more accurate time.
Indicator:
The clock hands provide a visual reference of the current time, while the chimes or alarms provide an audible signal at specific intervals, such as the top of the hour or the quarter hour.
Synergy
Thus, the concept of synergy is essential in understanding how all the individual parts of a clock work together as a cohesive system to achieve the singular purpose of timekeeping. Each component has its specific function, but they all work together in harmony to create an accurate and reliable timekeeping tool.
The large hands of a gallery or dial clock
Mechanical clocks are a testament to the brilliance of their inventors, as many of these machines still run as well today as they did over a hundred years ago. The interaction of these five elements results in a synergy that allows these machines to do one thing: tell time.
A century ago, clock manufacturers understood the power of marketing, and the word “Regulator” became a key tool in their strategy to boost sales. By simply labeling a clock with “Regulator,” they could make it appear more precise and desirable, even if it wasn’t a true regulator. But did this marketing gimmick work? Let’s take a closer look.
Seth Thomas #2, typically used as a railroad time clock
By definition, a regulator clock was, and still is, a clock used as a standard for setting other clocks. Regulators were commonly found in businesses, railroad stations, public buildings, even churches and tower clocks, where townsfolk would adjust their personal clocks based on a clock that was trusted to be accurate. Early regulator clocks played an essential role in keeping communities synchronized in their daily routines.
Take, for example, the Gilbert calendar clock shown below. Advertised as a “Regulator,” it does not fit the true definition. With a spring-driven, time-only movement, it is accurate to within a minute or two per week, which is typical for spring-powered clocks. While the calendar feature is useful and the clock is attractive, it lacks the precision of a true regulator and would not be relied upon for setting other clocks. Still, it had the appearance of an accurate clock.
This Gilbert calendar clock is not a Regulator
Are there exceptions to this rule? As always, there are exceptions. The Welch Spring and Company produced a clock from 1874 to the mid-1880s certified for use in train stations. This double-weight, time-only clock, reminiscent of the well-regarded Seth Thomas Regulator #2, was stenciled with “Regulator” on its access door.
Given its constant weight-driven power and deadbeat escapement, it was likely a very accurate timekeeper and well-suited to any environment where accuracy was critical, such as a train station, business office, or public square.
Double-weight time-only Welch clock– is it a regulator?
This particular Welch clock, now a museum piece at the American Watch and Clock Museum in Bristol, Connecticut, has been meticulously restored. When it was received, the lower tablet was missing, leading to questions about whether it originally came with the word “Regulator” on the access door. The answer is yes, some did, and some didn’t—there was a tick box on the order form for this feature.
So, while the use of “Regulator” on a clock often served as a marketing tactic to imply precision, there are instances where it genuinely signified accuracy. As a general rule, though, it’s safe to assume that many clocks labeled “Regulator” were more about selling an image than offering precise timekeeping.
In the world of clocks, the term “Regulator” was often used as a clever marketing strategy to sell more timepieces by suggesting greater accuracy. While some clocks with this label were indeed precise, many were simply designed to look the part.
As a buyer, it’s important to look beyond the label and evaluate the clock’s true functionality and history before assuming it lives up to its name.
Although there are two dozen clock books in my collection I am always on the look out for more. Some of my books profile various types and styles of clocks, some explore the history of horology while others are concerned with clock repair and case restoration.
Part of every vacation or daily outing in my province of Nova Scotia or elsewhere in Canada involves scouring the used books stores for clock books. Sometimes I am lucky and manage to locate some good ones but quite often I will leave used book stores disappointed.
The table of contents describes what he covers in his book.
Contents of the book
Specialized procedures
Although the book is no longer in print it provides excellent examples of clock repair procedures by describing step-by-step instruction for overhauling and repairing many movements plus the repair and restoration of dials, and cases of antique pendulum clocks. Commonly found clocks that you are likely to inherit or find on online auction sites, flea markets and antique stores are covered.
John Plewes covers clocks from Britain, Canada, the US, France and Germany. There are plenty of diagrams and photos in the book to assist the amateur or expert repair person .
For example, Chapter 4 covers the Pequegnat Regulator #1 8-day movement.
“The finest clock made in America”; Pequegnat advertisement. This clock hangs in the Canadian Clock Museum
The clock is markedly similar to the Seth Thomas Regulator #2 shown below.
Seth Thomas Regulator #2
Plewes makes several interesting points regarding the design of this clock. He discusses the difficulty in finding a replacement weight and often the lighter Seth Thomas weight is substituted which leads to the clock stopping after a while. Plewes is surprisingly critical of the #1 at one point stating that the hands are too heavy since they influence the force applied to the train. The pendulum arc changes when the minute hand indicates 20 minutes after, as against that at 50 minutes. The solution, he feels, is to counterweight the hands or install lighter hands. Plewes opines that the whole point of a regulator is to maintain the constant arc and Pequegnat seemed to have missed that point when designing the clock.
Plewes covers a lot of ground in his book. Some of the advice is certainly beyond the skill level of an amateur clock repair person but if you are interested in growing within the world of clock repair and case restoration it will provide an invaluable resource.
Also included are safety tips, shop techniques, and a glossary of terms.
The book was last published over 30 years ago but If you can find it, and are interested in clock repair from a Canadian perspective it is well worth the cost.
It has taken me 6 years to assemble my collection of antique and vintage clocks. Although I have many clocks, wall clocks are my particular favorites. Check out my collection of antique and vintage wall clocks in this YouTube video I made in January 2019.
Happy Birthday Sir Sanford Fleming, the inventor of Standard Time.
Sir Sanford Fleming (January 7, 1827 – July 22, 1915) was Canada’s foremost railway surveyor and construction engineer of the 19th century and a distinguished inventor and scientist.
CPR steam engine
Sir Sanford Fleming played a crucial role in developing a global system for setting time. Fleming advocated the adoption of a standard or mean time and hourly variations from that according to established time zones. He was instrumental in convening the 1884 International Prime Meridian Conference in Washington, at which the system of international standard time – still in use today – was adopted.
Pinwheel regulator designed for railroads, NAWCC museum
Many regions of Canada and the US observed local time and when coast to coast rail systems were constructed a unified time system was identified as a necessity. In the United States, the problems were severe, with one table showing over 100 local times in one region varying by more than 3 hours.
The first proposal for a consistent treatment of time worldwide was a memoir entitled “Terrestrial Time” by Fleming. Fleming was, at the time, the chief engineer of the Canadian Pacific Railroad, presented a proposal to the Canadian Institute in 1876. He produced modified proposals using the Greenwich meridian. Fleming’s two papers were considered so important that in June 1879 the British Government forwarded copies to eighteen foreign countries and to various scientific bodies in England.
Seth Thomas Regulator #2, a common railway clock
On 11 October 1883, two years after the invention of the toilet paper roll,
S. Wheeler and the toilet paper roll
a convention of railroad executives met in Chicago and agreed to the implementation of five time zones in North America, using as a basis, Greenwich Mean Time. Standard time was introduced at noon on 18 November 1883 across the nation though it was not legally established until 1918.
As we celebrate Sir Sanford Fleming’s birthday it is important to reflect on his contribution to the construct of organizing time; something all of us take for granted in our daily lives.
2018 was a successful year for my horological hobby in many ways. I met interesting people with fascinating stories, discovered new antique clock sources and had fun along the way. The best clock moments, in no specific order, during 2018 were:
Arthur Pequegnat Moncton
Finding an Arthur Pequegnat Moncton double-spring time-only wall clock was a big plus. This clock has been on my wish list for 5 years and I finally found one in excellent condition and the price was within my budget. This brings to seven Arthur Pequegnat clocks in my collection.
Seth Thomas #2 Regulator
The Seth Thomas #2 has been on my wish list for 5 years as well. This single weight-driven, time-only wall clock is from the 1920s. It is Mahogany veneered and like the Moncton is in very good condition. It is now hung in my front entry way.
Seth Thomas Regulator #2
August Schatz & Sohne W3 shelf clock
In August 2017 I asked for help finding a case for my Schatz movement after locating it in an antique store. Little did I realize that I would eventually have that case.
Rear plate
This is the result when you ask a 90 year old cabinet maker and joiner from Virginia to make a case for an August Schatz & Sohne W3 triple chime movement.
August Schatz & Sohne W3 mantel clock
A special thanks to all those who commented on articles and those who send me letters concerning their particular clock problem
Selling clocks
I sold two clocks this year not because I did not like or appreciate them but I must pare down my collection to allow space for new acquisitions. The Juba Schatz “bim-bam” time and strike mantel clock was one
Juba Schatz time and strike clock
and the other, a Mauthe Westminster mantel clock.
Acquiring new tools
Aside from small hand tools acquired this year, the most significant purchase was an L&R Ultrasonic cleaner which does a terrific job of cleaning clock parts.
Ultrasonic cleaner by L&R
Setting up and organizing my workshop
I managed to create space in my basement for an area to work on clock cases and other related woodworking tasks. A new drill press is on the far bench to the left.
New work area in basement
Cuckoo clock
My first cuckoo clock was a gift from my cousin this past year. It is in good working order but it will need a new set of bellows which will be one of my summer projects in 2019.
Dave’s cuckoo clock
Antiquevintageclock.com
I am pleased that my blog has also been very successful with over 93,000+ total views. I would like to thank all those who commented on articles and those who sent me letters concerning their particular clock issue.
I look forward to this new year and I am sure that 2019 will be an equally successful year as I further my horological pursuits.
While browsing through an antique shop in Bloomfield, Ontario my wife spotted an antique glass cased brass time and strike American made Crystal Regulator with open Brocot escapement made by Ansonia. In the 1905 Ansonia Crystal Regulator catalogue it is listed as the Prism at a price of $29.00 which would have been a hefty sum at that time.
Ansonia four glass crystal regulator, after a cleaning
My wife has a good eye for these things. In the meantime, I was looking over the wide selection of Arthur Pequegnat wall and mantel clocks.
What is an American Crystal Regulator?
American crystal regulars were almost exact copies of French regulators complete with stylistic gong block, visible Brocot escapements, round movement plates and beveled glass panels. The French clocks were highly regarded at the time, often had mercury pendulums and were made by Japy, Marti, Vincenti and Mougin. American makers included Ansonia and Seth Thomas. American clocks often had faux pendulums which were commonly slugs of nickel. Though lesser in quality and price they are, nevertheless, quite collectable.
This is a faux pendulum; mercury flows, the metal in this pendulum does not flow
Clock condition
The four glass panels are in very good condition. There is a small corner chip on one glass panel that I noticed several days after purchasing the clock but it is not visible from the front of the clock.
Side view of the movement
The glass was likely damaged when the clock was serviced. Otherwise, the overall condition of the clock is good. The brass was tarnished as expected given its age (1910 or so) and with the help of Brasso cleaner it polished up nicely.
Dial showing Brocot escapement
However, a gentle push of the pendulum produces a few ticks and then it stops. I am not familiar with Brocot escapements and before I do anything I will research the movement before I disassemble it and give it a thorough cleaning.
I will detail the servicing of this movement in a future post.
During my travels through Ontario, I acquired a Seth Thomas Regulator #2, one of my newest additions. I discovered this clock in Bloomfield, a quaint village just minutes from Picton, a major hub in Prince Edward County renowned for its many wineries.
I first spotted the clock during a summer visit to the local antique shop and deliberated over the purchase for quite some time before finally deciding to take the plunge in the fall. These clocks are a rare find, and with the price being right and the clock in excellent condition, it felt like an opportunity I couldn’t pass up.
Perhaps best known as one of the most common regulator clocks in America, the Seth Thomas Regulator #2 was a fixture in many railway stations across the country during the last century—a testament to its accuracy and dependability. Robust, precise, well-engineered, and reliable, this timepiece was manufactured by Seth Thomas from 1860 to 1950, an impressive production run of 90 years. Few clocks can boast such longevity. It is an iconic American clock, and every serious clock collector aspires to own one.
Seth Thomas Regulator #2, circa 1922
A classic style, the #2 changed very little over the years. However, certain design characteristics help date the clock. The following identification guide describes dial and case characteristics that will aid in identifying the approximate year the clock was made.
The most distinctive visible characteristic is the design of the base.
The base of the clock
Aside from the distinctive base, all but the earliest #2s had the pendulum mounted in the rear with “T” hands.
The chart also lists the limited run reissue in 1976. Most Seth Thomas aficionados would agree that while the reissue is a handsome and well-made clock that is a testament to the original it is not in the same realm as an authentic Regulator #2 and the prices for these versions reflect accordingly. However, those who have the reissue seem to be pleased with their acquisition.
ccording to the chart, my clock was made between 1922 and 1929 and features a base reminiscent of the earlier 1860 version of the #2. It has Arabic numerals with spade hands, and the bow-tie connecting the wooden dial bezel to the drop is a single piece (earlier versions featured a three-piece bow-tie). The clock includes a second hand positioned 2 inches above the center cannon; however, it is not a true second hand, as it runs off the escapement and takes 80 beats to complete a “minute.”
Measuring 36 ½ inches in height, the clock is veneered in mahogany. The movement is stamped with “77A” in the bottom right corner, with the letter “K” underneath, but it bears no other markings. While some versions of the 77 movement have lantern pinions, this one is equipped with cut pinions.
Are there issues with this clock? Certainly, it is over 90 years old! There is minor loss on the dial, no label, a finish that has lost its luster and paint splatter on the top of the case not visible from the front. Is it really so hard removing a clock when painting a room!
Is it Perfect?
I brought this clock from Ontario to Nova Scotia by car. Removing the pendulum for transport is not a particularly simple process but if you are familiar with the pendulum arrangement on a typical weight-driven Vienna Regulator this one is no different. Like Viennas, the pendulum is hung behind the movement.
Both the weight and the pendulum must be removed for transport. There is many a story of broken glass when weight and pendulum are free to move around inside the case. To remove the weight, simply unhook it from the cable wheel.
There are minor issues with the dial-face
To remove the pendulum the movement must be taken out. First, the hands are taken off. In this version, the minute hand is held in place with a nut. Older ones have a pin. There are 8 small screws that hold the dial in place. Once the dial is removed, two larger screws on the wooden second-hand rail are removed. Four cylindrical column posts hold the movement in place. Unscrew these beginning with the bottom two and lift the movement out. Once the movement is out, the pendulum can be unhooked from its suspension spring. The entire process takes less than five minutes.
The trapezoid 77A movement with maintaining power in this clock looks clean. There is evidence of having been worked on in the past as there are 4 punch marks around the winding arbour to close the hole; a common practice in the past to close a pivot hole. Otherwise, the movement looks very good.
Trapezoid 77A movement
Getting the clock to run reliably was a challenge and it took a week or so to sort it out. The clock would run for a few minutes and stop.
Following a process of elimination, I removed the movement, inspected it for wear, found very little, oiled the pivots, and returned the movement to the case. I installed the dial, then the hands. The clock would run for a few minutes and stop. I removed the hands and dial; left the dial off but reinstalled the hands. Still, it would run only a few minutes. I then took the dial and hands off. I ran the movement for four days to eliminate any underlying issues and to convince myself that the problem lay in the positioning of the hands. The problem was definitely with the positioning of the hands.
On day five, I put the dial back on, then the second hand ensuring that there was sufficient clearance between the second hand and the face. Next, I put the hour hand on the pipe and pressed it in far enough to clear both the second hand and the minute hand. I attached the minute hand, inspected it for sufficient clearance, and screwed it in place. I started the clock.
Success at last! Regulating the clock is fairly simple and is achieved by turning the rating nut on the bottom of the pendulum. This clock must be level and in beat to function properly.
I used Murphy’s Soap to clean the grease and grime from the case. I chose to leave the paint splatter intact, as it adds a bit of character to the clock. Additionally, I polished the brass weight and pendulum bob to restore their shine.
The view from our front door
This clock boasts a striking appearance and a rich, illustrious history, making it a perfect addition to the front entrance of our home. Unfortunately, its journey over the past 90+ years remains a mystery.
The question of whether it qualifies as a “true regulator” is a debate for another time.
I discovered this Arthur Pequegnat Moncton in an antique store in Bloomfield, Ontario. I had my eye on it during a visit to the antique shop this past summer (2018), thought about it before taking the plunge later in the fall to buy it. These clocks do not come up very often and the price was right.
The Arthur Pequegnat Clock Co. made clocks in Kitchener, Ontario (Canada) from 1904 until the company closed its doors in 1941. The clock firm was originally founded in 1903 by Saas & Ford but was purchased by Arthur Pequegnat the following year.
Canadian clock collectors are very familiar with the name and associate Arthur Pequegnat clocks with solid construction, robust movements, conservative designs and nationalism since many clocks were named after towns and cities in Canada. However, the use of city names began to decline in the late 1920s when models such as the Eclipse and Swan were introduced. Arthur Pequegnat also showed his patriotism to the Royal family and to Canada and therefore named a number of models, the Monarch, the King Edward, the Maple Leaf, the Dominion, the Canadian Time and so on.
Pendulum, beat plate & centre cut rounded bottom
Pequegnat made mantel, parlour clocks, as well as Mission, kitchen, gingerbread, tambour, wall, and floor models (hall clocks). In most households of the period, a clock was a decorative status symbol, not just a timepiece, and was displayed in a prominent place in the home—usually the parlour.
Prices increased over the period the Pequegnats were in business but ranged from four dollars for the Midget to seven dollars for the simple round Toronto model, to $112 for the Alberta floor model in mahogany. The wide variety of designs and relatively low prices appealed to many Canadians. Today, the appeal of these timepieces remains as Pequegnat clocks are sought after by Canadian collectors.
This, the Moncton, is the seventh Arthur Pequegnat clock in my collection. This clock is named after a city in the province of New Brunswick (Canada). It is only fitting that Pequegnat supplied clocks to the railway as Moncton was once a rail hub for the Canadian National Railway.
This clock is in good condition overall. It has a 12 inch Arabic dial with simple, bold numbers. The pierced spade hands are attractive and are a feature on many Pequegnat wall clocks. It has a fumed quarter-sawn oak case, is 35 inches high with a hinged 16 inch oak bezel door that swings to the right to reveal the dial. The drop door is 14 ½ inches high by 10 ¾ inches wide and also swings to the right. The clock is 5 inches deep with wall stabilizers on either side of the case. The pendulum bob is brass over iron with an oak pendulum rod. The dial glass appears to be original and has the “waviness” you would expect with glass that is over 80 years old.
View of lower case
Although the lower glass has the same waviness it appears to have been changed out early in the clocks life as the retaining rails look to be replacements. Unfortunately, it is missing the label. Other minor issues are a small scratch on the dial face that is visible when the light is right and a screw hole on the back panel just below the beat plate to secure the clock to the wall. Evidently the stabilizers were not used.
This clock was made after 1916. Those made prior to that date were inscribed “Berlin” (Ontario) on the dial. On 1 January 1917, anti-German sentiments in Canada during the First World War spurred residents of Berlin, Ontario to change the city’s name to Kitchener. This is the only definitive way of dating a Pequegnat clock so, this clock would be between 80 and 100 years old. The Moncton wall clock was manufactured almost as long as the company was in existence.
The Moncton is a 15-day time-only clock with two winding arbours on the dial face. This is achieved by means of two mainsprings both of which are wound at the beginning of the running cycle releasing their power together. Two other wall clocks, the Regina and the King Edward (variant) were also available with a 15-day double spring movement. However, unlike most spring driven clocks that have recoil escapements this movement has a Graham deadbeat escapement which contributes to its accuracy. The seconds hand is not a true second hand and runs off the escapement taking 80 beats to complete the “minute”. As a testament to its accuracy and dependability many of these clocks were ordered as train station clocks across Canada.
Two winding arbours for double spring time-only movement
The “Moncton” came in two basic styles. One was made for Canadian National Railways and was five centimeters (two inches) shorter than the regular model. Some such as this one, were fitted with a seconds hand on a separate dial above the main hands. This feature is also found on the Regulator I which was Pequegnat’s most accurate model. The 1st Issue was 33 1/4 inches high by 15 1/2 inches wide with the triangular bottom. The 2nd issue of the clock has a height of 33 1/4 inches and a width of 16 inches with a centre cut rounded bottom. The 2nd issue clock is also found with cases that measure 35 inches in height such as this one.
Moncton first issue, Roman Numeral dial
The “Moncton” was first featured in the 1913 catalogue and the again in the 1918, 1920 to 1925 Wall Clock catalogues and Pequegnat’s final catalogue put out in 1928.
The Moncton closely resembles the Seth Thomas #2 in size and shape down to the seconds hand, 80BPM and beat plate but unlike the #2, the Moncton is spring driven. The Moncton was an alternative to the #2 which was a well made American regulator but costlier and with a shorter running cycle.
Seth Thomas Regulator #2
The seller tells me that the clock came from the north of Toronto (Ontario) and apologized for not knowing more about its history. He has had it for about 1 ½ years.
I removed the dial to inspect the movement. As expected it is large and heavy with solid plates mounted to an iron frame. It is not difficult to see that it was designed to be rugged and dependable. I did not check the back plate but judging from what I see on the front plate there appears to be little wear. The first wheel on the right side is the only one that has a newer bushing. Given its condition it was well cared for and did not have a hard life.
Large and heavy time-only movement
This clock has been on my wish list for some time.”Monctons” are up for sale from time to time, but they are getting harder to find. I have seen examples come and go but this one is in great shape and the time was right to add it to my collection.
At 2:00am Sunday morning, the 4th of November, set your clock one hour behind. That is, if you live in Canada. Your time change date may vary according to the country you live in. Consider yourself lucky if your your country does not observe this archaic convention.
If your country uses Daylight Saving Time (DST), you must change your clocks twice a year.
Seth Thomas Regulator #2 wall clock
“Spring Forward – Fall Back” is a phrase most often heard in the USA and Canada. In North America the word “fall” is used to denote the season, while other English-speaking countries call it autumn. Set your clocks forward 1 hour in the spring at the start of DST (Daylight Saving Time), and 1 hour back in the fall when DST ends.
Records show that the phrase “spring forward, fall back” has been in use at least as far back as the early 20th century. It is the practice of advancing clocks during summer months so that evening daylight lasts longer, while sacrificing normal sunrise times.
Need a quick primer on developments and inventions in horology. You have come to the right place.
18th Century shelf clock Porto, Portugal
Though by no means a definitive guide the following are some important dates in the history of the clock as gathered through a number of sources. The difficultly in affixing some dates with precision results from discrepancies among sources.
Horological developments during the centuries before the mechanical clock are left out altogether. Water (Clepsydra) and sun clocks of the middle ages and astronomical clocks of ancient China deserve special mention but are the subject of a separate discourse and are not included here.
Important dates in Horological Development
CA. 1300 – First mechanical verge clock, Europe
1364 – Astronomical clock conceived by Giovanni de Dondi, Italy
1386 – Tower (turret) clock Salisbury Cathedral, England
Salisbury cathedral clock, photo by Dr. Meghan Joiner
CA. 1400 – Fusee invented by Jacobs, Czechoslovakia
CA. 1450 – Table clock with spring and fusee, Phillip the Good of Burgundy, France
CA. 1500 – Mainspring invented, Germany
CA. 1510 – Watch invented by Peter Henlein, Germany
CA. 1560 – Spring driven portable clock, Germany
CA. 1570 – Oldest known clock with a second hand, Orpheus clock, Germany
1637 – Galileo, swinging temple lamp, pendulum control conceived, Italy
CA. 1650 – First tower clock appears in Colonies, America
1656 – Pendulum clock devised by Huygens, Holland
1657 – Verge and foliot gives way to pendulum control, Huygens, Holland
1658 – Long-case prototype made by Fromanteel adapted from lantern clock, England
1660 – Balance wheel conceived by Hooke, England
CA. 1675 – Richard Towneley invents the dead-beat escapement, England
1675 – Balance wheel with spiral spring invented by Huygens, Holland
CA. 1675 – Recoil escapement and crutch invented by Hooke in collaboration with Clement, England
1676 – Rack striking developed by Barlow, England
1680 – 1700 – famous horologists of this era were Arnold, Earnshaw, East, Graham, Knibb, Compion and Windmills of England; Berthoud, Breguet and LeRoy of France
1701 – St Sulpice seminary tower clock (imported from France), Montreal, Canada
1713 – Harrison invents marine chronometer, England
CA. 1715 – Break-arch dial introduced
1715 – Graham perfects deadbeat escapement, regarded as the “father” of the dead-beat escapement
1717 – First tower clock of America, Benjamin Bagnall, Boston
1726 – Mercurial pendulum invented (temperature compensating pendulum), Graham, England
1726 – Wall clock by Thomas Bennett, 8 day brass, weight driven, America
1736 – Harrison’s marine chronometer tested at sea (accurately ascertaining longitude), England
1770 – White dials appear in English longcase clocks
1776 – Independent seconds train invented for watch, Pouzait, Switzerland
1790 – Vienna regulator style case emerges in Austria
1790 – American woodworks clocks begin to be appear
1802 – Willard patents his banjo clock, America
1806 – Terry introduces Pillar and Scroll clock, America
1809 – Martin Cheney leaves America to set up a clock-making shop in Montreal, Canada
1810 – Carriage clock (Pendule De Voyage) introduced by Breguet of France
1818 – Heman Clark makes wrought brass movement for Pillar and Scroll case, America
1825 – Rolled brass production begins in America
1837 – Noble Jerome 30-hour brass movement patent approved, America
1840 – American brass movements in mass production
1842 – American brass movement clocks exported to England by Chauncey Jerome
1845 – Wood-works movement production ends, America
1850 – Westminster tower clock designed by Lord Grimthorpe and made by Dent, England
CA. 1850 – Brocot (pin-wheel) escapement and pendulum suspension introduced, France
CA. 1850 – American mass production of watches begins
1860 – Junghans (Germany) sent to America to study American mass production techniques
1870 – Decline in English long-case clocks
1874 – Mass production of mantel and wall clocks begin in Whitby, Canada,
1900 – American clock production is at its height; makers are Ansonia, Ingraham, Gilbert, Howard, New Haven, Seth Thomas, Waterbury, and Welch
1904 – Arthur Pequegnat begins clock production in Berlin, Canada
1906 – Eureka electric clock introduced, America
CA. 1910 – Torsion pendulum clock (400-day) introduced, Germany
1920-40 – Decline in American mechanical clock production
1941 – Arthur Pequegnat ceases production, Canada
CA. 1960-70 – End of mass produced mechanical clocks, America (though cheaper Japanese, Korean & Chinese mechanical clocks flood North America)
Present day – Some movement and clockmakers remain; Howard Miller (Ridgeway), Keininger, Hermle, Chelsea, Jaeger LaCoultre among others
The clock is one of mans greatest achievements. The development of instruments to tell time is the unwavering toil of brilliant minds from many disciplines who, over 800 years, worked tirelessly to create, innovate and improve methods for telling the time.
Horology is not only the study of time but the synergy of art, joinery, fashion, design, décor, physics, engineering, metallurgy and mathematics. Indeed, the study of the mechanical clock is a microcosm of our society.
I have been to Middleton, Nova Scotia many times. I have even passed the Macdonald Consolidated School where the clock museum is located without realizing what treasures lay inside. The clock museum represents a small section of the museum, the remainder of which is dedicated to the history of the area.
In the Spring of 2018 my wife and I set off on one of our many mini staycations. On my agenda was a visit to this museum and I was not disappointed.
Macdonald Museum main clock exhibit area
Holbeck made tall-case clock
It certainly ranks as the best exhibit in Atlantic Canada
Off highway 1 on School Street, Middleton, Nova Scotia stands the Macdonald museum. I had some expectations because I had been to two well respected clock museums, the NAWCC museum in Columbia PA. and the Canadian Clock Museum in Deep River, Ontario. Though not on the same scale as these two, it certainly ranks as the best exhibit in Atlantic Canada.
The Annapolis Valley Macdonald Museum is home to the Nova Scotia Museum’s collection of over 150 antique clocks and watches. This permanent exhibit showcases items collected by the late Norman Phinney and was one of the primary reasons for establishing the Macdonald Museum. Many of the clocks are in working condition. There are a wide variety of clocks and watches on display, with some dating back to the late 17th century. Anyone interested in clocks would do well to see this exhibit – one of the best in Eastern Canada.
The museum is well laid out with enough information on each of the clocks on display to satisfy the general public and clock enthusiasts alike. Each display highlights its significance as an important development in horological history. We were alone as we walked though the main exhibit area and an adjacent room which contained a fascinating old clock-maker’s shop and a well laid out and informative interactive display on how mechanical clocks work.
Clock-maker’s shop
How mechanical clocks work
At least one example from the Baird Clock Co. of Montreal and five examples from the Arthur Pequegnat Clock Co. of Berlin (now Kitchener) Ontario were on display including the Arthur Pequegnat Regulator #1, that the company once advertised as “The finest clock made in America”.
Baird clock from Montreal
Arthur Pequegnat Regulator #1
None of the clocks were running, however. Though the clocks appeared to be in excellent condition, the sound of ticking clocks make for a more authentic experience. All other clock museums make a practice of running some clocks on a rotating basis at any given time.
At the entrance to the clock collection there is a simple plaque dedicated to Norman D. Phinney. Learning more about Norman D. Phinney, his contribution to the Macdonald Museum and the story of how the museum received his clock collection would add to the experience.
Norman D Phinney
If you are a clock fan or even if you only have a casual interest in the world of horology, this small clock museum may surprise you
Though perhaps not within the scope of Phinney’s original collection, examples from the Canada Clock Co. and the Hamilton Clock Co. or more peddlers clocks from Nova Scotia and New Brunswick would have provided an enhanced Canadian horological perspective.
Steeple or sharp Gothic clocks
However, these are minor quibbles and should not detract you from appreciating the high quality of the exhibits which contained British, American, French and Canadian examples or the many styles that included Pillar and Scroll, tall-case, shelf, beehive, steeple, drop octagons, mantel, alarm clocks and Ogee clocks, all of which were well represented.
If you are a clock fan or even if you only have a casual interest in the world of horology, this small clock museum may surprise you.
Oh, and while there, visit the rest of this fascinating museum.
Tick-Talk Tuesday is about the letters and comments I have received from you, the reader, concerning your clocks, issues you might have had and challenges you face and my responses to your questions with advice on your particular clock concern(s) and of course, general comments. For those comments and questions that stump even me, I consult within my clock circles for the best possible answer.
On my trip to Cuba in March of 2016 I happen to capture a number of interesting clocks. The two pictured below prompted a comment from JC.
Wm Gilbert clock found in a restarant
Malaprade Floor clock
The first two clocks are the most interesting to me. The Gilbert looks fairly standard (often called a “Store Regulator”) but I think it’s been painted black. Normally these are in oak cases, occasionally (but rarely) in walnut. The colour would have matched the interior back.
The second clock looks like a fine and expensive Jeweler’s Pinwheel Regulator. I’m wondering if you’re wrong about it being spring driven. These are normally always weight driven. The weight normally hangs behind the pendulum. Is it possible you didn’t see the weight? The movements from these are almost always Swiss made (near the Jura region of France), with pinwheel escapements. They are VERY EXPENSIVE clocks. The movement alone would fetch around 1000$. I have no idea what that circle is on the dial. I’ve seen some with inlaid marble dials, but most have enameled dials like this one. Cases can range from plain to extremely elaborate, and from 5 feet to 9-10 feet.
The name and place on the dial is the retailer where the clock was sold. It is never the manufacturer (this is typical on all French and some Swiss clocks of this type/vintage – the same is true of Comtoise clocks and French mantle clocks).
The rest of the clocks (with the exception of the 2 figure 8 wall clocks) seem to be imported German clocks from 1930 and later. These include both tall clocks and all the 400 day clocks shown. The figure 8 clocks are either American or Asian made copies (likely from Japan) from the early 1900s.
In 2014 during a visit to Portugal I had a chance to visit one of the country`s premier museums in Lisbon.
They had a magnificent collection of antique clocks but this particular clock attracted my attention. This weight driven “Regulador” was made by Burgh, Bernard (II) van Risenburgh in Paris between 1745-50. It is made of oak with exotic woods and bronze. The style is Rococo or late baroque, very ornate with elaborate though balanced and a less angular asymmetrical design.
Gustav Becker Vienna Regulator Braunau factory circa 1902
It has been one year since my wife presented me with a Vienna Regulator wall clock as a retirement gift. I was in heaven! I always wanted a Gustav Becker clock. I thought it was the holy grail of clocks. As I delve more deeply into this hobby and have the benefit of a greater knowledge of the world of clocks this past year I am learning that there were other more desirable makers of that period (1850s to 1900) but I have my Gustav Becker and I have no regrets.
It has been an interesting time and one of the most significant horological experiences for me in the past year. This clock has taught me a lot.
The hands may look nice but they are incorrect for the period
This was a project clock and my first experience with a non-working clock that bought with it a number of not insurmountable issues. The side and front glass panels may look original but they are replacements after the glass broke during shipping. I brought it to a local glass shop and they installed the glass. I should have bought a old window with the wavy glass to use as a replacement as one reader suggested. I just did not think of it at the time.
The original movement was missing vital strike side parts
The original movement was missing vital strike side parts. Fighting with the seller who misrepresented the condition of the movement got me nowhere. I had to find a replacement movement and it had to be from Gustav Becker’s Braunau factory. Finally, I located a donor movement from Poland. The serial number on the Poland movement told me that it was 16 years newer. Some minor details differentiated the older and newer movement but it was exactly what I was looking for. It was a perfect fit for the case and correct for the pendulum length.
To the casual observer it is a beautiful wall clock befitting the grand period of German clock-making a century ago
What have I learned this past year? I put more than three hundred dollars of repairs into this clock above and beyond the original cost, much more money than the clock is worth. Don’t even get me started on import duties and shipping from the US. I am still riled about that. I am extremely reluctant to make any future clock purchases that require shipping by mail/courier. Others have had positive experiences with shipped clocks – I did not. I find it too much of a gamble. I prefer to buy my clocks in person! Though I won’t go into further detail, this was not a positive buying experience and after a year I am still fighting for compensation from the seller.
Original GB movement with parts missing
How does it look on the wall? A trained eye will see the minor incongruities. To the casual observer it is a beautiful wall clock befitting the grand period of German clock-making a century ago.
This is Part I of a multi-part blog wherein I explore the challenges of repairing a Sessions Westminster A tambour style time, strike and chime mantel clock. This part is the introduction.
Th Vintage Sessions Westminster A mantel clock
In August 2015 I wrote, “This a good project clock that is not for the inexperienced. As I gain more knowledge I will tackle this most interesting clock.” Well the time is now.
Well, it’s been two years and I have looked at this clock often enough and wondered what it would be like to finally get it running. Time to take the plunge.
The Sessions Westminster A mantel clock was made in Forestville Connecticut, USA. The first year of production for this model was 1927. Between 1903 and 1933 Sessions produced 52 models of mechanical clocks, ranging from advertisers, large and small clocks with logos of various businesses, to wall, or “Regulator” clocks, and shelf or mantel clocks, designed for the home.
Some Sessions clocks from this period are prized by collectors. The Westminster A is particularly sought after though collectors prefer it to be serviced and in running condition.
Raised Roman numerals and faux inlay
The case is in exceptional condition
The clock is tricky to repair and most horologists prefer to stay clear of it
This clock is 21 inches long and 10 inches high, has a mahogany finish with faux wood inlay and raised metal gold-coloured numerals on the dial face. It is a quarter-hour 8-day Westminster chime clock operating on two trains, the going train (time) with the strike and chime train combined. It also has small arbour just below the hour cannon to turn off the chimes/strike and is called “Silent Chime”. Sessions was not alone in producing two-train clocks and other makers incorporated this design later in the 1930’s and 1940’s. However, Sessions was probably the best known for this feature. This clock was sold in 1931 (inscription on label, back of access door). The sale price was $29.95 which would have been substantial considering a working man’s salary in those days.
Sessions Westminster chime drum
The clock is tricky to repair and horologists will generally try to stay away from it. I will be going through a step-by-step process and relying heavily on Robert Croswell’s excellent instructional manual called Taming the Sessions Two Train MovementFebruary 2016 edition.
In August 2015 I wrote, “This a good project clock that is not for the inexperienced. As I gain more knowledge I will tackle this most interesting clock.”
I have done some bushing work and from what I can see there is certainly bushing work to be done. I have removed the movement once before to replace a bad click which as easy fix since the mainsprings can be removed without dis-assembly. The click holds the tension or power of the mainspring and is identified by a clicking sound when the key is turned. But the real challenge will begin as I attempt to understand how the chime mechanism works and if I can re-assemble it successfully.
Follow me as I dis-assemble, clean and repair the movement in Part II.
This article will explore the notion that a Vienna Regulator clock is not a true regulator. I realize that any discussion of regulator clocks produces a wide variety of conflicting opinions, nevertheless, here is my take subject of the Vienna Regulator and why it is not a true regulator.
The word “regulator” is loosely defined but according to this definition it is a master clock, usually of great accuracy, against which other clocks are checked. Respected collectors like Derek Roberts tend to stay away from defining a regulator clock and instead refer to them as precision pendulum clocks. In this article I will present three examples for the reader to consider.
Every clock that has the word regulator on it is not a regulator
Every clock that has the word regulator on it is not a regulator. Think about it. Why would a clock manufacturer put the word “regulator ” on a clock? It is simply a marketing ploy. The term “regulator” is one that connotes accuracy but in the frantic world of clock marketing it is a word that sells plenty of clocks.
If it was expressly designed as a precision pendulum clock it can be called a regulator
Definition of a regulator
It is not difficult to define a “regulator” by its mechanical characteristics. Regulator clocks were invented in the late 18th century as a quest for greater timekeeping accuracy. If the clock was designed as a precision pendulum clock it can be called a regulator. The principle features of a regulator clock are:
Quality weight driven device,
With maintaining power,
A heavy pendulum (not necessarily mercury),
Generally eight-day movement, though some are more than 8 days,
Has some form of temperature control compensation,
Has a seconds dial,
Is 60 beats per minute,
Has one gear train
Features a deadbeat or pinwheel escapement and
Is expressly engineered to keep accurate time.
Complicated features like calendars and strike trains are omitted in the quest for accuracy. Regulators were (are) capable of extreme accuracy for a mechanical clock.
Does the addition of a strike train take a clock out of the regulator category? In theory, yes. The strike train takes some of the accuracy out of the clock, as the time train produces more friction when lifting the strike levers. If we accept the definition of a regulator as an extremely accurate clock to be used as a time standard, you will not find a strike train on these clocks.
Here are three examples
Example number 1. Arthur Pequegnat Regulator #1, A Handsome Clock, fitted with a Movement which is un-excelled”, Beautiful Finish on both Movement and Case, (Arthur Pequegnat advertisement)
The Arthur Pequegnat Regulator #1 clock is often compared to the Seth Thomas Regulator #2 as a precision regulator. Many Regulator #1 clocks found their way into offices and rail stations all across Canada. The Regulator #1 is the best timekeeper made by The Pequegnat Clock Company of Kitchener Ontario (Canada). The company states this in it’s advertising: “A Handsome Clock, fitted with a Movement which is un-excelled“, Beautiful Finish on both Movement and Case” and “The Finest Office Clock Made”! They are weight driven, time-only, at 80 beats per minute, had a deadbeat escapement, with heavy pendulum, eight day movement with a brass weight hung on an iron bracket, maintaining power, a seconds dial and were designed to keep accurate time. It was a reasonably accurate clock used as a time standard.
However, some would argue that at 80 beats per minute it would not be considered a true regulator.
Is this Arthur Pequegnat Regulator #1 a regulator?
Example number 2. Mauthe “Horse Crown” time and strike spring driven wall clock.
The clock you see in the photo below is typically advertised on online for-sale sites as a “Vienna Regulator”. It is an attractively designed 1890s spring driven, time and strike clock made by Frederick Mauthe. Those individuals who sell these clocks have no hesitation in calling them Regulators. Let’s apply the definition above.
Is this a precision regulator?
A spring driven movement disqualifies it immediately.
Is it not capable of extreme accuracy.
It is 116 beats per minute
Was it conceived and designed as a precision clock? No!
Is this Mauthe horse crown wall clock a Vienna Regulator?
Example number 3. Miniature one-weight Vienna Regulator
This is an Austro-Hungarian era time-only weight driven clock made in the early 1870s. Many would accept this as a Vienna Regulator and would have no hesitation advertising it as such. It has a deadbeat escapement, it has one weight, is a time-only movement, has a heavy pendulum, with an eight day running time and has maintaining power.
Is this one-weight miniature Vienna wall clock a regulator?
Let’s apply the definition above.
Is this a regulator? No!
There is no seconds dial, and, is
80 beats per minute
Is it capable of extreme accuracy. No!
Was it specifically designed as a precision clock? No!
Granted, it is capable of some accuracy but it is not a reference timepiece. However, there is little doubt that some post office and rail clocks in the Vienna style such as this Wilhelm Bauer post office wall clock (below) were considered “regulators” in their day when common folk set their watches and clocks by them.
Is this Wilhelm Bauer post office clock a regulator?
The Vienna Regulator clock and its characteristics
The Vienna Regulator is a particular style of clock made in Germania or the Austrian empire. They are characterized by finely crafted (ornate at times) cases with accurate movements. While they were capable of keeping good time, they were not designed as a precision instrument and were not capable of extreme accuracy. They have some but not all the characteristics of a regulator but they are not a true regulator. While the Vienna Regulator may not be true regulator it reflected not only the style and craftsmanship of the period they were made but the quest for accuracy. No one can argue that the best workmanship and attention to detail were put into the many clocks that were produced during what some might call the pinnacle of clock design and engineering.
As much as they are called regulators the three examples presented above are not true regulators. Regulators were (are) capable of extreme accuracy for a mechanical clock and nothing I have in my collection remotely qualifies as a regulator.
However, in the world of clock collecting and repair it is perfectly acceptable to continue referring to them as regulators since they are generally accepted as such. The word regulator has become part of the lexicon of collectors even if they do not strictly fall within the definition of a true regulator clock.
This is what happens when you get a clock in a box. Call it a collection of parts, pieces and dust. This is an antique German Junghans time and strike spring driven clock made in the style of a Vienna Regulator. There is no serial number on the movement, dating the clock to 1899 or earlier (in 1900 Junghans began to number their movements). To some a box of clock pieces is discouraging but to me it is a challenge.
Where to start?
It was advertised on a local online for-sale site as a clock that fell off a wall during the Halifax Explosion and I thought, well, that’s an intriguing story! As most Canadians know, the Halifax Explosion was a significant event in Canada 100 years ago.
On the morning of 6 December 1917 the SS Mont Blanc a French cargo ship laden with high explosives and Benzol collided with the Norwegian vessel SS Imo in the Narrows, a strait connecting the upper Halifax harbour to Bedford Basin. A fire on board the French ship ignited her cargo, causing a large explosion that devastated the Richmond District of Halifax. Approximately 2,000 people were killed by blast, debris, fires and collapsed buildings, and an estimated 9,000 others were injured.
The result was the largest human-made explosion prior to the detonation of the first atomic bombs in 1945. Nearly all structures within an 800-metre (2,600 ft) radius, including the entire community of Richmond, were obliterated. This clock is a witness to that day. In 1918, Halifax sent a Christmas tree to the City of Boston in thanks and remembrance for the help that the Boston Red Cross and the Massachusetts Public Safety Committee provided immediately after the disaster. That tradition carries through to this day.
The case is cleaned up and we are visualizing where the parts go
It appears that the parts have literally sat in a box for the past 100 years.
The blast not only shattered the glass panels but heavily damaged the box frame. It appears that most of the parts have literally sat in a box for the past 100 years. I cannot imagine when the movement last worked, probably ticking its last on that fateful morning in December. Since the box frame was damaged beyond repair following the explosion, the seller, an amateur woodworker, built a new frame made of softwood and oak veneers some 30 years ago. You can see the lighter coloured pieces in the photo below that were never stained and finished. He admits that he knows nothing about clocks and eventually lost interest in the project. I am impressed with his skills since the work on the frame looks solid and well constructed.
Top centre final is missing as well as two other finials
The top centre final is missing, two other finials and some small trim pieces
Why was he letting it go? He said there had been a change in his life and it was time to move on. When I asked him about the history of the clock he said that his wife’s grandparents lived on Princess Place in North End Halifax. Princess Place is further south of the main area of devastation so houses in that area would have sustained heavy structural damage. The clock was blown off the wall by the blast wave. The clock remained in the family all these years, the seller having received it from his wife’s aunt.
I took it home stared at the box for a while trying to decided whether or not I made the right decision. I then set to determine what steps I should take to restore this fine clock. I poked through the box to see what was there and began to itemize the parts, arranging them on the case as best I could and proceeded to clean the case and determine the next steps. I was fortunate to have had someone send me the actual catalog image of the clock which you can see below.
The clock is called the Crispi by Yunghans. Yunghans is a reputable German clock-maker and continues in the watch business to this day. This is what the clock should look like and it will be a excellent guide for restoration. There will be obviously be some subtle differences between my clock and the clock in the catalog when the project is completed but to the casual eye it will look exactly the same.
The Crispi model in the 1902 Junghans catalog
Junghans trademark
Time and count-wheel strike movement
I have ordered the following parts from Timesavers; 3 new finials in the style that best fits the clock, 2 door hinges, 2 door latches and some trim pieces. I will have to build the bases for the finials from scratch. The lower section of an oak spindle will do just fine. There are other trim items that are missing but I will strategically arrange the remaining trim pieces as best I can.
Oak stairway spindle
The best news is that the movement is complete and in working order. The movement ran for a day on a test stand before I stopped it. It needs a very thorough cleaning which will be the next step in this project.
In Part II I will describe cleaning the movement and any issues that may arise as a result of disassembly.
In Part III I will explain the procedures involved in the case restoration once the remaining parts arrive.
It is a question many clock owners face when confronted with a nonfunctional antique or vintage clock. Whether it’s a handed-down family heirloom, a vintage find from a flea market, or a sentimental gift, deciding whether to invest in repairs can feel daunting. Beyond its monetary value, a clock’s worth often lies in its history, craftsmanship, or the memories it holds. In this article, we’ll explore key factors to consider—such as the clock’s condition, sentimental significance, and potential repair costs—to help you determine whether restoring your clock is the right choice for you.
1) Sentimental value:
An antique clock passed down through generations often carries more than just the weight of its years; it holds the stories, traditions, and memories of a family or a special person. Such a clock may be destined to continue its legacy with future generations.
Similarly, a clock might hold personal significance as a cherished anniversary present, a thoughtful retirement gift, or a token of friendship. In these cases, the emotional value far outweighs its replacement value, making the clock truly “one of a kind” and irreplaceable. Repairing a clock with this kind of sentimental importance is unquestionably worthwhile. When entrusted to a trusted, professionally certified repair person (horologist), the restoration ensures its continued presence in your life, regardless of its resale value.
For instance, my 114-year-old Gustav Becker two-weight Vienna Regulator, a retirement gift from my wife, holds immense sentimental value. Initially purchased as a project clock on eBay, it required substantial investment to function correctly. Today, it looks stunning and runs beautifully, but repairing it wasn’t about the cost; it was about preserving something irreplaceable. In such cases, the expense of repair becomes less of an investment and more of a necessary operating cost to keep a beloved treasure alive.
Gustav Becker two weight regulator, a retirement gift from my dear wife
I own a Ridgeway grandfather clock that I plan to pass down to my children. It holds deep sentimental value, reminding me of a clock my wife and I nearly purchased over 30 years ago. At the time, we decided not to proceed with the deal but made a promise that we would one day own a grandfather clock like it. That promise was fulfilled in 2012 when we found a Ridgeway Hamilton Country grandfather clock, made in 1996 and in pristine condition. If and when it eventually requires repair, the cost may equal its market value, but to me, the repair would be well worth it. Its sentimental significance far outweighs any monetary considerations.
Ridgeway Hamilton Country Westminster chime tall clock
2) A decorative item: The second type of clock is one with no emotional value—purely a decorative piece that no longer works. Perhaps it was a flea market find you got running for a time, but now it has stopped. In this case, you have two options: let it sit as a decorative item or repair it. When considering repairs, the replacement value of the clock should play a key role in your decision. If the repair costs exceed the cost of replacing the clock, it may make more sense to simply replace it.
However, if you have the tools and skills to repair it yourself, weigh the cost of new parts against your time and effort. For quality clocks, even a full overhaul of the movement may cost less than the clock’s actual value. With common antique clocks, such as American mantel or wall clocks, repair costs often approach or even exceed their market value. For rare or unusual clocks, however, repairs are typically more economical relative to their value, making the investment worthwhile.
3) Collector value: The third category includes clocks with collector value.
If a clock has been purchased as an “investment,” for resale, or simply as part of a collection, the repair costs should not exceed its overall value. For high-grade clocks requiring repair, especially if parts are unavailable, it’s important to carefully consider whether repairing it is worthwhile. When selling a clock, remember that buyers almost always prefer one in working condition, and as original as possible, so minimal repairs may enhance its appeal and value.
For example, I recently acquired a miniature Vienna Regulator. Not only is it in good working order, but it is also in exceptional condition—an impressive feat for a clock that is 145 years old.
One-weight Vienna miniature wall clock, circa 1870
For collectors, determining a clock’s value can be challenging, especially with the significant fluctuations in clock prices in recent years. However, certain types of clocks, such as high-quality French bracket clocks, English lantern clocks, carriage clocks, and jeweler’s regulators, have managed to retain their value. Clocks that are unique, exquisitely crafted, low-production, or one-of-a-kind are typically far more valuable than common, mass-produced examples.
4) Quick re-sale: The final category includes clocks purchased for quick resale.
Many individuals buy and sell antique and vintage clocks purely for profit, often through online marketplaces or specialized sales. When acquiring a clock with the intent to resell, it’s important to factor in both the time and cost of repairs or parts needed to make it marketable. Since buyers almost always prefer a functioning clock, a fully serviced clock is not only more desirable but can also command a higher price than one left unserviced.
This Ingersoll-Waterbury mantel clock (photo above) was purchased at a flea market for a very reasonable price and has since been fully serviced. If I were to sell it, I would need to recover the initial purchase price along with the cost of my time and supplies.
It’s worth noting that many clocks sold on online marketplaces are marketed to unsuspecting buyers. Sellers often claim the clock is in “excellent running condition” while adding a caveat that it “may require adjustment after shipping.” If you’re involved in buying and selling, keep in mind that buyers are often looking for a bargain. Additionally, you may not always achieve the price you believe your clock is worth, so pricing realistically is essential.
Final thoughts
There are many reasons why people acquire antique and vintage clocks. Deciding whether they are worth keeping or repairing ultimately depends on your purpose—whether it’s for profit, sentimental value, or a passion for collecting, as it is for me. Each clock has its own story and value, and understanding your connection to it will guide your decision.
My quest for a one-weight Vienna Regulator ended this past week and I am now in possession of a miniature rather than a traditional antique Vienna wall clock. Here are first impressions back in 2016.
Top showing face, hands and crown detail
This attractive unmarked Vienna Regulator one-weight (time-only) clock is 34 inches long 4.75 inches deep and 11 inches at it’s widest point and 8.5 inches at the waist. There are no markings on the movement. My research tells me that very few Austrian clocks have markings on the back plates. There are indications that the lines and style suggest Austro-Hungary, about 1870. The maker, however is unknown.
I believe that this clock is a transitional clock that forms the link between the simplicity of the earlier styles and the extravagance of the latter. Where the earlier pieces rarely have columns on the side of the door, the transitional clocks have either broken columns (tops and bottoms of columns with hanging finials) or slender, elegant columns. In comparison, the hallmarks of the Alt Deutsch clocks were full, and typically fluted columns with Corinthian pediments and rectangular panels at the base. The four-posted keyhole mounts were common throughout the transitional period. Most dials are two-piece porcelain with spun-brass bezels.
Transitional Vienna Regulators typically have wooden pendulum rods and brass bobs with zinc backs. The cases were typically made with walnut, cherry and other fruit wood veneers. There are not as many ebonized or faux (false-grained) finishes in the transitional style cases.
one-weight Vienna wall clock
Grain in two directions
This is a high quality clock housed in a beautiful walnut wood veneered case. The case is in excellent condition save for a few scratches near the door catch from the small brass hook moving back and forth and two small pieces of veneer missing on the uppermost right side that are not visible when looking at the clock head on.
The case is adorned with an attractive crown that is part of the clock unlike similar clocks that have removable toppers. Two finials finish the top. The finals do not appear to be original but are consistent with the style and age of the clock. The twin pillared tapered columns on either side start at the top and narrow towards the bottom of the case, an unusual feature and evidence of skilled craftsmanship. Curiously the left corner rectangular column piece is slightly longer than the right piece. The case is correctly finished on the bottom with a middle and corner finials. On the sides are two brass screws (or standoffs) for leveling adjustment.
One of two standoffs
Bottom finial is notched
Top finials originally might have been larger
Inside the case is a porcelain beat scale and large pendulum. All of the glass is original and in good shape. The interior glass clips used to secure the glass to the inside of the frame appear to be a later addition. The front glass which shows characteristic waviness and small imperfections are consistent with the age of the clock.
Bottom showing beat plate and finial detail, notice waviness of glass
Bottom finials
The simplicity of the time-only movement is what makes them last so long and remain easy to maintain. The four-posted key-hole mount is typical of a Germanic or Austrian clock. The Graham deadbeat escapement assures accurate timekeeping.
Four-posted key-hole mount
Side view of movement showing deadbeat escapement and gear train
Escapement
Escapement closeup
Case showing mounting bracket and suspension spring slot
Back board
The brass weight is hung from a brass pulley by mean of catgut cable. The dial is a two piece porcelain with inner and outer brass bezels surrounded by roman numerals with bold but delicately styled hands. The winding arbour is framed in brass. There is some crazing on the dial consistent with aging.
Slight crazing on the porcelain dial
The original clock key is a winding type with wooden handle.
Winding crank
There are stylistic elements that suggest that the clock is Germanic or Austrian such as the elaborate clock hands, the tapered pillars, and integrated crown. So, is this clock a Germanic, Austrian or Austro-Hungarian regulator? I am very pleased with my purchase and I believe that I bought a quality clock that, according to my research, was made in or about 1870. If you know the answer or can point me in the right direction I can be one step closer to solving this mystery.
In the year or so I have been running this blog I never imagined that it would have achieved so much. It is at 8500 and climbing page-views.
In the late spring of 2015 I attended a workshop on WordPress blogging. I was impressed how a powerful blog tool it is. I had already had some experience blogging and still maintain my Blogspot site though it was always intended to be a general interest blog only. However, I had been collecting antique and vintage clocks for about 4 years and I wanted to narrow the focus to clock collecting / repair so this was a good time to start a brand new blog and explore something more in line with my current interests.
Like any blog the first 2-3 months was a little discouraging. I was getting very few page-views, struggled with the content and tried to improve my writing style. I am sure that many out there become frustrated to the point of quitting but I was determined to press on.
Things began to pick up in the fall of 2015 with a steady increase in daily page-views. Obviously someone out there in cyberspace was interested in what I had to say. It is a lot of work and I also discovered that to improve traction to the site I had to reach a wider audience and use social media more effectively. I slowly learned that I had to not only appeal to those with a modest interest in antique clocks but those with a deeper knowledge thereby striking what I think is a comfortable balance.
Because my own knowledge about clocks was expanding I was more at ease with the content and I was developing a writing style that felt more like me. I also learned that in writing one has to edit often to ensure that the message is exactly what you intend it to be. I often save up to 20+ drafts before I publish (yes, WordPress has a really nice “save draft” feature.
I have received many comments in the last few months. Some offer suggestions and advice on projects I am working on while others are looking for direction on their particular clock problem. As for for advice given to me, I do what I can within the limits of my knowledge. Even those readers with more extensive knowledge graciously comment which I appreciate. Suggestions and the critiquing my work is all part of my learning.
As for some of my stats. My best day was in February of this year when I hit 109 page-views. On a good day I receive 45 or more page-views while the average is 32 per day with roughly 257 per week. Monday is my most active day. I have 259 followers and a few who comment regularly. I have been viewed in 88 countries. The top 6 are; USA, Canada, United Kingdom, Australia, Romania and South Africa. I am sure that there are a great many sites which do far better but I am encouraged by the steady rise in interest from those from around the world from month to month as I make continued improvements.
Since I am an amateur photographer, clocks and photography have become a happy marriage, especially the area of macro photography. Below is an example of a floating balance from a Dugena mantel clock taken with a 50mm Olympus Zuiko lens. I am using a 10 year old (old by digital standards) Olympus E330 as my go-to clock camera.
Floating balance from a Dugena mantel clock
I am also producing short YouTube videos with a Panasonic G6 which you can see on this blog from time to time.
Panasonic G6 interchangeable lens camera
Is blogging fun? Of course it is, but it is also a lot of hard work.
Let me know what blog experiences you have had that have been positive or negative
I do not mean marriage in the traditional sense. In the clock world a marriage is defined as a bringing together of parts to make a complete functioning clock. Among clock circles it is generally accepted that if a clock has significant parts from another source, such as a movement, pendulum, weights, put into a different though correct case it is considered a marriage.
Gustav Becker 2-weight regulator
If it has a large number of parts from a variety of sources, even parts not original to the period or correct to the clock it might be considered something else. See my previous post for a discussion on Frankenclocks.
I am in a bit of a quandary.
I have written a number of blog posts concerning a Gustav Becker two-weight regulator clock that I bought in February. I am fascinated by what I have learned about this clock but the journey has been both enlightening and frustrating as I attempt to get it to run reliably.
I purchased it as a project clock and knew that I would have to source parts that were missing from the movement which the seller disclosed at the time of sale. I decided to buy another GB movement. About a month after I bought the clock my search on EBay bore fruit. The movement I found (from Poland!) was a Braunau movement which is the same factory but newer by 16 years (1902 versus 1918). It was an excellent fit for my clock project since up to 90% of the parts are interchangeable and the price was very reasonable.
Clock face with replacement VR hands
My intent was to part out the 1918 movement to supply the 1902 movement with the parts I needed such as two springs, a snail / star wheel, hammer assembly and gathering pallet. While I took what I could from the 1918 movement to get the original movement running I had mixed success. It ran well for a while and then it would stop and lock up for no apparent reason. It stopped several times. Each time I took it apart, inspected the parts I thought might be problematic but found nothing amiss. After I dis-assembled, cleaned and oiled the movement each time I had it out, I returned the movement to it’s case and the clock would run for a while, a couple of weeks, a couple of days, hours perhaps before it would just stop abruptly. I am sure that if I investigated further I would find a slightly bent pivot, worn pinion or problematic gear tooth somewhere. Now for plan B.
Weights for Regulator clock
I thought, well I do have the 1918 movement, why not switch them and see what happens. I returned all the parts such as star wheel / snail, springs, hammer assembly etc. from the 1902 movement to the 1918 movement and hoped that the 1918 movement once installed in the case would run and run well. I was initially concerned that the newer movement, a P27 requiring what I thought was a longer pendulum would not fit the case case but it seems to be sized perfectly. It is a mystery to me how pendulums are measured. The movement has now been in the case for the last fourteen days and it is not only running well but keeping excellent time.
The question remains, should I leave the 1918 movement in the case since it is now running well? Although it is the “correct” movement though not the original one, could the clock now be considered a “marriage”? The answer is, yes!
If I were to sell the clock I would disclose that the movement is not original to the case which would certainly affect its overall value. I could make the deal more attractive by providing the original movement as part of the sale considering that it is repairable, if I sold it! These situations occur quite often in the world of EBay et al when the clock seller chooses not to give too much detail in their description of the item when they know some parts are not original. Furthermore, from a buyers perspective there is no guarantee that the clock they are looking at is 100% original.
Gustav Becker clock occupying a prominent location in the living room
This is my first marriage. Would I do it again? If faced with similar circumstances in the future I would probably do the same thing but it has also taught me to be cautious with any potential clock purchase by asking key questions prior to any decision.
Of course this clock is not for sale. I think the clock looks outstanding on my living room wall.
Let me know if you have you performed any marriages or if you think it is an ethical practice?
This article is about a curious term that you might have heard concerning clocks and clock collecting. The term is FrankenClock. Let me explain.
Have you ever bought a clock and as much as you hoped that every mechanical part, finial and piece of trim is original and you later found out through experience, research or knowledge that it is not, how then do you feel about your purchase? Obviously you might feel disappointed, even cheated. So if a clock has parts that are not original what would it be called? Some would call it a FrankenClock.
Gustav Becker 2 weight Vienna Regulator
Let me explain further. Here is my Vienna regulator clock as it is today. It shows well, keeps excellent time after a replaced movement, a thorough cleaning, oiling and case repairs. It is original? Well, mostly. As I said in a previous post this clock was sold as a “project” clock and the seller made no pretense that everything was absolutely original and that is fair game. Here is a summary of what I have discovered so far.
Clock glass panels
Let’s begin with the side and front glass panels which I believed were original when I recieved the clock. The glass was broken during shipment and had to be replaced. In fact, the case was broken is several parts, but that is another story. Although I thought I was replacing the original glass I found out that the broken glass was likely not original to the case. When I brought the case into a glass installer I was asked two simple questions. Why is the side glass thicker than the front glass and why are finishing nails used to anchor the glass? Good points. So, just how many times was the glass replaced on this clock?
GB weights
Weights
The weights at first glance looked identical but closer inspection reveals that one weight has a slightly different hook design than the other. I doubt the factory would have provided dissimilar weights.
The movement
The movement appears to be a match for the case and it is appropriate to the period but is it original? The movement had parts missing which the seller kindly disclosed when the clock was advertised for sale. Parts missing were the star wheel/snail and the strike hammer and rod. The gathering pallet for the rack was bent and therefore could not advance the rack. In any event the strike side did not function at all. Thus began my search for a donor movement.
I was specifically searching for a Gustav Becker “Braunau” factory movement to provide the correct parts for my clock. The donor movement came from Poland. From the serial number on the donor movement I was able to determine that it was made 16 years after the movement that came with the clock. Minor differences were expected. The plates were thinner, the lever springs were a different design, the minute arbour shaft was slightly thicker and the star wheel/snail, gathering pallet and hammer/rod and were not a good fit for my old movement. A disappointment, the parts were not interchangeable. Out went the old movement and in went the new movement.
NOTE: I kept the old movement and if I sell the clock in the future I will disclose that change and others.
On to other issues
The spun brass dial bezel is a replacement though correct for the period.
Upper left side trim piece
There are a couple of trim pieces that I suspect were probably added later on though when, I do not know.
Bottom centre finial
The bottom centre finial appears to be a replacement though probably correct for the period. The bottom finial has wormwood holes but the clock case itself does not have one bit of worm damage.
showing hour hand on dialMinute hand missing it’s centre bushing
The clock did not have Vienna regulator hands. They are Ogee clock hands. I searched the supply houses in Canada, the US and Britain and was surprised at the limited selection of Vienna regulator hands. The photo below shows replacement hands with the correct measurements. The hands are also from Poland. There must be quite a successful business in Poland parting out clocks and selling the pieces. The hands have not arrived yet.
Vienna clock hands
i later discovered that they are not the correct hands but they look good and they will do for now.
Are there other parts of the clock that are not original? Yes, but it does not change how I feel about this clock. It has provided me with an excellent learning experience and it allows me to view future purchases with a much more critical eye.
Caveat Emptor
There are many examples of FrankenClocks and you may even have one or two in your collection. There is a popular expression that I always find appropriate in these cases. It is Caveat Emptor (let the buyer beware), the principle that the buyer alone is responsible for checking the quality and suitability of goods before a purchase is made. Reputable auction houses will disclose repairs and replacement or questionable parts on a clock but do not depend on what the seller says on most popular online auction sites. It’s a jungle out there!
Antique and Vintage Mechanical Clocks 
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