My collection of clocks is divided between my home in Nova Scotia and our cottage in Central Canada. Part of my collection is there because I am not the type of person who abandons a hobby; I make it a part of my everyday life.
Although not an even split, about 15% of the collection is at our summer cottage in central Canada. The clocks at the cottage, though not particularly special, add a charming ambiance to the space. They often serve as great conversation starters when guests are over, contributing to the cozy and inviting atmosphere.
Let’s begin in the sunroom, the focal centre of our cottage. In this room are two German box clocks, a Mauthe and a Kienzle, which has been a recent acquisition. Joining the two box clocks is a 30-hour Ansonia cottage clock.
Mauthe time and strike box clock(the wall to the left is under construction)Kienzle time and strike box clock
Check out this recently posted article for more information on the Kienzle clock.
Ansonia 30-hour cottage clock
Inside the main part of the cottage which comprises the kitchen, dining, and living area are 3 clocks, a Hemle time and strike weight-driven wall clock, passed on by my wife’s uncle, known as a wag-on-a-wall clock, an Empire time-only gallery-style clock from England, and a 30-hour New Haven miniature ogee.
This New Haven clock might look good from a distance, but closer inspection reveals that the front veneer has been stripped, likely due to significant loss or damage. This condition is not common with old veneered cases but unfortunately, it is what it is.
New Haven mini ogee clock
In our bedroom is one clock, and one clock only, and it is placed there for a reason. It is a time-only GIlbert gallery clock. Gallery clocks, in other parts of the world, may be known pub-clocks, canteen clocks, or office clocks.
Gilbert gallery clock
This time-only gallery-style clock made by the Gilbert Company of USA is nondescript and quite ordinary looking. There is nothing special or distinctive about it but it is in excellent condition.
Check out this articleon how having a clock in the bedroom can aid in getting a restful night’s sleep. The article describes how providing a gentle reminder of the time helps regulate your sleep patterns and creates a more restful environment.
So, there you have it—time flies at my summer cottage with these clocks. They may not be particularly special, but they surely tick all the boxes to enhance my summer experience!
During my recent exploration of Facebook Marketplace, I came across many clocks at a variety of price points. It was no surprise to find many options, ranging from reasonably priced ones to some that seemed somewhat overpriced. The listings included quartz mantel clocks from the 1970s and 80s, vintage Chinese clocks from the 60s, as well as the typical assortment of Bulova and Howard Miller mantel and grandfather clocks. Some clocks were marketed as antiques, though clearly, they did not meet the criteria. However, none of these caught my attention enough to warrant a closer inspection.
30-hour time and strike mantel clock, similar to the Gilbert clock
One clock piqued my curiosity – a Gilbert model that bore a striking resemblance to one already in my collection though by a different maker. The seller had priced it at $225 and provided detailed photos showcasing different angles, including a shot of the movement. Interestingly, the final photo displayed a screenshot from eBay, where the same clock was listed for a whopping $925 by a different seller. The intent of course was to make it seem that the seller’s clock was a bargain by comparison.
So, being curious, I ventured onto eBay and came across several intriguing listings. However, I noticed that some of these listings did not accurately represent the actual value of the clocks being sold.
For instance, there was a Sessions mission-style mantel clock listed at a staggering price of $1092. Personally, I find it hard to believe that any Sessions clock ever made could command such a high value. A New Haven mantel clock touted as “rare” and painted in a “modern eye-catching” blue shade, is listed at $341. However, the cost is further escalated by a $95 shipping fee, making it a rather expensive purchase.
To be fair, I did come across some clocks on eBay that were reasonably priced. However, in general, it is becoming increasingly common to find clocks listed at prices that don’t align with their true value.
So why is this happening?
There are a number of reasons, some of which are:
Sellers might overvalue their items, hoping to fetch a high price, especially if they believe their clock is rare or unique.
Inexperienced sellers might set prices based on misinformation about the item’s market worth, leading to an inflated listing.
Sellers may use misleading or exaggerated descriptions and photos, making the clock appear more valuable or rare than it actually is.
eBay’s algorithm might suggest prices based on historical data, including past listings where sellers may have inflated prices. This can create a cycle of high listings.
Established sellers with positive feedback may be able to command higher prices based on their reputation, even if the item’s value doesn’t align with the actual price.
And finally, some sellers might attach sentimental value to their clocks, leading them to set prices higher than what the market might dictate.
While sellers may set higher listing prices, what many shoppers may not undersatnd is that the realized price, the amount the item actually sells for, is what truly matters. It’s essential for buyers to assess the realized prices of similar items to gauge the market value accurately and make informed purchasing decisions.
Advice for buyers and sellers
Buy antique clocks locally if you can. When purchasing locally, you can physically inspect the clock, assess its condition, and verify its authenticity. This hands-on approach minimizes the risk of buying misrepresented or damaged items. Local purchases eliminate the need for shipping, which can be otherwise costly. Dealing face-to-face with a local seller provides an opportunity for negotiation.
A local purchase, a time-only Vienna Regulator
Personal interactions can often lead to better deals and a chance to learn more about the clock’s history from the seller. And finally, purchasing locally allows you to take your antique clock home immediately after the transaction, without waiting for shipping and delivery times.
For sellers, look for similar antique clocks online or in specialized antique shops to see what similar pieces are being sold for. This will give you a baseline for comparison. Auction houses often publish realized prices on items sold. They can also offer insights into the current market demand and the prices similar clocks have fetched at recent auctions.
Attending antique shows and fairs can provide an opportunity to see a wide variety of antique clocks and gauge their prices. You can also talk to dealers and collectors, gaining valuable knowledge from their expertise. Online marketplaces other than eBay, such as Etsy, or specialized antique platforms can give you an idea of what similar clocks are listed for.
Antique-related magazines and publications that feature clocks can provide insights into current trends, notable sales, and expert opinions.
Joining local or online antique collector’s clubs can connect you with enthusiasts and experts who have extensive knowledge about specific types of clocks. These communities often share information about recent sales and market trends.
By consulting these various sources, buyers and sellers can gather a comprehensive understanding of the antique clock market, enabling them to make informed decisions about pricing their items.
Online antique purchases can be fraught with potential problems but preparation and thorough research are always a benefit to both the buyer and the seller.
Recently, I acquired a gallery clock in exchange for another clock. I favour wall clocks over other types due to their convenient wall placement, eliminating the need for a shelf or mantel. Additionally, they tend to draw more attention compared to other clock varieties.
The clock I traded, a rare Canadian cottage clock, held significant value, but overall, I am content with the exchange.
Gilbert gallery clock
Gallery clocks are often called pub clocks, canteen clocks, or office clocks.
Gallery clocks are often found in public galleries and exhibition spaces, where they serve both functional and decorative purposes. They are usually placed on prominent walls and are designed to be easily visible to visitors. These clocks can vary in style, ranging from antique designs with Roman numerals to more modern and contemporary styles with sleek, minimalist features.
This time-only gallery-style clock made by the Gilbert Company of USA is nondescript and quite ordinary looking. There is nothing special or distinctive about it.
The casing of the clock is relatively light in weight and based on the wood’s coloration, it seems to be made of cherry wood. A previous owner meticulously refinished the case, and while the result is impressive, it appears almost too flawless.
The clock has a 12″ Arabic dial and is 16 1/2″ across with spade hour hand and minute hand with a heavy brass dial bezel. The dial is constructed from paper and lacks a metal backing, clearly indicating a cost-saving measure.
A 12-inch dial is considered the standard size for a gallery clock and a 12-inch dial would have been the maximum size for a domestic environment. I own a smaller 10″ gallery clock, crafted in England, equipped with a conventional spring-driven movement, specifically designed for placement in a compact office setting. Larger 14″ and 16″-inch” gallery clocks on the other hand would have been found in public areas, factories, and post offices.
At first glance, it’s easy to mistake this conventional spring-driven pendulum clock for a fusee clock. Upon closer inspection, however, its features set it apart from the traditional fusee clock, revealing its true identity as an ordinary mass-produced spring-driven time-only American-made clock.
Movement as seen from the trap door
The winding arbour sits just below the central cannon, and above the centre cannon, you’ll find the Gilbert trademark. Interestingly, the winding arbour is positioned in the same location as that of a typical fusee gallery clock.
This specific movement is present in other Gilbert time-only clocks and is almost identical to the one used in the Gilbert Admiral calendar clock.
Time-only movementGilbert Admiral with calendar
A trap door on the bottom provides access to the pendulum. When the clock is hung on the wall, attaching the pendulum to the pendulum rod is nearly impossible. I discovered that laying the clock on its back, attaching the pendulum bob to the hook, and then carefully mounting the clock on the wall is a slightly easier method.
The trap door opens to reveal the pendulum bob
The previous owner found the clock in Virginia and brought it to Canada. The clock was lacking its original glass, but a replacement was included as part of the exchange deal. In addition, the clock was completely serviced, one bushing hole was found to be enlarged and a new bushing was installed.
Two other gallery clocks
The two other gallery clocks in my collection are a clock with a 10″ dial made by a British maker, Empire, and a 12-inch (dial) fusee clock, maker unknown but likely British.
12 ” Fusee clock10″ gallery clock made in England by Empire
Given that the Gilbert clock underwent a thorough servicing and the missing glass was replaced, my only task remained to find a suitable spot to display it.
As an avid antique shopper, I understand the thrill of finding a unique and valuable item, especially at a reasonable price. However, on my recent visit to a local antique shop, I found items priced far above their actual value, which was a disappointment.
I expect antique store prices to be slightly higher to cover overhead costs and ensure a decent profit margin, but in some cases, the prices can be unreasonably high. When I frequent an antique store and see the same items over and over should that not be a clear message to the seller that their prices are higher than they should be?
In this article, I would like to offer some tips for antique shop proprietors to help create a positive and profitable experience for all.
Tip 1 – do price aggressively
Antique shop proprietors face the challenge of balancing profitability with the need to maintain a diverse and appealing inventory. While it is tempting to hold on to high-value items and wait for the right buyer to come along, this approach can lead to stagnation in inventory and reduced sales volume.
To succeed in the antique business, proprietors should price their items aggressively to move inventory quickly. This approach ensures that the shop always has fresh, appealing items for customers to browse and purchase. A high volume of sales generates positive word-of-mouth advertising and repeat business.
Being knowledgeable about the values of items is crucial to pricing them accordingly. Proprietors should stay up-to-date on the latest trends in the antique market and be able to accurately assess the value of their inventory. This knowledge enables them to price items competitively while still making a reasonable profit.
Proprietors must strike a balance between pricing items aggressively and ensuring that they are not undervaluing their inventory.
Antique store find – Seth Thomas Adamantine C.1900
Tip 2 – price appropriately
Antique shop proprietors are not experts in every facet of the antique world but they should have a good understanding of the value and condition of the items they are selling in order to price them appropriately and provide accurate information to potential buyers.
In some cases, I have found that antique shop owners are not up-to-date with the current market prices of antique and vintage clocks which can lead to them overpricing their inventory and potentially losing out on sales.
Regularly educating themselves on the values of items they are selling ensures they are pricing their inventory competitively and staying relevant in the antique market.
Tip 3 – Is the customer always right?
Is the customer always right? Not always but listening to customers’ explanations for why they believe the price should be lower can lead to a successful negotiation and potentially repeat business. If customers appear knowledgeable about the item, proprietors should be prepared to give a little on the price. Proprietors that are steadfast on pricing may risk losing potential customers who are looking for a good deal or feel that they are being overcharged.
Inflexibility in pricing can also create a negative perception of the business and its customer service, leading to reduced customer loyalty and potentially negative reviews.
If I encounter pricing resistance while shopping, I may choose to discontinue my shopping.
Tip 4 – staging iskey to the presentation
Presentation of merchandise is everything. Thoughtful placement and a well-curated display can make all the difference in attracting potential buyers.
Thoughtful placement can involve creating an attractive and visually pleasing display that highlights the unique features of each item by grouping similar items together making it easier for customers to find what they are looking for and can also help create a cohesive display.
Antique store find – Gilbert Admiral calendar clockC. 1900
Good lighting can make a big difference in how items are perceived by customers. Good lighting highlights the unique features of each item and creates an inviting atmosphere.
Creating a specific theme or style can help customers envision how items might look in their own homes.
Using height to advantage by placing items on shelves or pedestals at different heights. This can create visual interest and make it easier for customers to see everything that is available.
Antique store find – Lexington banjo clock C. 1927
While it can be tempting to try to cram as many items as possible into a small space, this can actually be overwhelming for customers. Make sure there is enough space between items so that customers can see everything clearly.
Keep things fresh by rotating your inventory regularly. This can help regular customers see new items and also create a sense of urgency for customers to purchase items they might not see again. Rotation will also encourage customers to return to your store.
Overall, thoughtful placement is about creating an environment that is visually appealing and easy for customers to navigate.
Tip 5 – stay up to date
Antique shop proprietors should not only keep themselves updated on the current market value of items but also be aware of any trends or changes in demand. This will help them adjust their pricing strategy accordingly to attract more customers and increase sales. It is also essential to have a good understanding of the condition of the items they sell, as this can significantly impact the value. For instance, a clock that is in pristine condition will be worth more than one that is damaged or has missing parts.
Antique store find – Seth Thomas column and cornice clock C.1875
Proprietors can also consider offering special deals or deep discounts to customers to attract more sales. This can include bundle deals, clearance sales, or discounts for frequent customers.
They can leverage the power of social media and online marketplaces to reach a broader audience and increase sales. By having a strong online presence, they can showcase their unique inventory and reach customers who may not have otherwise found their store.
Customers will ultimately vote with their feet
Customers know they can walk away from a price that is too high. There are many antique stores to choose from, and finding one that values its customers and its inventory is worth the search. Providing fair and reasonable prices can not only attract customers but also build a loyal customer base for an antique store.
Finally
By using these tips, antique store owners can create a shopping experience that is both enjoyable and profitable. With knowledge, negotiation skills, and thoughtful presentation, the world of antiques can be an exciting and rewarding one for proprietors and customers alike.
The results are in. By a small margin, your pick for the best clock of the year is the Sawin banjo clock.
Sawin banjo clock
A great choice and one I would have picked had I not been frustrated with it during the restoration process but at the end of the day, my favorite is the Gilbert Shawville clock.
The Gilbert is an excellent example of a non-descript mantel clock found in thousands of homes in Canada and the USA in the 1920s. Seth Thomas, Sessions, and others made similarly styled models to appeal to those who could not afford the fancier, optioned-out upper range clocks that were offered by most manufacturers, including Gilbert, at the time.
I did not actually see the clock until we got home
The clock was offered on Facebook Marketplace in Quebec, Canada for $40 and had no takers over a three-month period. When the price was reduced, I snagged it. It was described as a non-running clock but the key, pendulum bob, and the movement are intact and I suspected I could get it running in a few minutes.
As an interesting aside, I found the clock in a recycle container by the side of the road, all prearranged, and never actually met the seller. It was boxed, sealed and wrapped in plastic, such is the fear the pandemic has produced.
Normally I stay away from American mantel clocks of the 1920s and 30s as I have had so many but for some reason, I was attracted to this clock because it looked like it had not been messed with.
There are no exotic veneers, appliques, fancy trim pieces, or finials, just a plain two-column, square-boxed-shaped, tinted mahogany lacquer hardwood case measuring 10 inches high by 5 ½ inches deep by 10 ½ inches wide at the base.
Gilbert shelf clock
The enamelled 5-inch dial with spade hands has Arabic numerals. On the top of the dial, within the number 12 is a regulating arbour used to adjust the speed of the clock.
On the front plate of the movement is the Gilbert trademark, a capital G within a diamond, and Wm Gilbert Clock Co, Winstead Conn. stamped on the right. The number 17 is in the lower centre, 1917 when the movement was made. The movement has steel plates with brass bushing inserts as brass was in short supply during the period of the First World War, 1914-1918.
A simple clock for the common folk and made by Gilbert is my pick for 2021.
The time has come to determine the best clock acquisition of the past year. As a clock hobbyist, I have had little difficulty locating interesting clocks over the years, and despite the seemingly never-ending pandemic, I have scored a few in 2021 though the past year has been leaner than most.
In the early days of collecting, simple time and strike vintage mantel clocks were my principal focus so that I could take them apart, repair them if necessary, and generally advance my learning. Many of those clocks have been either sold or gifted. For the past three years, I have shifted my focus toward collecting interesting clocks, rare clocks, or clocks that have a special provenance that even includes the odd mantel clock.
My wife is my best clock finder. Our discussions often go something like this; “did you see that wall clock on Facebook?”. “Let me see. Yeah, it looks good, what do you think? Make an offer?” and off we go. Sometimes I will accept the offer from the seller without negotiating because I feel it is a fair price and other times there is some wheeling and dealing prior to firming the sale.
At the end of the post, you will have an opportunity to vote on what you think is the best in 2021.
In no particular order, here are my finds for 2021.
Sawin banjo clock
This is a garage sale find and even though it was purchased in the spring of 2021 it is still a work in progress. The clock is over 180 years old and in pretty decent shape.
Sawin weight driven banjo clock
It is a weight-driven banjo but it has no markings. An educated guess is that it was made by John Sawin of Boston or one of his associates on or close to 1840. I have completed minor veneer work on the case and have replaced the broken glass dial. The movement has been serviced but I am now looking at clock parts supply sources to replace a badly bent suspension spring. I want to avoid paying an outrageous price for the complete assembly; suspension spring, leader and spike.
Gilbert mantel or Shawville clock
I call this the Shawville clock because it spent most of its life in Shawville, Quebec (Canada).
It was a family clock for many years and following a death in the family, all possessions were either sold off or given away, a very common practice today. It has a time-and-strike Gilbert movement in a mahogany tinted case that has led a kind life since its manufacture in 1917. It is simple and unadorned and that’s what I love about it. I serviced the movement, cleaned the case, replaced a broken hour hand and now it is on prominent display in our home.
Gilbert time and strike
New Haven tall-case clock
An interesting $90 acquisition is this New Haven tall-case clock with a secret. Wow, a tall-case clock for $90, you say. Despite the look of a weight-driven clock, it is, in fact, a spring-driven clock. I was unaware of this until I walked through the door of the seller. I bought it anyway.
New Haven tall case clock
The weight cans are empty shells and they are simply there for show. The movement is quite large, eight-day, of course, and looks to be very robust. Despite my best efforts to determine if it was originally weight driven it had to have been spring-driven from the start, in other words, no evidence of a seat board or any additional holes for mounting the movement to the case. This appears to be an early “kit clock”, i.e. movement, dial face, hands, pendulum, “weights”, and ladder chains bought from the New Haven Clock Company and fitted to a pre-made case.
The case was very dark from years of accumulated dirt and grime and vigorous scrubbing revealed a wonderful red oak finish.
Waterbury Wren mantel clock
Ansonia Syria
Another clock with a secret is actually a disappointment. I found it in an antique store and it reminded me of an Ansonia Syria I had worked on for a friend last year, so, I was drawn to it.
Waterbury Wren mantel clock
It has a Waterbury case and what I thought was a Waterbury movement, but no.
It is missing the brass bezel and glass which is easily replaced but what is most disappointing is the mismatched movement, a Seth Thomas time and strike, which obviously replaced the original movement presumably because it was worn out. The movement is well-made and runs well but at the end of the day, the clock is destined to be sold.
Schatz Schatz carriage clock
This is a Schatz carriage clock made by August Schatz and Sohne of Germany. Thousands of these were sold and given as gifts through the 60s and 70s. It has an interesting lower visible escapement and an exposed movement.
Schatz carriage clock
Although it is working and keeping time it runs for about 4 days and stops. A cleaning is called for (on my list). It has a wind-up key in the back much like a typical alarm clock. It says West Germany on the dial and made, I would say, in the 1970s. August Schatz and Sohne closed in 1985, a victim of slow sales and a shift to quartz clocks by other makers.
Chauncey Jerome ogee clock
This clock is original in many ways, with a nearly flawless case made of mahogany veneer over softwood, moon hands, a wood dial, and a movement that matches when the case was made. Even the pendulum bob looks original. It was missing the suspension spring and rod and a wooden movement block, all easily sourced.
Chauncey Jerome 30-hour ogee clock
It cleaned up nicely and was a good candidate for a fresh coat of traditionally prepared shellac. I have three other 30-hour ogee clocks and this one is the most original of the bunch.
E. Ingraham Grecian shelf clock
This is a very nice shelf clock from an estate auction. It is an Ingraham Grecian clock with an alarm feature. If you have ever used the alarm on an old antique clock your first impulse is to throw it through a window, it is so loud and it goes on and on till the spring winds down.
Ingraham Grecian 8-day shelf clock
It came with incorrect hands and I had the darnedest time sourcing them but searching various suppliers in Canada and the US paid off. The case has been cleaned and the movement serviced including the infuriating alarm.
Fleet Time Co. mantel clock
An inexpensive clock that had huge potential but left me frustrated. Fleet Time Co. of Montreal had a short life of 4 years before the Second World war when they lost their source of German movements.
Fleet Time clock
I stripped the case and re-glued some sections, applied a walnut stain and I was very pleased with the final result. I serviced the movement, wound the time side completely, and BAM, kerplunk! the sound of a mainspring exploding. Sometimes you can get away with just replacing a mainspring and other times, like this, it took out the barrel teeth and a leaf pinon on the second wheel. I placed it in a plastic bag and it is now on a shelf in the basement awaiting donor parts.
Hamburg American Clock Company. (HAC) mantel clock
This German-made mantel clock has an interesting 14-day movement, an early production type from HAC. HAC is short for the Hamburg American Clock Company, a German company which had a long history up to the time it was absorbed by Junghans in the late 1920s. This clock was made in or around 1895.
HAC 14-day mantel clock
It was another estate sale find. The case is nondescript and nothing special, but quite elegant.
So…..
Tell me what you think and I will reveal what I believe is my best acquisition this year in the next post. Let’s see if we agree.
Let me say that I am not a huge fan of clocks with steel plates. Although most have brass bushing inserts punched into the steel, I am always fearful that there is not enough brass in the insert to prevent cutting into the steel plate and ruining a cutter. But in this case, my worries were unfounded and this clock presented no such headaches.
The mahogany tinted case shows well
The movement is stamped 17 which was Gilbert’s way of identifying the year the movement was made, which in this case is 1917. The case design is somewhat reminiscent of clocks made in the early 1920s but Gilbert no doubt made a run of these movements and put them into various clocks some years after the Great War.
Not a lot of dirt and grime
It is a time and strike with a passing strike on a bell on the half-hour.
I was not really looking for a mantel clock but I saw it online during the summer of 2021 and I thought it would be a good summer cottage project to keep me busy. I didn’t have the right tools for bushing work so I cleaned the case, replaced a broken hour hand, inspected it for wear, oiled it, and ran it through the summer.
It certainly needed cleaning but a month of running would do no appreciable harm. It was reliable and it kept reasonably good time, or as reasonable as one could expect of American clocks of this period.
Plenty of levers and helper springs
It looks like one of those clocks that had a few years of running, was disassembled and cleaned at least once but spent most of its life sitting prettily on a shelf.
There are a number of scratch marks on the movement which tells me that it has been worked on before. No bushing work was done but I see punch marks around the escape wheel bushing rear plate and that’s about it.
Pivots and lantern pinions are all in great shape
There is minimal wear; the lantern pinions are in very good shape as are all the pivots. As for bushing work, based on my initial assessment at least 4 bushings are required; second wheel strike-side backplate; third wheel time-side backplate; second, third, and fourth wheel strike-side rear plate. But, the wear is consistent with a clock that has reasonably good care during its life. There was plenty of brass material for the inserts and bushing went easily.
The movement has more than its fair share of helper springs, two in the upper part of the movement for the striking levers and two in the bottom, one for the half-hour strike on a bell and one for the hour strike. Getting all these helper springs to wrap around their respective posts is frustrating but doable although it is probably helpful attaching the lower springs while assembling the movement rather than wrestle with the springs after the movement is put together.
I have worked on a few Gilbert time and strike movements over the years and this one was no different. It is midway through the second 8-day test cycle and running well.
Other than some new bushings and a replacement hour hand, that is all there is to it.
I like this clock. It has simple lines, looks good and I think I will keep it.
I am always on the lookout for clocks to add to my collection, and one of the places where bargains can often be found is Facebook Marketplace. While browsing the listings, we came across an intriguing clock from a small village in Quebec. It was my wife who pointed it out, thinking it would make an interesting addition to our collection.
From our summer cottage in Quebec, we made the short trip—about half an hour—to a nearby town to see the clock. We learned it had spent its entire life in this quaint village. Due to the pandemic, we arranged the purchase in an unusual way: the agreed-upon amount was sent to the seller via eTransfer, and they left the clock in a recycling bin outside their home for us to pick up. The entire transaction took place without any in-person contact, making it one of the more unique methods I’ve used to acquire a clock.
The clock was wrapped in a plastic bag with a note attached that said, “Thank you.” As we drove away, I wondered if a clock purchased sight unseen would be what we expected.
A pleasant surprise
It is a very simple clock, but we were pleasantly surprised by its condition—it has clearly had a good life. This clock is an excellent example of a nondescript mantel clock that could be found in thousands of homes across Canada and the USA during the 1920s. Companies like Seth Thomas, Sessions, and others produced similar styles to appeal to those who could not afford the more elaborate, feature-rich upper-range mantel clocks offered by most manufacturers of the time.
The clock had been listed on Facebook Marketplace for $40 but had no takers for over three months. When the price was reduced, we decided to buy it.
It was described as a non-running clock, but the key, pendulum bob, and all parts of the movement were intact. The only flaw is the hour hand—the spade end has been snapped off. While the clock is nothing extraordinary, once cleaned up and put in running order, it should look presentable and run well for years to come.
Normally, I avoid American mantel clocks from the 1920s and ’30s, as I’ve owned several in the past. However, I found myself drawn to this clock, largely because it appeared to be untouched and well-preserved. I expect some wear consistent with its age, but at first glance, it looks promising.
This clock was made by Gilbert, a well-regarded American clock manufacturer with a long history of producing clocks from 1841 to 1957.
The clock features no exotic veneers, appliqués, fancy trim pieces, or finials—just a plain, two-column, square-shaped, tinted mahogany lacquer hardwood case measuring 10 inches high, 5 ½ inches deep, and 10 ½ inches wide at the base. The enameled 5-inch dial with spade hands displays Arabic numerals. At the top of the dial, within the number 12, is a regulating arbor for adjusting the clock’s speed.
There is no identifying stamp on the rear plate, and the seller was unaware of the maker. However, once the movement was removed from the case, the markings became visible. The front plate bears the Gilbert trademark—a capital “G” within a diamond—along with “Wm Gilbert Clock Co., Winsted, Conn.” stamped on the right. At the lower center is the number 17, indicating the year (1917) when the movement was designed. The movement features steel plates with brass bushing inserts, which is not surprising given the brass shortages during the First World War (1914–1918), prompting manufacturers to use steel for clock plates.
Gilbert movement
The case has an austere 1920s look. The movement date of 1917 suggests Gilbert might have used the same movement for a number of years following the war. The entire case, especially the molded base is free of gouges, dents, and other calamities associated with the rough handling and careless storage of old clocks. The case was cleaned with Murphy’s soap revealing a beautiful mahogany finish underneath layers of dirt.
If the movement is complete, I can usually get the clock running within a few minutes with a few adjustments here and there. However, despite oiling the movement, checking the gap in the crutch loop, releasing the tension on the mainsprings, and adjusting the beat, the clock would stop after just a few seconds. It wasn’t until I removed the suspension spring that I discovered a kink, which was enough to prevent the clock from running. The suspension spring will be replaced during servicing, but after I smoothed out the kink, the clock began to run. The strike side required no adjustments and works well.
While oiling and basic adjustments like these are no substitute for proper cleaning, they help me identify the issues I’m dealing with. Minor wear will be addressed by installing a few bushings. For now, the clock is running as well as can be expected.
Judging from cobwebs within and around the movement, a couple of dead houseflies plus dirt and grime on the movement itself, I doubt this clock has been running for many years though it likely gave years of reliable service before it stopped.
The previous owner says the clock has been in the family for a long time. It had been his grandmother’s clock passed on to his mother. It was dusted and cared for but, “she got tired of dusting it”, he said and it ended up stored in a barn for the last number of years.
Most clock enthusiasts have at least one kitchen clock in their collection and some collect them exclusively. I am not a huge fan of them but they very popular and considered important clocks because of their relatively low cost and availability.
Thousands of inexpensive oak-cased clocks were made by various American and Canadian manufacturers in the late 19th Century to the early part of the 20th Century. They are cheap, plentiful, reliable and easy to regulate.
They were typically sold in box lots of a half a dozen or so to merchants and offered for sale to customers for a unit price of around $4.50.
Although commonly called the kitchen clock it is sometimes called the pressed wood clock.
The designs were created by using high pressure rotary presses on oak wood that had been pre-steamed to soften it. The front of the clocks frequently displayed glass tablets with bronze or silver gilt designs.
This Arthur Pequegnat Canuck clock (above) is a typical pressing with floral designs on the top crown, base, and side columns, two upper rosettes and a framed access door with a floral style glass tablet.
Pressing designs into wood was much less expensive and quicker than machine carving, though the designs tended to be taken to excess at times like we see on this Sessions Grand Assortment with a top heavy ornate crown.
Sessions Grand Assortment
American manufacturers offered kitchen clocks with slight variations in the configuration of the case components and the decoration on the glass panel. It was common to name or number the clocks and present them as part of a series.
All kitchen clocks were 8-day running and featured either a one piece or two-piece 6-inch painted dial with Roman or Arabic numerals, railroad track minute chapter ring, and blued moon shaped or spade hands. A pendulum regulated the timing. The clocks included a half-hour strike on a bell or a coiled gong and some were offered with both bell on the half-hour strike and coiled gong on the hour. Additional features such as an alarm added pennies to the cost.
With inexpensive changes in the design for the press and minor changes to the case elements, clocks of different designs could be produced. Design elements for the pendulum varied between a plain round bob to a decorative pendulum bob in many pressed wood kitchen clocks.
Steam pressed designs were not confined to kitchen clocks and quickly found their way to wall clocks like the Gilbert Admiral.
Gilbert Admiral drop octagon wall clock
I have about 100 clocks in my collection and only two are steam-pressed. It is not a style that I am actively seeking but, admittedly, some are attractive. They are easy enough to find, fairly cheap and are relatively uncomplicated to service.
This is the model 2038 with a bim-bam strike or what Gilbert called a Normandy Chime in its sales catalog. The model number along with the words “Normandy Chime” are stamped on the bottom of the case. The “Normandy Chime” was reminiscent of the old bells of Normandy (Corneville) in France.
Gilbert tambour clock
In terms of nomenclature within clock circles, calling it a “Chime” certainly adds to the confusion as this would be considered a striking clock rather than a chiming one.
The movement has been serviced
Clocks such as this that have not seen servicing in many years fail because of a combination of bushing wear and old oil buildup.
The movement was cleaned, the mainsprings serviced, pivots polished, 5 bushings installed to address wear issues and tested prior to returning it to its case.
Gilbert movement with a date stamp of 1925
The door catch
Although serviced well over a year ago I never got around to repairing the door catch. I could not figure out a way to make an effective catch and I don’t think the solution I came up with is the best possible one.
Now, you might think, why is this such a big deal? It’s not, but without the catch the door pops open a little and will not stay closed, enough to annoy the heck out of me.
Brass tab fashioned into a catch
The solution, for now, is a brass tab with a hole drilled through it to accommodate one of the bezel screws. It is not perfect but allows the door to close securely.
Front glass and bezel of Gilbert clock
I have no idea what the original catch looked like but evidently it was a poor enough design that it broke at some point in the clock’s history.
The clock is promised as a gift and now I am now assured that everything works properly.
Tick-Talk Tuesday is about the letters and comments I have received from you, the reader, concerning your clock, issues you might have had, challenges you face or a clock you would like me to profile or my responses to your questions with advice on your particular clock concern. For those comments and questions that stump even me, I consult within my clock circles for the best possible answer
Double-ended keys
TD says,
“Hi Ron, I’m TD. I purchased a Gilbert Clock from an antique store in xxxxxxx, Wis. It’s a Gilbert Tambour style mantel clock model 2041. It’s marked “Normandy Chime 2041.” The question I have is what is the keyhole under number 12 for? The clock sat in the store for a long time, that is till it found ME. I have a thing for old clocks. I feel they’re a living thing and it’s a shame if they’re not ticking away as long as they’re able to. Just like Us!”
Gilbert mantel clock 1925, small arbour below the 12 is for regulating the clock
Gilbert movement, the top centre is the regulating mechanism
My response,
Hi TD,
I have a Gilbert tambour 2038 with Normandy Chime which is similar in some ways. Look at the key that came with your clock. It should be doubled ended one like this one.
The small end fits into an arbor just below the “12”. This is for regulating the speed of your clock. You might see an “S” and an ”F” above the 12. Turning the key clockwise speeds up the clock and counterclockwise slows it down. If you have only a single-ended key, it is the wrong type for your clock although it will wind it up.
I also have a thing for old clocks. Be careful it is addictive.
Hope this helps.”
Whoops! Should have been published on Tuesday. My wife caught the error this morning.
Tick-Talk Tuesday is about the letters and comments I have received from you, the reader, concerning your clock, issues you might have had, challenges you face or a clock you would like me to profile and my responses to your questions with advice on your particular clock concern. For those comments and questions that stump even me, I consult within my clock circles for the best possible answer
Gilbert mantel clock
DG writes
“Hello again Ron,
Firstly, many thanks for your advice. It was extremely helpful. The clock is running, striking the right number of times and back in its case, adjusted for beat and now just getting it to keep reasonable time. I made up two pivot locators (a good suggestion) from wire, one heavy-duty to get the centre pillar in place (it always seemed out of alignment!) and another to adjust the pivots. I had trouble in getting some of the pivots to stay in place long enough to close the front and back plates as I went along so resorted to some Blu Tack on the bottom bush to hold them – not very professional but I couldn’t think of anything else. Getting the strike to work as it should was a total challenge and took me a long time but I got there in the end (probably the most satisfying part of the whole business). I am afraid it wasn’t a very professional restoration but I learnt a lot about Gilbert clocks in the process!
The date stamped on the movement is 1914. I’ve attached a photo of the front of the clock. It looks to me as though it had something attached to the bottom, front corners (there are two pin holes each side) which I am guessing were feet. Have you any idea what these might have looked like? Looking at pictures on the Internet there seem to have been slightly different styles as well as gold and a dark antique look, on Gilbert clocks. Any idea where I might find some – eBay?
Once again, many thanks.”
My reply
“It is certainly a good feeling putting a mechanical clock back together and have it in working order. If you can manage a Gilbert clock you can handle just about any American time and strike movement.
which has a piecrust dial instead of the plain dial on your clock. You are correct. It would have had feet at one time. If one went missing I suspect they were all discarded.
Let me begin by saying that I love antique stores and I spend a considerable amount of time in them. While I don’t always buy, if I see something I try to get a fair price. Browsing through the aisles looking for that unique, one of a kind item can be a very satisfying experience.
I was in a local antique shop the other day and I was impressed at the number of antique clocks offered for sale but the prices were, in my view, way out of line.
For example, a Gilbert Admiral time-only wall clock, that I bought in the fall of 2019 for a fraction of the $300 the store wanted was missing its decorative pendulum and was not running. $150 is a fair price with the original pendulum but at $300 it will stay on the wall of this shop for a long time. So, naturally, I passed on it.
Gilbert Admiral calendar clock ready for servicing
When I bought this clock I was not sure what I had. There is no label, no makers name on the dial and an unsigned movement. I thought, Gilbert or perhaps a Sessions? It did not take me long to find out that the clock is a No. 3027 Gilbert, otherwise known as the Admiral.
When I bought this clock I was not sure what I had. There is no label, no makers name on the dial and an unsigned movement. I thought, Gilbert, Sessions?
This clock was hanging on the wall of a local antique shop with no price. When I inquired the shop owner said that he just picked it up and had not decided on a price but he knew the clock had issues. The hands did not turn otherwise he said the clock ran fine. Something wrong in the motion works, I thought. It could be a simple fix or something more challenging. The brass dial bezel was secured with Robertson screws which told me that the clock had been messed with.
My wife said go for it, it’s about time for another clock project. I offered a price and he agreed but I walked away wondering what surprises awaited me.
I have worked on several Gilbert clocks in the past few months which is unusual for me. Certain makes of clocks seem to come in bunches. This clock is a 6 column time and strike antique Gilbert mantel clock made in 1913, and reflects a period when every American maker had a similar style. Some parts of the case have an Adamantine finish but those particular areas are not in good shape.
A family relation asked me if I could get it running. Sure, I said.
Gilbert 6 column mantel clock,1913
History of the Gilbert Clock Company
The Gilbert Clock Company began making clocks in December of 1828 and produced clocks over a span of 130 years.
In 1837, John Birge joined the firm, and the name was changed to Birge, Gilbert, & Company. Shortly thereafter, Chauncey and Nobel Jerome and Zelotus Grant became partners with Gilbert, and in 1837 the company was know as Jerome, Grant, Gilbert, & Company. This company manufactured Jerome’s cheap brass-movement clocks.
I have worked on Gilbert movements previously and each one has slight differences. This one has a rod gong with two striking hammers. Disassembly was routine but required the removal of some parts to separate the plates.
The Gilbert Clock Company began making clocks in December of 1828 and produced clocks over a span of 130 years.
Gilbert tambour style clock model 2038
This is the model 2038 with a bim-bam strike or what Gilbert in its marketing called a Normandy Chime. The model number along with the words “Normandy Chime” are stamped on the bottom of the case. The “Normandy Chime” was reminiscent of the old bells of Normandy (Corneville) in France.
In terms of nomenclature within clock circles, calling it a “Chime” certainly adds to the confusion as this would be considered a striking clock rather than a chiming one.
Has my 90 year old Gilbert clock been running continuously since it was first purchased? Not likely.
Gilbert time and strike mantel clock
Okay, you’ve made the plunge. For whatever reason you bought that mechanical clock you always wanted. Ask yourself; this is a 100 year old clock and it has been running all this time so what more do I need to do to take care of it. Why have it serviced or even oiled when it is running and striking as it should. The answer is complicated.
My wife was going through the online catalogue of an estate auction recently and found an attractive vintage Gilbert tambour style clock.
Gilbert mantel clock 1925
“Are you interested?” she said. “Sure”, I said, “put a maximum bid of $35”. We won the bid at $25 + tax and buyer’s premium, so, still under $35 CDN. Would I have paid more? Not likely. However, it is a handsome “Napoleon hat” styled clock but they were plentiful and cheap at the time and not particularly valuable or desirable today despite the fact that it is almost 100 years old.
This Gilbert tambour style mantel clock is model 2038 with a bim-bam strike or what Gilbert called a Normandy chime. The model number along with the words “Normandy Chime” are stamped on the bottom of the case. Gilbert called this the “Normandy Chime” as it was reminiscent of the old bells of Normandy (Corneville) in France. In terms of nomenclature within clock circles, calling it a “Chime” certainly adds to the confusion as this would be considered a striking clock rather than a chiming one.
Whoever did the past bushing work chose to avoid the motion works area, and for good reason
The Movement
And now to service the movement.
Dis-assembly of the movement is done in the conventional manner with the exception of two items. Both the striking disk (upper arrow) which runs off the cam wheel and the passing strike L bracket (lower arrow) which runs off the centre cannon are friction fit and must be pulled off beforehand to work on the movement. I don’t have a puller but two small screwdrivers positioned across from each other will lift the parts off with minimal effort. Do not polish the ends of these two rear pivots.
Arrows showing striking disk and passing strike L bracket
A prior examination of the movement revealed that it is generally good shape. Overall, the lantern pinions are in good condition with minimal wear. There has been extensive bushing work completed in the past. I see six replacement bushings on the back plate and seven on the front for a total of thirteen which suggests that there was a lot of wear. They are all in very good condition which tells me that the work was done fairly recently.
It also tells me that whoever did the past bushing work chose to avoid the motion works area and for two reasons. It is a tough one to fix because there is so little brass to work with and there is not a lot of torque on this wheel so it can be left as-is.
Although the following photo does not show it well, there is a lot of play in the bushing hole. This is the only one that is addressed in this servicing because I wanted to ensure good meshing of the motion works gears.
Motion works gear with bushing wear
To address the motion works bushing I sought advice from my colleagues at the NAWCC forum site with comments ranging from doing nothing to immediate replacement. The best advice came from a member who suggested I install a smaller diameter bushing and broach out the hole to fit the pivot and that is exactly what I did. A #46 Bergeon bushing was chosen with a diameter of 3mm and an inside diameter of 1.30mm. The pivot is 1.48mm and the result is a side wall that is about 0.80mm. This should allow the gear to mesh nicely and since there is not a lot of torque on this gear the fix should last a long time.
Re-assembling was straightforward. There are no helper springs on this movement so there was no tension pushing on the levers. The only adjustment I had to make was to pull the movement slightly apart to correctly align the stop pin to the stop lever so that the movement strikes as it should.
Arrow showing stop pin (my healing thumbnail from a mainspring that let go)
Since the movement has a Normandy chime the striking hammers are located outside and to the bottom of the movement.
Striking hammer assembly for Normandy Chime
The final process in re-assembly is to attach the hammer mechanism. But before doing so two parts are re-attached, the strike wheel and the L bracket which are pushed back into place. Once in place they can be moved slightly to sync the hourly and half hour strike.
Some folks give Gilbert movements a bad rap but they are not much different than a Sessions, or similar inexpensive movement of that period and the fact that this one is still functioning after over 90 years has to say something for its engineering.
The ultrasonic cleaner is an essential tool for clock repair. Yes, you can get along just fine without one but if you have some spare cash you will not be disappointed.
Ultrasonic cleaning machines are used by a wide variety of professionals where cleanliness is of paramount concern. They are used in many industries including Dental/Medical, Industrial, Firearm, Jewelry/Watch/Clock, automotive repair and so on.
For the past two years I have been struggling with a Harbor Freight “special”, a light duty machine that does a less than average job of cleaning clock parts. It was inexpensive and I thought it was all I needed. Now I am done with it. It was frustrating to use, the cleaning cycle was a short 6 minutes, the heater produced lukewarm water, there was no drain, the basket was made of plastic and at the end of the day it did a poor job of cleaning clock parts. It was time for a replacement.
Harbor Freight Ultrasonic cleaner
My research included visiting manufacturers websites, looking at a myriad of models on on eBay and Amazon and seeking the opinions of clock enthusiasts on Facebook and the NAWCC forum site. There are a plethora of Chinese made machines at very attractive prices. They offer powerful heaters, large basket capacity and the ability to drain the solution from the tank. I have no idea of the reputation of these companies and I could have just as well bought a machine which would fail on delivery or fail in 6 months to a year. I would then be faced with spending another few hundred dollars to replace it. I also dreaded the thought of chasing after a Chinese company for warranty work.
I found L&R Ultrasonics. They have been making commercial quality ultrasonic cleaners for a number of years. They offer a range of sizes. I chose one near the bottom of the line, the Q140. The Q140 is approximately 10 inches long by 6 1/2 inches wide by 8 1/2 inches deep. It has a .85 gallons capacity (3.2L). It has a heater, a mechanical timer that sounds like an egg timer, a drain and it operates at 43kHz. It is made in the USA and costs twice as much as a comparable Chinese cleaner. It is a robust, well made machine backed by a 2 1/2 year warranty and something that should give me piece of mind for many years. A little money can be saved by buying an ultrasonic cleaner without a heater and preheating your solution in a microwave oven but the heater is a nice bonus.
Made in the USA
One negative, it did not come with a stainless steel wire basket which I had to purchase separately from another supplier. The L&R basket was over CDN200! For a fifth of the price I opted for an after market stainless steel mesh basket by Cambridge Time that is designed to fit the Q140.
Enough room for Gilbert time and strike plates plus the gears
Back of unit showing fuse, drain hose and clip for plastic drain hose
Overall, it is well designed, quiet (reasonably), portable, simple to use and well constructed. It uses a basic 60 minute mechanical timer and a simple on-off switch for the heater. One downside is that it is smallish and will accommodate only one movement.
Can you get along without one? Yes, but it makes life so much easier.
While antiquing some time ago I came across boxes of clock movements in a shop. Some were fairly new though I found a Gilbert time and strike date stamped 1906 which piqued my interest. In the box was the key, the coil gong, clock hands, pendulum and movement mounting screws. A movement without a case. Hmm, interesting! Here’s what I’m thinking.
You dig up an old clock from the basement. It was your mothers and you were immediately reminded of the soothing sound of the clock when you were a kid. Wouldn’t it be nice to get that old clock running again. You fiddle with it and despite your best efforts you just cannot get the thing going. Why not bring it to the local clock-maker? He takes a look at it and explains that it is worn out. It will cost much more than the clock is worth to repair it, he says. But there is a solution. Take the works out and replace the movement with a reliable quartz one and all for less than half the cost of a repair. It sure would be nice to get that old clock running again and who would know that a new quartz movement is inside. The clock-maker takes the movement out, asks the customer if they want it, puts it in a box on a shelf and uses it for parts on the next clock. I’ll bet I’m close.
It is a Gilbert time and strike with a passing bell strike on the half hour. It has a distinctive 24 hour count wheel meaning that the count wheel rotates just once every 24 hours, each half with slots for 12 hours.
Gilbert time and strike date stamped 1906
It sat in a box in my office for several months. The other day I placed the movement on a test stand to determine its condition, wound the time side and BANG, the mainspring blew apart. A nice clean break! Luckily it did not take me or any other parts with it. The break was so far from the loop end that the mainspring was not salvageable. You can see the snapped section of the left mainspring in the photo above. Determined to see this movement in running condition I ordered a new spring from a clock supply house.
Top plate removed
When I dis-assembled the movement it was worn but repairable. However, all pivots were in very good condition except one, the second wheel on the time side, front plate. It was worn at the shoulder as you can see in the next photo.
Unusual wear on second wheel, time side
Was this enough to stop the clock and why just one? Perhaps a combination of factors. It is the second wheel and under the most axial load or probably a contaminated pivot hole with enough embedded detritus that would have ground away at the pivot shoulder.
There are only two solutions, fashion a new pivot or turn down the pivot and polish it. Fashioning a new pivot is a lot of work. However, there is enough steel left after it is turned down to give me a strong pivot. I chose the second option and installed a new bushing to fit the new pivot size which is much easier than re-pivoting. I put the wheel on a lathe and ground the pivot down to the size I wanted and then gave it a polish.
New bushing had to be punched to stay in place
The second issue was an old bushing that had been installed at some point in the clocks life. I drilled out the old bushing knowing that the replacement bushing would be loose. Alas, it slipped out too easily. The solution, two punches adjacent to the bushing to secure it in place. Punching a brass movement is rarely a good idea but this was a solution that was appropriate to the situation.
I installed two more bushings on the strike side second wheel back plate and third wheel front plate and one more on the time side, second wheel, back plate.
With the new mainspring installed and the repairs completed, it was time to assemble the clock and test it. I cannot count the number of times when I have re-assembled an American time and strike only to find that the strike setup was slightly out of adjustment. You know you have a problem when the clock strikes until the mainspring winds down. Placing the lever in the maintenance cam while the count lever is directly into the deep slot and hoping that the warning wheel pin locks at just the correct moment is always fun. I have cursed a few times when I cannot get it right. In this case it was first time lucky, the stop pin was in the right location on my first try.
On the test stand, bell is now fixed in place
As an aid in re-assembly toothpicks remind me of the location of the bell lever
The clock has been running but does not seem to be able to get past 5 days of an 8-day cycle. I realize that there are some things I need to address before I get this clock running a full cycle but I have other projects on the go. Since this movement does not have a case I took it off the test stand, put it in a box on a shelf, included some notes, and will address it at a later date when and if I ever get a case.
Notes about the movement reminding me what needs to be done
So, I’ll wait for that illusive case but in the meantime into storage it goes.
Tick-Talk Tuesday is about the letters and comments I have received from you, the reader, concerning your clocks, issues you might have had and challenges you face and my responses to your questions with advice on your particular clock concern(s) and of course, general comments. For those comments and questions that stump even me, I consult within my clock circles for the best possible answer.
On my trip to Cuba in March of 2016 I happen to capture a number of interesting clocks. The two pictured below prompted a comment from JC.
Wm Gilbert clock found in a restarant
Malaprade Floor clock
The first two clocks are the most interesting to me. The Gilbert looks fairly standard (often called a “Store Regulator”) but I think it’s been painted black. Normally these are in oak cases, occasionally (but rarely) in walnut. The colour would have matched the interior back.
The second clock looks like a fine and expensive Jeweler’s Pinwheel Regulator. I’m wondering if you’re wrong about it being spring driven. These are normally always weight driven. The weight normally hangs behind the pendulum. Is it possible you didn’t see the weight? The movements from these are almost always Swiss made (near the Jura region of France), with pinwheel escapements. They are VERY EXPENSIVE clocks. The movement alone would fetch around 1000$. I have no idea what that circle is on the dial. I’ve seen some with inlaid marble dials, but most have enameled dials like this one. Cases can range from plain to extremely elaborate, and from 5 feet to 9-10 feet.
The name and place on the dial is the retailer where the clock was sold. It is never the manufacturer (this is typical on all French and some Swiss clocks of this type/vintage – the same is true of Comtoise clocks and French mantle clocks).
The rest of the clocks (with the exception of the 2 figure 8 wall clocks) seem to be imported German clocks from 1930 and later. These include both tall clocks and all the 400 day clocks shown. The figure 8 clocks are either American or Asian made copies (likely from Japan) from the early 1900s.
Antique and Vintage Mechanical Clocks 
You must be logged in to post a comment.