Although my newest Arthur Pequegnat kitchen clock was complete in every way the case looked like something pretty dire happened to the finish.
I mentioned before that the clock was likely in a very warm environment for a long period (an attic perhaps) and while there are no cracks or breaks in the wood there was a lot of what I called mottling.
What you see in the first photo is the condition of the case when I first got it. Some might like it that way, I don’t. The seller thought it added “character”. Hmm!
I sought some advice on the NAWCC forum site by asking a few questions and was informed that a member had put together a recipe for this kind of situation. The recipe included turpentine, alcohol, vinegar, boiled linseed oil and 000 steel wool. I found that it worked to a point but the mottling was quite pronounced and I finally had to resort to lacquer thinner and steel wool to take the stubborn stuff off.
In some small spots I made the mistake of rubbing too enthusiastically and got down down to the bare wood but I will cover those areas later with tinted shellac a wood covering which was used at the time (circa 1910).
The photos might show the case as darker than it is but it is a golden oak which will be close to the final product . I may have to do a little research on shellac from this point onward but I will report on my findings. Thus far a lot of the grunt work has been done.
This is taken at the final stage after the first treatment with steel wool and lacquer thinner and the mixture described above. As you can see the case has undergone a dramatic change although it is far from finished. The carved detailing is also beginning to show through.
Any suggestions or advice would be appreciated.