Every so often, a clock turns up that makes you stop and think, “Well, that’s something you don’t see every day.” That was certainly the case when WT of Peterborough, Ontario, sent me pictures of an interesting find—a Hamilton Clock Co., rather ordinary-looking short-drop schoolhouse-style wall clock with an unusual twist.
At first glance, the case is exactly what you’d expect: a classic Canadian-made schoolhouse clock, sturdy and handsome, dating to the late 1870s. But it’s the movement inside that tells the real story. Instead of a standard 8-day time and strike mechanism, this one is—quite literally—cut in half. The strike side has been sawed off, leaving only the time side to keep things running.
Other manufacturers at the time would have designed a proper time-only movement, but Hamilton seemed to have taken the practical (and perhaps cost-saving) approach of simply chopping an existing one down. Efficient, if a bit unorthodox!
I asked WT how he came across it, and his story adds another layer of charm.
“I was at a garage sale hosted by a fellow horologist about a year ago (summer of 2024) and bought up a mess of stuff. This clock was in rough shape. I told him when I discovered it that it was a Hamilton. ‘I’ve always wanted a Hamilton.’, I said. He said, ‘No, you take it.’”
And just like that, WT became the caretaker of a rare and quirky piece of Canadian clockmaking history.
A Little About the Hamilton Clock Company
For those less familiar with Canadian clockmaking, the Hamilton Clock Company has an interesting—if brief—story. Founded in 1876 in Hamilton, Ontario, the company was part of Canada’s early attempts to establish a domestic clock industry that could compete with American imports.
In those days, American clockmakers like Seth Thomas and Ansonia dominated the market. Canadian firms had to be creative, and sometimes that meant cutting corners (in this case, quite literally!).
By taking an existing 8-day strike movement and sawing off the strike train, Hamilton avoided the cost of designing and tooling a new movement just for time-only models. The clock movement was evidently tailor-made for customers who just wanted a time-only movement in their clock. It was a practical solution, but one that makes today’s collectors raise their eyebrows when they see it.
WT says that one can literally see the saw blade marks on the movement where it was cut.
Unfortunately, the Hamilton Clock Company was short-lived. By the early 1880s, it had folded, and its assets were eventually acquired by the Canada Clock Company. Later (1904), the Arthur Pequegnat Clock Company of Berlin (renamed Kitchener in June 1916), Ontario, was formed to become Canada’s best-known domestic clockmaker.
That makes these surviving Hamilton clocks something special. They’re scarce, they often have quirks, and they represent the scrappy beginnings of Canadian horology.
A Clock with Character
WT’s schoolhouse clock is more than just a timekeeper. It’s a piece of Hamilton, Ontario’s industrial past, a testament to Canadian ingenuity, and a reminder that sometimes the most unusual solutions are the most memorable.
The time-only movement is derived from an8-day time and strike movement; photo from Vakaris and Connell’s book, The Canada and Hamilton Clock Companies
From its industrial beginnings in the late 1870s, through more than a century of ticking, to a garage sale in Peterborough where it found WT, who truly appreciates it—this clock has lived a life. It may not strike the hours, but it certainly strikes a chord with anyone who loves Canadian horology.
Allow me to take 5 minutes of your time to watch my video of 19 wall clocks in my collection. Each wall clock is identified by its maker, where known. The video features background music throughout, with a brief segment of sound highlighting the winding of a Mauthe wall clock. Otherwise, there is no dialog.
My only requirement is that the clock must be in good working order and have an appealing appearance.
19 wall clocks in my collection
My entire collection consists of 85 clocks. Many are on display in my home, and some are in the process of restoration or repair.
While working on my Pequegnat Bedford mantel clock recently, I made an unexpected discovery about the dial and bezel. I had always assumed the six-inch dial was original to the clock, believing it to be an anomaly or a one-off, as every other Bedford I’ve seen features a five-inch dial.
Arthur Pequegnat Bedford mantel clock
Adding to the intrigue, I noticed for the first time that the dial lacks the Arthur Pequegnat inscription on the bottom part of the dial—a detail I had previously overlooked. Every Pequegnat clock I have ever seen has the manufacturer’s inscription on the dial.
No Arthur Pequegnat inscription on the dial
When I acquired the clock some years ago, the bezel door was broken, and as a result, the glass dial bezel was push-fitted into the brass bezel base. The hinge had broken off at some point in its history.
I always intended to fix it, but it just never made it to the top of my to-do list. Recently, I decided to wind the clock and check if it was still running properly. I grabbed the catch to open it, and—whoops!—the dial fell right off. Apparently, I had forgotten it was broken. Well, perhaps this was the day to fix it.
I’d always wondered why the hinge wasn’t working, and sure enough when I inspected the dial and bezel, applied a little heat to the soldered hinge, and pried it loose, I found that only half of the hinge was actually there. Classic!
What is equally amusing is that I completely restored the case four or five years ago and did not notice the replacement dial at the time.
I removed the dial bezel to repair the broken hinge, and I discovered there were no screw holes for the hinge on the clock case itself. Instead, I found three smaller diameter holes, which would have been used to mount a 5-inch dial. This confirmed that the current dial is a replacement. The original design featured an integrated assembly of the dial, bezel, hinge, and glass. This version, however, uses a two-piece dial and bezel, with a hinge that was supposed to be attached to the case.
When Parts Are Not Original
Finding non-original parts on an antique clock is not uncommon, as many clocks have undergone repairs or alterations over the years. These changes may include replacement dials, bezels, hands, or other components that were damaged or lost. While such modifications can affect the clock’s originality and value, they are often part of its history and serve as evidence of its use and care over time.
Whether or not to replace non-original parts depends on your goals as a collector. If preserving originality is a priority, you might seek authentic replacement parts from the same era. However, if functionality and appearance are your main concerns, modern replacements or custom solutions can be a practical choice.
There are times, like this one, when the discovery comes long after you’ve acquired the clock.
In any event, it is essential to document any changes for future reference, especially if the clock is sold, to ensure its history is transparent.
The Hinge Repair
Arthur Pequegnat Bedford mantel clock
I plan to reuse the bezel but will attach a new hinge. I went through my collection of hinges to find the one that would be the best fit and while not exact I found one that was close.
The first step is to remove the hinge from the glass/brass bezel. It came off easily with a solder gun. I am the first to admit that my soldering skills are not top notch but I am eager to do my best.
The next step is to attach the new hinge to the dial/brass bezel. Once attached, it is test-fitted with the glass/bezel to ensure there is sufficient clearance for the door to close. In this case, there is not enough clearance, so I will need to grind down a section of the dial bezel. What initially seemed like a simple job has now become more complicated.
As we enter a new year it is time to look back on the adventures and milestones I’ve experienced in the world of antique and vintage clock collecting and repair in the past year. 2024 has been one of discovery, growth, and deepening appreciation for the art of horology.
Over the past year, I have been shifting the focus of my collection. While I have acquired clocks from various countries, my interest has increasingly centered on Canadian clocks and those with a Canadian connection. This focus is evident in my acquisitions of the following clocks this year.
Adding to the Collection
My collection of Arthur Pequegnat clocks grew significantly this year with the addition of some standout pieces.
Arthur Pequegnat Hamilton Tall
The Dandyand Hamilton Tallmodels were particular highlights, each offering unique insights into the craftsmanship and history of the Pequegnat Clock Company.
Arthur Pequegnat Dandy
I also came across a rare find — a 30-hour Ogee clock by the Canada Clock Co., a true testament to Canadian clockmaking heritage. An interesting feature of this clock is the faux grain finish on the wood case, which was evidently a cost-saving measure by the company to make their prices competitive with American manufacturers at the time.
Canada Clock Co. Ogee
One of my most memorable acquisitions was an Arthur Pequegnat Simcoeclock (not pictured), purchased in 2018 from a shop in Victoria, British Columbia, for close to $200. This year, I added the Jewelmodel to my collection after spotting it on a high shelf at a local antique shop. Its price was surprisingly modest, coming in at less than a quarter the cost of the Simcoe making the find all the more satisfying. The addition of legs and side handles distinguishes it from the Simcoe.
Arthur Pequegnat Jewel
My most interesting acquisition was not a Canadian clock but a German-made Kienzle wall clock, which was given to me by a gentleman in Ontario (Canada).
Kienzle time and strike wall clock
The clock had been passed down from his grandfather, and the seller hoped to find someone who would truly appreciate it. He contacted me for advice and asked about its value. I offered some insights and mentioned that if he was unable to sell it, I would be happy to take it off his hands. Honestly, I never expected to hear back from him after that.
Several months later, he reached out to tell me that he would be gifting it to me. We arranged a hand-off in a small village in Quebec, and it has since become part of my collection. It is a handsome clock with a resonant two-tone strike that is one of the most “complete” clocks in my collection (for more on this clock go here).
Repairing and Restoring
In 2024, I spent less time repairing and servicing clock movements, instead focusing on my blog, researching clocks and clock companies and their histories, and maintaining my collection.
On the repair front, I tackled several challenging yet rewarding projects, including a Seth Thomas Type 89 time and strike and a HAC/HAU time and strike movement. These were standard servicing tasks that presented minimal issues.
Generally, my servicing philosophy is to avoid replacing original components as much as possible but I always test and ensure they meet the clock’s functional requirements. This year reinforced my belief that preserving original parts is vital to maintaining a clock’s authenticity.
HAC (Hamburg American Clock Co.) movement with plate removed
Among the repairs waiting their turn is the Danby model by Arthur Pequegnat which has been placed on the back burner due to other priorities. With three other movements to finish first, the servicing of those clocks plus the Danby will be projects for later in 2025.
Mauthe wall clock
Another project I’ll be tackling in 2025 is a family clock. This past year, I received my father-in-law’s clock for repair. It was passed down to my wife’s brother and has been out of service for over 25 years. I plan to return it fully serviced, and I hope that this stately Mauthe wall clock will take a prominent place in my brother-in-law’s home as a sentimental reminder of my wife’s father.
Sharing the Passion
This year celebrates seven years of blogging about clock collecting, repairs, and restoration. My blog has become a platform to share knowledge and stories, blending my love of writing, photography, and horology. Though I took a break for the holiday season, I look forward to returning this year with fresh content and inspiration.
One of the goals of this blog is to introduce antique and vintage clocks to younger generations and inspire an appreciation for these remarkable mechanical devices from the past. In today’s modern age of a throw-away culture, how many items can you think of that still function flawlessly after more than a century? It is a short list indeed!
A Special Milestone
In 2025, I will celebrate the remarkable milestone of reaching 1 million views, and I’ll be publishing a special article to mark the occasion. This achievement highlights the significant impact and reach of my content, demonstrating that my blog has resonated with a broad audience and built a dedicated following over time. Reaching this level of engagement is a testament to the value and quality of the information I share, making it an incredibly rewarding accomplishment as a creator.
A Broader Perspective
My collecting journey has always been intertwined with a sense of history and nostalgia. Yet, I’ve also faced the reality that interest in antique clocks is waning among younger generations. While my children may not share my passion, I find joy in preserving my clocks for future collectors or enthusiasts who might rediscover their charm. I hope that a younger generation will emerge and find value in collecting these old treasures.
My tastes and collecting habits are evolving, and I am increasingly focusing on Canadian-made clocks or those with a significant Canadian connection. This year, I may sell some of my more common clocks, which will reduce my collection to a more manageable size while still preserving my collection of 15 Canadian-made clocks.
Looking Ahead
As the New Year is upon us, I’m excited about the possibilities. My trip to the UK in 2024 provided opportunities to explore horological treasures, visit museums, and reconnect with my British heritage. Whether acquiring new clocks or deepening my understanding of their history, I’m eager to see where future journeys take me.
To all fellow enthusiasts and readers of my blog: thank you for your support and shared passion for these timeless pieces of history. Here’s to another year of celebrating the art and craft of clocks!
As I continue to build my Pequegnat clock collection, I always seize a good deal when I find one, and the Jewel was too good to pass up. You might be wondering, what exactly is a Pequegnat clock and where does the Jewel fit into their model lineup?
A Pequegnat clock refers to clocks produced by the Arthur Pequegnat Clock Company, a renowned Canadian manufacturer active from 1904 to 1941 in Kitchener, Ontario, Canada. These clocks are celebrated for their quality craftsmanship and distinct place in Canadian horological history. Pequegnat clocks were a common feature in many Canadian homes.
I now have twelve Pequegnat clocks in my collection, consisting of several mantel clocks and three wall clocks.
Arthur Pequegnat Simcoe
In 2018, I purchased a Pequegnat Simcoe clock from a shop in Victoria, British Columbia, for nearly $200—a price I found fair at the time. More recently, I came across the Jewel model in an antique shop just 20 minutes from home. Though it was perched on a high shelf, I recognized it instantly. Given its significantly lower price, I couldn’t resist adding it to my collection.
An excellent price for a Pequegnat mantel clock
The case dimensions of both are exactly the same and each has the earlier Berlin-style piecrust dial.
Pequegnat Jewel
Three features differentiate the Jewel from the Simcoe. First, the Jewel was a less expensive clock. It is likely one of the least expensive mantel clocks in the Pequegnat mantel clock lineup, offering a more affordable option for many Canadian families.
Secondly, the Jewel lacks the lion’s head side handles and decorative feet found on the Simcoe.
Third, although the movement is identical to the Simcoe, the Jewel has a smaller gong block. A smaller gong block would still produce sound, but with a less resonant tone, which was considered an acceptable tradeoff for keeping production costs lower.
Condition of the dial
Unfortunately, the dial on the Jewel has been completely stripped of its paint. I’m willing to accept a dial with some imperfections—after all, the paint on the Simcoe’s dial is flaking, but that’s part of its aging process and what gives it its antique character.
A ruined dial
However, a dial completely stripped of its paint, aside from the chapter ring and numerals, is unsightly and distracting. I completely understand why this was done. More expensive Pequegnat clocks featured enamel dials, while the more common models had painted dials, which are prone to flaking after many years and this clock must have had extensive paint loss.
While some might have left the dial as it was, viewing it as part of the clock’s history, the extent of the modification made it impossible for me to leave it as is. The fact that the clock only cost me $45 also made me more willing to take the risk to remediate the dial.
Repainting a dial is usually a last resort for me, and I wouldn’t recommend it unless you have steady hands, plenty of patience, the necessary materials, or the option to outsource the work to an artist friend or an expert. Outsourcing might be a good choice, particularly for dials with sentimental value, as it ensures the work is handled with precision and care by an expert. Preserving the integrity and charm of a cherished clock often warrants entrusting the work to skilled hands such as The Dial House.
Some time ago, I restored the dial on a Seth Thomas clock using a technique called inpainting, and I was very pleased with the results. I also touched up the dial to a Pequegnat Canuck shelf clock with very satisfactory results.
A decision was made
As I considered my options, I decided that if the inpainting did not turn out as planned, I could always order a paper dial from an eBay supplier and place it over the original.
The paint was painstakingly scraped away, but the result was far from pleasing
However, the cost of the dial alone would exceed what I paid for the clock. Besides, I’m not particularly fond of paper dials.
I know that once I’m done with the dial, my artistic “talent” will be apparent upon close inspection. However, I’m confident it will be an improvement over its current state.
To carry out this procedure, the hands, dial/bezel must be removed. There are just two screws at 3 and 9 o’clock that hold the dial assembly in place. Once the assembly is removed, the glass and its bezel can be separated from the dial and set aside.
Once the dial was removed, I cleaned the stripped surface with isopropyl alcohol. It evaporates quickly and leaves no residue, and since the dial had no remaining paint aside from the chapter ring and numerals, I wasn’t concerned about damaging the finish and simply worked around the painted areas.
A small dab of yellow is enough
The dial was likely originally white but had aged to a darker cream color over time. To recreate this, I mixed a touch of canary yellow with cotton ball white to achieve the perfect shade. I used both a broad artist’s brush and a fine-point detail brush to apply the first coat. Multiple coats are necessary, but the first coat needs to be cured before adding another.
I’m using water-based acrylic paint, which is self-sealing and becomes permanent when baked at low heat however, this dial will not be spending time in an oven. Once another coat or two is applied I can use a pointed tip detail brush to reshape the numerals using black paint.
The first coat is acceptable, though a bit blotchy due to the uneven spread of paint across the dial. The tin was very visible, so I knew that more than one coat would be necessary.
I mixed the yellow and white paint the same way for the second coat, this time adding a touch of chocolate brown.
However, the bare metal is still visible, indicating that at least one or possibly two more coats will be needed. I’m considering going a shade darker for the next layer by adding a touch more brown, but I’ll take some time to think it over before deciding. I’m starting to notice a lovely transformation in the dial, shifting from its stark tin appearance to a more pleasing shade of cream.
That wraps up Part I of this two-part series. In Part II, coming in the new year, I’ll continue the restoration process by applying additional coats to the dials and refining the numerals and chapter ring. Stay tuned!
Every clock owner wants to know what their clock is worth, and every seller hopes to sell for as much as possible. This guide offers a framework to evaluate antique and vintage clocks for both buyers and sellers, starting with insights into the unpredictable clock market.
The Unpredictable Clock Market
Determining the value of a clock is often challenging. The market fluctuates, and what you think your clock is worth today may not align with expert opinions or what buyers are willing to pay. Trends come and go, and the value of clocks can drop or rise unexpectedly.
For example, I once came across a mid-1990s Howard Miller grandfather clock listed on Facebook Marketplace for $3,000. After several days with minimal interest, the seller gradually lowered the price to $1,500, but it still did not sell. In reality, it was only worth around $500 on a good day.
This shows how subjective personal value can be, and the reality is that modern clocks, like many Ridgeway or Howard Miller models, often do not hold their original value. What you believe holds significant value may not align with what potential buyers are willing to pay.
Scottish tall case clock
Even an appraised value is just an educated opinion, reflecting current market conditions, the clock’s condition, and its collectibility. As market trends shift, the value of a clock can change significantly.
Factors in Assessing Clock Value
Is It Original? Originality significantly impacts value. Clocks with replaced or missing parts tend to lose their appeal to collectors. Many “Vienna Regulators” found online, for example, are hybrids of mismatched cases and movements. In some instances, parts are missing altogether.
Gustav Becker Vienna Regulator
Clocks marketed as “complete and original” by sellers who admit they know little about clocks should be approached with extreme caution. Always verify the clock’s parts with an expert or a reputable auction house to ensure accuracy.
What Type or Style Is It? The style or type of clock affects value. While common American mantel clocks may be worth little due to their mass production, specific models like the E.N. Welch “Patti” line or Seth Thomas Sonora clocks command high prices.
Wall clocks, especially those from the 19th century made in limited quantities, generally hold a higher value than mantel clocks which were produced in the thousands.
Seth Thomas #2 wall clock
Grandfather clocks, also known as hall clocks, longcase, or tallcase clocks, can often be acquired for a fraction of their value, despite many that are 150+ years old. Tall clocks are bulky, requiring significant floor space. Many people don’t have the room or the inclination to accommodate such large items, especially in smaller or more modern living spaces.
A Label, Trademark, or Prominent Name adds Value An intact label, trademark, or known maker adds value. A clock with a visible maker’s mark, such as an E. Howard or an original Willard banjo clock, is often sought after due to their craftsmanship and brand recognition.
A label, trademark, or maker’s mark verifies the clock’s authenticity, confirming that it is an original piece from a recognized manufacturer. This eliminates doubts about whether the clock is a reproduction or a mix of parts, which increases its value to collectors.
Pequegnat Canadian Time clock label
A visible maker’s mark or label helps establish the clock’s provenance, providing important information about its origin, manufacturer, and production period. Clocks with clear histories, especially from reputable makers, are more desirable because they can be accurately placed within historical or stylistic contexts.
A clock’s history can boost its value. A story or historical significance attached to a clock, or a clock with a clear and documented background may attract more buyers and command a higher price.
Reproduction labels or unmarked movements raise red flags for serious collectors.
The Correct Period or a Reproduction? Period authenticity is key. Many reproduction clocks closely resemble originals from the early 1900s but have far less value. For example, Seth Thomas reissued its famous Regulator #2 in the 1970s, but collectors prefer the originals from the late 1800s, which have clearer distinguishing features.
Reproduction clocks are often made with modern manufacturing techniques and less expensive materials, resulting in a lower quality product compared to hand-crafted originals. Collectors and buyers appreciate the craftsmanship of original clocks, which were made with more attention to detail and durability.
Some sellers would pass off this 1970s Jauch clock as an antique
Original clocks from the early 1900s carry historical value due to their connection to a specific time period, reflecting the craftsmanship, design, and technology of that era. Reproduction clocks, even if they mimic the look of the originals, lack this historical significance, making them less valuable to collectors.
Novice collectors are often tempted by reproductions (particularly if the clock is passed off as original), and if they’re uncertain, they should consult a professional for guidance.
Age and Condition A clock’s condition is crucial to its value. Clocks with missing pieces, broken hands, or poorly repainted dials are worth much less, even if they are from reputable makers. Age alone does not guarantee value—certain styles or makers, despite being centuries old, may not be popular among collectors.
Some buyers are specifically looking for clocks in original, unrestored condition, even with signs of wear. Restoration can eliminate the clock’s patina, which is often considered part of its historical appeal.
A well-functioning clock is more appealing to buyers. Properly repairing the movement restores its functionality, often increasing its resale value, as people are naturally drawn to a working clock.
In some cases, restoring a clock too thoroughly—by polishing, repainting, or replacing parts—can strip away its historical character. Over-restored clocks may look “too new,” which can detract from their antique charm and value.
Arthur Pequegnat Maple Leaf fantop restored case
The cost of repairing or refinishing a clock may outweigh the potential increase in resale value. If the clock isn’t particularly rare or valuable, to begin with, investing heavily in restoration may not yield a return in the marketplace. Sellers often do not service their clocks, either because they lack the necessary skills or because the cost of repair doesn’t justify the potential profit.
Is the Clock Collectible? Desirability can be influenced by rarity and regional interest. For instance, Arthur Pequegnat clocks are highly sought after in Canada but may fetch lower prices outside the country. True Vienna Regulators from the early 19th century are another example of rare clocks that remain valuable, especially when they are original and authentic.
The Mechanism Type The complexity of a clock’s mechanism can impact its value. Clocks with a three-train mechanism (time, strike, and chime) tend to be more valuable than simpler two-train or one-train models.
Clocks with more complex mechanisms, such as those with three-train movements, demonstrate a higher level of craftsmanship. These mechanisms control multiple functions, like chiming, striking, and keeping time, requiring greater precision and skill in their design and assembly. As a result, clocks with such elaborate mechanisms are often considered superior and more desirable, elevating their market value.
More complex mechanisms, like three-weight Vienna Regulator Grande Sonnerie clocks, are generally rarer than their single- or two-train counterparts. The production of these complex movements required more skill and was often reserved for higher-end models or special commissions, making them less common and more sought after by collectors. Their scarcity in the market can drive up their value, especially when the clock is in good working condition with original parts.
Collectors often prioritize clocks with intricate mechanisms because they showcase the ingenuity and technological advancements of their time. The presence of a three-train mechanism, or a clock with additional complications like chiming or an alarm, indicates a higher level of mechanical achievement. These clocks are often seen as more valuable historical artifacts, and their complexity can make them the centerpiece of a collection.
On the flip side, clocks with more complex mechanisms can be harder and more expensive to repair or maintain, which may deter some buyers. A three-train movement has more moving parts that could potentially break down or require servicing, and specialized knowledge is often needed to repair them. However, collectors willing to invest in these repairs typically appreciate the value of the clock and understand that the effort is worth it.
Do Your Research and Meet the Seller In Person!
Before buying or selling a clock, check eBay listings, reputable auction houses, local buy-and-sell sites, antique shops, and online message boards. Prices can be volatile, and what may have sold for a high price years ago may be worth much less today. For example, some clocks that were once highly valued, are now relatively inexpensive due to oversupply.
Antique shops are potential places for a good buy
As a buyer, ask detailed questions and verify originality before making a purchase. Sellers should provide an honest and clear description of their clock, disclosing any replaced parts or modifications. Keep in mind that while the clock market may seem chaotic, high-end, sought-after clocks tend to retain their value over time.
Meeting the seller face to face is often the best approach. A personal meeting allows buyers to gauge the seller’s honesty and integrity, making them feel more secure in their purchase.
Seeing the clock in person allows the buyer to closely inspect its condition, functionality, and any potential issues that may not be apparent in photos. This firsthand assessment helps buyers make informed decisions about the clock’s value and condition. They can check for labels, trademarks, and other identifying features that may influence the clock’s value. Buyers can also evaluate the quality of craftsmanship and materials up close.
Face-to-face meetings provide a better opportunity for negotiation. Buyers can engage in real-time discussions, express their concerns, and potentially negotiate a fair price based on the clock’s condition and market value. In-person interactions often lead to more flexible negotiations than online communications.
Sellers who are passionate about their clocks can provide detailed information about the piece’s history, repairs, and provenance often enhancing the buying experience and adding value to the transaction.
Photos can be misleading, and details may be overlooked in written descriptions. Meeting the seller face to face reduces the risk of misrepresentation, as buyers can directly address any discrepancies they find during their inspection.
Meeting in person can eliminate the need for shipping, which can be costly and risky for fragile antique clocks. Buyers can transport the clock themselves, ensuring it arrives safely.
If you have any doubts or the answers you’re receiving from the seller seem uncertain, always—without exception—be prepared to walk away.
Now is a good time to buy or sell
Now is an excellent time to buy, as many bargains can be found with careful research. For sellers, patience and realistic expectations are key. Understanding the market, setting fair prices, and presenting items attractively will increase your chances of success. Whether buying or selling, doing your homework is essential to navigating this unpredictable landscape.
I recently added two more Pequegnat clocks to my collection: the Hamilton Tall which you can read abouthereand the Danby model, which I will be profiling in this article. This brings my total to 12 Arthur Pequegnat clocks.
Let’s start with some background on the Arthur Pequegnat Clock Co. and its significance in Canadian clockmaking.
Advertising sign
The Pequegnat Clock Company, founded by Swiss immigrant Arthur Pequegnat in 1904 in Kitchener, Ontario (then Berlin), operated until 1941. Initially a jewelry shop, Pequegnat expanded into bicycle manufacturing in 1897. However, as demand for bicycles declined, he shifted to clockmaking, utilizing his existing plant for producing clock movements. The company’s motto, “Buy Canadian – Pequegnat clocks are better than foreign-made ones,” appealed to Canadian consumers.
Pequegnat initially sourced wooden clock cases from local furniture makers before producing its own, earning a reputation for high-quality, reliable clocks in various designs, including wall, mantel, and hall clocks. Unfortunately, the brass shortage during the Second World War signaled the end of the Arthur Pequegnat Clock Co.
The Danby
While the Hamilton Tall is considered a prestigious parlour clock, the Danby occupies the opposite end of the spectrum. This is reflected in its auction price, making it one of the least expensive Pequegnat clocks I have purchased.
The Danby
According to the general definition of a mantel clock, the Danby can be classified as a shelf clock. It measures 4.5″ x 21″ x 9.5″, with its movement housed in a walnut veneered case.
The Danby was directly competing with an influx of mantel clocks from American companies, and to remain competitive, they must have sold it with minimal profit margins and this is reflected in its build quality.
The Dial
While some of the last Danbys showcased an Art Deco dial, this particular model features the simpler tin painted dial. Notably, the name “Pequegnat” is positioned one-third of the way up from the center arbor on the dial face. At that time, thanks to its brand recognition, it wasn’t necessary to display the entire company name on the dial.
Additionally, the movement lacks a regulating feature, so to adjust the clock’s speed, you must change the length of the pendulum bob. In short it is as simple as it gets for a Pequegnat 8-day time and strike clock. Notably, it has a tuned rod gong which would have been considered an upgrade.
A common feature of Pequegnat movements is their nickel-plated front and back plates, which provided a polished, attractive finish that appealed to customers.
Initially, the Pequegnat Clock Company used steel plates for their clock movements but transitioned to brass plates. Steel plates were more prone to rust and corrosion, while brass offered better resistance and was easier to machine, making it a more suitable choice for clockmaking. Pequegnat continued to nickel-plate the movements to enhance the clock’s perceived quality.
Numerous Pequegnat models were produced over the extended period from 1904 to 1941, making it difficult to determine the exact manufacturing dates for specific clocks. However, I feel confident in stating that this clock was made in the months leading up to the closing of the factory in 1941.
Overall Condition of the Case
The case is dark walnut veneered, which was a common practice for “everyday” clocks during the pre-war period. This construction method helped reduce production costs. It’s also possible that by this time, Pequegnat had resumed the practice of outsourcing their cases as there were several companies in Toronto, notably Walter Clocks and the Blackforest Clock Co. that produced cases for clock movements imported from England, Germany and France.
The case has been refreshed, and aside from requiring a cleaning, it looks presentable. However, the dial is in rough condition, with both the numerals and the surface having faded from wear and tear. I may touch up the numerals with black paint but there is not much I can do about the face itself.
I’m uncertain about the dial bezel; it should be brass but has a more copper-like colour. The bezel did not age well given the amount of tarnishing.
There is a good label, but it isn’t attached to the case. I may tape it to the inside of the door, as gluing a label with impregnated oil on wood is challenging.
The Plan
I have several other movements to work on before I can get to the Danby, which may remain on the back burner for a few months.
In the meantime, I noticed an issue right away: the center arbour cam hangs on the “J” hook, forcing it against the time side mainspring, which stops the clock. It won’t release unless I advance the minute hand. The movement will need to be completely disassembled to reposition the hook, but that will have to wait for another day.
The newest addition to my collection of Pequegant clocks is the Jewel. That marks a total of nine Pequegnat clocks in my modest collection. I was not actively seeking a new clock. In fact, I haven’t purchased one in months, and mantel clocks weren’t even on my radar.
Arthur Pequegnat Simcoe, note the legs and side details
I bought the Simcoe (above) in 2018 from a shop in Victoria, British Columbia (Canada) and I think, at the time, I paid close to $200 for it. I located the Jewel in an antique shop about 20 minutes from where I live. I recognized it almost instantly, even though it was placed on a shelf nearly out of my reach.
The Jewel’s price was significantly lower so, why pass it up?
Was the seller confused about the maker?
The two clocks boast strikingly similar case designs. In fact, the dimensions of the quarter-sawn oak case are identical, although the Simcoe model is slightly taller due to its corner feet and wider due to the addition of lion-head handles on each side. Both contain the same 8-day time and strike movement.
Made in Canada before 1916, this clock has an 8-day, spring-driven time and strike movement with signature Pequegnat nickel-plated plates. Initially, I thought there might be brass bushing inserts on steel plates. However, upon passing a magnet over the plates, I discovered that the plating was not on steel but on brass. Plating over brass may not be the most practical solution, but aesthetically, it offers a pleasing appearance.
Although the movement bears the stamp “The Arthur Pequenat Clock Co., Berlin, Canada” there is no maker’s name typically found on the lower section of the dial face, a peculiarity I’ll delve into shortly.
Simcoe dial with cracked and lifting paint
Both “Berlin” Simcoe and Jewel models feature pie-crust dials, setting them apart from later clocks with plain brass bezels.
Why are they called “Berlin” clocks? In 1916, the town of Berlin, Ontario faced considerable backlash due to the ongoing war in Europe, with its name being associated with the enemy of the time. These wartime tensions prompted the town to undergo a name change to Kitchener, Ontario. While Pequegant clocks lack a specific date stamp, the town’s name change serves as a useful reference point for dating these clocks. The company had a relatively short lifespan, being founded in 1903 and ceasing production in 1941.
Jewel movement
The case is in excellent condition but I was drawn to the dial immediately. Something is certainly amiss. At first, I suspected the dial had been replaced, but upon closer examination, I realized that a previous owner had scraped off the paint from the dial, leaving the numbers intact. It’s not unexpected. With time, the paint on these dials tends to degrade, and it’s likely that it had deteriorated to such an extent that the decision was made to remove it altogether.
Should I overlook this issue and simply accept it as is, or address it by repainting the dial?
Paint scraped from the dial
The most interesting aspect of this clock is the price. Although antique clock prices have been depressed in the last several years, Canadian-made Pequegnat clocks seem to hold their value quite well. A quick perusal of auction sites reveals that realized prices for the Jewel hover between $100 and $250 with the Berlin-made clocks commanding a higher price.
While the movement, unfortunately, does not run, based on my experience with other Pequegnat clocks in my collection, I suspect it may be gummed up with dirt and could potentially require a bushing or two to have it run as it should.
A worthwhile acquisition at an excellent price point.
I stumbled upon this Arthur Pequegnat Moncton in an antique store located in Bloomfield, Ontario, Canada during a visit in 2018. Certain wall clocks from the Arthur Pequegnat Clock Co., which operated in Kitchener, Ontario, Canada, between 1904 and 1941, are rare finds, making this particular piece appealing. The company, initially founded as Saas & Ford in 1903, was later acquired by Arthur Pequegnat in the following year.
The most recent photo, Jan 2024
Arthur Pequegnat clocks are renowned among Canadian collectors for their sturdy construction, robust movements, conservative designs, and patriotic nomenclature, often named after towns and cities in Canada. The Moncton, named after a city in New Brunswick, Canada is a testament to this tradition. Pequegnat produced a variety of clocks, ranging from mantel and parlour clocks to Mission, kitchen, gingerbread, tambour, wall, and floor models. The wall and hall clocks are the most desirable.
Beat scale
This Moncton clock, the seventh in my collection, is in fine condition. It features a 12-inch Arabic dial with bold numbers, attractive pierced spade hands, and a fumed quarter-sawn oak case. The clock stands at 35 inches high, with a hinged 16-inch oak bezel door revealing the dial and a 14 ½-inch glazed drop door. The clock’s patriotic ties are evident in its association with the Canadian National Railway hub in Moncton and so, some of the specially designed Monctons found their way into rail stations across Canada.
Two mainsprings power the 15-day movement
Based on the design of the lower valance this clock is a series II Monction which was produced from 1917 to 1941.
Despite its age, the clock maintains its charm, with the original dial glass displaying the expected “waviness.” However, some elements, such as the lower glass and retaining rails, appear to have to have been replaced early in the clock’s life. Unfortunately, the original label is missing. Minor imperfections include a scratch on the dial face (not visible from a distance) and a screw hole on the back panel. Screw holes are fairly common, as many of these clocks were firmly affixed to walls to ensure they remained in beat and functioned accurately.
The train showing the deadbeat escapement
The Moncton is a 15-day time-only clock with a unique double spring time-only movement and a Graham deadbeat escapement, highlighting its accuracy. The second hand is a particularly attractive feature. The clock runs at 84 beats per minute or 5040 beats per hour.
The clock closely resembles the Seth Thomas #2 in size and shape, offering an alternative with a spring-driven mechanism and a longer running cycle.
Obtaining this Moncton clock marked the culmination of an extensive search, as these timepieces are progressively harder to come by. The seller, having possessed it for around 1 ½ years, had no insights into its history, yet my speculation is that it might have served as an office clock for a good portion of its life.
The lower valance
Although the clock ran well when I received it I serviced it as a precautionary measure.
The kitchen area of our home
This clock occupies a prominent spot in the kitchen area of our home, serving as a daily reminder of the grandeur of wall clocks of the 1920s era.
For visual learners, this YouTube video provides a helpful summary of this post.
We have been facing a challenging spring here in Nova Scotia, as the threat of wildfires has been looming over us.
In May 2023, our community in Nova Scotia has been devastated by the occurrence of two uncontrolled wildfires. The dire consequences of these fires include the evacuation of thousands of individuals and the tragic loss of hundreds of homes.
Residing in a rural area with our house nestled amidst beautiful trees, we can’t help but have a constant awareness of the potential for fire.
While it’s crucial to prioritize safety and well-being in emergency situations, it’s understandable that certain personal belongings/items hold significant value to us. They include ID, cell phones, credit cards, vehicle titles, keys, flashlights, passports, a portable hard drive containing all personal photos, and essential clothing but if I find myself with a moment to select just one antique clock during a speedy evacuation what would it be?
My wife prompted this discussion when she asked, “What clock would you take?
Selecting a specific antique clock to save from a “burning house” is a subjective decision based on personal preferences, sentimental value, and the uniqueness of each clock. However, here are a few factors I might consider when making my decision:
I might choose a clock that holds special meaning to me or my family. It could be a clock that has been passed down through generations or one that has sentimental value attached to it.
I would consider the rarity and historical significance of the clock in question. If a clock’s origins is significant or it is known for its craftsmanship or historical importance, I might prioritize saving such a clock.
If one clock is in better condition or has the potential for easier restoration, it might be a good choice to save.
Here are 5 clocks that would be high on my list and the reasons why. But in the end, I could only take one!
Pequegnat Canadian Time
Pequegnat Canadian Time
I have had this clock for a number of years, and have serviced it twice. The clock’s case, on the other hand, has remained untouched and remains in exceptional condition. This particular clock holds a special place in my collection as one of the earliest examples of the eight Pequegnat clocks I own. It spent its life in the waiting area of a train station located 1/2 drive from my home.
Sawin Banjo Clock
Sawin banjo clock
Dating back to the 1840s, this exceptional timepiece exemplifies the pinnacle of meticulous movement craftsmanship. While the case and movement do not bear any explicit “Sawin” markings, various indicators strongly suggest that it was crafted by John Sawin himself or one of his associates or apprentices. Notably, this clock stands out for its straightforward construction, lacking side rails or ornate embellishments such as painted tablets or gilt decorations. It is precisely this simplicity in design that captivates me, as it allows the clock’s elegance and craftsmanship to take center stage.
Junghans Crispis time and strike wall clock
Junghans Crispi
This clock underwent a comprehensive restoration process involving countless hours of work, including disassembling, creating new components, servicing the movement, and refinishing the case. The restoration required a significant amount of labor and attention to detail. The clock holds a captivating story as it was rescued from a house that endured severe destruction during the Halifax Explosion in 1917.
The sheer beauty of this clock makes it incredibly challenging to part with. Its design epitomizes the finest qualities of the 1880s Vienna style. Unlike the later Viennese clocks, which often leaned towards ornate and ostentatious features, the clocks from this particular period maintain their elegance and embrace a more refined and understated aesthetic. The clock’s classic, simple lines are a testament to the enduring allure of the Vienna style during that era.
Arthur Pequegnat Canadian Time
Arthur Pequegnat Moncton
It is quite possible that this clock was located in a train station or some other commercial setting, given its robust construction and durability designed to withstand potential mistreatment. Additionally, its timeless design features are reminiscent of the classic lines commonly associated with the 1920s era. The clock’s sturdy build and elegant aesthetics perfectly capture the spirit of that period, adding to its overall charm and appeal.
E. Ingraham Huron
E Ingraham Huron
This clock resided in the charming vicinity of Bridgewater, Nova Scotia. It came into our possession during a challenging period for a couple undergoing a difficult separation, as sentimental items often find their way to new homes in such circumstances. Among the clocks in my collection, this one stands out as one of the few that underwent professional servicing, ensuring its optimal functionality. Notably, this clock holds a relatively rare status, being produced by the E. Ingraham Clock Co. during the brief span of two years, between 1878 and 1880.
And now it boils down to the one to choose?
Although I hold great admiration for all of these clocks, if I were constrained by space and could only choose a single one to take with me, it would have to be the Junghans Crispi. As mentioned earlier, this clock embodies the qualities that I value, such as its exceptional craftsmanship and timeless appeal. Its unique design, combined with the renowned Junghans brand, makes it a standout choice in the collection. Given the limited space, the Junghans Crispi would be the clock I couldn’t bear to leave behind, as it represents the epitome of my preferences and holds a special place in my heart.
During my article review this week, I stumbled upon my first-ever blog post from 2015 about my fortunate discovery of an Arthur Pequegnat clock in a nearby antique shop. It was an exciting experience for me, and I was thrilled to share it with my readers.
Arthur Pequegant Brandon II
This was my first Arthur Pequegnat clock whihc was the second edtiiion of the Brandon model. The second edition was made from 1917 to 1941. The first edition of the clock, which was produced until 1916, had similar dimensions but a more ornate frame around the dial bezel.
The Arthur Pequegnat Clock Company’s Brandon II model is a simple clock and was one of their most sought-after designs. It was primarily used in Canadian schoolrooms and office settings during the 1930s and 1940s.
The clock’s octagonal shape and short drop make it a recognizable design, and it is often referred to as a schoolhouse clock. Schoolhouse clocks were a popular type of clock used in schools during the late 19th and early 20th centuries, characterized by their simple yet sturdy design and often featuring a visible pendulum.
Schoolhouse clocks were usually time-only, as there would be other methods such as bells or alarms to mark key points in a typical school day. If placed in an office environment, a strike train would be too distracting for employees. Brandon models also came with calendars, a useful feature for both school or office.
Time-only Brandon with Calendarand “Regulator” decal
Both the case, made of quarter-sawn oak, and the brass movement were produced by the Arthur Pequegnat Clock Company in their small Kitchener factory until 1941. The company stopped production abruptly due to brass shortages during the Second World War.
The time-only movement is relatively simple with few gears and little that can go wrong. It was designed to be reliable, dependable, and able to withstand the abuse of a school or office environment.
Arthur Pequegnat Brandon time-only movement
I purchased this clock from an antique collector who had owned it for a number of years. He decided to sell it in his antique shop in Great Village, Nova Scotia, and I found the price to be reasonable. The case, face, and bezel are all in excellent condition. However, the clock had an annoying squeak that suggested something was wrong. After investigating, I discovered that the first wheel had considerable pivot hole wear.
Regrettably, due to my lack of expertise and tools at the time, I couldn’t repair the clock on my own. I had to take it to a horologist in Halifax, Nova Scotia, who performed the required repairs. The clock needed five bushings, a thorough cleaning of the mainspring, and oiling of the movement. Following the necessary repairs, the clock has been consistently dependable and has required only an inspection and re-oiling two years ago.
Since then, I have acquired eight more Arthur Pequegnat clocks and have since gained the skills to service each of them myself.
Is it worth the time and expense to have a clock professionally serviced?
That is the question of the day.
I receive many letters from people who ask whether a clock handed down to them is worth repairing/preserving. It is not an easy question to answer. Shared history and stories connected with the clock can be passed down from generation to generation and it is fond memories that keep it alive and consequently, there is a desire to have a clock in running condition. Sometimes it is better to do nothing and simply remember the stories associated with the clock.
If the decision is made to do something, the first consideration is whether or not the cost of preserving or restoring the clock is worth it. If the clock has deep sentimental value, the cost of repair cannot be compared to its resale value.
In the early days of clock collecting, I sent out clocks to be serviced and happily absorbed the cost. I knew then that some clocks cost more to repair than they are worth but I wanted to preserve some and have them operate daily, so, professional repairs were necessary.
Junghans clock before restoration
A case in point
In January 2017 I bought a box of old clock parts (above photo). I was determined to make my German-made circa 1895 Junghans Crispi wall clock into what it is today. It was my first huge restoration challenge. It was a steep learning curve for me but in the end, I was pretty happy with the results.
During the course of restoration, I attempted to repair the movement, which hadn’t run in over a hundred years and made some rookie errors. I had no other course of action than to bring it to a professional in order to correct my mistakes. At the end of the day, the total cost was $475 for the initial purchase plus the servicing.
Last year, after 4 years of reliable running the clock developed an errant strike which required investigation and disassembly (and a good cleaning while I was at it) but I would not blame that on the professional repair. Perhaps it is the nature of that particular Junghans movement requiring the odd adjustment every now and then.
Junghans Crispi wall clock
In the years since then, I have acquired the skills and necessary equipment to perform my own repairs.
Twenty-three of the clocks in my collection are daily runners, all serviced from time to time by myself over the years. I am not a professionally trained clock-maker and some procedures are clearly beyond my capabilities, things such as teeth replacement and repair and fashioning new parts from stock brass. 95% of repairs I can comfortably handle on my own.
Rare E Ingraham Huron professionally repaired
Should you bring your clock to a professional? This is a decision you will have to make after weighing all factors. Know that by relying on a professional you can be assured that years of knowledge and experience go into the repair of your precious clock which becomes part of the cost.
Reputable repairers have the correct equipment to tackle just about any repair, offer a warranty period, and will correct any problems that arise after servicing, often without an additional fee.
Clocks are machines and machines do not last forever, parts will wear and from time to time they, like any machine, require attention. If, after some years, the clock that you had professionally repaired stops, I would have no hesitation suggesting that you return to the same repairer for servicing unless, of course, you had a negative experience.
I know many of you did your best to adapt to isolation during what is now known as The Coronavirus Pandemic. It changed the way we think, the way we behave and the way we interact with each other. My condolences to those who suffered during this infamous chapter of our lives particularly those of you who lost loved ones.
I had already established my clock hobby long beforehand so the last few months meant that I was able to focus on tasks that I had planned to do but wondered whether I would ever have the time. Corvid19 changed that.
What was also very different was that I could no longer acquire new clocks to add to my collection. So, instead of searching for new ones, I serviced ones in my collection which is not a bad thing.
However, on day 6 of the weekly cycle, the clock would stop and always on day 6. Why?
I was very productive.
I have a small but growing collection of Arthur Pequegnat clocks and was able to service a good number of them and in the process learn the differences, some major and some minor, between early Pequegnat movements and later ones. I honed my skills as a clockmaker, meeting new challenges with each movement I worked on. Four of those clocks are:
Arthur Pequegnat Bedford shelf clock
Restored Arthur Pequegnat Bedford shelf clock; case and movement are now done.
Arthur Pequegnat Canuk, kitchen clock
Arthur Pequegnat Simcoe
As with the Bedford, Maple Leaf “pointed top” and the Simcoe the cases, including the dial and movement were done.
Maple Leaf kitchen clock, the “pointed top”
However, I was also able to focus on what I consider my most exciting clock acquisition in the last 3 years, my circa 1850 Scottish tall case clock.
I reconditioned and repaired the case and serviced what I would call the most frustrating movement I have encountered to date, an English bell strike. Plenty of patience is required for this one. It is all about small adjustments and in this case, mostly the strike side. Just when you think things are going well, another issue surfaces. I should have expected that working on a 170-year-old clock is not easy.
McLachlan tall case clock
English bell strike
I was unable to return the movement to the case immediately because it had to go through the testing process which meant constructing a clock stand. I have two other stands but they are too short and made specifically for wall and mantel clocks. Taking ideas from similar test stands online I constructed a 48″ high tall case test stand for my English bell strike movement.
A tall case test stand
The phenomenon of sympathetic vibration
However, during movement testing which lasted for weeks, I encountered a consistent problem. On day 6 of the weekly cycle, the clock would stop and always at about the same point in time. Why? It is something called “sympathetic vibration”. When the clock stops as the weights descended to the level of the pendulum a harmonic phenomenon occurs “wherein a formerly passive string or vibratory body responds to external vibrations to which it has a harmonic likeness”.
In practical terms, when the weights on a tall clock descend to the point where it’s at about the same height as the pendulum, the weights may begin to swing slightly. Since the power that drives the pendulum is now swinging the weight as well, the pendulum does not get its share of power and stops. Sometimes, despite the swinging of the weights the movement soldiers on but in the case of this movement there is insufficient over-swing of the pendulum to compensate for the loss of power.
It can generally be addressed in a tall case clock by fastening the upper part of the case to the wall, or by mounting the case on a solid foundation. For a free-standing clock stand placing a block of stiff foam rubber between the stand and the wall usually cures the problem.
Although the Scottish tall case project consumed a lot of time, it was very satisfying and it was a great learning experience.
More clocks
There are some other clocks I could have mentioned, two German time and strike clocks, a Mauthe and a Muller, a Gufa Westminster chime but suffice to say I made a lot of progress with my collection.
However, beyond the hours of time, it is self-satisfaction and a sense of accomplishment while engaged in productive activities that are the real intrinsic benefits. And folks, that’s what a hobby is all about.
To Canadian clock collectors, Arthur Pequegnat are clocks highly regarded. Irrespective of model names they are generally classified as either “Berlin” or “Kitchener”. The Arthur Pequegnat Bedford is a Kitchener clock. Let me explain.
Although it is impossible to date Pequegnat clocks to the exact year of production, the name Berlin distinguishes clocks made before 1917 and those made after and up to 1941 when the factory finally shut its doors for good. Those made after 1917 are referred to as Kitchener clocks. Prior to 1917 “Berlin”, Ontario (Canada) was inscribed on the dial face and after the war, simply “Canada”.
Later Pequegnat movements, such as this one, have steel plates with brass bushing inserts while older Pequegnat movement plates were nickle plated brass
Kitcheneris the present seat of the Regional Municipality of Waterloo, Ontario (Canada).
This clock was given to me by a gentleman from Quebec City in May 2018. He wrote to me and asked if I wanted it, at no cost. It was his father’s clock and he felt it should go to a home where it would be appreciated. All I had to do was pick it up. While on our annual journey to our cottage in central Canada we stopped by, spent the morning chatting about clocks and other things, and have become friends ever since.
Bedford with a 6-inch dial, Canadian Clock Museum
This clock might possibly be a variant. Most Bedfords have the smaller 6-inch dial as opposed to the larger 7-inch dial on this clock.
The dial bezel and glass might also have been added as part of a later repair. The past owner told me that the clock fell and the damage was extensive. I spend part of the summer of 2018 reconstructing and refinishing the case but did nothing with the movement.
Gluing and clamping the case
Now, two years later, the movement must be serviced.
Later Pequegnat movements, such as this one, have steel plates with brass bushing inserts while older Pequegnat movement plates were nickel-plated brass. The change to steel was made during World War I when brass was in short supply. Most Pequegnat movements are stamped with the company name; this movement is unmarked.
Standard Pequegnat movement with steel plates
It was a running clock when I received it, had been running since 2018 and I did not expect too many issues while performing the service nonetheless there were problem areas. In a past repair, someone attempted to close pivot holes by punching into the steel plate. That did not work well. There is some bushing wear and from my initial assessment, at least 5 or 6 new bushings are required. On the other hand, the pivots look to be in very good condition.
Servicing the mainsprings
The strike side’s main wheel assembly fell apart when I removed the mainspring. Using a punch I staked it back together. The mainsprings are in very good condition with no rust or cracks and will be re-used. They were cleaned, oiled with Keystone mainspring oil and reinstalled on their wheels.
Servicing the mainsprings
Bushing work
As mentioned above, a past repairer attempted to unsuccessfully close at least 4 existing bushings by punching into the steel plate, so, this movement has never been bushed.
This movement was certainly more worn than I thought. After assessing the movement a second time I determined that 9 bushings were required, 6 for the time side and 3 for the strike side. With brass inserts punched into a steel plate, one is always fearful of an insert becoming dislodged or falling out. Not this time, everything went smoothly.
The 4th wheel on the strike side is unlike every other wheel with a thinner shaft just below the pivot area. The shaft was turned in order to access the lantern pinions from that end. Why not come in from the other side?
Odd repair on 4th wheel, strike side
I have seen many interesting repairs over the years so I am not especially surprised.
Parts laid out after cleaning in the ultrasonic
Once the repairs are made, the parts are cleaned, the pivots polished and new bushings installed, it is on to reassembly.
Everything but the verge is ready for the top plate
Once the wheels and levers are in position it is ready for the top plate. The escapement verge is installed once the plates are together.
During the course of reassembly I discovered a bent steel front plate which meant lining holes to the pillars was frustrating. Brass bends easily but steel also bends with enough force. I suppose if one attempts to punch a plate to close pivot holes while the movement is assembled, the plates might just get bent.
On the test stand. Beat amp microphone attached to set and monitor the beat
Then, it is on the adjustments and testing. The movement is running and striking as it should but a testing period of a couple of 8-day cycles should tell me if any further adjustments are required.
After two weeks all is good and the movement is returned it its case. It should be good for years to come.
This post explores buying tips for novice antique clock buyers. Those looking for an antique clock in general rather than a specific type or model of an antique mechanical clock will find the following tips very useful.
Vintage versus antique
According to the United States Government publications, the term “antique” is reserved for valuables that are over a century old. Webster’s dictionary defines an antique as a work of art, piece of furniture, or decorative object made at an earlier period and according to various customs laws at least 100 years ago. Wikipedia defines the word antique as applying to objects at least 100 years old.
Restored Seth Thomas antique column and cornice “Empire” style time and strike weight driven shelf clock circa 1865
According to eBay, vintage is a defined period from 1920 to 1969. The use of the word vintage in online auctions and elsewhere is becoming more and more like the word “rare”. Some may define “vintage” as anything that was purchased less than 24 hours ago, is dirty and worn, or looks like it might be old if you know nothing about its history. Sellers often do not know anything about what they are selling and often describe the item as “vintage”.
Arthur Pequegnat Canadian Time wall clock circa 1930
The word “collectible” is also used, just like the word vintage has been misused. Just about anything sold these days is marketed as a collectible if not vintage. Most serious buyers would agree that when it comes to clocks younger than 100 years old but older than 30 they are considered vintage and collectible is anything within 30 years.
Antique clock buying tips
Buying a clock without actually touching and inspecting it is always a gamble and making a judgment based on online images, most of which are of poor quality, complicates the decision-making even further. The sad stories of people who thought they bought an antique clock with a mechanical movement only to find a quartz one when the clock arrived at their door are not fiction. This and other examples are the many challenges facing the antique clock shopper in today’s online world.
I am not a firm believer in purchasing an antique clock online based on images unless one is very familiar with and respects the reputation of the seller. Although you may find that special clock online my advice is to see the clock in the flesh prior to making your final decision.
Simon Willard banjo clock circa 1810
Questions you might ask yourself prior to the purchase
Will I get my money’s worth? Will I be “ripped off”?
Will it work when I get it home?
What do I have to do to fix it if something is wrong and what could I pay to fix it?
What did the seller not disclose? What are the little surprises that await me when I get home?
“Life is a box of chocolates….you never know what you are going to get”, Forest Gump
3 Simple rules for antique clock buying
Here are 3 simple rules on how to buy that special antique clock you’ve always wanted.
1. Locate the antique clock
The style and type of antique clock is a personal preference. I prefer wall clocks over mantel clocks, parlour over gingerbreads, and Ogees over cottage clocks.
If it is a local online inquiry meet with the seller to finalize the sale. If the clock is found in an antique shop or antique mall you will not be dealing with the seller (there are exceptions) but an agent who may know absolutely nothing about the clock.
Avoid Chinese or Korean clocks often advertised as “31-day” clocks. Although they are normally reliable runners, clock-makers will tell you that they are not worth fixing. None are antiques.
2. Ask a lot of questions
Does the clock run?
A running clock has more value than a non-running example. Ask the seller to demonstrate a running clock.
Who is the maker (manufacturer)?
Manufacturers make both inexpensive and quality clocks (there are exceptions). Seth Thomas, a respectable American clock-maker manufactured inexpensive clocks that have little value and higher-end models that are very desirable by collectors. The name alone does not always equate to value.
Has the clock been altered in any way?
Newer case pieces, decorations, new glass, refinished case, a replacement movement, a replacement pendulum, etc. will reduce the value and sometimes significantly.
If it does not run, are all the parts intact?
If it has all the parts, can it be repaired either by you, the buyer, or a competent repair person? I know of a time and strike clock that was missing the strike side gears.
How old is it?
Again, vintage or antique. A clock made in 1919 is now an antique.
Does the clock have provenance, an interesting and verifiable history?
How long has the seller had it?
A cherished family heirloom has more value than an item recently acquired for a quick profit.
Would you accept a lower price?
Point out specifically why the price should be reduced, missing pieces, non-running, poor condition.
3. Deal directly with the seller
By dealing with the seller in person you will always have the opportunity to walk away if you are not satisfied.
Junghans Crispi time and strike wall clock Ca. 1899
Not every antique clock is rare or valuable and some clocks are more desirable than others. That 150-year-old 30-hour Ogee is not as valuable as you might think but a much younger vintage French figural style clock may be worth a lot more.
If you are looking for a very specific type or model of antique clock you will find that it takes time and research to find it but there will be a satisfying reward once found.
Mechanical clocks do not last forever and every now and then a movement should be inspected for wear and to address any other issues if required. A cycle of 2-4 years is a good rule for checking on the health of your mechanical clock.
In the case of this clock perhaps 5 years is a little long but it has not been in a harsh environment. Although I had it professionally serviced I have built up my clock repair skill-sets in the last 4 years and can now do the work myself.
One of the few clocks that I have had professionally serviced is an Arthur Pequegnat kitchen clock (Fan Top). In the early days of clock collecting and repair I had not acquired the necessary skills and experience to perform my own work and had some of my special clocks serviced by a skilled clock-maker. I consider this Arthur Pequegnat “fan-top” kitchen clock, a special clock.
The following comments are not a reflection of the work done by a professional clock repair shop. I consider the clock-maker who performed the service on this clock to be highly competent and I would recommend them to anyone but mechanical clocks can be very temperamental at times.
Arthur Pequegnat kitchen clock commonly known as a “Fan Top”
Two years after the clock was serviced, it stopped. It shouldn’t have! I considered all of the possibilities including weak mainsprings, bushing issues, bent, twisted or torn suspension spring and bent wheels to name a few.
Although there are two dozen clock books in my collection I am always on the look out for more. Some of my books profile various types and styles of clocks, some explore the history of horology while others are concerned with clock repair and case restoration.
Part of every vacation or daily outing in my province of Nova Scotia or elsewhere in Canada involves scouring the used books stores for clock books. Sometimes I am lucky and manage to locate some good ones but quite often I will leave used book stores disappointed.
The table of contents describes what he covers in his book.
Contents of the book
Specialized procedures
Although the book is no longer in print it provides excellent examples of clock repair procedures by describing step-by-step instruction for overhauling and repairing many movements plus the repair and restoration of dials, and cases of antique pendulum clocks. Commonly found clocks that you are likely to inherit or find on online auction sites, flea markets and antique stores are covered.
John Plewes covers clocks from Britain, Canada, the US, France and Germany. There are plenty of diagrams and photos in the book to assist the amateur or expert repair person .
For example, Chapter 4 covers the Pequegnat Regulator #1 8-day movement.
“The finest clock made in America”; Pequegnat advertisement. This clock hangs in the Canadian Clock Museum
The clock is markedly similar to the Seth Thomas Regulator #2 shown below.
Seth Thomas Regulator #2
Plewes makes several interesting points regarding the design of this clock. He discusses the difficulty in finding a replacement weight and often the lighter Seth Thomas weight is substituted which leads to the clock stopping after a while. Plewes is surprisingly critical of the #1 at one point stating that the hands are too heavy since they influence the force applied to the train. The pendulum arc changes when the minute hand indicates 20 minutes after, as against that at 50 minutes. The solution, he feels, is to counterweight the hands or install lighter hands. Plewes opines that the whole point of a regulator is to maintain the constant arc and Pequegnat seemed to have missed that point when designing the clock.
Plewes covers a lot of ground in his book. Some of the advice is certainly beyond the skill level of an amateur clock repair person but if you are interested in growing within the world of clock repair and case restoration it will provide an invaluable resource.
Also included are safety tips, shop techniques, and a glossary of terms.
The book was last published over 30 years ago but If you can find it, and are interested in clock repair from a Canadian perspective it is well worth the cost.
I have been collecting clocks for over 8 years. In that time I have enjoyed my hobby immensely and I am constantly on the lookout for new and interesting acquisitions. It is more like a daily passion.
However, I now realize that as my collection steadily grows I have more than I need or want. I cherish some of my clocks and intend to keep them for years; my Arthur Pequegnats, selected Seth Thomas clocks, clocks made by the Hamilton Clock Co. and the Canada Clock Co., my Vienna regulators and some of my German wall clocks. I don’t mind parting with other clocks now or in the foreseeable future. Some I will miss and others I will not.
A house can only hold so many clocks
My daughter correctly pointed out that I should adopt a one clock comes in another goes out approach. “One-in, one-out”, she says and it makes perfect sense.
A house can only hold so many clocks. In my small office which is 10X12 I have a total of 15 clocks, 10 of which are running daily and the remainder in various states of repair. Outside my office, at any given time, there are 26 clocks in a number of rooms around the house. I am not one of those persons on YouTube who feel the need to cover their walls with clocks. I prefer to display them in a natural way, as an integral part of the decor of my home. The number is not all that important but I am trying to keep it manageable.
Kienzle World Time clock and Ingraham Huron balloon style shelf clock
I have decided that now is the time to sell some of my clocks. My objective is not to make money but to recover the cost of the original purchase plus my labour on each clock that I sell. These are the clocks that have left my collection recently.
I am making more critical choices when adding pieces to my collection
Mauthe Westminster chime mantel clock, circa 1950Juba Schatz Bim-Bam mantel clock, circa 1948Hermle Westminster chime with moon phase circa 1985
I have also gifted eight clocks over the last 3 years and most have been mantel clocks. Antique and vintage clocks make wonderful gifts to friends and family. It is cool to see them displayed and running in their homes when I visit though I know darn well that they are wound just hours before my arrival.
On a clock forum site recently someone said’ “How many clocks do you need”. The answer, “Just one more”
As my knowledge of the clock world grows and my experience repairing and restoring them expands I am making more critical choices when adding pieces to my collection. However, those critical choices often translate into spending more money. For example, recent acquisitions have been a Seth Thomas Regulator #2 and an Arthur Pequegnat Moncton, both wall clocks.
Seth Thomas Regulator #2, time-only, weight driven clock Circa 1922Arthur Pequegnat Moncton, double spring time only clock, Circa 1930
I believe my new approach is a natural progression and perhaps I have been subconsciously heading down that path for a year or more. Unless a clock has an interesting provenance, is rare, uncommon, unique and/or is a challenge to restore I will now shy away from most of the garden variety clocks one sees on online for-sale sites and yes, I still have a few of those.
On a clock forum site recently someone said’ “How many clocks do you need”. The answer, “Just one more”.
I knew during the course of collecting antique and vintage clocks combined with increased knowledge/experience that my hobby would evolve and continuing my horological journey in a slightly different way is about time,
The Classic, made by the Arthur Pequegnat Clock Co.
Tick-Talk Tuesday is about the letters and comments I have received from you, the reader, concerning your clock, issues you might have had, challenges you face or a clock you would like me to profile and my responses to your questions with advice on your particular clock concern. For those comments and questions that stump even me, I consult within my clock circles for the best possible answer
DSfrom New Brunswick, Canada writes, “Good day Mr. Joiner, I have purchased my first Pequegnat clock by accident. It was just a parts buy but I was quite surprised to see it was an Arthur Pequegnat Bedford Classic. Now I’m looking at resurrecting this old girl. My concern is the dial. I’ve found a few few Bedford clock online but they have porcelain dials with a proper side hinged bezel but mine is a metal dial soldered into bezel so it opens upwards? I removed the bezel to try to rotate it but the only screw holes will only mount it as you see it. Would the brushed(?) metal dial have been an option or is this clearly a poor replacement. Any thoughts or opinions would be appreciated. I live just outside of Buctouch and could make the trip if you would like to see it for a closer inspection.
Thanks”
A reused label
My reply,”
Hi and thanks for your email.
Nice find. First of all it is called the Classic. The Bedford label was used and crossed out. Though not common I have seen this before.
I have attached a link to the Classic which is part of Skip Kerr’s extensive Pequegnat collection. You will see that his clock has a smaller (original) dial which is in keeping with the size and style of the case.
It is a Pequegnat dial though not normally for that particular clock and yes, Pequegnat made brushed metal/painted metal dials. I have never seen a Pequegnat clock with the hinge in that location but you never know, it might be a variant.
It might also be a replacement. If so, I would think that the “newer” dial’s hinge would not fit if hinged on either side. Are there any screw holes at all on the left or the right? The dial is soldered to the bezel? That is unusual. I don’t see any glass?
The next is a link to an article I wrote concerning a Bedford clock. You will notice that the case is quite different and yes, the dial on mine is a replacement and larger than the original, just like yours.
Arthur Pequegnat Bedford model, mantel clock
Rather than change it out I would keep it the way it is, after all, it is part of the clock’s provenance.
DS replies,”Thank you sir, it was a $6 online auction purchase. I was fond of the case style and thought I could strip it and update it for our guest room, maybe even paint it (I know I used the “P” word). Once I received and inspected it couldn’t believe it was a Pequegnat. Thinking it was another mass produced import I expected missing parts and poor veneer but other than the missing glass and hands it is complete and in working order. I’m honored to have the opportunity to save this piece and will enjoy it for many years to come. The body has only one set of screw holes for the bezel, I tried to reposition the bezel then I would re-solder the face in the proper position but nothing lines up except the current position so I welcome your idea to leave it as found.
Thanks again for your advice and link I will definitely take a look. I enjoy researching and learning with each new piece I collect.
Happy hunting, DS”
Later DS wrote, “Well sir I’ve cleaned up the original case, installed new hands and replaced the glass. I believe the bezel and face may be original. There are only one set of screw holes in the case and the bezel and when I correct the bezel the wood trim on the case interferes with opening the bezel. So there it is my first Pequegnat. Thanks for the information on my clock. Now on to the next.”
It has taken me 6 years to assemble my collection of antique and vintage clocks. Although I have many clocks, wall clocks are my particular favorites. Check out my collection of antique and vintage wall clocks in this YouTube video I made in January 2019.
2018 was a successful year for my horological hobby in many ways. I met interesting people with fascinating stories, discovered new antique clock sources and had fun along the way. The best clock moments, in no specific order, during 2018 were:
Arthur Pequegnat Moncton
Finding an Arthur Pequegnat Moncton double-spring time-only wall clock was a big plus. This clock has been on my wish list for 5 years and I finally found one in excellent condition and the price was within my budget. This brings to seven Arthur Pequegnat clocks in my collection.
Seth Thomas #2 Regulator
The Seth Thomas #2 has been on my wish list for 5 years as well. This single weight-driven, time-only wall clock is from the 1920s. It is Mahogany veneered and like the Moncton is in very good condition. It is now hung in my front entry way.
Seth Thomas Regulator #2
August Schatz & Sohne W3 shelf clock
In August 2017 I asked for help finding a case for my Schatz movement after locating it in an antique store. Little did I realize that I would eventually have that case.
Rear plate
This is the result when you ask a 90 year old cabinet maker and joiner from Virginia to make a case for an August Schatz & Sohne W3 triple chime movement.
August Schatz & Sohne W3 mantel clock
A special thanks to all those who commented on articles and those who send me letters concerning their particular clock problem
Selling clocks
I sold two clocks this year not because I did not like or appreciate them but I must pare down my collection to allow space for new acquisitions. The Juba Schatz “bim-bam” time and strike mantel clock was one
Juba Schatz time and strike clock
and the other, a Mauthe Westminster mantel clock.
Acquiring new tools
Aside from small hand tools acquired this year, the most significant purchase was an L&R Ultrasonic cleaner which does a terrific job of cleaning clock parts.
Ultrasonic cleaner by L&R
Setting up and organizing my workshop
I managed to create space in my basement for an area to work on clock cases and other related woodworking tasks. A new drill press is on the far bench to the left.
New work area in basement
Cuckoo clock
My first cuckoo clock was a gift from my cousin this past year. It is in good working order but it will need a new set of bellows which will be one of my summer projects in 2019.
Dave’s cuckoo clock
Antiquevintageclock.com
I am pleased that my blog has also been very successful with over 93,000+ total views. I would like to thank all those who commented on articles and those who sent me letters concerning their particular clock issue.
I look forward to this new year and I am sure that 2019 will be an equally successful year as I further my horological pursuits.
I discovered this Arthur Pequegnat Moncton in an antique store in Bloomfield, Ontario. I had my eye on it during a visit to the antique shop this past summer (2018), thought about it before taking the plunge later in the fall to buy it. These clocks do not come up very often and the price was right.
The Arthur Pequegnat Clock Co. made clocks in Kitchener, Ontario (Canada) from 1904 until the company closed its doors in 1941. The clock firm was originally founded in 1903 by Saas & Ford but was purchased by Arthur Pequegnat the following year.
Canadian clock collectors are very familiar with the name and associate Arthur Pequegnat clocks with solid construction, robust movements, conservative designs and nationalism since many clocks were named after towns and cities in Canada. However, the use of city names began to decline in the late 1920s when models such as the Eclipse and Swan were introduced. Arthur Pequegnat also showed his patriotism to the Royal family and to Canada and therefore named a number of models, the Monarch, the King Edward, the Maple Leaf, the Dominion, the Canadian Time and so on.
Pendulum, beat plate & centre cut rounded bottom
Pequegnat made mantel, parlour clocks, as well as Mission, kitchen, gingerbread, tambour, wall, and floor models (hall clocks). In most households of the period, a clock was a decorative status symbol, not just a timepiece, and was displayed in a prominent place in the home—usually the parlour.
Prices increased over the period the Pequegnats were in business but ranged from four dollars for the Midget to seven dollars for the simple round Toronto model, to $112 for the Alberta floor model in mahogany. The wide variety of designs and relatively low prices appealed to many Canadians. Today, the appeal of these timepieces remains as Pequegnat clocks are sought after by Canadian collectors.
This, the Moncton, is the seventh Arthur Pequegnat clock in my collection. This clock is named after a city in the province of New Brunswick (Canada). It is only fitting that Pequegnat supplied clocks to the railway as Moncton was once a rail hub for the Canadian National Railway.
This clock is in good condition overall. It has a 12 inch Arabic dial with simple, bold numbers. The pierced spade hands are attractive and are a feature on many Pequegnat wall clocks. It has a fumed quarter-sawn oak case, is 35 inches high with a hinged 16 inch oak bezel door that swings to the right to reveal the dial. The drop door is 14 ½ inches high by 10 ¾ inches wide and also swings to the right. The clock is 5 inches deep with wall stabilizers on either side of the case. The pendulum bob is brass over iron with an oak pendulum rod. The dial glass appears to be original and has the “waviness” you would expect with glass that is over 80 years old.
View of lower case
Although the lower glass has the same waviness it appears to have been changed out early in the clocks life as the retaining rails look to be replacements. Unfortunately, it is missing the label. Other minor issues are a small scratch on the dial face that is visible when the light is right and a screw hole on the back panel just below the beat plate to secure the clock to the wall. Evidently the stabilizers were not used.
This clock was made after 1916. Those made prior to that date were inscribed “Berlin” (Ontario) on the dial. On 1 January 1917, anti-German sentiments in Canada during the First World War spurred residents of Berlin, Ontario to change the city’s name to Kitchener. This is the only definitive way of dating a Pequegnat clock so, this clock would be between 80 and 100 years old. The Moncton wall clock was manufactured almost as long as the company was in existence.
The Moncton is a 15-day time-only clock with two winding arbours on the dial face. This is achieved by means of two mainsprings both of which are wound at the beginning of the running cycle releasing their power together. Two other wall clocks, the Regina and the King Edward (variant) were also available with a 15-day double spring movement. However, unlike most spring driven clocks that have recoil escapements this movement has a Graham deadbeat escapement which contributes to its accuracy. The seconds hand is not a true second hand and runs off the escapement taking 80 beats to complete the “minute”. As a testament to its accuracy and dependability many of these clocks were ordered as train station clocks across Canada.
Two winding arbours for double spring time-only movement
The “Moncton” came in two basic styles. One was made for Canadian National Railways and was five centimeters (two inches) shorter than the regular model. Some such as this one, were fitted with a seconds hand on a separate dial above the main hands. This feature is also found on the Regulator I which was Pequegnat’s most accurate model. The 1st Issue was 33 1/4 inches high by 15 1/2 inches wide with the triangular bottom. The 2nd issue of the clock has a height of 33 1/4 inches and a width of 16 inches with a centre cut rounded bottom. The 2nd issue clock is also found with cases that measure 35 inches in height such as this one.
Moncton first issue, Roman Numeral dial
The “Moncton” was first featured in the 1913 catalogue and the again in the 1918, 1920 to 1925 Wall Clock catalogues and Pequegnat’s final catalogue put out in 1928.
The Moncton closely resembles the Seth Thomas #2 in size and shape down to the seconds hand, 80BPM and beat plate but unlike the #2, the Moncton is spring driven. The Moncton was an alternative to the #2 which was a well made American regulator but costlier and with a shorter running cycle.
Seth Thomas Regulator #2
The seller tells me that the clock came from the north of Toronto (Ontario) and apologized for not knowing more about its history. He has had it for about 1 ½ years.
I removed the dial to inspect the movement. As expected it is large and heavy with solid plates mounted to an iron frame. It is not difficult to see that it was designed to be rugged and dependable. I did not check the back plate but judging from what I see on the front plate there appears to be little wear. The first wheel on the right side is the only one that has a newer bushing. Given its condition it was well cared for and did not have a hard life.
Large and heavy time-only movement
This clock has been on my wish list for some time.”Monctons” are up for sale from time to time, but they are getting harder to find. I have seen examples come and go but this one is in great shape and the time was right to add it to my collection.
If one were to ask those with a keen interest in Canadian antique clocks, the word Pequegnat would immediately come to mind. Pequegnat produced clocks for close to 40 years and left an indelible mark on Canadian culture.
Predating Arthur Pequegnat is a lesser known clock maker (or clock-makers) that made clocks between 1872 and 1884. The Canada Clock Co, and the Hamilton Clock Co. struggled over a 12 year period to put Canada on the clock-making map. In 1872 the Canada Clock Co. established itself in Whitby, Ontario (Canada) but lasted just 4 years before failing, though largely due to a devastating factory fire.
Canada Clock Company cottage clock
Out of the ashes came another attempt in 1876 and key principles including manager John Collins moved to Hamilton and set up the Hamilton Clock Company. After 4 years this new company also failed and production halted in 1880. In late 1880 one more attempt was made to establish a new company called the Canada Clock Company resurrecting the old name. It is still based in Hamilton at the old Hamilton Clock Co. factory. Success was short-lived as the company declared bankruptcy in 1884 ending a dozen years producing clocks for the Canadian market.
Although both movements and cases were made in Canada they were copies American styles
Canada Clock Company, Prince of Wales parlour clock
Canada Clock Company, City of Hamilton parlour clock
I have grouped the clocks from the three companies and these are their characteristics. The most common clocks found today are the weight-driven, thirty-hour “Ogee” style, with colourful birds or flowers surrounded by a black background on the glass tablet. At least five different labels are known, four have a beaver on them. The large printed paper label was located inside the case on the lower back. Spring-driven mantel clocks with plain cases were also made with thirty-hour movements. Although both movements and cases were made in Canada they were obvious copies of American styles.
Hamilton Clock Co Gothic steeple clock with etched glass tablet
Clock label showing the Hamilton Clock Company factory
Also produced was a spring-driven “school house” wall clock.
At least sixty models of spring-driven mantel clocks are known, with both thirty-hour and eight-day movements. Most of the door tablets (Canada Clock Co.) have acid etched glass designs, unique to the two Hamilton-based companies and done in association with a local glass factory. Wall clocks are also found with the Canada Clock Company, Hamilton label.
The most desirable clocks are the ornate time and strike parlour clocks such as the City of Hamilton and Prince of Wales pictured above.
Unfortunately, a valiant attempt to grow a home-bred clock company failed miserably. However, the clocks of all three companies are highly sought after by Canadian collectors today.
This is a Canadian made clock I bought at an antique store on Bloomfield, Ontario this past summer (2018).
Arthur Pequegnat kitchen clock
This clock is affectionately known as the “Pointed Top”
The Arthur Pequegnat Clock Co. made clocks in Kitchener, Ontario (Canada) from 1904 to 1941. Canadian clock collectors are very familiar with the name and associate Pequegnat clocks with solid construction, robust movements, conservative designs and nationalism since many clocks were named after towns and cities in Canada.
Pequegnat made mantel, shelf, hall clocks (Tall case) and wall clocks mostly of oak but some were mahogany veneered. The Kitchen clock or gingerbread clock as it is often called was very popular at the time and Pequegnat made an effort to keep up with current styles with a range called the Maple Leaf. There were six versions of the Maple Leaf clock made by the Arthur Pequegnat Clock Co. Though the dimensions are similar they share two unique characteristics; all Maple Leaf’s have the distinctive maple leaf tablet and Maple Leaf pendulum. It is Pequegnat’s interpretation of a truly Canadian clock styled after American clocks.
Label found underneath the base
This clock is affectionately known as the “Pointed Top”. Maple Leaf clocks are easily found on auction & for-sale sites and can be had for a mere fraction of the cost of the more desirable hall and wall clocks.
Hammer and coil gong
I have several Pequegnat clocks in my collection, two of which are Maple Leaf’s, a “fan top” and now this, the “pointed top”. In my view, the pointed top is the best design of the series.
Made of quarter sawn golden oak, it is reminiscent of a Gothic steeple clock, with squared columns on either side and a pointed centre with stylistic applique above the 5 inch dial. The base is a simple angled pedestal sitting on a box frame.
Pendulum bob with Canadian Maple Leaf
Some clocks have something peculiar about them and this one is no exception. Most Pequegnat labels are found on the back board. The label on this clock is underneath the base which is an odd location for a Pequegnat. If this was a standard practice it looks original and has the usual amount of loss one would expect from a 100 year old clock label. While the name Berlin is on the dial, the label indicates that the clock was made in Kitchener, Ontario. There are two possible explanations; either the dial face is a replacement from a older clock or the clock was made during the transition period (1916) when the name of the city was changed from Berlin to Kitchener during the First World War.
The movement is a distinctive Arthur Pequegnat movement with nickel-plated steel plates and brass bushings pressed into the plates
The glass tablet is in excellent condition. It is not uncommon to find some loss especially a few missing maple leaves here and there but this is the best I have seen. The dial face has some flaking but is otherwise in good condition; the Roman Numerals are vivid and unfaded. The spade hands are correct for the clock and look original. The oak case is in great shape with no missing or split pieces. The finish is in excellent condition and the oak grain enhances the simple lines, in fact, this clock has aged very well.
Tablet is in excellent condition
I took the movement out of its case to inspect it. It is a distinctive Arthur Pequegnat movement with nickel-plated steel plates and brass bushings pressed into the plates. Not surprisingly it had been worked on in the past. One bushing on the front plate has punch marks around it otherwise the movement was tight and there appears to be little evidence of wear. There is one small issue however; the lever that activates the passing strike on the half hour is loose in the arbour and has turned to one side. Turning it to the correct position does little to fix the problem. At some point I will get in there with Lock-Tite to secure it.
The fact that it does not strike reliably on the half hour does not particularly bother me. I oiled the movement, reinstalled the movement into its case, set the beat, wound it and it maintains a full eight day cycle.
I am very pleased with this acquisition but I my search goes on for the more desirable 15-day Pequegnat Moncton wall clock and of course the Regulator #1.
Antique and Vintage Mechanical Clocks 
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