Looking around my home today, I can count twelve Arthur Pequegnat clocks, but the Brandon II will always be the most important one. It was the first Pequegnat clock I ever bought, and the one that started me down the Pequegnat road.
Arthur Pequegant Brandon II
This particular clock is a Brandon II. The first edition was produced up to 1916, and although the two versions look very similar, the second edition was made from 1917 until production ended in 1941. I wish I knew the exact year mine was made, but that’s hard to determine since there are no identifying marks on the movement, the label, or the case to date it. Between the two, I prefer the cleaner look of the second version.
Brandon 1
The Arthur Pequegnat Clock Company made clocks in Kitchener, Ontario from 1903 to 1941, and the Brandon was one of their more popular models. You would most often find one hanging in a Canadian schoolroom in the 1930s or 1940s, or in an office where a reliable, no-nonsense clock was needed. It’s an octagonal short-drop, time-only schoolhouse clock — simple, practical, and built to last. The first edition had the same overall dimensions but featured a more ornate frame around the dial bezel.
Schoolhouse clocks were usually time-only because schools already had bells or alarms to signal the start of class, recess, and the end of the day. In an office environment, a striking clock sounding every hour would likely have driven everyone to distraction. Some Brandon clocks were also fitted with calendars, which would have been useful in either setting.
Brandon II with a calendar function
Both the quarter-sawn oak case and the brass movement were made by the Arthur Pequegnat Clock Company in their Kitchener factory right up until 1941, when brass shortages during the Second World War forced the company to stop production rather abruptly.
The time-only movement is quite simple, with relatively few gears and not much to go wrong. It was designed to be reliable and durable — a clock that could survive years of schoolrooms, offices, and daily winding without complaint.
Arthur Pequegnat Brandon time-only movement, simple but durable
I bought this clock from a local antique collector who had owned it for a number of years and eventually decided to sell it in his antique shop in Great Village, Nova Scotia. The price was reasonable, and since I had always wanted a Pequegnat schoolhouse clock, I brought it home.
The case is in excellent condition, and the dial and bezel are also very nice. The clock would run and keep reasonably good time, but it had an annoying squeak that clearly meant something wasn’t quite right. After taking a closer look, I discovered the first wheel had considerable pivot hole wear — the kind of repair that was beyond my tools and abilities in 2015.
So, the movement made a trip to a horologist in Halifax, Nova Scotia, where it was properly serviced. Five bushings were installed, the mainspring was cleaned, and the movement was oiled. It wasn’t an inexpensive repair, but in my view it was a worthwhile investment. Now, after ten years of running, it is time to take a look at the movement again and check for any wear. This time, my tools are at the ready!
Related Articles
My short video on Pequegnat clocks in my collection; As regular readers know, I have been a passionate collector for 15 years, I take great joy in repairing and restoring old clocks. My collection has grown to 85 unique timepieces, each with its own story.
The Pequegnat story and the Maple Leaf series of kitchen clocks; The Pequegnat name may not be familiar to international readers, but it was a significant Canadian clock company that manufactured both movements and cases beginning in the early 20th century.
Starting an antique clock collection can be both exciting and a little overwhelming. With so many styles, makers, movements, and time periods to choose from, it’s easy to wonder where to begin. The good news is that you don’t need deep pockets or expert knowledge on day one—just curiosity, patience, and a willingness to learn.
I remember my early days of collecting, when I was eager to add just about anything to my budding collection. Today, I am far more discerning, carefully considering each potential acquisition. However, in my 25 years of collecting, I still own the first clock I would consider a true antique.
Seth Thomas Adamantine Mantel Clock, my very first true antique clock
If you’re thinking about starting your own antique clock collection, I offer some practical tips to help you get started on the right foot.
1. Start With What You Like
The best advice for any collector is simple: buy what you enjoy. Don’t worry about trends, investment value, or what others say you should collect. Whether it’s a simple kitchen clock, a shelf clock, a Vienna regulator, or a mantel clock with a rich patina, choose pieces that genuinely appeal to you.
One of my favorite clocks
If a clock makes you look twice when you enter a room, that’s always a good sign.
2. Learn the Basics Before You Buy
You don’t need to become a horological expert overnight, but learning a few fundamentals will save you money and frustration. Take some time to understand:
Common movements (time-only, time and strike, chiming, spring or weight-driven clocks)
Key terms like escapement, pendulum, mainspring, and strike train
Books, museum visits, online forums, and blogs (like mine) devoted to antique clocks are excellent learning tools. The more you learn, the more confident you’ll feel when evaluating potential purchases. Knowledge is power!
3. Set a Budget—and Stick to It
Antique clocks can range from modestly priced to very expensive. Decide early on what you’re comfortable spending and remember to factor in possible repair costs. A clock that seems like a bargain may need servicing, which can quickly exceed the purchase price.
If you are bidding on a clock online, don’t get caught up in a bidding war. Set a firm limit and be prepared to walk away—other opportunities will inevitably come along.
A surprisingly inexpensive find; a Scottish tall case clock from the 1840s
Many fine antique clocks are still affordable, especially if you’re open to cosmetic wear or minor issues. A well-maintained, honest clock is often a better choice than an over-restored one.
4. Condition Matters More Than Perfection
It’s normal for antique clocks to show signs of age—after all, many are well over a century old. Look for clocks that are complete, structurally sound, and largely original. Missing parts, incorrect replacements, or heavily altered cases can be difficult and costly to correct.
When possible, ask:
Does the clock run?
Has it been serviced recently?
Are all the parts present?
Even if a clock isn’t currently running, it can still be a good purchase if you understand what it may need. In time, you will develop the skills and expertise needed to repair a non-running clock.
5. Buy From Reputable Sources
When starting out, it helps to buy from sellers who know clocks and are willing to answer questions. Antique shops, clock shows, auctions, and fellow collectors can all be good sources. Be cautious with vague descriptions or sellers who can’t provide basic information about the clock.
Over time, you’ll develop a sense for what feels right—and who you can trust.
6. Keep Records of Your Collection
As far as record-keeping, I find myself offering advice I don’t always follow. Perhaps that’s the true challenge of collecting.
From the beginning, get into the habit of keeping notes on your clocks. Record where and when you bought them, the maker, any repairs done, and any interesting history attached to the piece. Photographs are invaluable.
This not only adds enjoyment to collecting but also becomes important for insurance, resale, or passing the clocks on to future generations.
7. Be Patient and Enjoy the Journey
A good clock collection isn’t built overnight. It evolves over time as your tastes change and your knowledge grows. Some clocks will stay with you forever; others may move on as your focus becomes more refined. Although I enjoyed collecting common mantel clocks from the 1930s, 40s, and 50s, that is no longer my focus—and that’s perfectly normal. I wrote an article recently about thedynamic aspect of clock collecting that you might find interesting.
Collecting antique clocks is as much about the stories, craftsmanship, and history as it is about the clocks themselves. I marvel at the stories behind some of my clocks.
8. Investment value
From time to time, antique clocks are promoted as “investments,” but this is often a misunderstanding of both the market and the hobby. While a few rare, high-end pieces may appreciate, most antique clocks do not reliably increase in value once repair, maintenance, and storage costs are considered. Tastes change, markets fluctuate, and selling can be slow and unpredictable. Collecting clocks for enjoyment, historical interest, and craftsmanship is far more rewarding than treating them as a financial strategy.
Ingraham Huron balloon-style shelf clock; Somewhat rare, but collected for appreciation—not investment
Final Thoughts
Starting an antique clock collection is a rewarding pursuit that connects you to history, engineering, and artistry. Take your time, ask questions, learn as you go, and most importantly—enjoy the process. Every clock has a story, and as a collector, you become part of it
One clock that’s high on my wish list is the Arthur Pequegnat Regulator No. 1. It’s a single-weight, 8-day, time-only wall clock, and it’s a rare one. Every so often I’ll see one for sale, but the price tags are usually well out of my reach—for now, anyway.
Pequegnat as a clock company was Canada’s answer to the big American clockmakers, especially Seth Thomas. Their wall clocks often borrowed design cues from their U.S. counterparts, but Pequegnat also came up with some distinctive styles of their own. One thing they were known for was their use of quarter-sawn white oak. If you’ve ever seen the way the ray flecks shimmer in that wood, you’ll know why collectors admire it so much.
The Regulator No. 1 is often compared to the Seth Thomas Regulator No. 2. While Seth Thomas sold thousands of #2s into schools, offices, and railway stations across America, Pequegnat’s No. 1 didn’t reach the same production numbers. But here in Canada, it served the same purpose—and today it’s one of the most sought-after Pequegnat models. In fact, a well-preserved example will usually bring twice the price of a similar American regulator.
The photo below of the Regulator No. 1 was taken at The Canadian Clock Museum in Deep River, Ontario, back in 2013.
Arthur Pequegnat Regulator #1
The Pequegnat Story
Arthur Pequegnat was born in Switzerland in 1851 and came to Berlin, Ontario (now Kitchener) in 1874 along with his wife, parents, brothers, and sisters—a total of 18 family members. By the late 1870s, he was running a jewelry and watch repair shop, and before long, he and his brother Paul were in business together in Berlin. After about a decade, they each went their separate ways, both staying in the jewelry trade.
In 1897, Arthur took a bit of a detour and started making bicycles. That worked well for a few years, but as the market declined, he pivoted once again. By 1904, he was using his bicycle factory to make clock movements, marking the start of Canada’s best-known clockmaking venture. At first, local furniture makers supplied the cases, but Arthur eventually brought case production in-house.
One detail that helps date Pequegnat clocks is the town name. Berlin, Ontario, was renamed Kitchener in 1916 because of anti-German sentiment during the First World War. So, if a dial or movement is stamped Berlin, you know it’s pre-1916. If it’s marked Kitchener, it’s from 1916 or later. Of course, since many models were made for years, you’ll only get an approximate date—but it’s still a handy clue.
Arthur passed away in 1927, but his family continued to run the company until 1941. When brass became scarce during the war, production stopped and never started up again. The factory was demolished in 1964, and today all that’s left is a commemorative plaque in Kitchener—fitting recognition of Canada’s most famous clockmaker.
Where to See Pequegnats Today
If you want to see Pequegnats in person, TheCanadian Clock Museum in Deep River is the place to go. They have the largest collection in the country, and it’s well worth the trip.
The Canadian Clock Museum, Deep River, Ontario
On the East Coast, the Macdonald Museum in Middleton, Nova Scotia, has a smaller but very nice display too.
Macdonald Museum in Middleton Nova Scotia
My Own Collecting Dream
For me, the Regulator No. 1 is about as good as it gets in Canadian wall clocks. Is it the best Canadian clock ever made? No, it has its faults, but it’s got the look, the history, and the craftsmanship that make it stand out. I can’t quite justify the price of one right now (my wallet insists on reminding me of that), but that’s part of the fun of collecting—dreaming about the ones that might join the collection someday.
Who knows? Maybe one day I’ll stumble across a Regulator No. 1 tucked away in an antique shop or sitting quietly at an auction, waiting for the right bidder. Until then, it stays on my wish list—one of those “holy grail” clocks that keeps the hunt exciting.
In late June 2025, I received an invitation to attend the installation of a historic Nova Scotia family clock. Unfortunately, I was unable to attend the July 12th ceremony, but I asked the museum manager if I could publish the public service announcement on this blog. She agreed and gave permission to include photos as well.
Bishop family clock
The Nova Scotia (Canada) Kings County Museum’s mission statement is “To preserve and promote the cultural and natural history of Kings County for present and future generations.”
The Bishop Family clock left Nova Scotia in 1902, has been returned to Nova Scotia after more than 120 years. The circa 1770 clock will become part of a permanent exhibit at the museum focusing on the New England Planters and the Bishop family.
“Built by John Bishop, a member of one of the first Planter families to settle in Horton (eastern Kings County), the clock was given to his daughter Amelia as a wedding gift when she married Charles Dickson in 1772.”
King’s County Museum, 37 Bridge Street, Kentville NS
Here is the announcement:
Historic Bishop Family Clock Returns to Nova Scotia Installation to Take Place at Kings County Museum
July 12, 2025 1:00 PM Kings County Museum, Kentville NS All welcome
Please join the Kings Historical Society as we welcome Stephen Sieracki, a Maryland-based horologist (clock specialist), who will permanently install a historic clock in the Kings County Museum.
The clock, a significant Planter artifact and a rare example of early clockmaking in Nova Scotia, is returning home after 200 years. It was crafted in Horton Township in the late 1700s by John Bishop and given to his daughter, Ameila, upon her wedding to Charles Dickson, of Horton in 1772.
Since 1772, the Bishop Clock, a remarkable example of early Nova Scotian ingenuity and woodworking, has found itself in many different homes and, most recently, in Annapolis, Maryland where it has been taken care of by descendants of John Bishop. The clock will return home to Nova Scotia in July, accompanied by Stephen Sieracki, and find a new home at the Kings County Museum where it will be preserved for generations to come.
On July 12th, 2025, the clock will be installed in a permanent exhibit which will pay tribute to the Bishiop family, the Bishop family clock, and the planter legacy of Kings County. This installation will include reinstalling the Bishop Clock mechanisms (which will have been removed for safe transport). Stephan Sieracki will also be giving a talk on 18th-century clocks, including specific details and research on the Bishop Clock, and demonstrations. Q&A session to follow presentation.
For more information, please contact info@kingscountymuseum.ca or call the Museum at 1-902-678-6237.
The return of the Bishop Clock is more than the homecoming of a cherished family heirloom—it is a powerful reminder of the ingenuity, craftsmanship, and stories that shaped our communities. Preserving artifacts from the past, like this remarkable tall case clock, allows us to connect with the lives and legacies of those who came before us.
These tangible links to history enrich our understanding of who we are and where we come from. By safeguarding them today, we ensure that future generations can continue to learn from and be inspired by the people, cultures, and innovations that helped build our communities.
In an era when Canadian furniture manufacturers were struggling to compete with international imports, one company stood out not just for its elegant craftsmanship but for the remarkable story behind its founder.
Craftline Industries, established in Toronto during the mid-20th century, was the brainchild of Manny Drukier, a Holocaust survivor whose vision, ingenuity, and resilience transformed a fledgling furniture operation into one of Canada’s premier producers of home furnishings and decorative clocks. With little formal education but a boundless entrepreneurial spirit, Drukier built more than a business—he created a legacy that continues to tick away in homes across North America.
Manny Drukier, as a young man, after WWII
In preparation for an article on Craftline Industries and its founder, Manny Drukier, I contacted the Drukier family with a series of questions. My main point of contact for this article was Cindy Drukier, Manny’s daughter. The Drukier family responded with remarkable generosity, providing a wealth of information, far exceeding what I had initially sought. I have included the entire text of their reply to me and have their permission to make minor edits for flow and clarity.
A snapshot of production, entitled Production Operations 1974, offers readers a clear sense of the scale and ambition behind Manny Drukier’s vision.
Manny Drukier’s Story as Told by His Family
From his daughter, Cindy Drukier, “The answers to the questions you asked may be more than you bargained for. Apologies for the excessive detail in some places, but the family decided that since such scant online evidence of Craftline exists, this was an opportunity to enter it into the digital record. These days, if it doesn’t exist online, it’s almost as if it never happened. So we’re grateful for the opportunity!”
The answers were written by Manny’s daughter Cindy, with input from her mom, Freda Drukier, and three siblings, Gordon, Laurie, and Wendy. Cindy also consulted the 1974 Canadian Jeweller article (which I have summarized in a separate section) and Manny’s unpublished writings. Manny has a published memoir, “Carved in Stone: Holocaust Years – A Boy’s Tale,” but it stops when he arrives in Canada. He wrote a Part 2, but it wasn’t published before he passed. Manny died in January 2022 of Alzheimer’s at 93.
The Vision
In 1948, Manny arrived in Toronto, a 19-year-old Holocaust survivor from Poland. He’d already spent a year in New York, but his mother and sister had made it to Toronto post-war, so he moved to Canada to join them.
Suddenly, Manny had to find a way to support the family. While buying furniture for their tiny flat with savings from New York, it dawned on him that the city was full of fresh immigrants needing to do the same—furniture would be a booming business, he figured. He had zero experience but managed to finagle (i.e., lie that he had experience) a sales position in a furniture store and quickly excelled at it, earning $30 for a six-day week, plus 2 percent commission.
He lasted less than a year working for someone else. By then he decided he had learned all he could and would go into business for himself.
He rented his first small store with his brother-in-law, David Rosenfeld, on Bloor St. West near Dufferin in downtown Toronto and called it North American Furniture. It went well, and soon they opened a second location on The Danforth on the east side of downtown Toronto. In 1961, they closed both to open a much larger and more upscale store in a former supermarket at Bathurst and Eglinton.
By 1964, he noticed he was importing more and more goods from the United States because Canadian furniture, although well-made, wasn’t elegant enough for modern consumer demand. He saw an opening in the market. He also disliked being the middleman—selling the wares of others—so he decided to go into manufacturing.
He didn’t have a clue how to do it, but he thrived on challenge and had infinite faith in his ability to figure things out. He sold North American Furniture to his brother-in-law and cobbled together a couple of partners for his new venture. Leonard Caplan was manufacturing case goods in Georgia, and Henry Gancman was a Canadian maker of chrome kitchen sets, which Manny sold in his store.
Manny, circled in red
They opened a small factory in the north end of Toronto, on Lepage Ct., employing about 15 people. One was my mother, Freda, who set up the bookkeeping and ran the one-woman office.
A couple of years later they moved to a bigger location, that included a showroom, on Milvan Dr. A few years after that they bought some land (including some from the power company, Ontario Hydro), to eventually build a 215,000 sq foot factory, showroom, and offices on 13 acres located at 15 Fenmar Drive in Weston, and industrial area at the northwest end of Toronto.
Craftline catalog
Craftline manufactured all-wood occasional furniture such as coffee tables, end tables, curios, and consoles, and, later on, wall units and grandfather and grandmother clocks. It eventually became Canada’s top manufacturer of elegant furniture, employing about 250 people.
Craftline catalogue
Cindy added, “Manny was the main designer for all the furniture, including the clocks. He had no experience in this, of course, and couldn’t really draw on any either, but he always had lots of ideas!”
ProductionOperations 1974
The information in this section is sourced from the March 1974 issue of Canadian Jeweller magazine.
Demand for Craftline grandfather clocks was high in 1974—so high, in fact, that the company couldn’t keep up with orders. In 1973, Craftline produced 2,500 grandfather clocks and expected to double production by the end of the year, 1974. At the time, owner Manny Drukier estimated the U.S. retail market for clocks, priced between $200 and $4,000, to be worth $200 million.
Manny is in the special clock boutique area of the factory
Craftline began making grandfather clocks in 1968, and by 1974, 20% of the company’s total output was devoted to them. The tall clock cases were made from solid lumber and veneered with fruitwood, elm, and ash, in styles such as Spanish, Mediterranean, Colonial, and Country French.
They produced both eight-day mechanical clocks and transistorized, battery-operated, pulsation-type clocks. The higher-priced models used mechanical movements, while the less expensive versions, made by subsidiary Craftique, used battery-powered movements. Craftique, by 1974, had manufactured 14,000 units.
The production floor
In 1974, clock faces, hands, and weights were imported, although Craftline was exploring Canadian sources. The mechanical movements were imported from two suppliers in Schwenningen, Germany. One supplier would have impacted production, while relying on two suppliers was a safer approach.
While the suppliers were not named in the article, at least six companies were manufacturing movements in Schwenningen at the time: Kienzle, Mauthe, Hermle, Schatz, Urgos, and Haller. (Author’s note: Urgos and Hermle would have been the suppliers)
Eaton department stores began selling Craftline clocks in 1972, but could not get enough stock to meet demand. However, most clocks were sold through furniture stores, where salespeople were well-equipped to market them. Jewellery stores typically bought in smaller volumes, as limited floor space made it harder to display the larger clocks.
Checking on Canadian sources for parts
The Craftline plant could finish 700 clock cases in two days, but the four-person team responsible for installing movements could only assemble 36 completed clocks per day. Much of the training for clock assembly was done in-house, with employees learning from one another.
Back to the story.
Launching the Clock Line
Manny constantly had an antenna up, looking for profitable ways to expand Craftline’s offerings, and, in 1968, he got the idea for grandfather clocks. We’re not sure where the idea came from.
Craftline catalog
Manufacturing the wood cabinets was easy, but not so the clockworks. He had two suppliers in the German Black Forest, but we don’t know more than that. I do know that, being a Holocaust survivor, he initially had misgivings about buying the works from Germany, but they were excellent and reliable, so he went with it. He said he also considered sourcing them from Asia, but decided it was too risky. He had expressed hope of buying them from a Canadian source in the future, but that never happened.
The clock cases were made of hardwood like elm, ash, and fruitwood. There were many designs, including traditional, Spanish, Mediterranean, colonial, and country French. They either had an eight-day wind-up chain mechanism or battery-operated pulsation movements. The highest-end grandfather clock was an oriental design with black lacquer and gold. The wholesale price for that clock was about $1,000 (CAD) in the early 1970s. It was the only model with an imported case—from Portugal, as it turns out.
He also started a spinoff company called Craftique Originals that produced ornamental objects from molded urethane. Craftique’s products included elaborate mirror frames, framed art reproductions, wall-mounted weather stations, and a line of wall clocks that looked like miniature grandfather clocks—except their brass weights were purely decorative and they didn’t chime.
Clock Sales and Ice Cream
Craftline had a team of salesmen who covered Canada coast to coast, and a bit of the eastern United States. All clocks were branded as either Craftline or Craftique, and they were sold to department stores and independent retailers, not to individual customers. He did, however, offer a premium service: customers could order a personalized engraved brass plate for their clock. Cindy Drukier spent one summer filing invoices and using an engraving machine to etch out those plates.
And there was one time when Manny traded a grandfather clock for its value in ice cream from the first Canadian importer of Häagen-Dazs. “Best business deal ever for a household with four kids!”
The Difficult Process of Ending Operations
Craftline lasted until 1991, when two hammers fell at once: The Canada-US Free Trade deal (precursor to NAFTA), and the introduction of the GST (Goods and Services Tax). Both hit manufacturers hard. Everyone knew Canada’s furniture industry wouldn’t make it, and despite a valiant effort to keep things afloat, the bank stepped in and forced Craftline into bankruptcy.
Craftline catalogue
By then, Manny was the sole owner. He and Henry had bought out Leonard in about 1975, and Henry got out in the final few years.
It was very upsetting, says my mom, after putting so much of your life, money, time, energy, and creativity into something, and then to have the rug pulled out from under you through no fault of your own.
She worked by his side the entire time. Manny was more philosophical and practical about it. He really didn’t dwell on things. It happened, so it happened. Meanwhile, he had other business ventures and interests. He also took the opportunity to go to Poland, with Freda, for the first time since the war and write his memoir (Carved in Stone: Holocaust Years – A Boy’s Tale).
Grandfather clockowned by the author’s daughter
Personal Challenges
We had one very fine oriental-style grandfather clock for about 40 years until it was consumed by flames in a house fire in 2011. So we all grew up with that wonderful ambient chime every 15 minutes. We’re elated to hear that many Craftline clocks are still working well!
What he enjoyed most about business was always the challenge. Clocks were just the next challenge, having mastered furniture. Lack of experience was never a barrier. He was not motivated by money—he was motivated by trying to make a longshot succeed. Nothing daunted him. Certainly, that attitude came from surviving the Holocaust. Money was fleeting—in a single day, it could be made worthless. And since he’d already been through the worst, no setback was terribly troubling. He also got bored quickly with the routine.
TheLegacy of Manny Drukier
It’s extremely heartwarming to hear that you (author) care to research and record the history of Craftline. He’d be gratified to know it! Occasionally, we hear about this or that Craftline clock still standing in someone’s home, and it’s always satisfying to know its chimes are resonating in someone’s life.
Grandmother clock owned by the author’s sister
Manny had many business ventures over the years, not just Craftline, although Craftline was the constant, and the one that made money. But he also dabbled in real estate, although he found it generally uninteresting (unless he had colourful tenants).
He published two short-lived magazines—a cooking magazine, “à la carte [sic]”, and a literary magazine, “The Idler”. He opened a pub we lived above, also calledThe Idler, and ran that for 15 years. He became an author and the star of a documentary my husband and I made about his war years called Finding Manny.
Manny was an innovator—if he had a vision, he went for it, and nothing would stop him. Because of the war, his formal education stopped at grade 4, but he was a voracious reader and a lifelong learner. He was a generous mentor and an incurable optimist. He also had a great sense of humor and left us with many useful words of wisdom.
“I’ll leave you with a few gems that seem most apt:
LIfe isn’t a cafeteria, you can’t always choose what you want.
Sometimes a kick in the pants is also a step forward.
Don’t be the schmuck who ends up walking backwards when you’re moving furniture.
I think I’ve contributed something by my staying alive. (in Finding Manny):
We agree.
The Drukier Family”
That’s the story—more than I ever expected. I encourage you to watch Finding Manny, which explores Manny’s early life, the profound loss of family members during the Second World War, and the horrors of the death camps.
Given the lack of other dedicated online sources, this stands as the most reliable and comprehensive resource currently available on Craftline Industries.
It’s time to relax and slow down. For my wife and me, that means a welcome change of scenery as we travel to our cottage in central Canada to spend the summer season with friends and family. Our summer getaway includes relaxing with a few good books, fishing, swimming, hiking, and sharing stories with friends and neighbours over a glass (or more) of wine.
Our summer retreat
As most of you know, this blog profiles my clock collection, the challenges of maintaining and repairing clocks, the joys of finding new and interesting vintage and antique pieces, and many articles of horological interest.
Since many of my posts are written well in advance, there will be no interruption in blog posts throughout the summer months. I’ll continue to maintain a steady output of articles each month. You can keep reading new posts every Tuesday and Friday at 6:00 a.m. AST.
Enjoying lake activities
As 1960s TV variety host, lounge singer, and actor Dean Martin used to say, “Keep those cards and letters coming.” However, there may be a slight delay in returning your email inquiries or responding to blog post comments, but rest assured, your questions about clocks and comments on any of my posts are important to me and will be answered.
As my wife and I explore central Canada, we’ll no doubt stumble across interesting clocks while scouring antique stores, flea markets, Facebook Marketplace, and junk shops. New clock stories, fresh repair challenges, and perhaps the next major restoration project will be part of my journey this summer.
Walking through the woods
One of our stops will be The Canadian Clock Museumin Deep River, Ontario, where I look forward to discovering newly added clocks in their collection and catching up with curator Allan Symons.
The Canadian Clock Museum
In the meantime, feel free to use the search box to browse through past articles, and click “Follow” to have new clock articles delivered to your inbox every three to four days. I hope you enjoy reading them as much as I enjoy researching and writing each and every one.
Have you ever wondered where the terms “half past the hour,” “a quarter past,” and “a quarter to the hour” originate from? At one time these terms were practical and necessary for understanding time when precise minute readings were unavailable.
Stepping Back In Time
The practice of dividing an hour into quarters comes from the way timekeeping developed in medieval Europe. The concept of dividing an hour into halves and quarters predates mechanical clocks and can be observed in the use of sundials.
The shadow’s movement was tracked relative to hour lines and intermediate markings, reinforcing the habit of describing time in fractions of an hour.
Mechanical clocks, first appearing in the 13th century, used gears to divide the hour into equal parts: halves and quarters. Early tower clocks for example often lacked dials entirely. Since most people could not read a clock face, bells were a way of indicating the time.
The addition of dials in the 14th and 15th centuries made it possible for people to see the time visually, along with the auditory cues of the bells.
The Salisbury Cathedral tower clock is without a dial face(Photo by Phil Ledwith on Pexels.com)
Clocks with a Single Hand
Early mechanical clocks, which emerged in the late Middle Ages (around the 13th and 14th centuries), typically had only an hour hand. Minute hands were not introduced until the 16th century, and even then, they weren’t common until the 18th century.
The origins of phrases like “half past,” “quarter past,” and “quarter to” are connected to the period when early clocks had only one hand—the hour hand. These terms were practical and necessary for understanding time when precise minute readings were unavailable.
Half past two(taken at the NAWCC clock museum in Columbia, Penn)
These one-handed clocks divided the clock face into 12 hours, with each hour subdivided into 4 quarters. The divisions on the dial were marked to indicate these fractions, making it possible to estimate time to the nearest quarter-hour.
Standardized Terms
Terms became standardized as clocks became widespread and people needed a common language to express specific points in time.
The term “quarter” derives from the Latin quartus, meaning “fourth,” reflecting the division of an hour into four 15-minute segments.
“Half past” signifies that half of the current hour has passed. This phrasing likely became popular in English because it is concise and intuitive. “Quarter past” means 15 minutes past the hour, while “quarter to” indicates 15 minutes remaining until the next hour. This usage reflects a practical way of describing time, based on the idea of dividing the hour into quarters.
Reading Time with One Hand
Since these clocks could only approximate time, people described it in terms of the fractions visible on the clock face. Some common phrasings including some mentioned above are:
“Half past” meant the hour hand was halfway between two hour marks.
“Quarter to” referred to the hour hand being three-fourths of the way toward the next hour.
It’s six, without the o’clock
It’s half-five, referring to 5:30 for example
“Quarter past” indicated the hour hand had moved one-fourth of the way between two hour marks.
Some cultures use after rather than past, or to rather than till
Non-specific times such as around five or around 11
Or specifically, it’s exactly eight
Four of the clock, or 4 o’clock (taken at the NAWCC clock museum in Columbia, Penn)
Cultural ImpactThen and Now
This method of time-telling became ingrained in the language long before the widespread use of minute hands. Even after clocks with two hands became standard, the traditional phrases persisted because they were convenient and widely understood.
But today the phrases are beginning to leave our vocabulary.
Quarter to ten(taken at the American Watch and Clock Museum in Bristol Conn.)
These expressions seem to be fading from modern use reflecting changes in how we interact with time and the use of precise numbers when we communicate. As analog clocks become less prevalent in homes, schools, and workplaces, fewer people are exposed to the visual representation of quarters and halves on a clock face.
Despite this decline, these phrases still hold cultural and historical significance and are likely to persist in certain contexts, such as storytelling, or traditions involving analog clocks.
Indeed, many young people today struggle to read an analog clock or have difficulty understanding the meaning of the hands.
While writing this article, my wife asked me for the time. ‘It’s 5:47,’ I replied.
Clock repair and restoration can be a rewarding yet delicate process, requiring both skill and patience. Whether you’re working on an antique clock or a vintage movement, there are several common pitfalls that can easily derail your progress if you’re not careful. From handling mainsprings to ensuring proper oiling, small mistakes can lead to bigger issues down the road.
In this article, we’ll explore some of the most frequent mistakes made during clock repair and share tips on how to avoid them, ensuring your repairs are both successful and long-lasting.
Mainsprings
When working with mainsprings, always be cautious about how they are stored and handled. If two mainsprings are placed on top of each other, they may mate together in a way that makes it nearly impossible to separate them without damaging the springs. To avoid this, always position them so that they wind in opposite directions. This ensures they cannot interlock and will be easy to handle separately when the time comes.
Orientation of the Count Wheel
The count wheel plays a critical role in regulating the striking sequence of a clock. Different movements may have count wheels that rotate in opposite directions, so it’s essential to remember or note the orientation of the count wheel when removing it. If you fail to mark or track which way it goes, you may end up installing it incorrectly, which can result in malfunctioning strikes. Always take care to note the direction of rotation when removing any component like this.
Helper Springs
Helper Springs may look like an add-on but are part of the original manufacturing process. Novices are tempted to leave them out when servicing a clock reasoning that they were added later during a repair.
Helper springs are vital for the correct functioning of certain levers and gears in a clock’s movement. If these springs are not properly attached, the levers may fail to operate as they should, and the springs can even interfere with other components, preventing them from working as intended. Make note of the orientation of the helper springs during disassembly and always check that all helper springs are in place and attached securely before reassembling the movement.
Take Special Care with Pivots
Patience is key when working on clock movements. If pivots are difficult to fit or the plates don’t seem to align correctly, it’s tempting to apply more force. However, applying too much pressure can bend or damage the pivots, which may be difficult to fix without professional tools or techniques. Instead of forcing components, carefully assess the situation, ensure everything is aligned, and use minimal force to avoid damaging the pivots.
An especially designed pivot locator can be your best friend.
Pivot locator
Think twice before concluding a part is defective
It’s easy to jump to conclusions when diagnosing problems with a clock movement. You might assume that a part is defective or not functioning properly, but this is often not the case. Before replacing any parts, make sure you have thoroughly inspected the movement and confirmed that the part is indeed damaged or worn. Assumptions can lead to unnecessary replacements, costing both time and money. Always verify before proceeding.
Taking photos is a best practice
Taking pictures during disassembly is a common practice, but there’s a risk in doing this too early. If you take pictures before thoroughly understanding how the clock is put together, the images can become a source of confusion later on. You may forget specific orientations, parts, or connections, leading to problems when reassembling the movement. Instead, take the time to carefully observe and document each part’s position as you disassemble the clock. This will help ensure a smoother reassembly process.
Stop and Think Before Cleaning a Dial
Many a dial has been ruined by a repairer’s eagerness to clean it. If the dial needs cleaning, consider using a gentle hand-cleaning method (soap, water and a soft cloth will do) to avoid any damage like the damage to a UM Muller clock dial below.
Dials, especially antique ones, are delicate and can easily be damaged by the high-frequency vibrations in an ultrasonic cleaner. The cleaner may strip paint, damage decals, or even warp the dial if it’s not carefully handled. Always remove the dial before placing any components in the ultrasonic cleaner.
Proceed in a Safe Manner
When disassembling a clock movement, always ensure the mainsprings are securely restrained before you separate the plates.
Clamps for mainsprings ensure safety when working on movements
If the plates are removed without securing the mainsprings, they could unwind suddenly, potentially causing damage or injury. Use a mainspring winder, clamps, or similar tools to restrain the springs before beginning the disassembly process to avoid any accidents.
When using a spring winder, it’s important to wear thick leather gloves and eye protection to safeguard yourself from potential surprises if a spring fails. These precautions help minimize the risk of injury from sudden, high-pressure releases.
Resist the urge to bend things
During repairs, it’s easy to inadvertently bend parts while trying to make them fit or forcing them into place. Parts of the striking mechanism, especially on the striking levers, are particularly prone to bending. Once bent, they can be difficult to straighten and may not work correctly afterward. Always handle parts with care, and if something does not fit easily, take the time to inspect the alignment or find the correct adjustment method rather than forcing it into place.
Over-oiling is Never a Good Idea
As a person I knew once said; “if a little is good, a lot is better”. It’s tempting to apply generous amounts of oil when servicing a clock, but over-oiling can lead to a number of issues.
Excess oil can attract dust and dirt, which will gunk up the movement and cause it to run less smoothly. It can also seep into areas where it shouldn’t be, like on the dial or outside of the movement, leaving unsightly stains. Always use an approved clock oil sparingly, and only in the areas where it’s needed. A little goes a long way, and it’s better to apply no more oil than necessary rather than risk over-oiling the movement.
To Summarize
Clock repair requires not only skill but also a cautious approach to avoid common mistakes that can lead to damage or injury. By taking the necessary precautions—such as properly handling mainsprings, ensuring parts are correctly installed, and using minimal force—you can prevent costly errors and ensure a successful repair. Patience and attention to detail, will make all the difference in restoring a clock to its full functionality, allowing it to run smoothly for years to come.
Suggestions and tips for novices? Join the conversation.
Retirement definitely has its perks, especially the freedom to dive into passions that may have taken a back seat over the years. Soon, we’ll be heading to France—a mix of my love for horology and a chance to revisit the travels of my younger days. This trip feels like a journey back to history, culture, and even my own roots.
Travel, in my opinion, opens our minds in ways nothing else can. Seeing new places, experiencing how others live, and immersing in different cultures broaden our perspectives and help us rethink some of the things we take for granted. It’s like each new experience brings a little reminder of how vast and varied the world is.
France has an especially rich history in horology, with so many contributions to clockmaking over the centuries. I can’t wait to dive into museums and horological spots, seeing for myself the stories behind some of France’s most notable clocks and watches. For me, this trip is more than a hobby; it’s a chance to see some incredible sights and explore new places.
Charles de Gaulle Square, Lille, France
A quick online search reveals a variety of specialized clock museums scattered across France. We’ll be based in Lille, Belgium is just a short trip away—and it offers its own unique contributions to the art of clockmaking.
I’m excited to come back with fresh inspiration and knowledge. This journey is a chance to reconnect with the world that has fascinated me for years. For anyone thinking about retirement adventures, I’d say: take the leap. There’s so much waiting to be discovered out there!
Aclock’s pendulum is a swinging component made up of arod or wire with a weighted bobattached at the end. It is a key part of pendulum clocks, responsible for regulating the movement and ensuring accurate timekeeping.
The pendulum swings back and forth in a precise, periodic motion, controlling the clock’s escapement mechanism and dividing time into equal intervals.
The topic of pendulum weight is a frequent subject of discussion among amateur and professional horologists.
The weight of the pendulum in mechanical clocks is not critical for precise timekeeping but must fall within an acceptable range. Let’s explore why in this article.
Controlling variables
The controlling variable is the length of the entire pendulum assembly (suspension spring, pendulum leader, pendulum bob) from the point where the suspension spring flexes to the center of mass of the entire pendulum assembly. Some clocks will have that length expressed in centimeters or inches stamped on the movement plate.
The number 34 refers to the length of the pendulum in centimeters
The weight of a pendulum has a much smaller effect on its timekeeping compared to the length. In an ideal pendulum, the time it takes to complete a swing (the period) is mostly determined by the length of the pendulum and the acceleration due to gravity, and not by the weight.
The weight of the pendulum
In practical mechanical clocks, the weight of the pendulum can affect the clock’s movement in subtle ways. However, the pendulum’s weight must fall within an acceptable range specified by the movement’s design.
Pendulum bob with adjustment screw
Heavier pendulums are less affected by air resistance. A pendulum that is too light may slow down more over time due to friction with the air. Heavier pendulums tend to be more stable in motion and less affected by external forces like small drafts or air currents.
The weight of the pendulum can affect how much power is required from the clock’s escapement mechanism to maintain the pendulum’s motion. A heavier pendulum may need more energy to keep swinging. If the clock’s escapement is designed for a certain weight, using a much heavier or lighter pendulum could affect timekeeping accuracy.
Suspension spring post
On the other hand, heavier bobs tend to overcome mechanical friction more effectively. If the clock’s gears or escapement are under significant load due to weak mainsprings, old grease, or worn pivot holes, a heavier bob helps maintain consistent motion by stabilizing the escapement’s action. If the clock runs better with an overly heavy pendulum bob, it’s a sign of wear, indicating that the movement needs servicing.
Worn Pivot hole
Additionally, the attachment points (or suspension) of the pendulum and the escapement mechanism may experience increased wear or friction if the pendulum is too heavy. This could cause irregularities in the clock’s timekeeping over time.
In summary
While the length of the pendulum is the primary factor controlling the rate of timekeeping, the weight affects stability, efficiency, and how the clock interacts with the pendulum. However, the length of the pendulum, rather than its weight, is the primary factor in determining a clock’s accuracy.
For a more detailed or technical analysis, horological journals and bulletins delve deeper into the physics of pendulum design and weight. However, I hope this straightforward explanation will be sufficient.
A museum is an institution dedicated to the display of objects of lasting interest and historical value. While museums can showcase a wide variety of items, The Canadian Clock Museum, located in Deep River, Ontario, (Canada) focuses specifically on Canadian clocks and clocks with a Canadian connection.
I first visited the museum in 2013, and this year marked my eighth visit. Each visit has offered a new learning experience, and this one was no different.
Despite its modest size, the museum offers a relaxing experience, with a well-organized flow that guides visitors through displays of various manufacturers and themes.
The informational cards beside each clock provide just enough detail to captivate visitors without overwhelming them. Many of the clocks have fascinating stories, which Curator Allan Symons is more than happy to share, although, sadly, some histories have been lost over time as clocks change hands.
Proof I was there!
A charming feature is the check-in and check-out punch clock cards, done on a Blick Time Recorder clock, that every guest gets to experience to record their visit. Blick Time Recorders was a London, England-based company but they had a Canadian branch that sold them for factories in Ontario, and elsewhere. The reproduction card was created by a summer student about fifteen years ago from card design options in the Blick Canadian catalog.
Blick Time Recorder
The collection primarily features mechanical clocks, but the museum also boasts the most extensive collection of Snider electric and battery-operated wall and shelf clocks (in the world?), manufactured in Toronto. Harry Snider’s two business names in Toronto covered the periods 1950-1957 and 1957-1976. His pink and turquoise wall and TV lamp clock designs date to the 1950s (when those colours were popular for fridges, stoves, and bathtubs in homes).
A fraction of the Snider clocks on display
During my visit, a couple arrived at the museum to donate a Snider starburst wall clock with a brass and walnut finish. Curator Symons was grateful for the donation and gave them a personal tour of the museum as a gesture of appreciation.
Although many items are acquired through auction sites and online sales, the museum also receives some pieces as gifts. For items that align with the museum’s theme, shipping costs are covered.
Extensive collection of research material
Though some exhibits remain unchanged over the years, Curator Allan Symons continues to expand and refresh the collection with new and intriguing clocks of all kinds.
So, what’s new this year?
Notably, in the past two years, the museum has acquired a large tall case clock, a wall clock with special historical significance, and IBM time recorder punch clock in addition to other interesting pieces.
Martin Cheney, Montreal Clockmaker
The clock that captured my attention most was a time-only, weight-driven tavern-style wall clock made by Martin Cheney in the 1820s.
Martin Cheney wall clock with “Montreal” printed on the dial
In 1809, Martin Cheney relocated to Montreal from Vermont, where he lived for about twenty-one years. In 1817, he partnered with J. A. Dwight, and together they operated under the name Cheney & Dwight at 104 St. Paul Street, Montreal. The business produced movements, cases, wall and tall case clocks, and banjo clocks. Their partnership lasted until 1830.
This remarkable piece was donated to the museum and stands as a testament to early Canadian craftsmanship. In my view, no serious Canadian clock collection would be complete without a Cheney clock.
IBM Time Recorder
Another notable and unusual piece is the IBM time recorder, which was commonly used in factories and workplaces from the 1920s onward. The employees’ time recorder was made by IBM around 1930 in their Toronto factory. According to the donor, his late father acquired it when he retired from the General Electric factory in Peterborough, Ontario.
This departmental clock was designed to handle up to 100 employees, so large factories would typically have several of these clocks. It is a large and imposing piece, with a robust design that reflects its practical role and the industrial era in which it was used.
IBM time recorder used up until the 1960s
It immediately brought to mind my days as a part-time clerk in an Ottawa department store, where starting the workday was marked by the ritual of clocking in. In my case, it was an electric punch clock, unlike the mechanical one now on display at the museum.
IBM dial
Pequegnat Hall clock
Most Pequegnat clock enthusiasts do not realize that the Arthur Pequegnat Clock Company of Kitchener, Ontario, sold kits containing the movement, hands, dial numerals, weights, chains, and pendulums, allowing customers to build custom-sized cases to fit them. And so it is, with a special Pequegnat tall case (hall) clock.
This tall and imposing hall clock case stands out as far more ornate than what you’d typically see on a Pequegnat clock. Its design evokes a strong love-it-or-hate-it reaction, but there’s no denying the intricate craftsmanship of the case.
The clock was donated in October 2023 by a woman in the Montreal area when she was preparing to relocate.
Pequegnat hall clock with an unusual feature
There is more to offer at the museum
For those with a casual interest in clocks, the museum offers a variety of intriguing displays, including an antique phonograph from the Victor Talking Machine Company of Camden, New Jersey, a clockmakers/watchmakers workbenchs, alarm clocks, several fascinating Tramp clocks, a choice of “fun in time” teaching clocks for children, clock radios, and a small collection of Girotti wall clocks (St. Catharines, Ontario) that were popular in the 1960s and ’70s.
The Girotti clocks are not my cup of tea, but they are an interesting interpretation of the 1970s modernistic sculptured style and provide a glimpse into the culture of the late 20th century.
Whether you are a clock enthusiast or just curious about the allure of any museum this one is well worth a visit. Returning visitors will always find something new and fascinating to enjoy. And if you can’t make it in person, Allan offers a virtual tour that will inspire a future visit.
Martin Cheney is not typically the first name that comes to mind when considering the impact of clockmakers on Canadian horology.
Martin Cheney, born in 1778, was part of a prominent American clock-making family. He was one of four sons of Benjamin Cheney (1725-1815) and Elizabeth Long Cheney, who hailed from East Hartford, Connecticut. Benjamin likely trained all his sons in clock-making. The oldest, Asahel, born in 1759, later moved to Vermont. Elisha, born in 1770 and passing in 1847, settled in Berlin, Connecticut.
Dial face, M. Cheney, Montreal
The youngest, Russell, eventually relocated to Putney, Vermont. Martin’s uncle, Timothy Cheney (1731-1795), was also a notable clock-maker in East Hartford, working closely with Benjamin.
By 1803, Martin had moved up the Connecticut River to Windsor, Vermont, where he advertised fine English watches, watch keys, chains, and seals for sale. The majority of the tall case clocks I’ve found online come from his shop in Windsor, Vermont. Based on my research, most of his clocks show a Boston influence.
In the early 1800s, political events in the United States prompted several families to migrate to the British colony of Lower Canada, now known as Canada. In 1809, Martin relocated to Montreal, where he lived for about twenty years. In 1817, he partnered with J. A. Dwight, and together they operated under the name Cheney & Dwight at 104 St. Paul Street, Montreal. The business produced movements, cases, wall and tall case clocks, and banjo clocks. Their partnership lasted until 1830.
In 1827, Martin advertised in a Burlington, Vermont newspaper seeking a journeyman clock-maker to join him in Montreal. Although Cheney continued to craft clocks into the 1830s, little is known about his life beyond that decade. He spent his remaining years in Montreal till his death in 1855 (unconfirmed).
Martin Cheney wall clock
Cheney clocks are highly sought after and command high prices at auction. Their exceptional craftsmanship and meticulous attention to detail are evident in every piece.
Adjustable pendulum bob
Until August 2024, I had never seen a Cheney clock in person but, during a recent visit to TheCanadian Clock Museum, curator Allan Symons proudly introduced me to one of his most prized acquisitions: a Martin Cheney time-only weight-driven wall clock, crafted in Montreal, Canada in the 1820s.
I didn’t get a chance to examine the movement, but I’m assuming it’s a banjo-style similar to the one in the photo below.
Banjo style movement
Encountering a Martin Cheney clock in person was an experience that deepened my appreciation for the craftsmanship and historical significance of his work particularly during the time he spent in Canada.
The rarity and value of Cheney clocks, combined with their intricate details and the story they tell of early North American clock-making, make them treasures for any horology enthusiast.
While owning such a piece may be well out of reach, the opportunity to see one firsthand was an unforgettable reminder of the skill and character of early Canadian clockmaking.
The Science Museum in London, England, is one of the city’s most iconic and popular museums, dedicated to inspiring a passion for science in visitors of all ages. Located in the South Kensington area, it is part of the Science Museum Group, which also includes other major museums in the UK.
The museum was founded in 1857 and has since grown into one of the world’s foremost institutions for the collection, preservation, and display of scientific, technological, and medical achievements. It boasts a vast collection of over 300,000 objects that chart the history of innovation and exploration in science and technology.
The Science Museum houses some of the most famous scientific artifacts in the world, including Stephenson’s Rocket (a pioneering early steam locomotive), the first jet engine, and a model of DNA.
Early steam engine (not the Rocket)
The museum is organized into several galleries, each focusing on a specific theme, and while it offers a wealth of experiences to its visitors, the area that captivated me the most was the horology section.
Horology Section | Measuring Time
The horology exhibit at the Science Museum in London, known as the “Measuring Time” gallery, is a fascinating display that showcases the evolution of timekeeping technology and the intricate craftsmanship of clocks and watches.
View of the gallery
The exhibit features an extensive collection of timepieces ranging from early mechanical clocks to modern wristwatches.
George Stratford, left, John May on the right
Among the highlights are medieval astronomical clocks, early pocket watches, and marine chronometers used for navigation.
Atmos clock 1955
A standout section is dedicated to the work of John Harrison, a self-taught clockmaker who solved the problem of longitude at sea with his marine chronometers. These are considered some of the most important timekeeping devices ever created, crucial for safe and accurate navigation.
John Harrison watch
The exhibit includes several ornate astronomical clocks that not only tell time but also track celestial events such as the phases of the moon and the positions of the stars. These clocks are masterpieces of both art and science.
Christopher Pinchbeck
The Clockmakers’ Company collection, one of the oldest in the world, is on display within the museum. It features a range of exquisite clocks and watches, many of which are beautifully decorated and demonstrate the high level of craftsmanship involved in horology.
Original desk from the Clockmakers’ Company
Throughout the exhibit, there are explanations of the technological advancements in timekeeping, from the invention of the pendulum clock by Christiaan Huygens to the development of quartz and atomic clocks. The exhibit explores how these innovations have impacted society, science, and industry.
Zimingzhong exhibit
The museum occasionally hosts temporary exhibits within the horology section that delve deeper into specific aspects of timekeeping, such as the influence of time on culture or the future of time measurement.
In the spring of this year (2024) a special exhibit of Zimingzhong clocks grabbed our attention. What is a Zimingzhong clock? It’s a clock that tells the time; moves, makes a musical sound, and has symbolic significance.
These clocks feature elaborate decorations and are typically made from materials like bronze, jade, or lacquered wood.
They reflect the rich artistic traditions and horological expertise of China.
Zimingzhong clocks are not just timekeeping devices but also serve as symbols of status and wealth. They are often considered art pieces, showcasing the skill of Chinese craftsmen.
From the mesmerizing horology section, where intricate timepieces and historic clocks showcase the artistry and precision of timekeeping, to the interactive exhibits that ignite curiosity and wonder, the British Science Museum offers an enriching experience for all.
Tower or Turret clock
Whether you’re exploring the evolution of scientific discoveries or marveling at the ingenuity behind groundbreaking inventions, the Science Museum provides a unique opportunity to appreciate the impact of science on our world and its role in shaping our future.
It’s time to relax and slow down. For my wife and me, that means a change of scenery as we travel to our cottage in central Canada to spend the summer season with friends and family. Our summer getaway plan includes relaxing with a few good books, fishing, swimming, hiking, and sharing stories with friends and neighbors over a glass (or more) of wine.
Photo by Zukiman Mohamad on Pexels.com, a reminder that it is important to slow down and recharge
This blog profiles my clock collection, the challenges of maintaining and repairing clocks, the joys of finding new and interesting vintage and antique clocks, and many articles of horological interest.
Since many of my posts have been written well in advance, there will be NO interruption in blog posts throughout the summer months. I will continue to maintain a steady output of articles per month. You will continue to read my posts on Tuesdays and Fridays at 6:00 am AST.
Inspecting an Ansonia cottage clock
As 1960s TV variety host, lounge singer, and actor, Dean Martin used to say, “Keep those cards and letters coming.” There may be a slight delay in returning your email inquiries or responding to blog post comments, but rest assured that your questions about clocks or comments regarding any of my posts are important to me and will be answered.
As my wife and I explore central Canada, we will no doubt find interesting clocks while scouring antique stores, flea markets, and junk shops. New clock stories, new repair challenges, and perhaps the next major restoration project will be part of my journey this summer.
A fresh-water lakein central Canada, our oasis
Our plans include a trip to The Canadian Clock Museum in Deep River, Ontario, to discover new and interesting clocks added to their collection and chat with curator Allan Symons.
Use the search box to browse past articles and/or click “follow” to have clock articles delivered to your mailbox every three to four days. I hope you enjoy reading them as much as I enjoy researching each and every article.
My wife and I recently returned from a three-week vacation in the UK. Although the trip wasn’t specifically focused on clock museums and similar attractions, I still managed to gather a significant amount of information/photos about clocks.
Big Ben, perhaps the most famous tower clock in the world
Unfortunately, during our visit, a family member passed away, and I couldn’t keep up with my regular blog posts. I plan to catch up on those in the coming weeks.
An impressive display of clocks at the Science Museum in London
In the meantime, I plan to catch up on the emails that have accumulated during my absence and to add many more blog articles about my travels. Please be patient, and I will respond as soon as possible.
One clock that holds a special meaning and one that I would like to add to my collection someday is the Arthur Pequegnat Regulator #1, a single-weight eight-day clock. This clock is truly a rare find, though the prices I’ve encountered thus far are a bit steep for my budget.
Arthur Pequegnat Regulator #1, photo taken at The Canadian Clock Museum in Deep River Ontario, Canada
The Arthur Pequegnat Story
The Arthur Pequegnat clock company was a formidable contender to American wall clock manufacturers. While their wall clocks often mirrored American models, some of their designs boasted a unique touch. The company favoured the heartwood of quarter-sawn white oak for their cases, showcasing the stunning visual appeal of this choice of wood.
The story of the Arthur Pequegnat clock company is one marked by distinction. Born in Switzerland in 1851, watchmaker Arthur Pequegnat immigrated to Berlin, Ontario, Canada, in 1874 with a substantial entourage of 18 family members. Initially establishing himself as a jeweler and watch repairman in the late 1870s, Arthur and his brother Paul operated a successful shop in Berlin, Ontario, by the mid-1880s. After a decade, the brothers pursued independent ventures, each managing prosperous jewelry shops in Southern Ontario.
In 1897, Arthur expanded his Berlin Jewelry shop to include bicycle manufacturing. However, as the demand for bicycles waned by 1904, he shifted focus back to the clock industry, manufacturing his clock movements at his Berlin Bicycle Manufacturing plant. Initially, wooden clock cases were sourced from local furniture makers, but over time, Arthur began crafting his own cases.
Despite Arthur’s passing in 1927, the company, guided by family members, persevered until 1941. The scarcity of brass during the war effort led to the company’s closure. The factory, where these exceptional timepieces were crafted, never produced another clock and was eventually demolished in 1964. Today, Kitchener pays tribute to this great clock manufacturer with a commemorative plaque.
The renaming of Berlin to Kitchener in 1916, amid World War I anti-German sentiments, serves as a helpful dating marker for Pequegnat clocks. Movements or dials marked “Berlin” indicate a clock dating to 1916 or earlier, while those marked “Kitchener” are from 1916 or later. Due to the long production life of many clocks, precise dating of Arthur Pequegnat clocks remains challenging.
For a fascinating journey into the world of Arthur Pequegnat clocks, The Canadian Clock Museum stands as a treasury, boasting the most extensive museum collection of Arthur Pequegnat clocks in Canada. Additionally, the Macdonald Museum in Middleton, Nova Scotia, offers a modest yet noteworthy collection of Pequegnat clocks—a worthwhile stop for those journeying through the Canadian province of Nova Scotia.
The Regulator #1
The Regulator #1 is frequently likened to the Seth Thomas Regulator #2. While the Seth Thomas counterpart found widespread use in offices and rail stations across America, the Arthur Pequegnat Regulator #1, though less prolific, met the demands of many businesses in Canada.
The dial removed showing the movement
Although sought after by collectors the Regulator #1 has interesting technical quirks according to Canadian clockmaker John Plewes, author of Repariring & Restoring Pendulum Clocks. Plewes cites three design issues with the clock. Two are minor quibbles but the third involves the weight. Despite its similarity to the Seth Thomas Regulator #2, it requires a heavier weight (1/2 lb more) to drive it reliably. A lighter weight such as the one found on the ST#2 causes the clock to stop after a short period particularly when the minute hand is rising. The hands are simply too heavy for the clock as they influence the force applied to the train.
Plewes, therefore, takes issue with Arthur Pequegnat’s claim that the #1 is the “finest office clock made”.
Lower section of the clock case
Regardless, the clock is highly sought after among Canadian collectors, and commands a premium, often doubling the price of similarly styled clocks from well-known American counterparts such as the Seth Thomas Regulator #2.
The Pequegnat name may not be familiar to international readers but it was a significant Canadian clock company that manufactured both movements and cases beginning in the early 20th century.
The Pequegnat Clock Company was a Canadian clock manufacturer that operated from 1904 to 1941. The company was founded by Arthur Pequegnat a Canadian immigrant who brought his family from Switzerland to begin a new life in Canada.
Pequegnat was a skilled clockmaker and entrepreneur, and he saw an opportunity to start his own clock company in Kitchener (then Berlin), Ontario. But the story actually begins prior to 1904.
In 1897 Arthur expanded his Berlin Jewelry shop to include the manufacture of bicycles. However, by 1904, with the decrease in the demand for bicycles, Arthur began to re-focus on the clock industry by manufacturing his own clock movements at his Berlin Bicycle Manufacturing plant and the motto, “Buy Canadian – Pequegnat clocks are better than foreign-made ones”” struck a chord with Canadian buyers.
At first, the wooden clock cases were made by local furniture makers, however, in time, he manufactured his own clock cases.
Pequegnat Clock Company produced high-quality clocks, and its products quickly gained a reputation for their accuracy and reliability. The company produced a wide variety of clocks, including wall clocks, mantle clocks, and grandfather clocks.
Clock face with maker’s name
During the early years, the company faced a lot of competition from American clock companies, but Pequegnat was able to differentiate his products by designing and manufacturing unique clock cases that appealed to Canadian tastes.
The company continued to grow, and by the 1920s, it had become one of the largest clock manufacturers in Canada.
The Great Depression hit the Pequegnat Clock Company hard, and the company struggled to stay afloat during the 1930s. In 1941, with brass in short supply as a result of the war effort the company was forced to close due to financial difficulties, and its assets were liquidated.
Despite its relatively short lifespan, the Pequegnat Clock Company played an important role in the history of Canadian clock manufacturing. The company’s clocks are still highly sought after by collectors, and its products are considered some of the finest examples of Canadian clockmaking.
The Maple Leaf – a symbol of pride
The maple leaf slowly caught on as a national symbol in 1868 (the year after Canada’s Confederation) as it was included in the coat of arms of Ontario and the coat of arms of Quebec and added to the Canadian coat of arms in 1921. The maple leaf is a symbol of our national identity.
Arthur Pequegnat Maple Leaf kitchen clock; the “fan top”
Canadian readers and perhaps those abroad with a connection to Canada would instantly recognize the maple leaf as distinctly Canadian.
Cashing in on Canada’s identity as a nation, Pequegnat saw the value in naming clocks after Canadian cities, cities such as Stratford, London, Toronto, Moncton, Montreal, and so on. Indeed, most homes and businesses in Canada had a Pequegnat clock.
Arthur Pequegnat Maple Leaf kitchen clock; the “round top”
Berlin, Ontario was re-named Kitchener Ontario in 1916, due to anti-German backlash during WW I. This becomes a useful tool when dating Pequegnat clocks as labels, movements, or dials marked “Berlin” date the clock to 1916 or earlier, and those marked “Kitchener” are 1916 or later. However, many clocks had a long production life and it is difficult to date any Arthur Pequegnat clock precisely as there were no production numbers on the movements.
Pequegnat’s interpretation of the kitchen clock
The Maple Leaf series was Pequegnat’s interpretation of the popular American kitchen clock.
Arthur Pequegnat Maple Leaf kitchen clock; the “curly top”
The Maple Leaf Series was a line of clocks produced by the Pequegnat Clock Company of Canada in the early 20th century. The series was named after the maple leaf, a powerful symbol of Canada.
The Maple Leaf Series was first introduced in 1911, and it quickly became one of the company’s most popular product lines. The series included several different models. The clocks were made with high-quality materials and brass movements.
The door of a Maple Leaf clock
There are 2 notable features of the Maple Leaf Series. One was the clock tablet, which featured a stylized array of 36 maple leaves framed by half moons and with an opening to display the pendulum bob. Why the number 36? In some cultures, it is considered a lucky number.
The second feature was a brass maple leaf pendulum bob.
The clocks in the Maple Leaf series did not have specific names and are referred to by collectors as the pointed top, the round top, the fan top, the curly top, and so on.
The Maple Leaf series of Pequegnat kitchen clocks (photo courtesy of The Canadian Clock Museum)
The clock depicted above may or may not belong to the Maple Leaf series but the maple leaves within the tablet design are considerably more stylized, and the edging is understated. Like the Canuck pictured below, this design could be a variant.
Arthur Pequegnat Maple Leaf kitchen clock; the “pointed top”
The dials were typically paper on tin and some had a gold center accent.
Many would not consider the Canuck to be a “Maple Leaf” kitchen clock though some variants had a maple leaf tablet. The Canuck also stood out from other kitchen clocks due to its use of steamed pressed oak in its construction.
The Canuck kitchen clock
The Maple Leaf Series was a significant part of the Pequegnat Clock Company’s success, and the clocks from this series are still highly prized by collectors today.
Overall, the Maple Leaf Series represented a major contribution to the Pequegnat Clock Company’s prosperity, and its models remain a sought-after collectible for clock enthusiasts.
Tick-Talk Tuesday is about the letters and comments I have received from readers concerning clock issues, challenges faced, a clock you would profiled or advice on your particular clock concern. For those comments and questions that stump even me, I consult within my clock circles for the best possible answer
TM writes, “We have had a banjo clock in our family for multiple generations, and knowing my family’s history it would not surprise me if it was a Simon Willard original. I understand that is a long shot but it is so hard to find information about banjo clocks or reputable people to deal with. It is in relatively good condition, not knowing when my family acquired it exactly, but it is original to us. I am attaching a picture and would greatly appreciate your opinion.”
The family banjo clock
I am not an expert on Willard banjo clocks but have seen and read enough to inform me that Simon Willard clocks have distinctive features that separate his clocks from others.
My reply was, “Hi, and thanks for your email.
It may or may not be a Willard patent banjo. It would have to go through a process of authentication. An expert would identify the classic hallmarks of a Willard clock which would include movement design and construction, distinctive case features, door catch characteristics, construction of the dial, how the movement is mounted, design of the throat and lower tablets, and so on.
However, two things immediately strike me as odd. First, I have never seen a Willard patented timepiece (banjo clock) with an Arabic dial. Secondly, Willard banjo clocks have simple barbed spear hands, none as ornate as the ones on your banjo clock. Your clock could be a variant or the dial and hands could be replacements or the clock could have been crafted by another maker altogether.
Again, an expert in Willard clocks would provide the answer you are looking for.”
Simon Willard Patented Timepiece, C.1810; photo taken at the Simon Willard Clock museum in 2019
Simon Willard did little to protect his patent and as a result, many copies were made during the Federal period in Boston and in New England. Associates of Willard and apprentices to Simon and his brother Aaron produced clocks by the hundreds. Some of the copies were of high quality though they did not have the desired cache of a Simon Willard clock. And of course, many are fakes.
Willard clock; photo was taken at the American Watch and Clock Museum 2019
According to Robert C. Cheney, executive director and curator of the Willard House and Clock Museum proclaimed that the timepiece is “probably the most faked American clock found today.” Is TM’s clock an original, another maker, or a fake? An expert would immediately determine if it is real.
The photo at the beginning of the article is the only one sent to me and one photo is really not enough to make any kind of definitive judgment but I don’t believe TM has a Simon Willard Patented Timepiece.
I am all in for a bargain and one cannot buy a clock any cheaper. A friend spotted this German-made Jauch time-only calendar clock in a thrift shop for $1.65.
Schoolhouse clock made in Western Germany by Jauch
The date stamped on the movement is July 1979 which is no surprise since the clock has a number of modern features such as a magnetic lower door clasp and lift-up hinged dial bezel.
Jauch time-only movement, PL42, length of pendulum in cms, date7/79
The clock is certainly a nostalgic return to the oak-cased schoolhouse clocks found in many schoolrooms 100 years ago like the Gilbert Admiral calendar clock (pictured below) from the late 1890s, but the case is a cheaper pine instead of oak.
Glbert Admiral time-only wall clock with calendar
The clock looks good on any wall and to many, this vintage clock would appear, at first glance, to be an antique.
In an earlier post, I noted that there is not a lot wrong with this clock. The case needs a little tender loving care which is easily remedied and the movement looks very clean.
I removed the movement from its case since it was not running, mounted it on a movement test stand, and made an anchor adjustment by moving the pallets slightly. The movement was now in beat. I oiled the movement and it has been running for several days.
The movement is on a test stand and running in beat
Two vertical pieces that looked like wallboard or laminate flooring hold the movement in place. The two sides are secured with 2 Robertson screws. I doubt the manufacturer would have used Roberton screws since this type of screw is widely used in Canada but seldom elsewhere.
When I removed the movement I noticed additional screw holes. So, it seems to be a later fix, but why? Is the movement a replacement? If so, why bother with such a cheap clock? A mystery to be sure.
The movement looks very clean and looks to have had little running.
Next is taking the movement apart. I wonder if any surprises await me.
A museum is an institution dedicated to the display of objects of lasting interest or historic value. A museum can display just about anything but TheCanadian Clock Museum, located in Deep River, Ontario (Canada) focuses on Canadian clocks or clocks that have a Canadian connection.
Canadian Clock Museum
Most are mechanical clocks as you would expect but the most extensive collection of (Toronto-based) Snider electric clocks is contained within its walls.
This Snider clock is located in the foyer of a Quebec City boutique hotelDisplay of Snider clocks in the entry foyer of the museum
There are static displays that change very little over the years but Curator Allan Symons continues to acquire new and interesting clocks of all types and it seems that in the past two years some large hall and grandfather clocks have been added. Interesting, because they take up a lot of space and space is at a premium in this tightly packed museum.
Despite the museum’s diminutive size, there is a relaxing flow as one explores many manufacturers and thematic displays. It is easy to get lost in the history of the many clocks on display. There is just enough information on the description cards adjacent to each clock to keep the visitor’s interest without getting too deep into the weeds.
Many clocks come with interesting stories that Allan will happily relate but some histories are, unfortunately, incomplete. Clock collectors know that as clocks pass from hand to hand some or all of the history is lost forever.
The clock that intrigued me most in this, my seventh trip to the museum, is a top-of-the-line grandfather clock made by the Blackforest Clock Company of Toronto and donated to the museum. Founded in 1928 by Leopold and Sarah Stossel the Blackforest Clock Company and later the Forestville Clock Company was a prolific producer of clocks for Canadian Homes. Complete clocks were imported from Germany or movements were imported and installed in locally made cases.
The company continued as the Blackforest Clock Company until 1941 at which point the Second World War and the unfortunate association with Germany led to a name change to the Forestville Clock Company. During the war years, movements were sourced from England, France, and the US. As factories ramped up production Forestville resumed importing movements from Germany. Ed Stossel retired in 1979 and the company could not survive much longer without his leadership.
Blackforest hall clock
This imposing floor clock stands about 7 1/2 feet tall and is a majestic piece of mahogany cabinetry with carved bonnet and capitals, fluted columns, hand-painted moon dial, carved feet, and a large central finial over a carved head of a young woman(?).
Stunning top piece with carvings
The weights are cable wound by inserting a winding crank in the 3 arbours on the dial face. The case was not made in-house at the Blackforest Clock Co. but by a smaller firm specializing in grandfather clock cases (Westminster Time & Clock Industries from Scarborough, perhaps?).
However, the unique feature of this clock is the Westminster chimes on five tubular bells, one tube extending all the way to the inside bottom of the case. The chime hammers are driven by a large pin drum located on the top of the movement. The sound is not overly loud but melodious.
Westminster 3-train movement
If you have but a casual interest in clocks there are other displays of interest, one of which is an old phonograph made by the Victor Talking Machine Company, Camden, New Jersey, USA) and sold as the Victrola brand by the Ormes Furniture Company Limited of Ottawa.
Victrola was a brand name for the many table and floor models made by the Victor Talking Machine Company starting around 1927. The new models promoted the latest recordings made via microphone for the first time starting in the mid-1920s.
The museum’s large floor model is one version of the Credenza model.
Starting around 1900, before electricity availability, records were both recorded and played back acoustically. Microphones and electric motors changed the music recording industry.
In the late 1920s, the Credenza was considered a state-of-the-art player for 78rpm records and it was available in either an electric version or a 4-spring wind-up. The museum has the electric version. The fidelity of this stand-up model is remarkable as it capably projects the music into a large room.
Victrola record player, the Credenza
Allan played a 78rpm disc recorded in 1951 by Mary Ford and Les Paul, yes the same Les Paul of guitar fame. The song was How High the Moon and the Victrola filled the room despite the limitations of a steel needle (stylus) and an acoustic trumpet (folded 6-foot wood horn).
Not only is the museum worth at least a one-time visit for clock lovers but return visitors will always be rewarded with some new and, of course, fascinating additions.
However, if you are unable to visit the museum Allan will take you on a virtual tour that will no doubt pique your interest to come and enjoy the museum’s many offerings.
The past two years has been like nothing we have ever experienced in our lifetime. Things are improving day by day, folks are re-establishing their routines, the country is opening up and everything will no doubt return to normal in the months to come. Some would say we are in a “new world”?
How will future generations judge this dark period of our lives?
The lake our Shanghai-La
It is time to relax, slow down and for my wife and I that means a change of scenery as we travel to our cottage in central Canada to spend the summer season with friends and family. Our get-away plan for the summer is to relax with a few good books, do a little fishing, swimming, hiking and exchange stories with friends and neighbours over a glass (or two, or three) of wine.
Since many of my articles have been written well in advance of the summer months there will be NO interruption in blog posts through the summer months. I will continue to maintain a steady output of 7 to 9 clock blog articles per month.
An Ansonia cottage clock with the dial removed for testing and spaghetti for lunch
Keep those cards letters coming as 1960s TV variety host Dean Martin once said. There may be a slight delay returning your email inquiry or responding to blog post comments but rest assured that question(s) about your clock or comments regarding any of my posts are important to me and will be answered.
Roasting marshmallows
This blog profiles my own clock collection, the challenges of maintaining and repairing clocks, the joys of finding new and interesting vintage and antique clocks plus many articles of horological interest.
As we explore central Canada I will no doubt find interesting clocks as we scour antique stores, flea markets and junk shops. New clock stories, new repair challenges and perhaps the next major restoration project will also be part of my journey this summer.
Canadian Clock Museum, Deep River Ontario
Included will be a trip to The Canadian Clock Museum in Deep River, Ontario to discover new and interesting clocks added to their collection and chat with curator Allan Symons.
Use the search box to browse past articles and/or click “follow” to have clock articles brought to your mailbox every three to four days. I hope you enjoy reading them as much as I enjoy researching each and every article.
A century ago, clock manufacturers understood the power of marketing, and the word “Regulator” became a key tool in their strategy to boost sales. By simply labeling a clock with “Regulator,” they could make it appear more precise and desirable, even if it wasn’t a true regulator. But did this marketing gimmick work? Let’s take a closer look.
Seth Thomas #2, typically used as a railroad time clock
By definition, a regulator clock was, and still is, a clock used as a standard for setting other clocks. Regulators were commonly found in businesses, railroad stations, public buildings, even churches and tower clocks, where townsfolk would adjust their personal clocks based on a clock that was trusted to be accurate. Early regulator clocks played an essential role in keeping communities synchronized in their daily routines.
Take, for example, the Gilbert calendar clock shown below. Advertised as a “Regulator,” it does not fit the true definition. With a spring-driven, time-only movement, it is accurate to within a minute or two per week, which is typical for spring-powered clocks. While the calendar feature is useful and the clock is attractive, it lacks the precision of a true regulator and would not be relied upon for setting other clocks. Still, it had the appearance of an accurate clock.
This Gilbert calendar clock is not a Regulator
Are there exceptions to this rule? As always, there are exceptions. The Welch Spring and Company produced a clock from 1874 to the mid-1880s certified for use in train stations. This double-weight, time-only clock, reminiscent of the well-regarded Seth Thomas Regulator #2, was stenciled with “Regulator” on its access door.
Given its constant weight-driven power and deadbeat escapement, it was likely a very accurate timekeeper and well-suited to any environment where accuracy was critical, such as a train station, business office, or public square.
Double-weight time-only Welch clock– is it a regulator?
This particular Welch clock, now a museum piece at the American Watch and Clock Museum in Bristol, Connecticut, has been meticulously restored. When it was received, the lower tablet was missing, leading to questions about whether it originally came with the word “Regulator” on the access door. The answer is yes, some did, and some didn’t—there was a tick box on the order form for this feature.
So, while the use of “Regulator” on a clock often served as a marketing tactic to imply precision, there are instances where it genuinely signified accuracy. As a general rule, though, it’s safe to assume that many clocks labeled “Regulator” were more about selling an image than offering precise timekeeping.
In the world of clocks, the term “Regulator” was often used as a clever marketing strategy to sell more timepieces by suggesting greater accuracy. While some clocks with this label were indeed precise, many were simply designed to look the part.
As a buyer, it’s important to look beyond the label and evaluate the clock’s true functionality and history before assuming it lives up to its name.
The Fleet Time Co. was a short-lived Canadian clock company that operated between the years 1936 and 1940 producing a range of two and three-train mantel clocks with movements sourced from Germany. All clocks had pendulums and were spring-driven. According to the Canadian Clock Museum in Deep River, Ontario, the company was listed as an importer of clocks and watches. The locations were 440 McGill and then 303 St. Paul West, Montreal (Canada).
The Second World War took a heavy toll on this company as the source of movements dried up and so the future prospects of this small company. Why they did not source movements from France and Germany like the Forestville Clock Co. of Toronto and others during the war years and beyond is anyone’s guess. Perhaps the margins were slim or alternate suppliers could not be found. That and the increasingly popular electric clock doomed the company.
Wood cases were made in Canada for some models while other cabinets were imported from Germany.
Of the two Fleet clocks in my collection one is this two-train clock with an unknown German movement and the other a Westminster chime mantel clock with a German Gufa movement. For more on the Gufa clock go here.
This clock is in much the same condition as my first Fleet clock, dents, gouges and scratches everywhere. Unfortunately, the tinted lacquer finishes on these old clocks do not survive well over time. It is one reason they attract little attention and sell for almost nothing despite having movements that are relatively strong runners.
Fleet Time time and strike mantel clock, broken glass
It is a plain, generic mantel clock with a walnut finish, flat front, a slightly domed top, and step-side features on outboard feet. The dial is heavily tarnished and the glass bezel that should be soldered to the chapter ring has detached. These bezels often go missing. At least it came with the clock.
Fleet time movement
The clock strikes on 3-rods producing a bim-bam sound, just loud enough so as not to be too intrusive.
The location of the star striking wheel on the movement is somewhat unusual. Commonly found between the plates, the star wheel is on the outside of the rear plate.
Damaged Fleet Time barrel
As I have said in a previous articlethe barrel and second wheel on the time side were damaged during servicing. I don’t know who the maker is and I would appreciate any information to aid me in my search for a donor movement. The case has been reconditioned, with the addition of a dial and bezel from an old Blackforest Clock Co. clock.
Fleet Time case ready for repaired or replaced movement
It is a nice piece of Canadian horological history that I would like to see running.
One more shot is what it deserves. It had been running fairly well since I serviced it three years ago it but in the last few weeks it has decided to run for about 5 minutes and stop and I think I know the reason why.
Ansonia Drop Extra wall clock
This Ansonia Extra Drop time-only Rosewood veneered wall clock was manufactured in the early 1880s by what was then known as the Ansonia Brass and Copper Company.
The brass dial bezel is the only significant part missing. Minor items such as the verge, hands, pendulum bob, suspension spring/rod, and the drop access door were easily sourced. I made the drop access door later on.
Here is an article I wrote in 2018 wherein I assess the case and movement for the first time. At the time I was challenged by the prospect of putting a rusty old movement back in running condition and giving it a new life.
It was in poor condition when I bought since it literally came out of a barn and it is just pure luck that it runs at all.
The symptoms? If wound halfway it would run 3-4 days and stop. If wound tight it would not run at all because surface rust and other contaminants caused the coils to bind together. This is very typical of old clocks that have not been running for years. A movement that is “overwound” is a myth. It is the combination of old oil, rust and dirt that seizes the mainspring.
Rusty mainsprings
For some clockmakers any rust on a mainspring means that is it tossed it out because the mainspring is inherently weaker. This particular mainspring has surface rust on the outer two coils and rust on the edges of the spring. Otherwise, it has no cracks or splits and has plenty of power.
Yes, it was seized
Generally, to remove rust, repairers often apply a liquid gel, black tea, or even use electrolytic rust removal.
If I were in the business of clock repair, I would certainly replace the mainspring and pass the cost on to the customer. However, the original mainspring is part of the history of the clock and I don’t think the amount of rust is enough to prevent me from reusing as long as it is cleaned properly. As far as I am concerned, replacing a mainspring is the last resort.
Servicing yet again
Now that I have it apart why not throw the parts into the ultrasonic for a good cleaning. After everything was dry I inspected the parts, polished the pivots, and pegged the pivot holes.
I released the mainspring but this is how it came out of the case
I gave special attention to the mainspring. After inspecting it (yet again) I used a Brillo pad, steel wool and a microfiber cloth to eliminate the roughness as much as possible.
Ansonia mainspring cleaned up and ready for installation
Following the cleaning I applied a thin film of Keystone mainspring oil. I then reassembled the movement and oiled it prior to placing it on the test stand.
Ansonia movement on the test stand
While on the stand I gave the mainspring a few turns, put the movement in beat and it ran well for a couple of days which is what I expected.
On day 4, it was time for the ultimate test, to wind it fully till it winds no further. I was hoping for a good result and it ran the full 8-day cycle. The mainspring just might be “clean” enough that it will now run without stopping.
I will monitor the results of this little experiment for a while longer but for now things very good.
7 reasons why a hobby such as clockmaking gives respite during a pandemic.
Builds self-esteem. Developing and maintaining a hobby is important because the small successes from day to day are enough to sustain oneself amid other pressures in life and it is the one solid thing to feel good about. It gives renewed energy to tackle other challenges in life.
Dial face, Scottish tall case clock C.1848
Avoid boredom. There is zero scientific evidence of this but boredom is responsible for a lot of society’s ills and destructive behaviours. Do you come home after a challenging workday to watch hours of TV when you could be doing something constructive and rewarding? If so, it is time to re-evaluate your life.
Junghans Sydney shelf clock C.1911
Enrich your perspective. There is an old adage: “The more you know, the more you grow”. Any opportunity to learn something new, to be challenged anew, is great for character-building by seeing the world through refreshed eyes. Clockmaking or any hobby helps one differentiate from others and provides key examples of overcoming adversity or tackling a difficult situation and emerging on the other side.
American Watch and Clock Collectors Museum, USA
Keeps you youthful. Establishing and maintaining a hobby is a healthy habit to form not just now but for your later years. Hobbies are excellent for brain health and help stave off cognitive decline. The older you become the more difficulty you will have struggling to fill your time with meaningful activities. Beginning a hobby early in life pays dividends in the long run much like an interest-bearing investment.
Schatz W3 bracket clock C. 1950s
Combine your hobby with other interests. Photography and traveling are two other of my interests. Blogging is another, of course. Clockmaking combines all of those interests and as a side benefit my wife, who is also my travel partner and clock locator, provides encouragement every day.
Westclox LaSalle alarm clock C. 1934
It makes one interesting. Talk about your occupation or your grandchild and before long people’s eyes begin to glaze, but mention a clock that fell off a wall during the Halifax Explosion, a clock that hung in a railway station nearby, a rare clock bought for next to nothing and ears perk up.
Junghans Crispi wall clock, C.1898
A great way to relieve stress. Hobbies provide stress relief simply because it is an oasis, a way of disconnecting temporarily and we all need a place of refuge in trying times.
Mauthe wall clock circa 1895
We are nearing the end of the pandemic and folks are returning to their former routines. If you have found a new hobby in the past year there is no doubt you have certainly acquired new skills, renewed confidence and furthered your knowledge. Don’t stop now!
Antique and Vintage Mechanical Clocks 
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