Mauthe Westminster chime mantel clock similar to LL’s clock
Tick-Talk Tuesday is about the letters and comments I have received from you, the reader, concerning your clocks, issues you might have had and challenges you face and my responses to your questions with advice on your particular clock concern(s). For those comments and questions that stump even me, I consult within my clock circles for the best possible response to your question
LL writes, “I just had my Mauthe 3-train Tambour mantel clock cleaned and repaired. This is the first I’ve heard it chime in decades! I know my brother bought in England in the eighties but that is all I know about it. Can you tell me any more about the maker?”
Mauthe would have called your mantel clock a “buffet clock”.
Mauthe clocks have an interesting history. In 1844 Friedrich Mauthe and his wife Marie founded a company in Schwenningen, Germany to produce watch parts. At the end of the 1860’s Mauthe began to produce their own wall clocks (and movements). Some have been produced by home-work by so called “Gewerblern”, others have been produced in a more “industrial” way.
The Mauthe sons Christian (1845-1909) and James (1847-1915) took over in 1876. In 1886 Mauthe began manufacturing its own spring mechanism.
Around 1900, alarm clocks, pendulum wall clocks, grandfather clocks, office clocks and so called “Buffet Uhren” “Buffet clocks” were offered. The number of employees at that time went up to about 1,100 people. In 1904 the 3rd generation took over (Eugene Schreiber (1877-1939) – son of Christian Mauthe, Dr. Fritz Mauthe (1875-1951) – son of Jacob and Mauthe Alfred (1879-1911) – son of Jacob Mauthe.
In 1925 Mauthe announced a new trademark. It shows a right-looking eagle with outstretched wings, holding in its talons a three-part round plate with the letters F, M and S. My Mauthe mantel clock is unmarked. Early in 1930 the company produced about 45.000 clocks per week (with 2000 employees). About 60% were produced for export markets, England for example was one of those export markets.
Mauthe mantel clock sitting atop a Stromberg Carlson console radio
In the mid-1930’s Mauthe started to manufacture their first wrist watches, some were even supplied to the German Army (“Wehrmacht”).
From 1946 on Mauthe re-started with the production of wrist watches. Though largely successful during the post war years, sales began to decline and the company eventually declared bankruptcy closing in 1976.
These precision German movements keep very good time and are certainly worth keeping and repairing. Enjoy yours now that it chimes.
Mercedes makes a great car. Do they make clocks? No! Is this Mercedes novelty timepiece a great clock? Read on.
Attractive ceramic clock with time-only movement
This very attractive 30-hour Mercedes ceramic mechanical shelf clock of the Baroque Meissen style (debatable) from the 1970s is more of a novelty item than a clock.
It is a time-only alarm clock movement made by Gebrüder Hauser and marketed under several names one of which is Mercedes. Ceramic clocks on eBay or any other auction sites will reveal the Mercedes name as well as other retail names on similar-looking clocks. For example here is a similarly styled Alana clock. Same casting sans gold detailing.
The Alana, similar to Mercedes but without the gold-colored accents
This Mercedes novelty clock is in excellent condition with no chips, cracks or any sign of wear. But is it worth anything? Not a lot.
History of the company
The Gebrüder Hauser clock factory (Die Uhrenfabrik Gebrüder Hauser) was founded in 1923 by Otto and Josef Hauser in Weigheim, Germany. Josef Hauser resigned in 1926 and moved on to form his own company. The company name Gebrüder Hauser then received an additional owner, Otto Hauser.Aside from alarm clocks, clocks with pendulums and chess clock works were produced.
Spring winder, time set screw and speed lever on rear of the clock
In 1951, the son, Eduard Hauser joined the company.From 1955 onward small affordable alarm clocks and chess clockworks were manufactured.In 1965 Norbert Hauser joined the company and the company name was changed to KG.
The Gebrüder Hauser KG clock factory in Weigheim was eventually closed on 31 July 1998.
Are they common?
There are a number of variants of this clock, mechanical, electrical, and quartz. The mechanical version will command higher prices and is more desirable. Unfortunately, they are throwaway clocks and the cost of servicing would be far more than they are worth.
Nevertheless, it makes for an attractive mantelpiece and as a gift, it is likely the recipient will not keep it wound.
Halifax (Nova Scotia, Canada) was devastated on 6 December 1917 when two ships collided in the city’s harbour.
Taken from the Dartmouth sideResults of the deadly blast
Today marks the 100th anniversary of the Halifax Explosion.
On Dec. 6, 1917, the Belgian relief ship Imo rammed into the French munitions vessel Mont-Blanc, which was carrying TNT through the narrowest part of Halifax harbour. A fire on board the French ship ignited her cargo, causing a devastating explosion. The Mont-Blancexploded at 9:04:35 a.m., sending out a shock wave in all directions, followed by a tsunami that washed violently over the Halifax and Dartmouth shores. More than 2.5 square km of Richmond were totally levelled, either by the blast, the tsunami, or the structure fires caused when buildings collapsed inward on lanterns, stoves and furnaces.
Two thousand people were killed in the Halifax Explosion and another 9,000 were injured. The explosion is the worst man-made disaster in Canadian history.
Seconds later a Junghans Crispi wall clock fell off a wall in a house on Princess court, North End Halifax. The following is the story of that clock.
I bought the remains of the clock from a gentleman in Halifax who related the story of how this clock was passed down to him through his wife’s family. It was important to him that someone who had a love and an appreciation of old clocks should continue with the restoration after he had rebuilt the frame some 30 years ago.
Thus began the six month journey of restoring the clock to its former glory. During the restoration I was able to obtain an old catalog image (supplied by a member of NAWCC) to guide me through the rebuilding process. Some of the smaller trim pieces were missing and because they are impossible to locate they had to be either purchased from a clock supply house or handcrafted.
How the clock came to meFour Junghans clocks, the Cripi is second from the leftJunghans Crispi wall clock
It is now a wonderful tribute to that terrible tragedy on December 6, 1917.
I have never paid more that 30CDN for one but I see these clocks selling on EBay and other online for-sale sites at twice and three times what I typically pay
This a is Part II of a two part series on repairing a 400 day clock. Part I can be found here.
Attractive dial face, free of cracks and blemishes
I have four anniversary clocks (otherwise known as torsion clocks). I have never paid more that 30CDN for one but I see these clocks selling on EBay and other online for-sale sites at twice and three times what I typically pay. In fact, I saw one on EBay this morning (Oct 3, 2017) for 119US plus 39US shipping. The description is amusing:
When I tested it, I spun the balls about a full turn and it continued to spin back and forth for several minutes. From my understanding these things are supposed to go for a whole day without being spun again. I think it might need to be cleaned for it to do that.
The string still looks good; the cover is cracked a little where it connects to the clock but isn’t falling off.
Numerous dents, the pendulum locking guard is there for a reason! Not using it results in a snapped suspension spring and dents
The Horolovar suspension spring arrived today and now to install it in on the movement. 400 day clocks are easy to disassemble/clean and re-assemble but getting it to work correctly can be frustrating. Setting the beat can be a challenge.
To perform servicing on a 400 day clock you must have the Horolovar 400 day Repair Guide as a reference. The guide takes the guesswork out completely.
The old spring was snapped off just above the bottom block and unfortunately it was not re-usable
Horolovar 400 Day Clock Repair GuideHorolovar templates
I received my guide as a Christmas gift last year. For my first Kundo miniature (bought and serviced in 2015) I did not have the guide and after a lot of guessing and cursing I managed to get the suspension spring installed correctly but it was more luck than skill.
Unfortunately, I required a new suspension spring for this clock. The old spring was snapped off just above the bottom block and not re-usable.
The guide tells me that this 400 clock is a Kundo Standard 53 that uses a .0032″ or .o81mm Horolovar spring. If you do not have the time to assemble suspension units, Horolovar will gladly sell you completely assembled units but you pay much more. In Section 10 of the guide there are templates for a number of clocks. Having a template at hand allows one to follow a pattern when screwing the fork and the upper and lower blocks to the suspension wire. This clock was template 3A.
The screws on the suspension assembly are very small and it pays to have good quality precision screwdrivers. It was not all joy, however. All went well until I got to the bottom block. The bottom block was seized and it took an extra effort to release the two block screws. However, once I overcame that little issue the completed assembly looked exactly like the template. The spring is longer than necessary and must be trimmed to fit. Now to install it on the movement.
Arrow indicates insertion point for top block
The suspension spring assembly slipped into the top and bottom easily. There is a threaded thumbscrew on the top base that slips into the top block (arrow in photo above). The bottom block has two hanger pins that the pendulum rests on. Next is the back spring cover and the locking guard. The locking guard is an earlier design and looks a somewhat flimsy but should work.
Once installed on the movement it is time to test the beat. The beat should be 8 beats per minute.
Next few days
There is nothing fancy about the beat adjustment. The top block fits into a friction fit base that is moved left or right to find the best beat. Moving the base allows one to position the fork that rocks the pallets back and forth so that the beat can be set.
As of this writing the clock has been running for 48 hours but there is a slight variance in the over-swing on each side after the click (I use toothpicks to check the over-swing – see photo below) which means that while the clock is running and keeping reasonable time the clock is very, very slightly out-of-beat. Minute changes in the next few days will address that.
I rotated the speed adjustment dial just above the pendulum several times as the clock was losing 10 minutes per day and am now discovering that a previous owner or a child perhaps gave that dial a few spins to see what would happen. Setting the time is a slow process and it will take a week or more to set the time correctly.
Using toothpicks to set the beat by observing the position of the over-swing
Working on anniversary clocks is always very satisfying for me and this is why I love them:
Anniversary clocks are time-only with few gears,
Relatively inexpensive to buy (though some Schatz and Gustav Beckers are less common, more desirable and more expensive),
Very quiet (this is a clock to have if a ticking clock drives you crazy),
Easy to dis-assemble/clean and re-assemble,
Operate so slowly that there is seldom any pivot wear and therefore, easy to service,
A great conversation piece,
They run for 400 days or more on a single wind though do not depend on them for accuracy.
Final note: this clock will be gifted to my daughter in Victoria who has always been fascinated with anniversary clocks.
Yoo may chooz clock 3 for ohnly 135$ or 2 for ohnly $185 or 3 for ohnly 235$ or all for jist 350$. Theze 400-day Clocs are in ecselent condishn and reecwire NOH electrisitee and thus NOH batreez, , jist wiinding wunts each year, for constant, dependable time-keeping, noh mater how oftn thu hydro wahz off. Doo note that this kind uv cloc haz at leest a 250 yeerz, air-loom liif-span and sellz for hundredz uv dollarz noo; thu numbr-3 cloc wahz $495 noo; thu numbr-2 wahz $695 and thu fanseer, numbr-1 wahz $795, back when quarts clocs wer beeing introdoosd. I don’t recahl thee exact aje uv them but I can ashoor yoo that thay ahl hav been in mii pohzseshn for les than fiftee yearz, and nun hav any vizible signz uv wear in thair gearz, becuz uv thoze geerz mooving a fraction uv an inch ohnlee 4-timez eech minit, insted uv 60 timez az iz comon with ahl uthr kindz. Ahl-soh, ahl 3 uv theez are thu real thing, NOT thu =FAKE= kind that require batereez and ohnly APEAR too bee authentic, with an electric motor driving thu pendulum and a quartz movement that’s noh mohr reliable than any uthr batery-driven clock. Yoo’re welcum too make uh vyooiing apt. for any time uv any day, sunday throo thurzday.
The clock described in the ad are similar to these in my collection. The prices he or she is quoting are much too high.
Kundo miniatureKern 400 day clock
Is the seller cleverly deliberate or sadly illiterate? You decide!
The 400-day anniversary clock, also known as long-duration clocks, is a fascinating category of clock known for its ability to run continuously for a full year without needing to be wound. These clocks, often featuring intricate designs and beautifully crafted mechanisms, were first introduced in the late 19th century and have since become a beloved collectible.
Kundo standard size 400 day clock
In this article, we’ll explore the history, mechanics, and appeal of these interesting clocks. This is a two-part series. The first part describes my most recent purchase, a 400-day Kundo anniversary clock. Part II involves the installation of the suspension spring, cleaning, testing, and post adjustments.
400-day clocks are known for their inaccuracy, although they are undeniably beautiful and fascinating to observe. A minute lost each day adds up over the course of a year, potentially totaling many minutes—or even hours—by the end. Despite this, I still find great joy in owning and appreciating them.
A brief history
400 day clocks have been with us since about 1900. There were torsion clocks produced before 1900 but in limited numbers from about 1894 onward but the real push was after 1900. The Kundo model you see here was made in the late 1950s or early 1960s, probably the peak and subsequent decline of the anniversary clock era.
Dial face Kundo Clock
Once quartz clocks were introduced mechanical versions declined precipitously. Kundo is one of many companies making anniversary clocks in the 1950s and 60s. Kundo is a combined form of Kieninger and Obergfell. The company exists to this day as Kieninger, a subsidiary of Howard Miller which is part of a larger company.
This particular clock is a good example of a typical anniversary clock of the period. There are signs of wear as one might expect, dents on the base where an unrestrained pendulum did its damage and a snapped suspension spring but all the parts are there, complete with its dome.
Dents from weights bouncing around during transit
The clock was purchased at a local antique store. It is not in running condition. These clocks typically sell for around $50 to $100 or more on online marketplaces. Domes are often chipped or missing entirely. The glass dome on this one is free of chips.
I have ordered a Horolovar spring (.0032″) and will report on the installation, cleaning, and testing of this 400-day clock. Look for the second part of this series.
This weeks profile is about the cuckoo clock. I do not have one in my collection but I am always open to new additions. I know almost nothing about them so I have to rely on knowledgeable people like Megan to fill in the blanks. Earlier this summer (2017) I received an email from Megan. Megan runs a site that specializes in Cuckoo clock products for sale. She asked me to profile her site and I said I would be happy to do so.
“I came across your clock blog and have really been enjoying it. I myself run a Black Forest cuckoo clock blog and I have an article about the history of the cuckoo clock that I think your audience might find useful. I have posted it below and should you find it useful, I would love to have it featured on your blog. If you want to check out my site, visit www.designedintime.com
Perhaps one of the greatest contributions to the Black Forest’s fame is the cuckoo clock. While it is easy to appreciate their charismatic beauty and charm, few realize how deeply rooted these clocks are in Black Forest history. It has been a long journey that has involved several hundred years and thousands of people in one small town.
The story of these incredible clocks starts several hundred years ago in Germany’s royal family. The first description of a cuckoo clock was in 1629 and made by a German nobleman, Philipp Hainhofer. He described a curious little clock that belonged to Prince Elector August von Sachsen. It was said to contain a bird that resembled a cuckoo and it was therefore called a cuckoo clock. Though these clocks were very primitive they did not make any noise.
Enter Franz Anton Ketterer! Ketterer was a clock maker from the Black Forest and is often credited with the invention of the cuckoo clock. It was one day in the 1730s, after pondering the mechanism of a church organ’s bellows that he was inspired to recreate the mechanism inside a clock that contained a cuckoo bird. Thus, the first cuckoo-calling mechanism was born.
Word spread of these fascinating little clocks and it wasn’t long before the cuckoo clock was on the rise in the Black Forest. Most of the villagers in the Black Forest were farmers, but as the eldest sons of the family often inherited the farm, it left the others with a need for supplemental income. Cuckoo clock making was, therefore, a wonderful opportunity for villagers to support their families. During the deep snowy winters, the villagers would toil away at their clock making skills and when the snow melted in the spring they would take their clocks to display in the town. These people, the early cuckoo clock makers from the Black Forest were given the name “Häuslers”.
At the time, hourglasses were the most commonly used timekeepers and the clocks became not only a much more accurate replacement but were also much more artistic. Germany, always a leader in the arts, once again did not disappoint. It wasn’t long before the villagers would have contests to see who could make the most unique and artistic cuckoo clock. People far and wide caught wind of these incredible timekeepers and it wasn’t long before there was an international demand for cuckoo clocks.
Therefore, in 1850, the Duke of Baden founded a clock-making school that offered classes in standard subjects such as math and writing, but also advanced clock-making.
As clock-making flourished a grand contest was offered by Robert Gerwig, the director of a Clock-making School in Furtwangen. It was open to any clockmakers who would compete for the best contemporary clock design. The winner would be funded to complete their design and the winning design was created by Friedrich Eisenlohr. Eisenlohr was an architect whose then-current project was building a new railway through the Black Forest and it was no surprise that the winning design was a cuckoo clock. This clock, however, resembled the rail houses and the design soon became a popular idea that would take over the early designs of the shield clocks. The box and roof style of the rail house design was the precursor to the modern day chalet clock that we see all over the world. Ironically though, there was only one difference between Eisenlohr’s design and the final product. This change would be that Eisenlohr’s design included a cuckoo, however, when the design was put into action, there was not sufficient funding to complete the cuckoo mechanism. Despite this, other Black Forest clockmakers soon figured how to merge both the cuckoo mechanism and the rail house design. Therefore Eisenlohr is still credited with the modern style.
Today, the Black Forest cuckoo clock is a world renowned treasure that has made the small, but beautiful Black Forest villages famous. It comes in a variety of sizes and styles including chalet and carved. While a true Black Forest cuckoo clock is mechanically operated, there are also battery operated clocks called quartz clocks. These can be made in the Black Forest and are often more affordable as they are not authentic like mechanically operated cuckoo clocks.
While visiting the Black Forest I strongly recommend stopping by some of the world-renowned clock makers, such as Hones, Rombach and Haas and Schneider. There are also a number of museums that contain some of the original shield and rail road clocks that are definitely worth checking out. Perhaps my favorite is the German Clock Museum in Furtenwagon as they contain some of the oldest cuckoo clock histories to date.
Next time you see a cuckoo clock, you can appreciate not only the skilled craftsmanship but also the hundreds of years of history that stand behind it!
Photos reproduced with permission. For more information on cuckoo clocks, visit Designed in Time, www.designedintime.com
While at an antique store in Kazabazua, Quebec my wife made an offer on one of these two carriage clocks. The other clock was found at an antique barn just outside of Campbell’s Bay, Quebec, literally an hour’s drive apart and about a week between the two purchases.
I was surprised to find two seemingly identical clocks not far from each other. At first I thought they were identical.
German versus Italian made carriage clocks
The one immediate difference is readily apparent. The dial on the left has Arabic numerals whereas the one on the right has Roman Numerals. They have similar dimensions but if you look closely the bases are not the same height. Both are alarm clocks. Both have a “second” hand at the top and a set-time indicator at the bottom section of the dial. Both have seemingly identical carriage style cases made of very similar materials. Both I believe, are 30 hour clocks. There is an access panel on the back of each clock for winding and adjusting. However, that is where their similarities end.
Musical alarm on the left and bell strike on the right
Musical versus bell strike
I would estimate that they were both made sometime after the First War
The one on the right is made by Junghans or Kienzle, both German clock companies with long and illustrious histories. I tried comparing the plate design and dimensions to a database found here and the closest I could find was Kienzle. However, it is also very similar to Junghans “Joker” style clocks that I have seen for sale on EBay. At one time (around 1905) Junghans had a branch in Venice (Italy) likely a delivery depot for clocks made in Germany. But it is also possible that some assembly may have been done there hence, no definitive markings. I would estimate that they were both made sometime after the First War.
Side views
Back access panels
The one on the right is made by an Italian maker, Fratelli Borletti. Fratelli Borletti was the only clock factory in Italy prior to WWI and produced only alarm clocks. Fratelli Borletti was later renamed “Veglia Borletti” and produced many car instruments for Fiat, Lancia, Daimler and so on. Today, Veglia Borletti belongs to Magneti Marelli.
The Junghans or Kienzle clock is a musical alarm clock while the Fratelli Borletti clock has a bell type alarm with a striker, though the striker on this particular clock is missing.
One (the musical alarm clock) is working and remarkably clean, the other needs a lot of work. Two very unusual clocks found not far from each other.
We were making our way to Missouri after beginning our journey in Maine in early May (2017). We only had one very important stop along the way because for the past 5 years I have always wanted to see the NAWCC clock museum in Columbia, Pennsylvania. Ever since I seriously wrapped my head around clock collecting and repair my dream was to visit this museum. Getting there was no problem but Interstate traffic is truly a disaster! Unfortunately, we budgeted too little time for a thorough tour in the hour and a half we had but we saw as much as we could in that short time.
Waiting in a hot parking lot for the museum to open was not much fun. Couldn’t you just open the front doors a little earlier than 10:00am? To kill time we walked around the town of Columbia. It might be neat and tidy place and one of the “top twenty small towns to visit in America”, so the sign says, but like all small towns in America the decline is evident in the number of vacant storefronts and absence of activity in the streets.
Sign in Columbia Penn.
We finally got into the museum. We (my wife and I) were the first in and being a NAWCC member my wife and I got in free. During our time there we saw only one other couple. So, not a terribly busy time but there are likely peak periods in the summer.
I was wondering how I would describe my visit to the National Association of Watch and Clock Collectors Museum in Columbia Pennsylvania on that day in May. It was wonderful and more than I had imagined. There is simply not enough time to see everything and take it all in. The museum is very well laid out and there are displays to please everyone.
Vienna Regulator with Grande Sonnerie movement
For me the highlight has to be Engels Monument Clock (see Youtube video below). There was only ourselves and one other couple at the time so we were happy that the staff were able to put on a real show for us. The staffer walked us through the history of the clock and followed with a fascinating demonstration. AS he did so I imagined what it must have like to attend a local fair and see this wonderful clock in action. The clock was exhibited around the country for 74 years and last displayed in 1951 at the Ohio State Fall.
There is an emphasis on American clocks as you would expect but there are excellent examples of French, German, English and Japanese clocks. There is a broad selection of tall case clocks all the way back to the 1700s The history of time was very interesting as are the interactive displays which I am sure would please any children visiting the museum.
In a later article I will post more photos.
Whether you are an avid collector or merely have a casual interest in clocks this is great place to visit.
W3 refers to the 3 chimes, St Micheal, Whittington and Westminster
This W3 Aug Schatz & Sohne movement is local antique store find for under CAN$20 though it came without a case and chime rods. W3 refers to the three chimes, St Micheal, Whittington and Westminster. The Whittington chime is my favorite.
Aug. Schatz, a German company, are known today for two types of clocks: the Schatz 400-day clock (including the 1000-day clock) and the ships clocks. They are not typically known for shelf or mantel clocks.
The movement has a platform escapement though earlier versions of the W3 came with a pendulum. I believe that this platform escapement has 2 jewels. Later platform escapement had up to 7 jewels. The front and back plates are solid. It has higher quality leaf pinions rather than lantern pinions and there are 8 chiming hammers, three for the hourly strike.
Rear plate
It has been worked on before, perhaps more than once, but it seems to be clean and in very good shape. There are at least 13 new bushings and a newer click spring.
Arrows show new bushings and a newer click spring (bottom arrow)
Aug Schatz and Sohne German trademark showing W3 stamp
I oiled the movement and I wound all three arbors and it has been running happily for a week now, going through its quarter hour chime sequence flawlessly and hammer striking on the hour as it should. Well, at least the hammers moved.
Platform escapement, jeweled or not
If you have a spare case lying around in your shop I’d be very happy to take it off your hands
If you have a spare case that would fit this movement lying around in your shop I’d be very happy to take it off your hands. It would have been a mantel, shelf or bracket styled clock. If a mantel clock it might look similar to this Juba Schatz bim-bam clock.
Juba Schatz time and strike clock
Having a movement without a case is like have a car engine without the body. If you have or know someone with a case that will fit this fine movement please drop me a line.
Tick-Talk Tuesday is about the letters and comments I have received from you, the reader, concerning your clocks, issues you might have had and challenges you face and my responses to your questions with advice on your particular clock concern(s) and of course, general comments. For those comments and questions that stump even me, I consult within my clock circles for the best possible answer.
On my trip to Cuba in March of 2016 I happen to capture a number of interesting clocks. The two pictured below prompted a comment from JC.
Wm Gilbert clock found in a restarant
Malaprade Floor clock
The first two clocks are the most interesting to me. The Gilbert looks fairly standard (often called a “Store Regulator”) but I think it’s been painted black. Normally these are in oak cases, occasionally (but rarely) in walnut. The colour would have matched the interior back.
The second clock looks like a fine and expensive Jeweler’s Pinwheel Regulator. I’m wondering if you’re wrong about it being spring driven. These are normally always weight driven. The weight normally hangs behind the pendulum. Is it possible you didn’t see the weight? The movements from these are almost always Swiss made (near the Jura region of France), with pinwheel escapements. They are VERY EXPENSIVE clocks. The movement alone would fetch around 1000$. I have no idea what that circle is on the dial. I’ve seen some with inlaid marble dials, but most have enameled dials like this one. Cases can range from plain to extremely elaborate, and from 5 feet to 9-10 feet.
The name and place on the dial is the retailer where the clock was sold. It is never the manufacturer (this is typical on all French and some Swiss clocks of this type/vintage – the same is true of Comtoise clocks and French mantle clocks).
The rest of the clocks (with the exception of the 2 figure 8 wall clocks) seem to be imported German clocks from 1930 and later. These include both tall clocks and all the 400 day clocks shown. The figure 8 clocks are either American or Asian made copies (likely from Japan) from the early 1900s.
We often cruise the HiBid sites. While they may be wholly Canadian I am sure there are similar sites in the US. HiBid are a hosting service for antique online auction companies and from time to time clocks come up on estate sales.
One day in early February 2017 we were on a Nova Scotia HiBid auction site and noticed a Jauch drop octagon with a PL42 movement. I made what I thought was a reasonably good bid. We had errands to run that day so I just left the bid, got home later and realized and surprised that I had won. It was a good purchase. After running for several weeks I opened the case up and discovered its hidden secret.
Time-only Jauch movement
The clock easily runs a full 8-day cycle but it gains about 5-7 minutes at the beginning of the cycle and loses the same at the end of the cycle. A dramatic difference! A properly functioning clock is designed to run at an acceptable rate of + or- 1 minute per week but this depends on adequate power to the escapement with very little fluctuation in that power.
Scored pivots and worn barrel arbor holes are real issues for this movement. The pivots are small, a light touch with a buff stick and a minimal polish along with pegging and round broaching the holes should be the first steps in reviving this clock. Bushing work is also quite possible. The barrels are another matter. If worn, they require bushing. The cap is too thin to bush without making a thin flange or leaving the bush a bit proud and peening both sides. The barrel is narrow and it is said that they really get the wobbles when worn.
This is an inexpensive German movement but finely made and well engineered. An overhaul should result in a good long run.
I took the movement apart and discovered two things. One, it needs at least 3, perhaps 4 bushings and secondly, there is a significant gap in the barrel cap as seen in the photo below.
Barrel cap showing a wide gap caused by wear around the arbour, weak point of this movement
Front plate is removed showing going train
The real issue for me is the barrel cap. I can attempt to bush the cap but the bushing would likely not hold unless it is peened. The gap is causing an unbalance in power transmitted through the gears as a result of the wear. The soft brass barrel cap is definitely a weakness of this movement. The result is the erratic running described above and a wobble in the pendulum. I contacted a gentleman in Arizona who would be prepared to correct the wear by installing two new bushings on the gear side and cap of the barrel. The cost is 1 1/2 times the value of the clock so I have decided against that option. It is just not worth it!
1 Day Later
I installed 3 bushings. The front side of the escape wheel arbour, the front side of the second wheel and the minute shaft. I re-assembled the movement, oiled it, adjusted the pallets, reinstalled the worn barrel and have put the movement back into its case. It is now running and in the next week or two I will see what effect new bushings will have on the running of the clock. My hope is a marginal improvement given the worn barrel.
A barrel repair will have to wait until I have the proper tools.
German box clocks are quite common. Prices for these clocks are all over the map, some ask hundreds of dollars but they can be had for very little money like this Mauthe box clock I picked up in a flea market outside Peterborough Ontario. The hands were faded and the case was in rough shape but I knew it was a good deal.
Mauthe box clock, as found
Thousands of German “box clocks” were made in the first third of the 20th century and even to the middle of the century. The box clock replaced the classic “Vienna Regulator” after the First World War and reflected a minimalist approach to clock design. Most, if not all, were made in Germany. Despite the absence of markings, I have no doubt that this clock was made in Germany by Mauthe.
This vintage clock is 29 inches long by 13 inches wide and 7 inches deep. It has a 7-inch silvered Arabic dial with a spade hour hand and speared minute hand. The lower section of the case door has 5 beveled glass panels (middle one is arched) with brass connecting strips. There are two fluted columns that frame either side of the door and circular glazed viewing panels on each side. The movement is mounted and secured by thumbscrews on a seat board. The clock case is in fair to good condition with no gouges, deep scratches or missing pieces. Refinishing at some point in its life combined with environment factors has resulted in a darker walnut shade. The case is made of cheaper pine rather than the more expensive oak found in higher end box clocks.
The door has its original glass, catches, hinges and swings very easily. There are no case stabilizers (stand-offs) which I found curious given the height and weight of the clock. It has a rod gong twist locking feature about one third up from the longest rod to secure the rods during transport. Rods are brittle and can easily snap off if unsecured when moving the clock.
Rod twist lock to secure the rods during transport
I would comfortably date the clock to the 1930s
The dial face has been “messed with” in some fashion. I suspect someone tried to clean the face with an abrasive cleaner as there are scratches on the numerals. The numbers were touched up with flat black acrylic metal paint. Evidence that it was distributed by a Canadian clock company is a maple leaf applique on the crown.
Maple leaf applique and Divina gong
The five-point maple leaf is a common symbol for Canada. There are two possibilities. It might have been sold by the Forestville Clock Company of Toronto or Eaton’s department store under the Solar (Soler?) brand name. I would date the clock to the 1930s.
The price was right so I bought it
The rack and snail, time and strike, spring powered movement with recoil escapement has no markings but for the numbers 42 (pendulum length in cm) and 105 (beats per minute), the letters C,A, with numbers, 79/9 engraved in the lower right of the front plate, presumably a clock-makers mark for servicing in September of 1979 and a serial number, 25226. The back plate is solid brass while the front plate is open. It also has a repeater function on the strike side.
Mauthe movement front plate
This is an antique mall find and the seller left a note saying that the clock required servicing (code for not running). While on the wall in the store the clock ran for a few seconds and then stopped. So, yes, it needs servicing. The price was right so I bought it.
Mauthe movement back plate
I took the movement out of its case, inspected it and found it very clean. I looked for any obvious signs of wear or damage such as bent arbors or broken teeth and found nothing. The pivots holes were dry though absent of the tale-tell signs of thick black or green oil indicating wear. The mainsprings were wound tight as I would have expected. I oiled the movement, ran it outside the case for a few hours, returned it to its case, re-positioned the 3 strike hammers for the rod gongs and it ran strong, striking as it should on the hour and half hour.
The 3-rod “Divina gong” was, according to the standard German reference, Hans-Heinrich Schmid’s (2005) Lexikon der Deutschen Uhrenindustrie 1850-1980, a Mauthe trade-name registered in 1912. I compared the movement to similar Mauthe movements online and but for minor details it is the same. The case design is plain and free of decoration and is quite unremarkable save for the aforementioned beveled glass panels.
Divina rod gong, patented by Mauthe in 1912
I refreshed the case by first giving it a good cleaning with Murphy’s Soap. The cleaning revealed some light and dark patches so I opted to give the case a light coat of walnut stain followed by Poly Wipe Satin clear coat.
Box clock after case cleaning and refresh
There is not much I could do with the unsightly black smudges on the dial without lifting the silvering so I left that untouched but it still retains that vintage look.
Repainted numerals and hands
There were a number of unsightly black marks on the pendulum bob that I cleaned up using Brasso. Brasso was also used to clean up the brass bezel. The beveled glass and the brass strips were cleaned as well.
The Divina rod gong bim-bam strike has an especially pleasing resonance that echos through the house.
For a 50CDN investment the result after a refresh, is remarkable. It shows very well and it is a welcome addition to my growing clock collection.
Kienzle Weltzeituhr clock presented to Adolf Hitler in 1939
Tick-Talk Tuesday is about the letters and comments I have received from you, the reader, concerning your clocks, issues you might have had and challenges you face and my responses to your questions with advice on your particular clock concern(s). For those comments and questions that stump even me, I consult within my clock circles for the best possible answer.
On display in an antique store in Quebec Canada
Weltzeituhr is German for “World clock”.
The first Kienzle World Time clock was presented to Adolf Hitler on his 50th birthday in 1939 by the government of Würthemberg. The classical design with the world map in the “Mercator” style (cylindrical map projection presented by Gerardus Mercator in 1569) and the moving narrow scale with the time in the denoted cities came from the Heinrich Johannes Möller hired at age 27 and Kienzle’s principle designer from 1931 til about 1970.
The original clock had a bulky “foot” or base (first photo) and was decorated with swastika patterns on the edge. After the war, the decoration was necessarily altered, the base became smaller but the general layout of the dial was preserved through all permutations of the clock, from the early mechanical versions to the electro-mechanical versions and finally the quartz movements in the 80s. A unique feature of this clock is that it shows Germany to be the centre of the world.
24 hour time sequencer
SP writes, “One way to narrow down date of one of these clocks is to look at the names of the cities. For example, mine has Jakarta, Indonesia as ‘Batavia’ which was the name given by the Dutch who ruled until the Japanese took over in WWII. The name was officially changed Dec. 27, 1949.”
Side view of World Time Clock showing substantial brass surround
Your clock says ‘Germany’ and has ‘Djakarta’. It could have been made between 1942 and 1949
SP wrote further, “I got to thinking and I suspect that further sleuthing may be in order. If you go to the Wikipedia article on ‘Batavia’, you’ll see that the name was changed when the Japanese took over in 1942. It also says that the name change from ‘Batavia’ to ‘Djakarta’ was ‘internationally recognized’ on Dec. 27, 1949 so that there was a seven year period when it was called ‘Djakarta’ by part of the world and ‘Batavia’ by another (Keep in mind that the Germans, allies with Japan, would have been partial to seeing things the Japanese way). Then, at the ‘West Germany’ Wikipedia, I see that ‘West Germany’ was declared on May 23, 1949. Your clock says ‘Germany’ and has ‘Djakarta’. It could have been made between 1942 and 1949 if the names on the dial were determined by Kienzle in strict conformity with official names. Of course, whether or not they were strict in that way would be hard to pin down but it seems to me that an earlier date for your clock’s manufacture seems just as plausible as a later one. It does seem to me, however, that, if it was made in 1950 or later, it would very likely say ‘West Germany’ given the 7-month lead time and the earth-shaking importance of the name change at the time.
Is it a clock or a work of art? Both it would seem
I replied that the clock was likely not produced during the war years when many German plants turned their attention to the war effort. My clock was either made in 1942 or close to 1949.
Kienzle World Time clock, circa 1942-49
SP wrote back some time later and shared this with me, “I was also thinking that the war years are unlikely for the same reason. I was just doing a little exercise in marking rough parameters. Another rough parameter: mine has no country of origin as in ‘Made in Germany’ or ‘Made in West Germany’ — perhaps an indicator that it was made for the domestic market. I came here originally to learn how to calibrate the ‘world time zone’ scale. Then I took the clock to my local clock maker to have it serviced and he explained that, on my model at least, you have to take the back cover off and manipulate the metal disk inside with your finger. I see that some clocks, including yours, have a little button or knob on the back half-way down from the center knob that controls the hands and I assume that it controls the time zone scale. Anyway, if you are a visitor to this site looking for the same information, now you have my report.”
Winding crank
On my clock the tiny knob controls both the hands and the zone scale. As I rotate the knob the zone advances incrementally.
I am certainly on the lookout for more Art Deco styled Heinrich Johannes Möller clocks to add to my collection and when I come across another I will be sure to write about it.
Thank you, SP, for sharing your knowledge and experiences concerning this wonderful clock.
So, it seems that my Kienzle was made between 1942 and 1949.
Is it a clock or a work of art? The latter I would submit. Thanks to Heinrich Johannes Möller and his ability to turn a timepiece into a true work of art.
In a precious article I wrote about my frustrations getting this clock to run reliably. No matter what adjustments I made it ran poorly.
“You’ve got to be very careful if you don’t know where you are going, because you might not get there”, Yogi Berra
This time and strike movement (Hermle?) has been out of its case and lying in drawer for the past year or so. When I met the seller in a parking lot some time ago as I handed him $20 for this Dugena mantel clock he climbed into his car he said, “I hope you don’t expect much for $20; it’s not perfect”. Well, it’s not perfect.
It was keeping poor time, losing an hour or so a day but I thought, what a great clock to practice on and practice I did.
Oiling the movement had no effect. Issues? A weak spiral spring, a worn jewel on the floating balance, a power issue associated with a weak mainspring or perhaps pivot wear. I disassembled the movement several times and serviced the mainsprings. I had an issue re-hooking the strike side mainspring and so, discouraged, I put it aside.
Dugena time and strike German made mantel clock
Dugena – is it a clock company?
Dugena was a German retail clock name only, a marketing name, not a maker of movements or cases. Dugena was a registered cooperative society, a “Genossenschaft”, that bought clocks from other makers to sell them under their own brand. A brand name for a retail chain more or less.
Dugena floating balance
The clock runs slow, this bent spiral spring does not help
Floating balance clocks are much more accurate and above all, they do not have have the disadvantage of the pendulum; these clocks work even when the case is at an oblique angle
A great invention – the floating balance
The floating balance movement in this clock could have been made by anyone; Urgos, Jauch or Hermle perhaps. Hermle is likely since it was one of the leading companies using the floating balance escapement. The floating balance was invented in the 1930s but it took till 1941 for the patent application to be registered. It took another 10 years after that for the patent to be granted slowed by the war years and the challenges of industry recovery following the Second World War.
The floating balance was a great invention. Floating balance clocks are generally more accurate and above all, they do not have have the main disadvantage of the pendulum; they will work even when the clock case is at an oblique angle.
Time and strike movement, maker unknown
Back to the the clock
Months passed. I took the movement out, looked at the strike side barrel a second time, popped the barrel cap off and using pliers gave the inner part of the mainspring a turn and it hooked onto the catch. Success at last. The mainspring barrels can be removed without dis-assembly of the movement, so, in it went. Despite my minor triumph with the strike-side mainspring, straightening the spiral spring and adjusting the balance wheel to its fastest set point, the clock ran only marginally better. The only consolation is that although it runs 5 minutes slower per day it runs a full eight day cycle.
Despite the minor disappointment it has been a productive learning experience but I am inclined to put it aside as I have other projects on the go. Every time I think about the issues I am having with this clock it always comes back to the balance wheel.
You bought a clock. It ran when you first saw it but you bring it home, display it in that very spot you imagined and now it won’t run. 99% of the time this is caused by a clock not being in beat. All mechanical clocks must be set in beat before they will run properly.
Sessions time and strike
I make no attempt to explore the idiosyncrasies of various designs of clock movements. Much of the following information can be found at the forum site of the National Association of Watch and Clock Collectors, NAWCC . At this site there are additional tips on adjusting the beat of 400 day clocks, weight driven Vienna style clocks and so on.
When a clock is out of beat, it will either not run at all, or it will run for a short time and then stop
What does the term “beat” mean?
Make sure your clock is on a level surface. Listen to the tick and the tock of your clock. Try to minimize the sounds in the room you are in so that you can listen closely to it’s rhythm. It is in beat when its ticks and tocks are even….tick…tock…tick…tock…, and is out of beat when they are uneven, either, ticktock…. or tocktick…… Put another way, there will be an equal amount of time between the ticks and the tocks. When a clock is out of beat, it will either not run at all, or it will run for a short time and then stop. It is worth repeating that a clock’s beat must be regular to work properly.
Gilbert calendar clock, the Admiral
There are two ways to put a clock in beat. The first is to tilt the clock sideways, one way or the other, and listen for the beat to even out. When the beat is even, prop the clock to stay tilted that way. Now it will run in beat but it will obviously not look good.
The second way is to adjust the crutch to one side or the other, until the beat is even. The crutch is the rod that extends down from the pallets which rock back and forth on the escape wheel. The pendulum rod passes through either a loop (called a crutch loop) or a forked foot at the end of the crutch as indicated in the photo below. Incidentally, that rod needs to be in the middle of the crutch loop and can’t be tight inside the loop nor too loose. The crutch is attached to the pendulum leader which is then attached to a post with a suspension spring.
Mantel clocks have rear access doors that allow you to adjust the crutch, however for wall clocks you will have to remove the hands (the minute hand is released by a screw or a pin, the hour hand simply pulls off) and the dial face, also attached by screws that come off to reveal the movement. However,minor adjustments to the beat of a wall clock can be preformed by simply moving the clock off-level. It may not be noticeable if the clock is not quite level.
There is no need to take the movement out of its case to perform this procedure.
American New Haven time and strike movement taken out of its case
If the crutch is a simple rod or wire as in the photo, it is adjusted by bending it to one side or the other (left or right). The brass rod is quite pliable allowing you to re-adjust if necessary. Listen to the beat as you make the adjustments and when you have a steady tick-tock the clock is in beat.
There us nothing as pleasant or soothing as the sound of a ticking mechanical clock in a room.
If it attaches to the pallets with a friction joint, it is adjusted by holding the pallets still with one hand, and shifting (pushing) the crutch right or left on the friction joint. The adjustment may be very slight in either direction.
Time only German movement for a Blackforest shelf clock
You need only to do this once. Whether your clock is a wall clock, a mantel clock, time and strike, time-only or time, strike and chime, the principles are exactly the same. There is no need to take your clock to a professional to have it “fixed”. This is definitely a do-it-yourself procedure. It’s that simple!
There is nothing as pleasant or soothing as the sound of the rhythmic ticking of a mechanical clock in a room especially if it is in beat.
Occasionally, I receive private email from readers.
One reader asked why I dated the clock to 1950
I received a couple such emails regarding my Kienzle World Time clock and it prompted me to dig a little deeper into the origin of this unique clock.
The clock is substantial, measuring 13 and 3/4″ high, 10″ wide 2 and 1/2″ deep. It is certainly a singular work of elegance, style and a genuine stand-out in any room.
Vintage single train Kienzle World Time desk clock
One reader asked why I dated the clock to 1950.
I referred the reader to this article. The article suggested that the mechanical version of the World Time was introduced the late thirties. It had a healthy production run and there were several variations. Mine was “Made in Germany” (West Germany was created in 1949) and might have been manufactured on or before 1949 which would not have prevented it from selling in the 50s. For most of the ones advertised on Ebay, 1950 appears to be the most commonly cited year of manufacture though there are no specific markings regarding date of manufacture on my clock.
It was designed in 1939 and at least one clock was made that year
However, here is some additional information which suggests that although it was designed in 1939 at least one clock was made that year though it did not go into full production until much later.
A birthday present for an infamous leader of Germany
The first Kienzle World Time clock was presented to Adolf Hitler on his 50th birthday in 1939 by the government of Würthemberg. The classical design with the world map in the “Mercator” (cylindrical map projection) style and the moving narrow scale with the time in the denoted cities came from the, at that time, Heinrich Johannes Möller, a famous designer who was working for Kienzle from 1931 onward til 1970. Möller was hired at age 27 and became Kienzle’s principle designer. The original clock had a bulky “foot” or base and was decorated with swastika patterns on the edge. After the war, the decoration was altered, the base became smaller but the general layout of the dial was preserved through all permutations of the clock, from the early mechanical versions to the electro-mechanical version and finally the quartz movements in the 80s. A curious feature of the clock is that it shows Germany to be the centre of the world.
Kienzle 24 hour time sequencer
Back of Kienzle clock showing winder and speed adjustment
The World Time clock turned out to be a long standing model and was available to purchase up until the 1996 Kienzle bankruptcy. During the period that the World Time Clock was introduced (1939) Kienzle had more than 6500 employees and a production rate of 5 million clocks.
Through the later 50s and 60s Kienzle clocks lost their stylistic prominence and followed then current (international) stylistic influences but Heinrich Johannes Möller was a significant influence not only on the design of Kienzle clocks but in the clock world in general.
This article will explore the notion that a Vienna Regulator clock is not a true regulator. I realize that any discussion of regulator clocks produces a wide variety of conflicting opinions, nevertheless, here is my take subject of the Vienna Regulator and why it is not a true regulator.
The word “regulator” is loosely defined but according to this definition it is a master clock, usually of great accuracy, against which other clocks are checked. Respected collectors like Derek Roberts tend to stay away from defining a regulator clock and instead refer to them as precision pendulum clocks. In this article I will present three examples for the reader to consider.
Every clock that has the word regulator on it is not a regulator
Every clock that has the word regulator on it is not a regulator. Think about it. Why would a clock manufacturer put the word “regulator ” on a clock? It is simply a marketing ploy. The term “regulator” is one that connotes accuracy but in the frantic world of clock marketing it is a word that sells plenty of clocks.
If it was expressly designed as a precision pendulum clock it can be called a regulator
Definition of a regulator
It is not difficult to define a “regulator” by its mechanical characteristics. Regulator clocks were invented in the late 18th century as a quest for greater timekeeping accuracy. If the clock was designed as a precision pendulum clock it can be called a regulator. The principle features of a regulator clock are:
Quality weight driven device,
With maintaining power,
A heavy pendulum (not necessarily mercury),
Generally eight-day movement, though some are more than 8 days,
Has some form of temperature control compensation,
Has a seconds dial,
Is 60 beats per minute,
Has one gear train
Features a deadbeat or pinwheel escapement and
Is expressly engineered to keep accurate time.
Complicated features like calendars and strike trains are omitted in the quest for accuracy. Regulators were (are) capable of extreme accuracy for a mechanical clock.
Does the addition of a strike train take a clock out of the regulator category? In theory, yes. The strike train takes some of the accuracy out of the clock, as the time train produces more friction when lifting the strike levers. If we accept the definition of a regulator as an extremely accurate clock to be used as a time standard, you will not find a strike train on these clocks.
Here are three examples
Example number 1. Arthur Pequegnat Regulator #1, A Handsome Clock, fitted with a Movement which is un-excelled”, Beautiful Finish on both Movement and Case, (Arthur Pequegnat advertisement)
The Arthur Pequegnat Regulator #1 clock is often compared to the Seth Thomas Regulator #2 as a precision regulator. Many Regulator #1 clocks found their way into offices and rail stations all across Canada. The Regulator #1 is the best timekeeper made by The Pequegnat Clock Company of Kitchener Ontario (Canada). The company states this in it’s advertising: “A Handsome Clock, fitted with a Movement which is un-excelled“, Beautiful Finish on both Movement and Case” and “The Finest Office Clock Made”! They are weight driven, time-only, at 80 beats per minute, had a deadbeat escapement, with heavy pendulum, eight day movement with a brass weight hung on an iron bracket, maintaining power, a seconds dial and were designed to keep accurate time. It was a reasonably accurate clock used as a time standard.
However, some would argue that at 80 beats per minute it would not be considered a true regulator.
Is this Arthur Pequegnat Regulator #1 a regulator?
Example number 2. Mauthe “Horse Crown” time and strike spring driven wall clock.
The clock you see in the photo below is typically advertised on online for-sale sites as a “Vienna Regulator”. It is an attractively designed 1890s spring driven, time and strike clock made by Frederick Mauthe. Those individuals who sell these clocks have no hesitation in calling them Regulators. Let’s apply the definition above.
Is this a precision regulator?
A spring driven movement disqualifies it immediately.
Is it not capable of extreme accuracy.
It is 116 beats per minute
Was it conceived and designed as a precision clock? No!
Is this Mauthe horse crown wall clock a Vienna Regulator?
Example number 3. Miniature one-weight Vienna Regulator
This is an Austro-Hungarian era time-only weight driven clock made in the early 1870s. Many would accept this as a Vienna Regulator and would have no hesitation advertising it as such. It has a deadbeat escapement, it has one weight, is a time-only movement, has a heavy pendulum, with an eight day running time and has maintaining power.
Is this one-weight miniature Vienna wall clock a regulator?
Let’s apply the definition above.
Is this a regulator? No!
There is no seconds dial, and, is
80 beats per minute
Is it capable of extreme accuracy. No!
Was it specifically designed as a precision clock? No!
Granted, it is capable of some accuracy but it is not a reference timepiece. However, there is little doubt that some post office and rail clocks in the Vienna style such as this Wilhelm Bauer post office wall clock (below) were considered “regulators” in their day when common folk set their watches and clocks by them.
Is this Wilhelm Bauer post office clock a regulator?
The Vienna Regulator clock and its characteristics
The Vienna Regulator is a particular style of clock made in Germania or the Austrian empire. They are characterized by finely crafted (ornate at times) cases with accurate movements. While they were capable of keeping good time, they were not designed as a precision instrument and were not capable of extreme accuracy. They have some but not all the characteristics of a regulator but they are not a true regulator. While the Vienna Regulator may not be true regulator it reflected not only the style and craftsmanship of the period they were made but the quest for accuracy. No one can argue that the best workmanship and attention to detail were put into the many clocks that were produced during what some might call the pinnacle of clock design and engineering.
As much as they are called regulators the three examples presented above are not true regulators. Regulators were (are) capable of extreme accuracy for a mechanical clock and nothing I have in my collection remotely qualifies as a regulator.
However, in the world of clock collecting and repair it is perfectly acceptable to continue referring to them as regulators since they are generally accepted as such. The word regulator has become part of the lexicon of collectors even if they do not strictly fall within the definition of a true regulator clock.
The Germans would not have called them schoolhouse clocks, rather, short drop octagon wall clocks. The term “schoolhouse clock” is typically an American description.
The stylistic features of the Jauch reminds me of my Canadian made Arthur Pequegnat Brandon II wall clock
Jauch wall clock
We often cruise the HiBid sites. I am not sure if they are wholly Canadian but may be in the US as well. HiBid are a hosting service for antique online auction companies and from time to time clocks come up on estate sales on various sites. One day in the past week (early February 2017) we were on a Nova Scotia HiBid auction site and noticed a Jauch drop octagon with a PL42 movement and I made what I thought was a reasonably small bid. We had errands to run that day so I just left the bid, got home later and realized that I had won. It was a good purchase.
The stylistic elements of the Jauch reminds me of my Canadian made Arthur Pequegnat Brandon II wall clock pictured here.
Brandon II by the Arthur Pequegnat Company of Kitchener Ontario, Canada
I picked the clock up yesterday (mid February 2017). There is very little wrong with it. I took the movement out of it’s case, inspected it, noticed that it was not very dirty, gave it some oil, and put it on the wall and it ran like a charm. Since it is not in dire need of disassembly and cleaning I decided to leave that for another day.
It has some unusual features. The case is solid oak, no veneers and surprisingly heavy for a clock made in 1976. The finish is light oak. The case measures 15 inches wide by 23 inches long, 5 1/4 inches deep. The movement is a time only, typical spring driven recoil escapement stamped PL42, is heavy and is well constructed with quality gearing. The date of manufacture for the movement is September, 1976. The dial bezel is hinged at the top and the spade hands are what you would typically find on this style of clock. The dial is paper on tin. The pendulum has a large and heavy nut on the back of the bob that may not be original to the clock and I am inclined to think it is a replacement. The bob can be seen through a glazed lower access panel. The previous owner made a crude “adjustment” to the case to accommodate the pendulum swing (last photo). One of two wall stabilizer screws can be seen in the fourth photo below. There is a missing top section access panel on the back of the clock that I may or may not replace.
Well made solid oak construction
Movement showing escapement
Pendulum and adjustment nut
Jauch pendulum adjustment
The clock is a Gebruder Jauch wall clock. Gebruder Jauch was a clock company from Schwenningen, Deisslingen, Germany. The Gebruder Jauch company manufactured hall, wall, and mantel clocks. They made movements for the trade, both spring and weight driven. In the late 1970’s the company fell victim to curtailed exports and the last recorded year of operation was 1978. The year they began is unclear but 1912 seems to be the consensus. Otherwise, I could find very little on this clock company. Perhaps someone can enlighten me.
My current project is an antique German Junghans time and strike spring driven wall clock made in the style of a Vienna Regulator. It was made in Schwenningen, Germany. It came to me as a box of parts. To some a box of clock parts and pieces is discouraging but to me it is a challenge.
This is Part 3.5 of a now three point five part series on my newly acquired Junghans Crispi wall clock.
This is Part III and a half of a series on my newly acquired Junghans Crispi wall clock. In Part I described the circumstances by which I came across this clock and it’s incredible story as a survivor of the Halifax Explosion on Dec 6, 1917. In Part II I walk the reader through the servicing of the time and strike movement. In Part III I talk about the challenges of restoring the case.
I felt compelled to write Part 3.5 of the series showing the work I completed on the crown and the additional case work. I wasn’t sure how far I would go in restoring the case but the top finials are so essential to the final look of the clock that I decided to add these important elements.
The original finials might have been a little taller and wider much like the bottom centre finial
I bought three 3 and 3/4 inch finials from Timesavers. A wood lathe would have been ideal if I had one. I tried to imagine how the original finials looked and took a chance on what I felt were the most ornate without being too ostentatious. I believe they do it justice and complete the clock. The original finials might have been a little taller and wider much like the bottom centre finial but Timesavers has a rather limited selection. If I come across something closer in design in the future I can simply pull these out since they are not glued in place.
Support post for middle finial
As you can see above, I have clamped the final bases to the crown and test fit the three top finials which had just been given their first coat of stain. The support post is made of oak and anchors the crown to the case. It will eventually be screwed in place. The post not only attaches the crown to the top of the case but also supports the middle finial base (next photo).
Test fitting the top finial
The lion’s head on the crown has also been nailed in place using its existing holes.
Buttons and decorative nails
The case has an unusual number of decorative nails and buttons. Fortunately most of these decorative trim items came with the clock. Everything you see in the photo above is original save for the upper two floral brass buttons. Years of grime and dirt has been removed from the original decorative buttons, nails and pins.
Crown in place with all three new finials
The clock reflected the Victorian era (1837 to 1901) of showy complicated designs with an emphasis placed on bright and brassy surface decoration
The crown is in position although for the moment it is merely sitting in place. I have added two new decorative nails to the finial bases. Although they are not exactly in the style of the other decorative nails, they are in keeping with the period look of the clock. The two brass buttons on either side of the movement support bracket (above photo) are replacements. The buttons, nails and trim pieces on the top part of the case, are original and cleaned up nicely.
Full view of case
This is a full view of the case with all decorative nails, buttons and trim pieces attached. Below the movement support bracket and on the side columns are two half moon wood pieces (one round decorative pressed wood applique cut in half) that replicate the original detail.
The clock is very garish; some might even call it gaudy. Other clocks I have from this period (1899) are not as pretentious as this one. This look may not be everyone’s cup of tea, but it appeals to me. I am sure that it will always be an interesting conversation given its fascinating history. Overall, I would say that the clock accurately reflects the Victorian era (1837 to 1901) with showy complicated designs and an emphasis placed on bright and brassy surface decoration.
Final look with crown attached and movement installed
The above photo shows the case with movement, pendulum, face, brass bezel and hands attached. At this point the clock is about 90% complete. The final steps in this project are securing the door to the frame with hinges purchased from a supplier, attaching the door catches, installing “new” glass, applying a protective top coat finish using Minwax semi gloss wipe-on poly and finding a way to replicate a wood trim insert piece on the left column just above the rectangular brass decorative piece.
Arrow indicating missing trim piece
The clock came without the glass and it obviously must be replaced. I managed to find an old glass window in my area with sufficient “waviness” to replicate the glass at the time. I will have the glass cut and installed by a repair shop locally.
In the final analysis is this a restoration, repair or a replication?
Much of the clock is original; the movement, the pendulum, coil gong and movement bracket as are the bottom base and top part of the case and the crown, the back board, the vertical columns and most of the decorative trim. What has been replaced is the box frame and the front piece that supports the right and left columns. The previous owner used contemporary materials and techniques to reconstruct the frame and front piece. Although not authentic, I have no real objection because much of what he has done is unseen. I have added or will have added some decorative trim pieces, new glass, 3 new finials, hinges and catches, finial bases, used yellow carpenter’s glue where absolutely necessary, stained the case and will remove the rust on the coil gong.
In the final analysis is this a restoration, repair or a replication? Perhaps all three. However, to the casual observer it is an attractive albeit brash, lovingly restored antique Junghans Crispi wall clock that fell off a wall, in Halifax, Nova Scotia on that fateful day, December 6, 1917.
I hope you enjoyed the series and if you have any comments, ideas or suggestions do not hesitate to leave me a message.
I scour the online for-sale sites frequently and I am always amused by some of the clock ads that folks write. I wish I could post some pictures, some of the clocks are truly pathetic but copyright law prevents me from doing so but at least present the unique descriptions. None of the spelling errors are mine by the way.
Here we go:
“I have an old antique wined up clock works great runs real waits”
An ad for a Chinese wall clock similar to this Daniel Dakota
Converted quartz Daniel Dakota
“Original Carillon 1960-70 antique 31-day winding clock perfect condition. Elegant design with brass hands and pendulum. Comes with original key. Selling to people with taste $300”
No this clock does not look good!
“I made this clock myself, looks pretty good I think. $10.00”
An ad for what looks like a bracket clock:
“red color wood, in nice shape, not working, needs guts”
Not sure I’d take a chance on this one.
“Great look needs clock looked at and bulb. If I get to fixing it it will be more”
This ebony Adamantine Seth Thomas similar to this Sessions better be made of gold.
$1750.00 Good Investment, Great Gift, Excellent Condition, 8 Day, Chimes on the hour, bell on half hour, very accurate. I have owned this clock for 9 years with no problems. Circa 1890. This range of Adamantine Clocks, are known to collectors as “Black Mantel Clocks”
Session Raven time and strike mantel clock
Ad from Value-Village. I thought one could always get great deals there but not any more. And for $600 wouldn’t you want to know the maker of the clock?
“Foreign Granddaughter’s clock, Art Deco – Solid Oak -8 day, quarterly chime , Slight damage to dial and hinge, Dimensions: 55″H x 9,5″@ x 9.5″ D , Price: was $899.00 Now: $599.00!”
And another stellar Value Village ad. Are they serious at Value Village? It looks exactly like this Forestville time and strike that I own:
“Forestville German Art Deco Clock , Wood, Westminster Chimes (quarterly), Key wind in good working condition. Ca 1920. Has some damage at top of Dial. Key, Dimensions: 22″W X 5″H Price: was $499.00 NOW $349.00!”
Forestville time and strike mantel clock
More ads
“royal adult on carriage clock; never used by bulova”
“Coo Coo Clock in excellant condition!”
“Beautiful antique crank clock. Still works great”
“Clock antique, brand new. Made out of wood, heavy and durable. Japan movement powered by one AA battery. Beautiful, antique, decorative. High 9 inch, wide 7 inch.
I live Dufferin x Finch $60”
“Antique Citizen wall clock in working condition. Comes with key. Made in Korea. Asking $125 or make my an offer!”
Chinese or Koren clock perhaps. These quite often sell for less that $50. I might consider a Korean or Japanese clock but I would never pay $150 for a Chinese one. I wonder what might happen if I offered less, would they threaten me!
“Vintage Beacon regulator 31 day keywind wall clock. They don’t make em like this anymore! Solid wood (not veneers) The movements keep excellent time. This clock is over 50 years old and works like new! We do not know the exact age as father in law brought it to Canada from Germany in the early 50s. Its in mint condition and works like new. Seriously nice sounding chimes Dimensions: 28in h x 16in w (at round face) x 6in deep Key included Serious enquiries only please. Price is NOT NEGOTIABLE! This means asking price of $150.00 is my final price.”
And others.
I have this clock but don’t have time to use it. Works fine.
Misfits clock works great from smoke free home
Jack Daniel’s promotional advertising wooden wall clock, would look great session room, rex room. Clock works $75 obo
This is an antique German Junghans time and strike spring driven clock made in the style of a Vienna Regulator. It came to me as a box of parts. To some a box of clock parts and pieces is discouraging but to me it is a challenge.
Part II of a three part series on my newly acquired Junghans Crispi wall clock.
This is Part II of a three part series on my newly acquired Junghans Crispi wall clock. In Part I described the circumstances by which I came across this clock and it’s incredible story as a survivor of the Halifax Explosion of Dec 6, 1917.
This is a German count-wheel strike typically found in the lower lines of Mauthe, HAC and similar clocks. It is an open plate “bread and butter” movement, not of the highest of quality but well built and reliable. The count wheel is located to the rear between the plates and the mainsprings are enclosed in open barrels. There are no helper springs to worry about and all of the wheels are located in the centre and the upper side of the movement.
As you can see in the next two photos the movement was very dirty and I accepted the risk of running it for a day to see what issues might arise. I gave the pivots holes plenty of oil to mitigate any additional wear. What I found was a sticky hammer assembly that would malfunction intermittently which I attributed to dirt and grime buildup, otherwise the movement ran very well after not having run for 100 years. Imagine all that kinetic energy stored in the springs since 1917.
The movement is relatively easy to re-assemble but I had to install the lower centre wheel, the spring barrels and the centre cannon together with the top plate and then slide the gears in between the plates. Fortunately this process is not as difficult as it sounds but very different than laying the top plate right over the gears as you would in an American movement.
Very dirty movement
Mainspring barrel with years of dirt showing
I gave the pivots holes plenty of oil in the testing phase to mitigate any additional wear
Plates cleaned up well
All the wheels between the plates
I found everything within acceptable limits and decided that bushing work was not required
The accumulated grime of 100+ years came off following the ultrasonic cleaning. In fact I have never seen the ultrasonic solution so dirty. The plates cleaned up very well and I gave them an additional polishing with Brasso. After the parts came out of the ultrasonic I tested the movement for any evidence of excessive play and found everything within acceptable limits and decided that bushing work was not required. The pivot holes were pegged and the pivots were polished.
Springs were inspected, cleaned and oiled
There were no cracks or unusual issues with the mainsprings though I found it curious that they were very clean with no rust. There was also very little lubricant remaining. The springs are somewhat tired as you might expect but I think there is enough power remaining for a full cycle so I decided not to replace them at this point. I applied Keystone mainspring oil to the springs once I returned them to their barrels.
With the movement back together, it is time to adjust the strike side. The strike wheels must be set up correctly with respect to each other ensuring that the third (hammer lifting star wheel) and fourth wheels (the strike cam) align with he count wheel. The warning pin on the last wheel (which actually protrudes from the plate) has to be high enough for sufficient rotation. In order to count the strikes properly this relationship must be right. Unfortunately, I can never get this correct the first time.
The servicing of the movement is not without headaches, however.
The servicing of the movement is not without headaches, however. I bent a pivot on the warning wheel which I managed to successfully straighten out. The hammer arbor paddle was barely touching the star wheel and while trying to adjust it, I accidentally snapped it off along with the retaining spring. Although the clock will go though the strike sequence the gong will obviously not sound. I don’t have the tools to put in a new paddle so I will have to get that attended to somehow. I managed to correctly adjust the strike side but the clock mysteriously stops after about an hour or so. Something is definitely amiss and more investigation is required.
I have had more success with the case restoration that you will read about in Part III. In the meantime I have to constantly remind myself that this movement has not been running in 100 years!
This is what happens when you get a clock in a box. Call it a collection of parts, pieces and dust. This is an antique German Junghans time and strike spring driven clock made in the style of a Vienna Regulator. There is no serial number on the movement, dating the clock to 1899 or earlier (in 1900 Junghans began to number their movements). To some a box of clock pieces is discouraging but to me it is a challenge.
Where to start?
It was advertised on a local online for-sale site as a clock that fell off a wall during the Halifax Explosion and I thought, well, that’s an intriguing story! As most Canadians know, the Halifax Explosion was a significant event in Canada 100 years ago.
On the morning of 6 December 1917 the SS Mont Blanc a French cargo ship laden with high explosives and Benzol collided with the Norwegian vessel SS Imo in the Narrows, a strait connecting the upper Halifax harbour to Bedford Basin. A fire on board the French ship ignited her cargo, causing a large explosion that devastated the Richmond District of Halifax. Approximately 2,000 people were killed by blast, debris, fires and collapsed buildings, and an estimated 9,000 others were injured.
The result was the largest human-made explosion prior to the detonation of the first atomic bombs in 1945. Nearly all structures within an 800-metre (2,600 ft) radius, including the entire community of Richmond, were obliterated. This clock is a witness to that day. In 1918, Halifax sent a Christmas tree to the City of Boston in thanks and remembrance for the help that the Boston Red Cross and the Massachusetts Public Safety Committee provided immediately after the disaster. That tradition carries through to this day.
The case is cleaned up and we are visualizing where the parts go
It appears that the parts have literally sat in a box for the past 100 years.
The blast not only shattered the glass panels but heavily damaged the box frame. It appears that most of the parts have literally sat in a box for the past 100 years. I cannot imagine when the movement last worked, probably ticking its last on that fateful morning in December. Since the box frame was damaged beyond repair following the explosion, the seller, an amateur woodworker, built a new frame made of softwood and oak veneers some 30 years ago. You can see the lighter coloured pieces in the photo below that were never stained and finished. He admits that he knows nothing about clocks and eventually lost interest in the project. I am impressed with his skills since the work on the frame looks solid and well constructed.
Top centre final is missing as well as two other finials
The top centre final is missing, two other finials and some small trim pieces
Why was he letting it go? He said there had been a change in his life and it was time to move on. When I asked him about the history of the clock he said that his wife’s grandparents lived on Princess Place in North End Halifax. Princess Place is further south of the main area of devastation so houses in that area would have sustained heavy structural damage. The clock was blown off the wall by the blast wave. The clock remained in the family all these years, the seller having received it from his wife’s aunt.
I took it home stared at the box for a while trying to decided whether or not I made the right decision. I then set to determine what steps I should take to restore this fine clock. I poked through the box to see what was there and began to itemize the parts, arranging them on the case as best I could and proceeded to clean the case and determine the next steps. I was fortunate to have had someone send me the actual catalog image of the clock which you can see below.
The clock is called the Crispi by Yunghans. Yunghans is a reputable German clock-maker and continues in the watch business to this day. This is what the clock should look like and it will be a excellent guide for restoration. There will be obviously be some subtle differences between my clock and the clock in the catalog when the project is completed but to the casual eye it will look exactly the same.
The Crispi model in the 1902 Junghans catalog
Junghans trademark
Time and count-wheel strike movement
I have ordered the following parts from Timesavers; 3 new finials in the style that best fits the clock, 2 door hinges, 2 door latches and some trim pieces. I will have to build the bases for the finials from scratch. The lower section of an oak spindle will do just fine. There are other trim items that are missing but I will strategically arrange the remaining trim pieces as best I can.
Oak stairway spindle
The best news is that the movement is complete and in working order. The movement ran for a day on a test stand before I stopped it. It needs a very thorough cleaning which will be the next step in this project.
In Part II I will describe cleaning the movement and any issues that may arise as a result of disassembly.
In Part III I will explain the procedures involved in the case restoration once the remaining parts arrive.
I prefer time-only clocks above anything else. They are simple to work on and because they are less complex they tend to be more accurate, relatively speaking. Most are easy to service but this little guy has me stumped.
Thousands of these relatively small German movements were made and some found their way into small shelf clocks like the ones I will be talking about in this article.
Time-only movement, German
Let’s not confuse these inexpensive clocks with better known and highly regarded Black Forest clocks of Germany
I acquired a couple of Blackforest shelf clocks about a year ago. Let’s not confuse these inexpensive clocks with better known and highly regarded Black Forest clocks of Germany. The clocks I will be discussing here were made by the Blackforest Clock Co. of Canada in the 1930s. Later on, during the war years (1941) the company felt compelled to change it’s name to the Forestville Clock Company of Canada. They sourced their movements from England during the war years and Germany prior to (and after) World War II. They are German time-only “plate-clock” movements. They are called plate clock movements because they were made to be placed behind decorative plates, commonly called delft porcelain wall clocks designed primarily for the kitchen. Many delft clocks had time-only movements just like the ones in these shelf clocks.
King George VI Commemorative visit 1937
Blackforest Shelf (mantel) clock circa 1935
They are easy to find. Antique stores, junk shops, and thrift stores all have them. They are very cheap, usually quite stressed having spent most of their lives in basements, attics and garages and probably the last clock to leave the store shelf. They are always passed over for the “better” clocks. I buy them because they are cheap and relatively easy to bring back to life. The pictures you see here are clock cases that have been significantly refreshed. Here’s a before shot.
This is one very homely clock
Those who are familiar with time-only movements know they are relatively simple to work on
Since the mainspring in one clock snapped in two places I have combined the best parts of each one in an attempt to have a working movement for the most attractive looking clock which for me is the 1937 commemorative edition King George VI clock. I might just throw in a quartz movement for the other clock unless I find another plate clock movement. For those who are familiar with time-only movements they are relatively simple to work on. You might call them fun and a good challenge for those new to clock repair. The gears are small and the pivots are tiny but they are easy to dissemble and put back together. No helper springs and levers to worry about. Here are some shots of the movement.
Movement inside the case
Parts of two movements are combined to make a working one, back plate is off
All shined up and on the test stand
Showing unique one piece pallet, verge and pendulum assembly
All in one pallets, verge and pendulum rod and bob.
I have been testing the movement with mixed results. I installed one bushing on T3 after which the movement ran better. It is in beat and will run but not for as long as I would like. Why can’t this little guy run a full eight days? The best it can do is 4 days. Perhaps a mainspring issue; too weak to give me a full eight day cycle? A pity because I truly wanted to have this thing running strong and reliably. Being a glutton for punishment I have another plate clock coming in the mail. I am not absolutely sure if it has the same movement but I am willing to bet that it does since it is another Forestville, this time a true delft clock.
These often neglected clocks are great fun to work on. Total outlay for all three clocks – $55. Not bad!
It is a question many clock owners face when confronted with a nonfunctional antique or vintage clock. Whether it’s a handed-down family heirloom, a vintage find from a flea market, or a sentimental gift, deciding whether to invest in repairs can feel daunting. Beyond its monetary value, a clock’s worth often lies in its history, craftsmanship, or the memories it holds. In this article, we’ll explore key factors to consider—such as the clock’s condition, sentimental significance, and potential repair costs—to help you determine whether restoring your clock is the right choice for you.
1) Sentimental value:
An antique clock passed down through generations often carries more than just the weight of its years; it holds the stories, traditions, and memories of a family or a special person. Such a clock may be destined to continue its legacy with future generations.
Similarly, a clock might hold personal significance as a cherished anniversary present, a thoughtful retirement gift, or a token of friendship. In these cases, the emotional value far outweighs its replacement value, making the clock truly “one of a kind” and irreplaceable. Repairing a clock with this kind of sentimental importance is unquestionably worthwhile. When entrusted to a trusted, professionally certified repair person (horologist), the restoration ensures its continued presence in your life, regardless of its resale value.
For instance, my 114-year-old Gustav Becker two-weight Vienna Regulator, a retirement gift from my wife, holds immense sentimental value. Initially purchased as a project clock on eBay, it required substantial investment to function correctly. Today, it looks stunning and runs beautifully, but repairing it wasn’t about the cost; it was about preserving something irreplaceable. In such cases, the expense of repair becomes less of an investment and more of a necessary operating cost to keep a beloved treasure alive.
Gustav Becker two weight regulator, a retirement gift from my dear wife
I own a Ridgeway grandfather clock that I plan to pass down to my children. It holds deep sentimental value, reminding me of a clock my wife and I nearly purchased over 30 years ago. At the time, we decided not to proceed with the deal but made a promise that we would one day own a grandfather clock like it. That promise was fulfilled in 2012 when we found a Ridgeway Hamilton Country grandfather clock, made in 1996 and in pristine condition. If and when it eventually requires repair, the cost may equal its market value, but to me, the repair would be well worth it. Its sentimental significance far outweighs any monetary considerations.
Ridgeway Hamilton Country Westminster chime tall clock
2) A decorative item: The second type of clock is one with no emotional value—purely a decorative piece that no longer works. Perhaps it was a flea market find you got running for a time, but now it has stopped. In this case, you have two options: let it sit as a decorative item or repair it. When considering repairs, the replacement value of the clock should play a key role in your decision. If the repair costs exceed the cost of replacing the clock, it may make more sense to simply replace it.
However, if you have the tools and skills to repair it yourself, weigh the cost of new parts against your time and effort. For quality clocks, even a full overhaul of the movement may cost less than the clock’s actual value. With common antique clocks, such as American mantel or wall clocks, repair costs often approach or even exceed their market value. For rare or unusual clocks, however, repairs are typically more economical relative to their value, making the investment worthwhile.
3) Collector value: The third category includes clocks with collector value.
If a clock has been purchased as an “investment,” for resale, or simply as part of a collection, the repair costs should not exceed its overall value. For high-grade clocks requiring repair, especially if parts are unavailable, it’s important to carefully consider whether repairing it is worthwhile. When selling a clock, remember that buyers almost always prefer one in working condition, and as original as possible, so minimal repairs may enhance its appeal and value.
For example, I recently acquired a miniature Vienna Regulator. Not only is it in good working order, but it is also in exceptional condition—an impressive feat for a clock that is 145 years old.
One-weight Vienna miniature wall clock, circa 1870
For collectors, determining a clock’s value can be challenging, especially with the significant fluctuations in clock prices in recent years. However, certain types of clocks, such as high-quality French bracket clocks, English lantern clocks, carriage clocks, and jeweler’s regulators, have managed to retain their value. Clocks that are unique, exquisitely crafted, low-production, or one-of-a-kind are typically far more valuable than common, mass-produced examples.
4) Quick re-sale: The final category includes clocks purchased for quick resale.
Many individuals buy and sell antique and vintage clocks purely for profit, often through online marketplaces or specialized sales. When acquiring a clock with the intent to resell, it’s important to factor in both the time and cost of repairs or parts needed to make it marketable. Since buyers almost always prefer a functioning clock, a fully serviced clock is not only more desirable but can also command a higher price than one left unserviced.
This Ingersoll-Waterbury mantel clock (photo above) was purchased at a flea market for a very reasonable price and has since been fully serviced. If I were to sell it, I would need to recover the initial purchase price along with the cost of my time and supplies.
It’s worth noting that many clocks sold on online marketplaces are marketed to unsuspecting buyers. Sellers often claim the clock is in “excellent running condition” while adding a caveat that it “may require adjustment after shipping.” If you’re involved in buying and selling, keep in mind that buyers are often looking for a bargain. Additionally, you may not always achieve the price you believe your clock is worth, so pricing realistically is essential.
Final thoughts
There are many reasons why people acquire antique and vintage clocks. Deciding whether they are worth keeping or repairing ultimately depends on your purpose—whether it’s for profit, sentimental value, or a passion for collecting, as it is for me. Each clock has its own story and value, and understanding your connection to it will guide your decision.
Antique and Vintage Mechanical Clocks 
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