Antiquing on a Sunday afternoon

Carriage clock with Jeweler's inscription — Carriage clock with Jeweler’s inscription

Sadly the number of antique shops in Nova Scotia is dwindling. We were antiquing in the city of Halifax (Nova Scotia, Canada) this past spring and one of the store owners remarked that there used to be dozens of antique shops in the city, now only a few remain. There are still a few antique shops left in the rural areas and one of our favorites is located in Great Village, Nova Scotia. We decided on a little drive to Great village on a sunny fall Sunday. We were not disappointed in the variety of clocks we discovered. Although I saw all the following clocks during our day of antiquing I bought only one, the Kern “diamond face” 400 day clock (see photo below).

rs-great-village-antiques_3 — Window display

I want to give readers a sense of what is out there if you are collector like myself or you are new to collecting. Now is an excellent time to buy. There are certainly deals to be found and plenty of clocks in the shops. My personal experience is that the antique stores are great places to buy clocks but it can be bit of a gamble. For example, the Kern 400 day clock was advertised for a very fair price complete with glass dome. I asked the store owner if they knew anything about clocks and they said “no, nothing at all”. Sometimes that is a very good answer! The tag on the clock said “as is”. The owner evidently thought the pendulum balls were seized. Prior to the purchase I discovered, that they were, in fact, in their locked position. I got the clock home, unlocked it, gave a little push and it has been running for the past week.

You can get a “steal” of a deal, a clunker or something in between in an antique shop. In this same shop two years ago I bought an Arthur Pequegnat Brandon wall clock for under $200. The case is in excellent shape as is the dial but the movement, though barely running, required servicing. Even though I had to put a little more money into the clock I still consider it a great deal!

Having some knowledge of clock models, styles and types in particular is an advantage. Or, perhaps you might have a good sense that what you are looking at is a good deal. In the case of the Kern 400 day clock I inspected it beforehand and found that it was not only complete but in excellent condition. The $58 Garrard time and strike (photo below) might be a good deal but if it is missing the pendulum you are going to have to search long and hard for a replacement or buy one which adds to the cost. You might ask yourself, what else is missing and how much more money would I have to put into it? The Garrard was missing the front glass and I could not figure out how it was attached so I passed on it. Those are some of the factors to consider when you see something at an attractive price.

In the case of the carriage clock (first photo) the seller wants $120 but the day I was there they were offering a 20% discount which works out to $96. There is a jewelers inscription on the front which says Ryrie Bros. Toronto. Ryrie Bros was a jeweler in Toronto and was incorporated in 1905 with James Ryrie as president and W.M. Birks as vice president. In 1924 the firm changed it’s name to Ryrie Birks and finally in 1933 became Birks. As any Canadian knows Birks (Maison Birk) is one of the premier jewelers in this country. One could comfortably date this clock at between 1905 and 1924. Although the tag says that it is French it is likely American. It might be desirable however there are two bothersome issues that I could see right away with this carriage clock. One, the left side beveled glass panel has a chip in the lower back corner and two, there are noticeable hairline cracks in the upper two corners of the face. The tag said it was in working order. $96 may not be a bad price when you consider that comparable clocks fetch upwards of $130 or more + shipping on Ebay. If it is still there before Christmas I might take a second look.

This unknown “marble” desk clock was very interesting and quite heavy. It had an alarm clock style movement with a key wind and an adjustment for the time, and what appears to be brass bird (duck?) on it’s right side.

As I mentioned I bought this Kern 400 day “diamond face” clock. It is in excellent condition; unlocked the pendulum, oiled the movement, gave it a gentle push of the pendulum and now running very well.

Could be Session, Ingraham, Ansonia — Could be Sessions, Ingraham, Ansonia

In decent shape, 1873 it said on the label, but the seller wanted too much, $450 if I recall. The seller claims it is running, according the tag. Is it a Sessions, Ingraham, Ansonia or …..?

This clock looked to be in decent shape, the strike side appeared to be working properly. The case is oak but when I picked it up to examine it more closely, the construction, fit and finish had a cheap feel. There was a card inside describing a servicing performed in 1994. $68 – a little high, I thought but there may not be a lot wrong with it.

I like this clock but know very little about crystal regulators. What I do know is that most American companies made them, from simple brass and glass cases to elaborate cases with cast and gilt ornaments. Equivalent French examples seem to be more valuable than American ones. They can be highly expensive. Generally, the more elaborate the case, the more expensive the clock, even though the simple cases could easily be considered more tasteful. I remember seeing a very ornate one on Antique Roadshow which was valued at $8000. Condition is very important with these clocks, including the condition of the beveled glass, dials, and original finish (generally gilt) on the case ornaments. Is the pendulum supposed to be filled with anything? Mercury? These cylinders looked empty. The seller claims the clock is running and wants $365. A fair price? I don’t know. It needs a thorough cleaning though.

This English Garrard clock had a well constructed case and appeared to have a well-made, robust movement but was missing its front glass. I have been to this particular shop several times and nobody seems to be interested in the clock though the price has not changed.

rs-great-village-antiques_6 — Seth Thomas made by Talley Industries

I noticed a Seth Thomas mantel clock in a dark corner. This particular example is one that I would not recommend to anyone unless you are a fan of Talley Industries. It is a Seth Thomas Westminster chime mantel clock made by Talley Industries, Peterborough, Ontario in the early seventies with what appears to be an imported West German Hermle movement. This clock was cheaply constructed (corners were chipped), likely has the dreaded plated pivot problem and has absolutely no collector value. Those in the clock collecting world familiar with Seth Thomas know that it was a reputable clock maker for many years and produced many fine clocks but the Talley Industries era must have been a very dark period for the company!

rs-great-village-antiques_8 — A unique clock design

I hope this blog article gives the reader some ideas when it comes to antique shop clock shopping. It certainly pays to do your research. Although I love browsing the shops I do not limit my shopping to them. I acquire many of my clocks from a variety of sources including Ebay, Kijiji, and word of mouth but I like browsing through antique shops because there are always other interesting items that catch the eye.

December 4, 2016

One weight Vienna Regulator miniature

My quest for a one-weight Vienna Regulator ended this past week and I am now in possession of a miniature rather than a traditional antique Vienna wall clock. Here are first impressions back in 2016.

Top showing face and crown detail — Top showing face, hands and crown detail

This attractive unmarked Vienna Regulator one-weight (time-only) clock is 34 inches long 4.75 inches deep and 11 inches at it’s widest point and 8.5 inches at the waist. There are no markings on the movement. My research tells me that very few Austrian clocks have markings on the back plates. There are indications that the lines and style suggest Austro-Hungary, about 1870. The maker, however is unknown.

I believe that this clock is a transitional clock that forms the link between the simplicity of the earlier styles and the extravagance of the latter. Where the earlier pieces rarely have columns on the side of the door, the transitional clocks have either broken columns (tops and bottoms of columns with hanging finials) or slender, elegant columns. In comparison, the hallmarks of the Alt Deutsch clocks were full, and typically fluted columns with Corinthian pediments and rectangular panels at the base. The four-posted keyhole mounts were common throughout the transitional period. Most dials are two-piece porcelain with spun-brass bezels.

Transitional Vienna Regulators typically have wooden pendulum rods and brass bobs with zinc backs. The cases were typically made with walnut, cherry and other fruit wood veneers. There are not as many ebonized or faux (false-grained) finishes in the transitional style cases.

This is a high quality clock housed in a beautiful walnut wood veneered case. The case is in excellent condition save for a few scratches near the door catch from the small brass hook moving back and forth and two small pieces of veneer missing on the uppermost right side that are not visible when looking at the clock head on.

The case is adorned with an attractive crown that is part of the clock unlike similar clocks that have removable toppers. Two finials finish the top. The finals do not appear to be original but are consistent with the style and age of the clock. The twin pillared tapered columns on either side start at the top and narrow towards the bottom of the case, an unusual feature and evidence of skilled craftsmanship. Curiously the left corner rectangular column piece is slightly longer than the right piece. The case is correctly finished on the bottom with a middle and corner finials. On the sides are two brass screws (or standoffs) for leveling adjustment.

rs-miniature-vr_24 — One of two standoffs

Top finial might have been larger originally — Top finials originally might have been larger

Inside the case is a porcelain beat scale and large pendulum. All of the glass is original and in good shape. The interior glass clips used to secure the glass to the inside of the frame appear to be a later addition. The front glass which shows characteristic waviness and small imperfections are consistent with the age of the clock.

Bottom showing beat plate and finial detail, notice waviness of glass

The simplicity of the time-only movement is what makes them last so long and remain easy to maintain. The four-posted key-hole mount is typical of a Germanic or Austrian clock. The Graham deadbeat escapement assures accurate timekeeping.

rs-miniature-vr_39 — Four-posted key-hole mount

rs-miniature-vr_43 — Side view of movement showing deadbeat escapement and gear train

Case showing mounting bracket and suspension spring slot

The brass weight is hung from a brass pulley by mean of catgut cable. The dial is a two piece porcelain with inner and outer brass bezels surrounded by roman numerals with bold but delicately styled hands. The winding arbour is framed in brass. There is some crazing on the dial consistent with aging.

rs-miniature-vr_45 — Slight crazing on the porcelain dial

The original clock key is a winding type with wooden handle.

There are stylistic elements that suggest that the clock is Germanic or Austrian such as the elaborate clock hands, the tapered pillars, and integrated crown. So, is this clock a Germanic, Austrian or Austro-Hungarian regulator? I am very pleased with my purchase and I believe that I bought a quality clock that, according to my research, was made in or about 1870. If you know the answer or can point me in the right direction I can be one step closer to solving this mystery.

November 27, 2016

Juba Schatz bim-bam mantel clock

In the clock world Germany is well known for well engineered, precision clocks. Juba Schatz is not a name one comes across often but it has solid roots in the German clock making industry.

This a an antique shop find of a clock that dates from the mid to late 1940s. Its design is understated, and reflects the minimalist lines of style common during the post war period.

This clock is in excellent condition and has some intriguing features; first, a circular disk that one rotates on the crutch to put the clock in beat to compensate for a surface that is not level; second, 4 strike rods, 1 for the first strike of the bim-bam and 3 for the second; third, a storage cradle on the back door for the pendulum bob just below the key holder and fourth, a very effective and robust two-piece steel strike lock, a aid in transporting the clock. The original operating instructions in English and German were included.

Juba instructions — Juba clock instructions

Bim-bam clocks are not unique. Many companies made bim-bam clocks. They appealed to the masses due to the distinctive strike. The mechanical strike mechanism is made up of two and sometimes up to four finely tuned copper rods (as in this clock) mounted to a cast iron block.

At one time clocks with unique tonal sounds were called Normandy chimes. Instead of one strike on the hour and half hour, there were two. It was a musical dual tone, instead of a single, (often harsh sounding) single hourly or half hour strike. The American Gilbert Clock Company made several mantel clocks in the 1920s that had what Gilbert termed a “Normandy Chime”. Gilbert explicitly called this the “Normandy Chime”, which was supposed to have been patterned off the old bells of Normandy, The Normandy chime is the precursor to the bim-bam.

Information on this clock company is scarce. Several YouTube videos demonstrate a chiming or a striking Juba clock but contain no description or history of the company.

Juba movement showing pendulum and strike hammers — Juba movement showing pendulum, strike hammers and circular level compensation disk

The formal company name is Jahresuhren-Fabrik August Schatz und Söhne gmbh. I discovered that the company was formed in 1881 and ceased production in 1981. It was started by August Schatz who was born in 1854 and died in 1927. Family members took over the company after his death.

Schatz are best known for anniversary and mariner clocks but made cottage clocks, bracket clocks, mantel clocks, kitchen clocks and watches as well.

I will continue my search for more information about this important German maker.

October 30, 2016

A Pig in a Poke

“A pig in a poke” is an old expression but it still has relevance in the clock world today. What does it mean? It means something that is bought or accepted without knowing its value or seeing it first. Or, another way of putting it, a deal that is foolishly accepted without being examined first. If you have been to a live auction you might have experienced winning a bid on that seemingly expensive hall table, for example, only to find it was made in Indonesia.

My own personal example. I bought an antique wall clock (100+ years old) on EBay a year ago and from the write-up it looked great. I was eager to see it. When it arrived I began to notice a few things right away and little details later on despite the description that it was “all original”. The glass on all three sides was said to be original, clearly it was not. The clock hands were off of an Ogee clock and poorly attached, The movement was made during the same period the clock was made however the pendulum sits very low in the case leading me to believe that it (the movement) may not be original. The rod gong was probably added later. Normally the gong is in back of the pendulum. There are two different styles of weights though the differences are almost imperceptible. I could go on but the point is this: do not trust any seller absolutely in your online dealings. Luckily for me the clock works and shows well.

Gustav Becker two weight regulator — Gustav Becker two weight “Vienna Regulator”

Typically sellers will describe just about everything they feel the buyer needs to know but leave out essential details. This is called omission. It means that something in the description is deliberately left out for whatever reason. Is it unethical? Perhaps. However, sellers do not have an obligation to tell you everything about an item you are interested in since there are no disclosure laws in online dealing. That is why it is important to ask questions, lots of questions prior to any purchase.

The other day I followed postings on Facebook regarding a clock purchase. The person was quite proud of the fact that he had an attractive Art Deco clock coming in the mail. He provided only one photo of the clock showing its face and base. The style was similar to this clock.

It was the only photo provided by the seller and with good reason. It was advertised as an 8-day clock because that is what it said on the clock face. It arrived several days later. This individual thought he was getting a mechanical clock but discovered when it arrived that the original movement had been taken out and replaced with a cheap quartz movement. Naturally he was dismayed. Caveat Emptor some would say but in this case the seller could have been more forthright. However, let me reiterate, the time to ask key questions is before the purchase.

The other day, again on Facebook, a fellow had bought a German box clock very similar to this one from my collection. When it arrived he proudly showed off his new acquisition.

after a good cleaning (4) — U M Muller German “box clock”, time and strike

The clock was keeping great time though the pendulum was very high up in the box and could barely be seen through the front glazing. It looked very odd. When he presented a photo of the inside of the clock it was clear that the seat board was handmade and it was obvious that the movement was originally mounted within a much smaller case.

Some weeks ago I was looking for banjo clock and I saw a couple on a local for-sale site. One was very intriguing. The only photo was of the outside of the clock; nothing showing the movement. I thought if it is weight driven it would be an excellent deal. I contacted the seller by email and I asked if it were weight driven and he said he thought so but he also mentioned that it came with a winding key for the spring. Thanks I said.

Let the buyer beware. If you buy something you take responsibility to make sure it is what you intended to buy. Ask enough questions so that you are absolutely satisfied you know what you are getting otherwise you may be getting a pig in a poke.

Let me know if you have had similar experiences.

October 5, 2016

Kienzle World Time clock – a second look

I put a quick article together on my newly acquired modern Art Deco brass Kienzle World desk clock in August and with only one photo in my post I really did not do this fine looking timepiece any justice. I hope the following photos will show that this clock really impresses. As I mentioned in my last post regarding this clock, this is one of many clocks conceived by renounced German designer Heinrich Moeller. Moeller, who was trained as a cabinet maker, began working with Kienzle as chief designer in 1931 and through to about 1970.

This vintage clock is from the period 1950 to 1960 judging from the many offerings on EBay. I noticed that this style is occasionally advertised as a 1960s clock but judging from others I have seen I am fairly confident that this is from 1950 give or take a year. This style seems to be the most desirable of the series. Later ones had quartz movements and were in less demand, judging from the lower prices. The weight is very substantial and it measures 13 and 3/4″H X 10″W X, 2 and 1/2″D.

Back of Kienzle clock — Back showing winding key, speed adjustment access port and time adjustment knob

This clock is in excellent condition with minimal wear and tarnish. In fact, observe the front and side views for an appreciation of the pristine condition of this clock. The case was grimy as one might expect and a little polish brought up the finish very nicely.

Quite often small parts are missing in clocks such as this, for example, the time adjustment knob or the cover for the speed control needle. In this case everything is completely intact. It is in very good working order and will run for a full 8 days.

Will I service it? I am not sure. According to comments on the NAWCC message board some members have not had much luck working with this clock. Given that it seems to have had minimal wear and tear it may not have had a lot of use over the years so it might be wise to leave well enough alone, for now. I would like to oil it, however!

I am very pleased with this acquisition. The clock is certainly a singular work of elegance, magnificence, style and a stand-out in any room.

September 25, 2016

Inns and B&Bs – why don’t the clocks work?

Have you ever stayed at an inn or B&B? If you have you might have noticed those that have some sort of historical significance with furniture dating back a 100 years or more, have the odd antique or vintage clock. However, it frustrates me to no end to see them not running.

In the summer of 2014 my wife and I stayed at a beautiful century-old inn in Ganonoque, Ontario, Canada. There were at least 8 clocks in various locations within the inn. They were quite nice and appeared to be in good shape but none were running. A shame! Perhaps there are a number of reasons; clock(s) need(s) servicing / does not run, broken for whatever reason, laziness; staff cannot be bothered to keep them running, unsure how they work or fear of breaking the clock if staff attempt to wind or regulate it (them). I did not inquire.

I’m going to tell you about a pleasant exception we found on our travels. My wife and I were in Bar Harbor, Maine, USA in early June (2016) and I am delighted to say that I discovered that at the Bar Harbor Inn which is, I might add, a beautiful and stately inn prominently located on the village harbor(!), antique and vintage clocks inside the front room of the inn that were actually running.

RS June 2016 (23) — Bar Harbor Inn, Bar Harbor, Maine

I was so amazed that I stopped to examine the clocks without touching them, of course, and while doing so was approached by an elderly gentleman who identified himself as the bell captain. At the time (pun unintended) I was looking at what might be a German Mauthe long case round top, time and strike clock (please tell me if you know otherwise). He mentioned that it was brought over at the end of the Second World War by an American serviceman. Despite working at the inn for over 30 years and maintaining the clock on a weekly basis, he could not tell me the maker. He was no doubt enamored with the clock and obviously not concerned who made it.

RS June 2016 (128) — Possibly Mauthe tall case

He showed me another clock, a Seth Thomas time and strike which for some strange reason he was not permitted to wind or even touch for that matter. That duty was obviously left to a specially designated person since the clock must have had some particular relevance. Now, it doesn’t take much to wind a clock but some familiarity with how these old clocks work certainly goes a long way to preserving them.

RS June 2016 (129) — American Seth Thomas time and strike tambour style shelf clock

If you are, like myself, a clock person, the next time you are in an inn or B&B praise the owner / staff if the antique and vintage clocks are running or politely question why they are not. They deserve to be running.

June 20, 2016

Searching for a donor movement pays off

Last summer (2015) I bought a Blackforest time-only shelf clock for $10 at a small antique store in Kazabazua, Quebec which you see pictured below. To be fair it did not look like this when I bought it. It was quite beaten up and a case refresh was sorely needed which included stripping and re-staining.

RS together but not working (2) — Blackforest shelf clock #1

It’s a relatively simple 8-day time-only movement commonly known as a “plate clock” movement. To avoid any confusion let me say this shelf clock is Canadian made by the Blackforest Clock Company of Toronto (known as the Forestville Clock Company after the second war). The movement is likely German; the clock was made in the mid 1930’s when Canadian companies imported German movements for a variety of mantel and long case clocks.

Despite my best efforts I could not get Blackforest shelf clock #1 to run reliably. It would typically run 5-10 minutes and stop. The movement had a couple of bad teeth on the escape wheel; not an easy fix and I assume the source of the stoppage. I decided that I would wait until I found a donor movement to scavenge any parts I needed so I put #1 aside.

I scoured the net looking for an identical movement. I found one from a clock parts company in Ontario but sadly the company, despite having an online presence, was no longer in business. My numerous emails were not answered. I was getting a little discouraged until February 2016 when my wife and I were making our regular pilgrimage to a popular antique store in Great Village, Nova Scotia. I came upon Blackforest shelf clock #2, a clock not much different from the one I found in 2015 but more importantly it had an identical movement. I particularly like this one because it commemorates King George VI and Queen Elizabeth’s Royal Visit in 1939 (the coronation was in May 1937) making this vintage clock almost 78 years old.

RS shelf clock number 2 (12) — Royal Visit to Canada1937

RS Refinished case (7) — Blackforest shelf clock #2 circa 1938-39

No problem I thought. Between the two of them I should get one clock running reliably. I paid $20.00 for the newer one with a total of $30.00 for two clocks; a minimal outlay for the total project.

Blackforest shelf clock #2 ran for a while but I could not get it to run much past two days without it stopping. The sudden stop seemed like a power issue or perhaps it was just plain gummed up and dirty. A thorough cleaning was one solution to the stoppage. This was also a good opportunity to decide which clock was worth salvaging. In the end the newer one won out. However, two parts had to come from the older movement, the pendulum bob (the newer one had a cracked bob) and the spring / click / ratchet assembly which I will now discuss further.

Blackforest shelf clock #2 had a partially stripped ratchet (see photo with white arrow) which I thought was rather unusual; not very surprising since brass is a very soft metal and does not stand up to much abuse, a product of rough treatment in the past I suspect. While winding it I could feel the click slipping on the ratchet and feared that it would let go if I was not careful enough. This critical issue could have led to a unpleasant outcome at some point in the future so I determined that it was only prudent to replace the spring / click / ratchet assembly.

RS Blackforest mantel clock (63) — White arrow is pointing to a stripped ratchet

Pendulum assembly with rotating bob adjustment

Spring barrel — Open spring barrel, ratchet and click assembly

clock gears — Gears assembled on the front plate

The two replacement parts fit perfectly. Now for a thorough cleaning. All the parts were put into an ultrasonic cleaner, dried, inspected and polished. The pivots were inspected and polished. The pivot holes which were in very good condition were pegged out and once re-assembled the movement was oiled and briefly tested. As any clock enthusiast who has had experience with time-only movements, they are certainly the easiest to work on.

The final step is the long-term testing phase to see how it runs on a full wind.

Postscript: five days later there is no stoppage. It will take a little longer to regulate the clock but so far so good.

Blackforest shelf clock #2 now has a replacement spring, click and ratchet as well as a new pendulum bob. Does it make it original? Considering that it has parts from a clock that was likely made at the same time it is original enough as far as I am concerned.

June 7, 2016

The 400 day anniversary clock

My wife and I were at a little antique shop just outside Truro, Nova Scotia on a typical Sunday drive. I found a lovely Black Forest time-only shelf clock that was reasonably priced and bought it because it had a simple plate movement I was looking for. My wife on the other hand wandered through the same antique store and noticed a Kundo anniversary clock. Kundo was a well known German clock make and is otherwise known as Kieninger & Obergfell. Although we were not really in the market for an anniversary clock the price was right.

I noted at the time that it was not functioning but all it took when I got it home was a winding to get it running again and two weeks to regulate the time. Compared to those I have seen on EBay this one is in excellent condition and cleaned up well. The photos were taken prior to cleaning.

A 400 day anniversary clock is otherwise known as a torsion pendulum clock. The torsion clock is a mechanical clock which keeps time with a mechanism called a torsion pendulum. This is a weighted disk or wheel, often a decorative wheel with 3 or 4 chrome balls on ornate spokes, suspended by a thin wire or ribbon called a torsion spring (also known as suspension spring).

RS Kundo detail (2) — Without glass dome

The torsion pendulum rotates about the vertical axis of the wire, twisting it, instead of swinging like an ordinary pendulum. The force of the twisting torsion spring reverses the direction of rotation, so the torsion pendulum oscillates slowly, clockwise and counterclockwise. The rotation is generally 270 to 360 degrees and takes about 7-9 seconds. Mine has a little bit of over-swing which is not problematic.

The clock’s gears apply a pulse of torque (provided by a winding spring) to the top of the torsion spring with each rotation to keep the wheel going. Because they are running so slowly and require little energy, they are capable of running for long periods but are not as accurate as weight driven or other spring driven clocks due to the fact that they are subject to temperature and humidity changes and the long run periods between windings augment any inaccuracy. Mine runs within 2-3 minutes a month and most would consider that to be acceptable.

RS Kundo detail (3) — Movement and pendulum with speed adjustment dial on top of 4 spokes

An adjustment allows the balls to move in and out of its axis thereby controlling the rate of the clock. The closer the balls are to the centre of the axis the faster they will spin and further from the axis results in a slower rotation. Torsion clocks were popular gifts because they would run a year between windings thus marking an important occasion or anniversary.

Torsion clocks are usually delicate, ornamental, spring wound shelf clocks which typically stand between 9 and 12 inches in height. The polished clock mechanism is usually exposed under a plastic or glass case or dome (need not be, however), to allow one to watch the torsion pendulum turn.

RS Kundo detail (1) — Movement showing spring barrel

This particular torsion clock was made in the 1970s. Shortly thereafter production of torsion clocks began to decline. There was a minor resurgence of electronically switched electro-mechanical (battery) torsion clocks but otherwise the age of the torsion clock was coming to an end.

Torsion clocks have a long history which I will explore in a future article.

May 22, 2016

The shelf clock – what is it, exactly?

What is a shelf clock? If you have a number of clocks as I do it can be quite confusing to describe each specific type to the average person but it is really quite simple. Let me explain how you can identify the clock you might be looking at. The term shelf clock is a broad category but I believe it can be classified in the following ways.

Some 180 years ago the first shelf clocks were OG (Ogee) clocks. These were the first mass-produced American clocks, were inexpensive, and were made up to about the late 1870s. They represented the early years of American clock-making and the transition from more expensively produced wood movements to cheaper brass movement clocks. OG clocks are so named because of the double-curved molding on the front of the clock. The curved molding was designed to hide the weights. Many of these clocks were weight driven with 30-hour or 8-day movements and had mirrored or painted tablets. OG clocks were usually 25 inches in height and 15 inches wide and had hardwood veneers covering a softwood frame. They were surprisingly accurate and reliable.

Later, more stylish clocks could be found. These are called Column clocks because they would either have a half-column or full column on the left and right or even stacked half or full columns such as the one pictured below. Moldings on the top and bottom would be brought together by columns on each side of the clock with mirrored or painted tablets. Column clocks were almost exclusively weight driven with 30-hour or 8-day movements.

At around 1840 Steeple clocks were introduced. They had a peaked centre section bordered by columns topped with finials and a peaked sash with a decorated (often hand-painted) lower tablet. They were spring driven with 8-day movements. Steeple clocks are very distinctive, stood about 15 inches high with veneered hardwood over softwood, often with reverse-painted scenes and are made by a number of well-known companies.

RS on display — Arthur Pequegnat Maple Leaf “fan top” Kitchen clock, circa 1905

Kitchen clocks (Gingerbread) were simple or ornate with carved or steam-pressed patterns made by quick-saws and heavy steel presses, stood 22-24 inches in height and about 15 inches wide, and had a decorated sash which could be a very simple design as you see here or a much fancier reverse-painted glass scene. These inexpensive, visually pleasing timepieces sat in the kitchens of lower and middle-class homes and were produced by the thousands. They were so named because of their likeness to the design of gingerbread houses at the time (early 1900s). They are usually made of oak, walnut or even walnut trimmings on oak with a metal clock face and many had a simple alarm mechanism. The Gingerbread clock you see here is the Maple Leaf “fan top” by Arthur Pequegnat. The Maple Leaf came in 4 unique styles all characterized by the maple leaf decal on the glass door.

Some kitchen clocks had beautifully carved features and figurines such as this stunning clock made by the Hamilton Clock Company (Canada), though a clock such as this might be found elsewhere in the home and considered a parlor clock.

RS City of Hamilton Canada Clock Co — City of Hamilton, made by the Hamilton Clock Company, circa 1880 (Canadian Clock Museum)

When spring-driven clocks were introduced the Parlor clocks like this Hamilton Clock Company model became popular. They tended to be narrower than column clocks because they had spring-driven movements. These clocks mirrored the furniture styles of the time. This one reflected the Victorian era with its bold figurines, carved finials, elaborate patterns etched into its wooden frame, and the hand-painted floral design of the sash.

RS 45-175 — Seth Thomas round top cottage clock, circa 1930

Cottage clocks are less than 15 inches high and typically 8 inches wide are small, simple in design, and take up very little space. Many have basic alarm mechanisms but have one feature that distinguishes them from other pendulum clocks. They have a clip or a clasp that secures the pendulum rod for travel. The “round top” you see here was sold by Henry Birks and Sons an upscale Canadian jeweler. Others had “beehive” tops, flat tops, or octagon tops.

Pendulum rod clip for Seth Thomas round top

Smaller clocks are often referred to as desk clocks. They are usually mainspring driven with a flat dial. This Kundo 400-day anniversary German clock is an example of a desk clock but it might also be described more specifically as a torsion clock. This one stands less than ten inches tall and has a glass dome, a weighted wheel with 4 balls suspended by a ribbon called a torsion spring, and an exposed movement. It was typically given as a wedding gift.

Finally, the mantel clock.

Mantel clocks can be ornate, larger, and the centerpiece in a room. This particular clock, a Mauthe pendulum mantel clock offers a precision-built sophisticated German Westminster chime movement in a relatively non-descript but attractive and well-built cabinet that is simple yet elegant.

RS Mauthe mantle clock (30) — *Mauthe time. strike and chime, circa 1970*

ASIDE: Is it mantel or mantle? I have always considered a mantle as something you wear, a garment or a part of the earth’s crust. A mantel on the other hand is a shelf above, say, a fireplace. I see this word interchanged so often when clocks are advertised or described that either word is universally accepted. I prefer the word “mantel”.

RS April 12th — Ingraham Huron shelf clock, circa 1878

Mantel clocks were inexpensive to make, occupied very little space, and were part decoration and part practical timepieces. Mantel clocks were made with brass, wood, porcelain, slate, Bakelite, and metal though for the most part they were designed to be lightweight (slate clocks and cast iron clocks would be the exception), simple in basic design, and very practical. Mantel clocks have lasted so long, over two centuries, because they are dependable, versatile, and work so well in many domestic situations.

The categories of shelf clocks also include carriage clocks and lantern clocks. One of the first clocks whose movement and external structure was made predominantly from brass instead of iron or wood was the lantern clock. Although the shape of the clock looks somewhat like a lantern, the derivation of the name probably stems from the French word “laiton”, meaning brass. The earliest lantern clocks had striking mechanisms; later in the 17th-century alarms were sometimes added. Some lantern clocks had pendulums and could be hung on the wall.

Carriage clocks were spring-driven clocks developed in 19th century France and are made of plain or gilt brass. They are often no more than 8 inches tall, designed to be portable, and are characterized by a rectangular shape, glass or porcelain panels, and a carrying handle on the top. If you have a Breguet carriage clock as part of your collection you are very lucky indeed!

This is by no means an exhaustive description of the types of shelf clocks. There are others such as swinging clocks, tambour clocks, pillar and scroll, and so on. Whether you are shopping for a clock as a gift or adding one to your collection or even describing what you have seen to a friend, it is important to understand the distinctions between one type and another.

April 27, 2016

A curious little Blackforest shelf clock

RS shelf clock number 2 (6) — Black Forest Clock Company of Toronto, clock in as found condition

Shelf clocks such as the one pictured have always been hard to find though I did stumble upon this one very recently (April 2016) at an antique store in Great Village, Nova Scotia. Why, because of their cheap construction and inexpensive movements, not many of these clocks have survived over the years.

This one might have had a special meaning to someone at one time because it is a memento of the King George VI coronation of 1937 which nicely dates the clock. He became King George VI of England in December 1936 following the death of his father George V and the abdication of his brother. He had been a heavy smoker and in 1951 had his left lung removed then died suddenly in the winter of 1952. Elizabeth became queen later that year.

RS Refinished case (6) — Black Forest shelf clock after case restoration

This Blackforest shelf clock is only slightly larger than the first Blackforest clock I picked up last summer (2015) and like the other, is time-only.

RS shelf clock number 2 (4) — Company plate on rear of clock

The time-only movement is very simple in design. The pendulum rod, bob and pallets are one piece.

To adjust the beat rate you either rotate the bob left for slower rate or right to make the clock run faster or slower. Outside the back plate sits the mainspring which is housed in an open barrel and there are 5 gear wheels plus the escape wheel between two solid plates. This is an identical movement as found in my other Blackforest shelf clock but unlike this clock it was in very poor condition. The movement is German and could have been made by a number of companies at the time; Keinzle, Mauthe, Hermle or Junghans. There are no stamps or markings on this so-called “plate” movement to give any indication of the maker. Typically many Canadian companies such as the Blackforest Clock Company of Toronto (the Forestville Clock Company after the war) imported German movements before the Second World War and installed them in Canadian made cases.

RS shelf clock number 2 (2) — Plate clock movement

To refinish the case I cleaned it thoroughly using Murphy’s Soap, applied three coats of dark walnut stain taking care to wipe the stain with a cotton cloth 5-10 minutes after each application. My intent was to fill in the scratches and abrasions rather than radically alter the colour. I then rubbed the cabinet with 0000 steel wool between coats and applied two top coats of clear polyurethane satin finish. I cleaned the numerals but decided against repainting rather preserving the original patina, though I applied Brasso to bring back the finish on the key wind bushing. In the end the case is a little darker but likely closer to its original finish.

shelf clock number 2 (10) — Original winding key

I haven’t quite figured this out yet but I think the winding key has a “bottle opener” design to allow the pendulum to be locked during travel. Ideas?

This clock would make a great addition to a any bedroom. It is small enough for a dresser or even a side table, quiet enough (for a mechanical clock) and is still attractive in design after all these years. Heck, you can even wind the clock in the 6 o’clock position.

April 22, 2016

Ridgeway Grandfather Clock

Should every clock collector have a Grandfather (tall case or long case) clock? No, but it was something I had always wanted.

RS Ridgeway clock_2 — Ridgeway tall case clock

In 2012 I was perusing a local for-sale site and came upon this particular Ridgeway grandfather clock. The ad said that the clock was in excellent condition. When I called the seller and asked what he meant by “excellent” he said, “You have to see it to believe it”. He was right. The brass was bright and shiny and the only indication of its age (1996) is slight tarnishing of the column capitals.

Unfortunately, this type of clock takes a real hit on the used market. The smaller homes that many folks prefer today simply means there there is no room for a clock this size.

Clock face showing moon dial and raised Arabic numerals

The clock has a graceful, regal look. It stands 83 inches tall, has a scalloped bonnet crown, functional blue moon dial with constellation, 5-rod Westminster chime with shut-off, stately columns with brass base and caps, raised Arabic numerals, oak solids and veneers, brass lyre pendulum with 10 5/8 polished bob and access panels on each side. It was made by the Pulsaski Furniture Company. The Pulaski company struggled financially in later years and was eventually bought out by the Howard Miller Clock Company in 2004. Howard Miller continues to offer the Ridgeway line.

clock face — Moon phase with constellation

And it came with the original cabinet key.

The seller advertised that it had a quality Keininger movement. Later ones did; this has a Hermle movement. In the 1990s the German clock company Hermle was the principle supplier.

In this case the ubiquitous 451-033, with 114 cm pendulum and 60 bps.

The clock is very similar to the Sussex model as shown in this advertising brochure.

I have also seen the clock referred to as the Hamilton Country model. Nonetheless, it is impossible to verify since very little information about the original company exists to this day.

clock pendulum — Lyre pendulum with brass bob

The clock runs very well and to within a minute a week. When it fails it is more cost effective to replace the movement rather than bring someone in to repair it. I will simply swap the movement out with an identical one since Hermle continues to make this movement to this day.

Perhaps my only grandfather clock for now.

March 26, 2016

Clocks of Cuba

During two vacation trips to Cuba in the last 4 months I managed to locate a few clocks in my travels. Though some clocks were very intriguing none that I saw save for the tower clocks were in working condition. Nonetheless it made me wonder about their provenance in a land that time seemingly forgot.

At Christmas time my family and I traveled to Trinidad of Cuba. We stayed overnight at Los Helechos Hotel in Topes de Collantes which is located about a half an hour bus ride from Trinidad of Cuba. The next day we spend our time exploring the wonders of Trinidad of Cuba.

I saw some interesting clocks in a couple of restaurants. The first is a Wm L. Gilbert time and strike wall clock with calendar dial from Winsted Conn., USA. It looked like a reasonably well preserved dark walnut regulator clock with an 8-day brass movement with pressed features dating to about the 1900s.

The next is unknown to me. It is a Spanish clock. Whether or not Malaprade is the maker was difficult to determine as I could find no information on the internet. However, it is clear that this spring wound time-only clock with second hand feature was made in Barcelona. I would date it to pre-1930. It is a relatively short clock and might have been originally designed as a wall mounted clock as it stands less than 5 feet tall. I am not sure what the area around and below the keyhole represents. I cannot make out any sort of design if there is one.

Next is a floor clock. Again the maker is unknown. I do not see any winding arbors on the dial face and can only assume that it is weight driven (the weight was not attached) and that the weight (or weights) were pulled up by chain to reset the clock likely once every 8 days. This clock was clearly in meed of restoration as were most of the clocks that I saw.

In March we stayed at the Paradisus Rio de Oro in Holguin province located on Playa Esmeraldo near Guardelavaca. The resort is set on a beach next to Bahía de Naranjo Natural Park. In it are a number of interesting clocks.

There were a total of 4 of these lobby clocks which were originally intended to display time zones for the guests. They are time-only and the cases appeared to be in good shape but I do not think they have been running for quite a while. My thought is that there is nobody at the resort tasked with the responsibility of maintaining these and other fine clocks.

face of clock — Face of unknown floor clock, second hand is missing

RS Tall case clock (2) — Unknown floor clock

This clock actually works though it needs servicing. It is located in an ante-chamber adjacent to a Mediterranean themed restaurant. I opened the front door of the clock and found the rod gong impeding the pendulum. Once I dislodged the gong the clock happily began to function and it was in beat, surprisingly. Although it had two weights there were three winding arbors and I would be curious to see the internal workings of that movement. Inside the door was an official seal from the Ministerio de Cultura.

This 400 day clock was made in Germany. There were no other markings that I could determine. It could be a Kundo Kieninger & Obergfell dating to about the 1940s or so but that is just a guess. It needs a thorough servicing and clearly it has been neglected for some time.

Carriage style clock — Carriage or wall mounted clock

This is another an anniversary mantel clock but it appears to have a wall mounting bracket on the rear. Not sure why as these clocks are not meant for wall mounting. Again, an unknown maker but possibly German and in very poor condition. The front glass looks like it can be lifted up for adjustment purposes.

While hiking through El Cubana National Forest we came across a small dwelling and we were able to briefly tour inside. In it I found an old quartz clock dating from the 1980s or earlier.

The first tower clock is located in a tourist village in Cayo Santa Maria called Peublo la Estralla while the next is in a downtown principle square in the city of Holguin. The Olvera clock is a modern electric clock and I am assuming that the tower clock in Holguin might also be electric.

I am told that my next stop in Cuba (another time) should be the Paladar Decameron restaurant in Havana, a fixture in the paladar scene that’s located in the leafy residential district of Vedado. The restaurant is said to said have an old world charm with a collection of various collectibles including antique clocks of all shapes and sizes.

Cuba is a fascinating country and certainly worth exploring time and time again.

March 21, 2016

Girod movement in Canadian made case

This fairly non-descript mantel clock is a puzzler. It has a nicely constructed case with curved wood relief features and a westminster chime, hence the three winding arbors. It is in very good condition and required a simple de-greasing of the cabinet to bring it back to it’s former glory.

The clock was presumably made after the war years, perhaps the late 1940s and has a pendulum movement. Most mantel clocks beginning in the 1950s had balance wheel escapements so I am putting this in the late 1940s perhaps even the early 1950s. This particular mantel clock has a French Girod westminster chime movement.

Girod was a clock maker based in the Morbier-Jura region of France and produced clocks from the 1930’s into the 1960’s. The firm of Girod was founded in 1865 by brothers Leon and Auguste Girod. The clocks were made almost exclusively in the Art Deco style. This clock has Art Deco features particularly the formation of the dial numerals but I would not say it was sold as a Girod clock.

Girod clocks (both mantel and tall case) often came with Westminster chimes, and often a second chime named Cloche de Jura, using the same notes as the Westminster chime. A handful of clocks were built with Ave Maria de Lourdes, and St. Etienne chimes. This clock is westminster chime only; no double chime feature unfortunately. Girod cases usually featured carved walnut appliques and were very ornate, almost garish. Mine is very plain and as I said non-descript.

So, what is it? Well, from my research I have discovered that despite the fact that the clock movement is stamped Girod, it might be a German Kienzle movement. Girod movements had the distinctive feature of split plates, this one has solid one-piece plates. Again my research reveals that as a result of the post-war German reparation effort, Kienzle clock movements were brought from Germany into the Girod factory in France, assembled and stamped as a Girod movements for, it is my guess, export to Canada and other countries.

Another clue. The case has a stamp on the back. It is a little faded but it says, “Quality Cabinet Made in Canada”. There are three letters in the middle that I cannot make out. PHS or FHS perhaps?

RS Girod mantel clock (11) — Upside down stamp on back

There is no trademark on the dial face which would normally indicate the retail seller or manufacturer but my guess is that it was likely sold as a Forestville mantle clock (the Forestville Clock Company was based in Toronto). The logo (??) punched into the hour hand makes me wonder though.

Look at the key. Why two wrench punch-outs and a screw driver end?

RS Girod mantel clock (1) — Key with screwdriver and wrench punch-outs

RS Girod mantel clock (4) — Girod movement showing chime rods and unusual pendulum

The above shot shows the movement. It has five strike hammers, 4 of which carry the Westminster chime and three hammers for the on-the-hour strike. The strike feature is quite loud. The rods appear to be differing lengths of copper and the pendulum has a relief of the Eiffel Tower that you can just make out. There is also a lever on the upper front of the movement which serves as a repeater. The movement appears to be very sturdily built and reflects German (??) quality.

Again my best guess is the Forestville Clock Company of Toronto but if you have other information or if you know more about the history of Girod clocks please drop a line.

March 7, 2016

Forestville mantel clock

If you’re expecting a post about clocks from the Black Forest region of Germany, I apologize for the mix-up. This article is actually focused on the Forestville Clock Company of Canada.

Forestville clocks were assembled in Canada with foreign movements in local and foreign-made cases through the late 1920s to the mid-1970s.

This particular Forestville mantel clock is not particularly special but it comes with a story.

In 2013, during a visit to the Thousand Islands, my wife and I stopped by an antique store in Gananoque, Ontario. While browsing, I was drawn to a clock that caught my attention. I was somewhat familiar with the Forestville name, as the Forestville Clock Company of Toronto had assembled thousands of these clocks. The price tag on the back was $175, which seemed a bit high to me. We stayed overnight in the area and decided to return to the store the next day. When we did, a different clerk was on duty. Although I knew the price listed, I asked him what the clock was priced at, just out of curiosity. Without checking, he replied, “It’s $75,” and I bought it. Afterward, he noticed the price tag on the back and said, “You got a good deal.” I think he learned something that day.

History of the Blackforest Clock Company of Toronto

The Blackforest Clock Company of Toronto, Ontario was founded by Leopold and Sara Stossel in 1928. Both clock movements and complete clocks were imported from Germany and sold through department and jewelry stores across Canada. Their son Ed Stossel started working part-time with his parents’ company in the 1930s and later became a full-time employee in the late 1940s.

Some assembly work was carried out in their Wellington Street East factory. Initially, imported mantel clocks and grandfather clock movements were installed in cases made in Kitchener, but later the complete mantel clocks were imported from Germany. This arrangement was interrupted by the Second World War, which also led to a name change to the Forestville Clock Company in 1941. During the war years, this company imported its clock movements from England, the United States, and even France. However, starting in the mid-1950s German factories again became the source of most Forestville clocks, with Mauthe being a major supplier. (source: The Canadian Clock museum)

The Forestville Clock Company was very successful during the middle decades of the twentieth century. Ed Stossel retired in 1979 and unfortunately, the company survived just a few more years under new leadership.

Both the movement and case were imported from Germany probably in the late 1960s or the early 1970s and the style reflects that period. There is a serial number on the backplate but it is not much help in dating the exact year the clock was made.

Movement of clock — _{Movement showing evidence of over-oiling}

As clock manufacturers were searching for efficiencies, lever escapements replaced floating balances and pendulums in the 1960s and 1970s. I much prefer a pendulum clock but clocks such as this have the advantage of operating on surfaces that are not level.

Balance wheel and hairspring escapement — _{Lever escapement with speed regulator}

This is a closeup of the strike lever mechanism.

inside of mechanical clock — _{Lever mechanism for strike}

strike mechanism — _{Lifting mechanism for strike function}

The three strike rods give the clock a “bim-bam” sound on the half-hour. Not unique but disctinctive.

This mantel clock is a handsome piece with great lines and makes a wonderful addition to my growing collection of antique and vintage clocks. However, it is quite dirty and will need a thorough cleaning. I’ll save that task for another post.

February 26, 2016

A detail can make all the difference

on display (3) — Horse Crown Mauthe wall clock on display

I acquired this beautiful Mauthe Horse Crown Vienna style wall clock in the fall. I inspected it carefully enough before the purchase but it was not until I got it home that I discovered a finial or perhaps a trim piece missing from the base area on the bottom.

Once hung the clock did not look as balanced as it should. It did not look quite right and there was clear evidence of a piece missing when I inspected the bottom more closely.

I went to the usual clock parts sites to look for a finial or piece that would best fit the design of this turn of the century wall clock. There were a number of choices but I decided to get the base piece finial you see here. It is flat on one side and comes without a peg. It complements the style of the clock without making it look awkward and I think I struck the right balance. It may not be exactly like the original but it looks good enough to fool the casual observer or even an expert.

The trim piece came unfinished. I determined that the clock had an original walnut finish so proceeded to apply enough coats of stain on the trim piece to match the rest of the clock.

Here is the result.

RS Finial added (1) — Trim piece added to base of clock

Here is a shot of the clock from a couple of meters away. You can see that it is more “balanced” than before. it might even be period-correct judging from what I have seen on other Vienna style clocks.

RS Finial added (3) — A small detail makes a difference

This cost me $6.70 for the trim piece / finial I purchased from Perrin Canada, $4.99 for the dark walnut stain and $.79 for a length of 5/16 dowel. This small detail makes a huge difference.

Let me know what you think.

January 17, 2016

U M Muller Box Clock

Probably not a household name in its time, yet U. M. Müller produced clocks that could stand proudly beside the finest German makers of the early 20th century. Their box clocks, in particular, became strong competitors, capturing a market that was shifting away from the ornate Vienna regulator toward something more modern, practical, and affordable. By the 1930s, the sleek German box clock—with its simpler lines and middle-class appeal—had all but closed the Vienna regulator era.

This particular U. M. Müller is a striking example. The oak case features delicate carved inlays on the door, brass strip framing, and a fixed wood crown, giving it a stately presence. The brass bezel surrounds a metal dial with spade and spear hands, while beveled glass framed in brass completes the look. Wall stabilizers ensure a secure mount, reminding us that this was a clock built not just for beauty, but for reliability.

The case itself has aged beautifully, with no noticeable scratches or blemishes. The dial, however, tells a different story—its surface bears marks and abrasions, including one between the 6 and 7 where the paint is worn through to bare metal. It is not repairable, but it does speak to the long life and service this clock has seen.

U M Muller clock (9) — I_{ncorrect use of a cleaning agent}

Inside, the movement is a classic rack-and-snail time and strike. The clock chimes on a coiled gong—bold at the half hour, more resonant on the hour, but never harsh. As with most spring-driven movements, one should not expect chronometer precision. Still, this example proves steady and reliable, keeping “regular” time across its full 8-day cycle.

U M Muller clock (2) — _{Inlay carvings meets brass strip framing}

After a careful cleaning and waxing, the case now shows hints of what it must have looked like when new—over 90 years ago.

U M Muller clock (4) — _{2 screws are loosened to remove the movement}

Collectors often date U. M. Müller clocks by the lion trademark on the dial. A raised tail indicates pre-1930 manufacture; a lowered tail, as on this example, places it in the mid to late 1930s.

after a good cleaning (1) — _{An attractive addition to our kitchen}

According to Schmid’s Lexikon, the company’s roots trace back to 1867 in Mühlheim. After passing through several hands—including R. Schnekenburger around 1880 and later Gebrüder Müller—the brand built a legacy of solid, handsome clocks that still charm collectors today.

October 5, 2015

Blackforest shelf / kitchen / cottage clock

This is a Blackforest shelf or kitchen clock made before the Second Word War. Blackforest is a Canadian clock company. The Blackforest Clock Company of Toronto, Ontario was founded by Leopold and Sara Stossel in 1928. Both clock movements and complete clocks were imported from Germany and sold through department and jewelry stores across Canada. Their son Ed Stossel started working part time with his parents’ company in the 1930s, and later became a full-time employee in the late 1940s.

Some assembly work was carried out in their Wellington Street East factory. Initially, imported mantel clock and grandfather clock movements were installed in cases made in Kitchener, but later the complete mantel clocks were imported from Germany. This arrangement was interrupted by the Second World War, which also led to a name change to the Forestville Clock Company in 1941. During the war years this company imported its clock movements from England, the United States, and even France. However, starting in the mid nineteen fifties German factories again became the source of most Forestville clocks, with Mauthe being a major supplier. The company did not survive much past the late 1970s.

I found this in a antique shop in Kazabazua Quebec and it was in sad shape. This particular clock would have been the least expensive in the Blackforest catalog. I had an opportunity to go through the Blackforest catalog during my visit to the Canadian Clock Museum in Deep River this past summer and could not find a listing. I have no idea of the model name or number as there is no label on the clock. The only feature it shares with other Blackforest mantel clocks is the metal bezel, numerals and hands. Otherwise it is a one train time-only movement with a minimum number of gears and a unique twisting pendulum adjustment. The movement is as simple as it gets so it is easy to work on.

The photo shows the movement out of the clock and as you can see, it is quite dirty. I am in the midst of dis-assembly, cleaning (in my new Ultrasonic cleaner) and oiling. My initial observation is that the pivot holes, pivots and lantern gears are in good shape and the mainspring seems strong. Not a lot of wear for a 75+ year old clock.

RS Blackforest mantel clock (66) — Single train time-only movement

The next photos show the condition of the case when I bought it and the second is the first phase of stripping. You will notice that I did not disturb the decal; it would have been impossible to find a replacement. It was in terrible condition, likely sitting in a attic or garage for quite a few years. The spring was wound very tight and I am assuming at this point that dirt and grime caused it to cease. Although I paid $15 for it at the time it seemed too much after I got it home. Nonetheless, I went to work on it and if I can get it to function it might be worth more than I paid for it. As far as restoring this clock I used a latex dark walnut wood satin and a polyurethane top coat, not what would have been done at the time which likely would have been a dark lacquer finish. This method will be more durable. The first photo shows the case is in a restored condition and as you can seeing it is a striking little clock.

September 1, 2015

Mauthe Mantel Clock – called a buffet clock by the marketing folks at Mauthe

Mauthe mantel clocks are widely available in various shapes and sizes, often appearing on online marketplaces, at garage sales, flea markets, and in antique shops. However, not all are well-preserved, with many showing signs of age and neglect. This particular round-top mantel clock stands out for its excellent condition, especially considering its age.

While this is commonly called a mantel or shelf clock, in Mauthe marketing parlance it is referred to it as a “buffet clock”. In the mid-20th century, clocks of this style were often designed to sit on buffets, sideboards, or credenzas in dining rooms. This placement allowed the clock to serve both a decorative and practical purpose that complemented the room’s furnishings. The term “buffet clock” reflects its association with this specific setting, distinguishing it from mantel or shelf clocks, which were typically placed in living areas or on fireplaces.

This 3-train Westminster chime pendulum clock features a 5-rod gong block and plays a quarter-hour musical tone. I discovered it at an antique shop in Great Village, Nova Scotia (Canada) some time ago. The movement is unmarked, lacking a trademark, but bears the number 50089 on the bottom right of the rear plate. There is no doubt that the movement is original to the case.

RS Mauthe mantle clock (29) — _{Back of the clock showing the 3-train movement}

RS Mauthe mantle clock (28) — _{Mauthe clock and Stromberg Carlson console radio}

Mauthe – The Company

Mauthe clocks were produced in Germany by a company with a long and distinguished history, manufacturing thousands of wall, mantel, office, and hall clocks. Founded in 1844 by Friedrich Mauthe and his wife, Marie, in Schwenningen, Germany, the company initially focused on producing watch parts. By the late 1860s, Mauthe began making its own wall clocks and movements, some produced through the “Gewerblern” method, a form of cottage industry, while others were made in a more industrial, factory-based approach.

In 1876, the Mauthe sons, Christian and James, took over the business. A decade later, in 1886, Mauthe started manufacturing its own spring mechanisms.

By around 1900, Mauthe offered a range of clocks, including alarm clocks, pendulum wall clocks, grandfather clocks, office clocks, and “Buffet Uhren” (Buffet clocks). At this time, the company employed around 1,100 people. The third generation of the Mauthe family took control in 1904, with Eugene Schreiber, Christian Mauthe’s son, Dr. Fritz Mauthe, Jacob Mauthe’s son, and Alfred Mauthe, Jacob’s other son, joining the leadership.

In 1925, Mauthe introduced a new trademark featuring an eagle with outstretched wings, clutching a three-part round plate marked with the letters F, M, and S. By 1930, the company was producing approximately 45,000 clocks per week, with over 2,000 employees. Around 60% of their production was for export, with England being the primary market.

In the mid-1930s, Mauthe began manufacturing wristwatches, some of which were supplied to the German Army (Wehrmacht). After a brief pause during the war years, Mauthe resumed production in 1946, focusing on wristwatches. The company continued operations through the 1950s, 1960s, and 1970s, but ultimately declared bankruptcy and closed in 1976.

RS Mauthe mantle clock (11) — _{Clock face showing three arbour points}

This clock runs a complete 8-day cycle and produces a very pleasant sound. The case features a simple yet attractive design, is in excellent condition, and the movement is clean, having been recently serviced.

This Mauthe buffet clock is a fine example of the company’s craftsmanship, combining reliable timekeeping with a pleasing chime. Its well-preserved condition and recent servicing make it a standout piece for any clock collector.

June 14, 2015

Rate this:

Share this:

Rate this:

Share this:

Rate this:

Share this:

Rate this:

Share this:

Rate this:

Share this:

Rate this:

Share this:

Rate this:

Share this:

Rate this:

Share this:

Rate this:

Share this:

Rate this:

Share this:

Rate this:

Share this:

Rate this:

Share this:

Rate this:

Share this:

Rate this:

Share this:

Rate this:

Share this:

Rate this:

Share this:

Rate this:

Share this:

Mauthe – The Company

Rate this:

Share this: