I had just completed servicing this German Mauthe time and strike wall clock and everything seemed to be going well. It was keeping good time,striking on the half hour as it should and maintaining a consistent an 8-day cycle.
During my regular Saturday clock winding ritual, I decided to begin with this clock. I inserted the key into the strike side arbour, began to turn the arbour and “bang” went the mainspring. The winding key almost took my thumb off.
I think I am going to lose that nail
Ignoring the excruciating pain I just had to investigate the problem. I took the movement out of the case and took the dial off. Of course, I feared the worst. A sound like that is never good. The barrel seemed undamaged, the teeth were intact, no bent arbours and there did not appear to be any collateral breakage.
Aha!, there it is, a loose click spring. The click released when there was not enough tension on the click to hold it firmly to the ratchet wheel.
My fault entirely. When I dis-assembled the movement I bent the click springs out of the way and did not recheck the spring’s tension. When I re-assembled the movement the click on the strike side was evidently loose but it looked tight enough. I wondered why the strike side ratchet sounded “tinny” but I thought nothing of it. Now I know.
Clicks on Mauthe movement
I increased the tension of the click spring. To be on the safe side I checked and tightened the time side one as well. Both sides now have that reassuring click-click sound. As you can see in the above photo It is not the best click spring design.
A reminder to anyone working on clocks that potential (or stored) energy in the form of powerful mainsprings can be dangerous. All is well, lesson learned. But my poor thumb!
Happy Birthday Sir Sanford Fleming, the inventor of Standard Time.
Sir Sanford Fleming (January 7, 1827 – July 22, 1915) was Canada’s foremost railway surveyor and construction engineer of the 19th century and a distinguished inventor and scientist.
CPR steam engine
Sir Sanford Fleming played a crucial role in developing a global system for setting time. Fleming advocated the adoption of a standard or mean time and hourly variations from that according to established time zones. He was instrumental in convening the 1884 International Prime Meridian Conference in Washington, at which the system of international standard time – still in use today – was adopted.
Pinwheel regulator designed for railroads, NAWCC museum
Many regions of Canada and the US observed local time and when coast to coast rail systems were constructed a unified time system was identified as a necessity. In the United States, the problems were severe, with one table showing over 100 local times in one region varying by more than 3 hours.
The first proposal for a consistent treatment of time worldwide was a memoir entitled “Terrestrial Time” by Fleming. Fleming was, at the time, the chief engineer of the Canadian Pacific Railroad, presented a proposal to the Canadian Institute in 1876. He produced modified proposals using the Greenwich meridian. Fleming’s two papers were considered so important that in June 1879 the British Government forwarded copies to eighteen foreign countries and to various scientific bodies in England.
Seth Thomas Regulator #2, a common railway clock
On 11 October 1883, two years after the invention of the toilet paper roll,
S. Wheeler and the toilet paper roll
a convention of railroad executives met in Chicago and agreed to the implementation of five time zones in North America, using as a basis, Greenwich Mean Time. Standard time was introduced at noon on 18 November 1883 across the nation though it was not legally established until 1918.
As we celebrate Sir Sanford Fleming’s birthday it is important to reflect on his contribution to the construct of organizing time; something all of us take for granted in our daily lives.
2018 was a successful year for my horological hobby in many ways. I met interesting people with fascinating stories, discovered new antique clock sources and had fun along the way. The best clock moments, in no specific order, during 2018 were:
Arthur Pequegnat Moncton
Finding an Arthur Pequegnat Moncton double-spring time-only wall clock was a big plus. This clock has been on my wish list for 5 years and I finally found one in excellent condition and the price was within my budget. This brings to seven Arthur Pequegnat clocks in my collection.
Seth Thomas #2 Regulator
The Seth Thomas #2 has been on my wish list for 5 years as well. This single weight-driven, time-only wall clock is from the 1920s. It is Mahogany veneered and like the Moncton is in very good condition. It is now hung in my front entry way.
Seth Thomas Regulator #2
August Schatz & Sohne W3 shelf clock
In August 2017 I asked for help finding a case for my Schatz movement after locating it in an antique store. Little did I realize that I would eventually have that case.
Rear plate
This is the result when you ask a 90 year old cabinet maker and joiner from Virginia to make a case for an August Schatz & Sohne W3 triple chime movement.
August Schatz & Sohne W3 mantel clock
A special thanks to all those who commented on articles and those who send me letters concerning their particular clock problem
Selling clocks
I sold two clocks this year not because I did not like or appreciate them but I must pare down my collection to allow space for new acquisitions. The Juba Schatz “bim-bam” time and strike mantel clock was one
Juba Schatz time and strike clock
and the other, a Mauthe Westminster mantel clock.
Acquiring new tools
Aside from small hand tools acquired this year, the most significant purchase was an L&R Ultrasonic cleaner which does a terrific job of cleaning clock parts.
Ultrasonic cleaner by L&R
Setting up and organizing my workshop
I managed to create space in my basement for an area to work on clock cases and other related woodworking tasks. A new drill press is on the far bench to the left.
New work area in basement
Cuckoo clock
My first cuckoo clock was a gift from my cousin this past year. It is in good working order but it will need a new set of bellows which will be one of my summer projects in 2019.
Dave’s cuckoo clock
Antiquevintageclock.com
I am pleased that my blog has also been very successful with over 93,000+ total views. I would like to thank all those who commented on articles and those who sent me letters concerning their particular clock issue.
I look forward to this new year and I am sure that 2019 will be an equally successful year as I further my horological pursuits.
The bad news is time flies. The good news is you’re the pilot
Ringing in the New Year is for reminiscing, reliving, looking back and looking forward.
As champagne corks pop, glasses are raised and fireworks explode into the sky, it is important to recognize the special symbolism this holiday brings with it. Amid promises of new beginnings and fresh starts comes a time of reflection and resolutions that more often than not tend to be short lived. Whether your goals consist of losing a little weight or improving your relationships with loved ones, it can make all the difference when hopes are transformed into words and actions.
Happy New Year clock lovers everywhere. Where will your horological journey take you in the months to come? Will it be finding that special clock, finally servicing mom’s favorite mantel clock or buying that unique clock repair tool?
Perhaps you have made resolutions that are not necessarily clock related and if so, avoid disappointment by making them specific, measurable, attainable, realistic and time-framed.
We all get the exact same 365 days. The only difference is what we do with them. There is an old Rolling Stones song called Time Waits For No-one and these two lines come to mind for this time of the year.
The dreams of the night time will vanish by dawn And time waits for no one, and it won’t wait for me
My wife loves those little craft shops that seem to pop up everywhere. While shopping for Christmas presents in Truro, Nova Scotia, she spotted an attractive Seth Thomas balloon alarm clock. It is not working, said the vendor but my wife knew that her clock loving husband would likely get it running in no time.
Art Nouveau styled Seth Thomas alarm clock
These clocks are not uncommon on online auction sites
Made around 1900, the clock features a metal case with openwork, scrolling details, a rectangular base with a central shell design. The dial is marked “Seth Thomas” to the center and “Manufactured in the United States of America” underneath the six. An alarm bell is housed in the base and yes, it is very loud. The clock measures 7.25″ W x 9.0″ H x 3.5″ D.
Made in US America
Not rare but interesting
These clocks are not uncommon on online auction sites. Though some describe the alarm clock case as cast iron or copper, it appears to be either plated cast brass or more likely spelter. Some would describe the style as Art Nouveau. Art Nouveau is an international style of art, especially the more decorative arts that were most popular between 1890 and 1910.
The dial features Roman numerals, a working inset sixty-second dial at the twelve, a twelve-hour alarm dial at the six and a cast metal bezel with a beaded pattern. The clock features two winding keys on the reverse (though one key is missing as well as one set screw) and is marked “Made in U.S. America.”
Back cover, with keys taken off
I took off the back cover, put it aside and cleaned it. The 30-hour movement with alarm was quite dirty, as expected. A thorough dismantling and cleaning is in order but for now, let’s see if it works.
Back cover removed
Let’s see if it runs
Using Keystone clock oil I applied oil to the pivots and those I could reach in the front without taking the movement out of the case. New oil introduced to old oil will eventually mix and cause an abrasive sludge that will hasten wear but I wanted to determine if the movement was capable of running. After the oiling, I gave the escapement a gentle push and the clock came to life and continued to run its 1-day cycle. The alarm feature works but I am missing the windup key and the time key does not fit properly. I am also missing the hands’ adjustment set key, so, a pair of pliers was used to set the time.
The clock looks great
I cleaned the case with a mild soap avoiding hard rubbing for fear of taking off the plating. The clock looks great and has a pleasant patina.
My wife paid $15 for the clock. Online auction and for-sale sites reveal realized prices all over the map, from $30 to $410. I am pleased that it is a working clock at a very reasonable price and a nice addition it to my modest alarm clock collection.
While browsing through an antique shop in Bloomfield, Ontario my wife spotted an antique glass cased brass time and strike American made Crystal Regulator with open Brocot escapement made by Ansonia. In the 1905 Ansonia Crystal Regulator catalogue it is listed as the Prism at a price of $29.00 which would have been a hefty sum at that time.
Ansonia four glass crystal regulator, after a cleaning
My wife has a good eye for these things. In the meantime, I was looking over the wide selection of Arthur Pequegnat wall and mantel clocks.
What is an American Crystal Regulator?
American crystal regulars were almost exact copies of French regulators complete with stylistic gong block, visible Brocot escapements, round movement plates and beveled glass panels. The French clocks were highly regarded at the time, often had mercury pendulums and were made by Japy, Marti, Vincenti and Mougin. American makers included Ansonia and Seth Thomas. American clocks often had faux pendulums which were commonly slugs of nickel. Though lesser in quality and price they are, nevertheless, quite collectable.
This is a faux pendulum; mercury flows, the metal in this pendulum does not flow
Clock condition
The four glass panels are in very good condition. There is a small corner chip on one glass panel that I noticed several days after purchasing the clock but it is not visible from the front of the clock.
Side view of the movement
The glass was likely damaged when the clock was serviced. Otherwise, the overall condition of the clock is good. The brass was tarnished as expected given its age (1910 or so) and with the help of Brasso cleaner it polished up nicely.
Dial showing Brocot escapement
However, a gentle push of the pendulum produces a few ticks and then it stops. I am not familiar with Brocot escapements and before I do anything I will research the movement before I disassemble it and give it a thorough cleaning.
I will detail the servicing of this movement in a future post.
During my travels through Ontario, I acquired a Seth Thomas Regulator #2, one of my newest additions. I discovered this clock in Bloomfield, a quaint village just minutes from Picton, a major hub in Prince Edward County renowned for its many wineries.
I first spotted the clock during a summer visit to the local antique shop and deliberated over the purchase for quite some time before finally deciding to take the plunge in the fall. These clocks are a rare find, and with the price being right and the clock in excellent condition, it felt like an opportunity I couldn’t pass up.
Perhaps best known as one of the most common regulator clocks in America, the Seth Thomas Regulator #2 was a fixture in many railway stations across the country during the last century—a testament to its accuracy and dependability. Robust, precise, well-engineered, and reliable, this timepiece was manufactured by Seth Thomas from 1860 to 1950, an impressive production run of 90 years. Few clocks can boast such longevity. It is an iconic American clock, and every serious clock collector aspires to own one.
Seth Thomas Regulator #2, circa 1922
A classic style, the #2 changed very little over the years. However, certain design characteristics help date the clock. The following identification guide describes dial and case characteristics that will aid in identifying the approximate year the clock was made.
The most distinctive visible characteristic is the design of the base.
The base of the clock
Aside from the distinctive base, all but the earliest #2s had the pendulum mounted in the rear with “T” hands.
The chart also lists the limited run reissue in 1976. Most Seth Thomas aficionados would agree that while the reissue is a handsome and well-made clock that is a testament to the original it is not in the same realm as an authentic Regulator #2 and the prices for these versions reflect accordingly. However, those who have the reissue seem to be pleased with their acquisition.
ccording to the chart, my clock was made between 1922 and 1929 and features a base reminiscent of the earlier 1860 version of the #2. It has Arabic numerals with spade hands, and the bow-tie connecting the wooden dial bezel to the drop is a single piece (earlier versions featured a three-piece bow-tie). The clock includes a second hand positioned 2 inches above the center cannon; however, it is not a true second hand, as it runs off the escapement and takes 80 beats to complete a “minute.”
Measuring 36 ½ inches in height, the clock is veneered in mahogany. The movement is stamped with “77A” in the bottom right corner, with the letter “K” underneath, but it bears no other markings. While some versions of the 77 movement have lantern pinions, this one is equipped with cut pinions.
Are there issues with this clock? Certainly, it is over 90 years old! There is minor loss on the dial, no label, a finish that has lost its luster and paint splatter on the top of the case not visible from the front. Is it really so hard removing a clock when painting a room!
Is it Perfect?
I brought this clock from Ontario to Nova Scotia by car. Removing the pendulum for transport is not a particularly simple process but if you are familiar with the pendulum arrangement on a typical weight-driven Vienna Regulator this one is no different. Like Viennas, the pendulum is hung behind the movement.
Both the weight and the pendulum must be removed for transport. There is many a story of broken glass when weight and pendulum are free to move around inside the case. To remove the weight, simply unhook it from the cable wheel.
There are minor issues with the dial-face
To remove the pendulum the movement must be taken out. First, the hands are taken off. In this version, the minute hand is held in place with a nut. Older ones have a pin. There are 8 small screws that hold the dial in place. Once the dial is removed, two larger screws on the wooden second-hand rail are removed. Four cylindrical column posts hold the movement in place. Unscrew these beginning with the bottom two and lift the movement out. Once the movement is out, the pendulum can be unhooked from its suspension spring. The entire process takes less than five minutes.
The trapezoid 77A movement with maintaining power in this clock looks clean. There is evidence of having been worked on in the past as there are 4 punch marks around the winding arbour to close the hole; a common practice in the past to close a pivot hole. Otherwise, the movement looks very good.
Trapezoid 77A movement
Getting the clock to run reliably was a challenge and it took a week or so to sort it out. The clock would run for a few minutes and stop.
Following a process of elimination, I removed the movement, inspected it for wear, found very little, oiled the pivots, and returned the movement to the case. I installed the dial, then the hands. The clock would run for a few minutes and stop. I removed the hands and dial; left the dial off but reinstalled the hands. Still, it would run only a few minutes. I then took the dial and hands off. I ran the movement for four days to eliminate any underlying issues and to convince myself that the problem lay in the positioning of the hands. The problem was definitely with the positioning of the hands.
On day five, I put the dial back on, then the second hand ensuring that there was sufficient clearance between the second hand and the face. Next, I put the hour hand on the pipe and pressed it in far enough to clear both the second hand and the minute hand. I attached the minute hand, inspected it for sufficient clearance, and screwed it in place. I started the clock.
Success at last! Regulating the clock is fairly simple and is achieved by turning the rating nut on the bottom of the pendulum. This clock must be level and in beat to function properly.
I used Murphy’s Soap to clean the grease and grime from the case. I chose to leave the paint splatter intact, as it adds a bit of character to the clock. Additionally, I polished the brass weight and pendulum bob to restore their shine.
The view from our front door
This clock boasts a striking appearance and a rich, illustrious history, making it a perfect addition to the front entrance of our home. Unfortunately, its journey over the past 90+ years remains a mystery.
The question of whether it qualifies as a “true regulator” is a debate for another time.
This is Part III, the last of a three-part series on restoring this beautiful German FMS Mauthe wall clock. Part I can be found here. Part two can be found here.
This antique Victorian style German time and strike FMS Mauthe wall clock was purchased from a family living in Truro Nova Scotia that once resided in the town of Parrsboro over 100 years ago.
I have covered movement servicing in a previous article and now for case restoration. The case is part walnut veneer with softwood turns, frame and backboard, likely pine or poplar. All original wood surfaces were stained or lacquered to resemble walnut.
Time and a harsh environment have not been kind to this once majestic clock as the finish was in very poor condition. Stripping the case was my only option.
Mauthe crown, missing right finial
Base of clock
Stripping and staining were quite straightforward but time-consuming. After rubbing with steel wool I applied stain called Special Walnut, a light stain by Minwax which had the effect of enriching the grains even further. After the case was sanded I then applied 5 coats of shellac making the shellac in the traditional way with flakes and alcohol. I found a 1 lb cut ideal for this project.
The finish was probably the worst aligorating I have seen
Turned door column
Refinished corner section
As mentioned in a previous post, the movement was cleaned and two bushings were installed on the time side and one on the strike side. It was mounted in its case and has completed a successful testing period.
Although I was pleased with my work on the top door crosspiece, I could not find one clock online with a crosspiece similar to it from that period. Back to the drawing board!
Ogee style crosspiece on top of the front access door, stained to match case (later removed)
An Internet search for clocks of that style and period revealed that every clock had an arched top trim piece much like this Junghans Crispi wall clock from 1899.
Walnut veneer is preferred but I had to make do with oak plywood. Oak has a more pronounced grain but the end result looks good. Using a router I cut 3/16 inch oak veneered plywood into 2 curved pieces. Making a turn on a router is not as easy as it looks and it took me several attempts to get it right. After the 2 sections were cut (left, right and joining in the middle) I applied a darker walnut stain to match the case. I then covered the pieces with several coats of shellac then glued the two sections onto the top door frame.
The arched trim piece is an improvement and more in keeping with the design of the clock at that time.
Arched trim
The top finial was purchased from a supplier and stained to match the two lower finials.
The top final is new and stained to match the other two
Unfortunately, there is not much I can do about the darkened celluloid dial. Celluloid dials are almost impossible to clean. Replacement is an option but it would look out of place.
Celluloid dial with brass centre piece
The clock is now finished. The last step is regulating the movement.
The following is a breakdown of the costs & work completed:
Costs:
Purchase price $100
Amber shellac flakes, alcohol, brushes, containers – $75 (this cost will be spread over future projects)
Razor scraper for glass cleaning, $5
Finial $3
Furniture stripper $10
Suspension spring $4
3/16 inch plywood $12.95
Corner doweling for the crown (left side) $6
TOTAL: $212.95
Traditional shellac is the only way to go
Work done:
Case stripped down to bare wood with furniture stripper, all surfaces except side frames
Sanded case
1 coat of Minwax “Special” walnut stain which is lighter than dark walnut
5 coats of shellac, 1 lb cut, rubbed with fine steel wool between coats.
Crosspiece for top of door fashioned from kitchen cabinet moulding, stained to match case, shellacked (later removed)
Arched top door insert made from 3/16″ oak veneered plywood, stained and shellacked
Adler gong and rails, cleaned & repainted
Beat plate cleaned and made flat, as flat as possible without damaging it!
Centre pan of dial face cleaned
Hands painted with flat black acrylic metal paint (2 coats)
New top centre “curtain rod” finial from Lee Valley, stained and shellacked, hole drilled for support post
Crown support rail constructed of softwood
Movement disassembled & cleaned in ultrasonic. Unable to remove the spring barrels. 3 bushings installed
Glass removed, scraped of shellac residue, cleaned and reinstalled. The residue told me that the case had been shellacked at least once in the past
The finished product
A satisfying project that resulted in the transformation of a clock that had been ignored for too long. its underlying beauty can finally be appreciated. Would I do things differently in the future? For the most part, no but there are some minor things I would approach in a different way. Case restoration is a learning process and each new project presents an interesting and unique challenge.
The clock has now been returned to its former glory and will now occupy a prominent location in my home.
I discovered this Arthur Pequegnat Moncton in an antique store in Bloomfield, Ontario. I had my eye on it during a visit to the antique shop this past summer (2018), thought about it before taking the plunge later in the fall to buy it. These clocks do not come up very often and the price was right.
The Arthur Pequegnat Clock Co. made clocks in Kitchener, Ontario (Canada) from 1904 until the company closed its doors in 1941. The clock firm was originally founded in 1903 by Saas & Ford but was purchased by Arthur Pequegnat the following year.
Canadian clock collectors are very familiar with the name and associate Arthur Pequegnat clocks with solid construction, robust movements, conservative designs and nationalism since many clocks were named after towns and cities in Canada. However, the use of city names began to decline in the late 1920s when models such as the Eclipse and Swan were introduced. Arthur Pequegnat also showed his patriotism to the Royal family and to Canada and therefore named a number of models, the Monarch, the King Edward, the Maple Leaf, the Dominion, the Canadian Time and so on.
Pendulum, beat plate & centre cut rounded bottom
Pequegnat made mantel, parlour clocks, as well as Mission, kitchen, gingerbread, tambour, wall, and floor models (hall clocks). In most households of the period, a clock was a decorative status symbol, not just a timepiece, and was displayed in a prominent place in the home—usually the parlour.
Prices increased over the period the Pequegnats were in business but ranged from four dollars for the Midget to seven dollars for the simple round Toronto model, to $112 for the Alberta floor model in mahogany. The wide variety of designs and relatively low prices appealed to many Canadians. Today, the appeal of these timepieces remains as Pequegnat clocks are sought after by Canadian collectors.
This, the Moncton, is the seventh Arthur Pequegnat clock in my collection. This clock is named after a city in the province of New Brunswick (Canada). It is only fitting that Pequegnat supplied clocks to the railway as Moncton was once a rail hub for the Canadian National Railway.
This clock is in good condition overall. It has a 12 inch Arabic dial with simple, bold numbers. The pierced spade hands are attractive and are a feature on many Pequegnat wall clocks. It has a fumed quarter-sawn oak case, is 35 inches high with a hinged 16 inch oak bezel door that swings to the right to reveal the dial. The drop door is 14 ½ inches high by 10 ¾ inches wide and also swings to the right. The clock is 5 inches deep with wall stabilizers on either side of the case. The pendulum bob is brass over iron with an oak pendulum rod. The dial glass appears to be original and has the “waviness” you would expect with glass that is over 80 years old.
View of lower case
Although the lower glass has the same waviness it appears to have been changed out early in the clocks life as the retaining rails look to be replacements. Unfortunately, it is missing the label. Other minor issues are a small scratch on the dial face that is visible when the light is right and a screw hole on the back panel just below the beat plate to secure the clock to the wall. Evidently the stabilizers were not used.
This clock was made after 1916. Those made prior to that date were inscribed “Berlin” (Ontario) on the dial. On 1 January 1917, anti-German sentiments in Canada during the First World War spurred residents of Berlin, Ontario to change the city’s name to Kitchener. This is the only definitive way of dating a Pequegnat clock so, this clock would be between 80 and 100 years old. The Moncton wall clock was manufactured almost as long as the company was in existence.
The Moncton is a 15-day time-only clock with two winding arbours on the dial face. This is achieved by means of two mainsprings both of which are wound at the beginning of the running cycle releasing their power together. Two other wall clocks, the Regina and the King Edward (variant) were also available with a 15-day double spring movement. However, unlike most spring driven clocks that have recoil escapements this movement has a Graham deadbeat escapement which contributes to its accuracy. The seconds hand is not a true second hand and runs off the escapement taking 80 beats to complete the “minute”. As a testament to its accuracy and dependability many of these clocks were ordered as train station clocks across Canada.
Two winding arbours for double spring time-only movement
The “Moncton” came in two basic styles. One was made for Canadian National Railways and was five centimeters (two inches) shorter than the regular model. Some such as this one, were fitted with a seconds hand on a separate dial above the main hands. This feature is also found on the Regulator I which was Pequegnat’s most accurate model. The 1st Issue was 33 1/4 inches high by 15 1/2 inches wide with the triangular bottom. The 2nd issue of the clock has a height of 33 1/4 inches and a width of 16 inches with a centre cut rounded bottom. The 2nd issue clock is also found with cases that measure 35 inches in height such as this one.
Moncton first issue, Roman Numeral dial
The “Moncton” was first featured in the 1913 catalogue and the again in the 1918, 1920 to 1925 Wall Clock catalogues and Pequegnat’s final catalogue put out in 1928.
The Moncton closely resembles the Seth Thomas #2 in size and shape down to the seconds hand, 80BPM and beat plate but unlike the #2, the Moncton is spring driven. The Moncton was an alternative to the #2 which was a well made American regulator but costlier and with a shorter running cycle.
Seth Thomas Regulator #2
The seller tells me that the clock came from the north of Toronto (Ontario) and apologized for not knowing more about its history. He has had it for about 1 ½ years.
I removed the dial to inspect the movement. As expected it is large and heavy with solid plates mounted to an iron frame. It is not difficult to see that it was designed to be rugged and dependable. I did not check the back plate but judging from what I see on the front plate there appears to be little wear. The first wheel on the right side is the only one that has a newer bushing. Given its condition it was well cared for and did not have a hard life.
Large and heavy time-only movement
This clock has been on my wish list for some time.”Monctons” are up for sale from time to time, but they are getting harder to find. I have seen examples come and go but this one is in great shape and the time was right to add it to my collection.
This is Part II of a three part series on restoring this beautiful German FMS Mauthe (Friedrich Mauthe Schwenningen) wall clock. Part I can be found here. Part III, in a week or so, will cover case repairs and refinishing.
This attractive antique Victorian style German FMS Mauthe wall clock was purchased locally from a family that once lived in the town of Parrsboro. Nova Scotia over 100 years ago.
Why would someone solder the minute hand to the arbour
In this post I will discuss servicing of the time and strike movement.
As I began taking off the dial I noticed that the minute hand had been soldered to the arbour. Not only that, it was in backwards. A taper pin should secure the minute hand, not solder. Using a butane torch I freed the hand. Once the hands are off, removing the dial requires pulling 4 pins from the support posts. Following that, the bottom rail, which is secured by two machine screws, is removed. Now to work on the movement.
Very dirty movement, in need for a good cleaning
Before we do that, let’s look at the numbers on the back plate. 105 is the number of beats per minute, 42 is the length of the pendulum rod in centimeters. The number 55006 is a patent number which was issued to Heinrich Kielmann (Ruhrort/Rhein) in 1890/1 and concerned the method of hanging the pendulum. The number 20934 refers to a production run but I have no idea what date is assigned to that number. The Adler gong has the FMS eagle on the block and from my research the eagle was placed on gongs going forward in 1898. Therefore, the clock is from about 1898 – 1905.
Coiled gong and gong block by Adler
The movement has not been serviced in some time. Expecting to see a significant amount of wear, I was pleased to discover the movement in generally good condition.
The pallets had little or no wear and the escape wheel likewise looked good. The pivots had very little wear and polished up nicely. There were 4 pivot holes that needed some degree of attention. I decided that two on the strike side were not so bad that they could wait but two others were quite worn, the centre wheel, front and the motion works wheel just above it. This is expected as these wheels carry most of the load from the mainsprings.
2 of 3 Bushings were installed for these pivots
The count wheel strike and motion works
After a 30 minute cleaning cycle the solution was quite dirty, in fact so dirty that I disposed of the solution
I take plenty of photos as an aid in helping me relocate the movement parts on reassembly. Sometimes the wheels on the strike and time side look similar. In the case of this movement there was no confusing which side the wheels should go.
I disassembled the movement and placed the parts in my ultrasonic cleaner. After a 30 minute cycle the solution was very dirty, in fact so dirty that I disposed of the solution (it is biodegradable). Reassembly was straightforward as most of the adjustments to the strike side occur outside the plates, unlike a typical American time and strike movement where there a myriad of levers and helper springs that seem to pop out when you you are trying your best to get everything set up between the plates.
As a side note, Mauthe did make time and strike movement with the count wheel located between the plates and with conventional wire levers.
The only critical adjustment is the stop wheel which has to be in the correct position otherwise the strike will not function correctly. Trial and error is needed to get this right but I set it correctly on the first attempt.
Stop pin on the strike train; positioning the stop pin upon reassembly is critical
Unfortunately, I do not have a test stand tall enough for this movement and the case was used to test the movement. The movement slides in and out on a set of rails making it relatively easy to make the necessary adjustments.
Cleaned, reassembled and installed in the case for testing.
One issue, a broken suspension spring. Could have been my handling of the movement or it was already broken. Nevertheless, my order from the supplier arrived and the spring has been replaced. Most clockmakers would agree that it is a good practice to replace the suspension spring as they weaken with age.
During testing the strike side was sluggish and would not engage from time to time. I attributed this to an enlarged pivot hole on the star wheel, back plate one of the two I noticed earlier. The new bushing was a very small #7 Bergeon at 0.80 mm (inside dimension) with very little margin for error. With the new bushing (a total of 3 for the movement) the strike side was still sluggish. After taking the movement apart again I found a slightly bent arbour on the second wheel of the strike side which I fdiscovered when I attached it to my lathe. Using a hollowed punch tool I straightened it out.
Broken suspension spring
The reassembled movement was oiled and mounted in the clock case. The recoil escapement is adjustable and a slight tweaking of the verge corrected the beat. After a few frustrating adjustments exacerbated by a bent arbour, the movement is running well after servicing.
Next, I will cover case refinishing for this fine old clock.
NOTE: After completing this project I designed and built an extension for my movement test stand to allow me to work on movements with long pendulums such as this one.
Every horologist should have sturdy clock stand for testing clock movements.
If you have Gene’s movement test stand to test your clock movements you have chosen one of the best stands for clock repair. It is well-built, adjustable and simple to use. It is one of the best test stands I have ever used but it is not perfect.
While Gene’s test stand is excellent for mantel and shelf clock movement testing it is not ideal for most wall clock testing. I was tired of propping the movement stand up with books and pieces of wood to gain height so I decided to address the problem by constructing a cheap and effective extension for testing those movements with long pendulum rods which includes many wall clocks that I enjoy working on. I initially thought about building an entirely new stand for wall clock movements but building an extension to Gene’s stand made much more sense.
Although this extension addresses a shortcoming of Gene’s movement test stand, should you require something taller for grandfather clock movements you can easily modify this one to suit your needs. I do not work on grandfather clocks; the size is right for my purposes.
Frame constructed of plywood and spruce board
1/2 inch C shape platform
The extension consists of four legs, three of which are braced approximately midway on each side and the back with a lower brace along the bottom front. It has a plywood platform on the top where Gene’s stand rests.
Gene’s stand is mounted atop the extension
The extension has no adjustments although leveling can still be achieved on the Gene’s stand by means of the 4 adjustment bolts on the bottom part of the stand
A clamp (or 2) secures the stand to the extension
The extension has no adjustments although leveling can still be achieved on the Gene’s stand by means of the 4 adjustment bolts on the bottom part of the stand. The legs are 1/2″ by 1 1/4″ spruce. The extension measures 18 1/4″ high by 9″ deep by 9 1/4″ wide. I used carpenter’s glue and for extra rigidity and 1″ screws (pre-drilled holes) to secure all the pieces together. I sanded it and applied a clear topcoat to give it an attractive finish. This is a project that took me less than two hours.
Simply attach the extension when you need it. A clamp or two can be used to secure the stand to the extension but I might design something more effective later.
You need some form of stand to test movements and if you do not have one, I highly recommend Gene’s Movement stand. The extension makes it even better. Let me know what you think.
At 2:00am Sunday morning, the 4th of November, set your clock one hour behind. That is, if you live in Canada. Your time change date may vary according to the country you live in. Consider yourself lucky if your your country does not observe this archaic convention.
If your country uses Daylight Saving Time (DST), you must change your clocks twice a year.
Seth Thomas Regulator #2 wall clock
“Spring Forward – Fall Back” is a phrase most often heard in the USA and Canada. In North America the word “fall” is used to denote the season, while other English-speaking countries call it autumn. Set your clocks forward 1 hour in the spring at the start of DST (Daylight Saving Time), and 1 hour back in the fall when DST ends.
Records show that the phrase “spring forward, fall back” has been in use at least as far back as the early 20th century. It is the practice of advancing clocks during summer months so that evening daylight lasts longer, while sacrificing normal sunrise times.
Is this attractive 30 hour weight driven Ogee a Waterbury, a New Haven or an E.N. Welch? All of the above, actually and perhaps more.
The older the clock and the greater the number of owners means there is an increased chance that there have been minor and even significant changes to the clock
Is it a marriage or a Frankenstein?
When horologists speak of a marriage they mean the clock in its entirety is not original. It generally means the movement is not original to the case but it can have other meanings as well. Various parts and components might have been added or changed over time. Over the life of a clock it has often been in the hands of many owners particularly if the clock is well over 100 years old. The older the clock and the greater the number of owners means there is an increased chance that there have been minor and even significant changes. Each owner may add or take away components in the interest of having a reliable clock while sacrificing authenticity. Functionality trumps aesthetics. When a clock goes well beyond the horologists definition of a marriage, it is called a Frankenstein.
A Frankenstein clock is made up of a mixture of clock parts from many makers. In this case, a previous owner acquired a number of non-working Ogee clocks, took what was salvageable from each one and constructed a working clock.
New Haven 30 hour movement
This clock was purchased at auction as a non-running example and cost the owner very little money. I was asked to take a look at it and perhaps “do something to make it run”. It came complete with weights for both sides missing only the pendulum bob and the correct key. The key that came with it was a #3 mantel clock key as the original would have been a crank style key. One weight was stuck in the right channel past its hook; the other was loose in the case; not a good way to transport a clock. Though difficult to tell if they are original to this clock, the weights are those typically found in a 30-hour brass time and strike movement.
The numbers have been repainted by the writer
The dial is not original to the case though it is correct for the period. There is a stamped impression in French on the back of the dial suggesting that the clock it was attached to was intended for export to France (Chauncey Jerome?).
Tablet design
The tablet is a nicely detailed floral design but has some loss as one would expect given its age. However, the tablet and the door do not appear to be original to the case. There are small blocks under each hinge suggesting the door was “made to fit” this case. Nails are used on one hinge and screws on the other.
Waterbury coil gong
The case is an E.N. Welch, the time and strike weight driven movement is New Haven and the coil gong is a Waterbury.
The aluminum spindle for the cable just above the movement on the right side is an curious touch.
Aluminum spindle
A wall hook at the top and back of the case suggests that it was hung rather than having sat on a shelf. Knowledgeable Ogee clock owners know that these clocks were never meant to be hung though many were displayed in that manner.
I took the movement out of the case, inspected it for wear and found it to be in very good condition with no obvious pivot, tooth, pinion or click wear. The verge and escape wheel similarly had little wear. The cables for the weights should be just long enough to bring the weight to the bottom of the case with a little to spare. On both sides the cables were twice as long as they should have been. The suspension spring and rod which is a later replacement, is too long as the bottom of the spring touches the crutch loop. The crutch loop had been incorrectly turned 90 degrees requiring a simple twist with pliers to correct it. How it ran is a puzzle since there was no impulse transmitted from the crutch to the pendulum rod. A previous owner, though well intentioned had little knowledge of how a movement functioned.
Incorrect grain direction on top piece
The rosewood veneer though dulled with age is in fair shape and had acceptable repairs with the exception of the flat horizontal strip on the top front, which upon closer inspection, is a replacement with simulated grain oriented in the wrong direction. Other issues are minor chips on the bottom edge of the case, two pieces of missing veneer on the right side and slight bubbling of veneer on the top left side panel.
Veneer issues
So, what is this clock exactly?
The answer is that it is a 30 hour Ogee clock. It is also an amalgam of many clock parts, a Frankenstein. From afar the entire clock looks very good, but closer examination immediately reveals it many sins. As they say, “Nice from afar but far from nice!”. A resourceful person took all the good parts from a variety of clocks and combined them to make a clock that actually runs and keeps good time.
Is it a keeper?
For discerning clock collectors this example is far from acceptable and certainly diminishes the value of a clock considerably even if it runs well. An expert looks for precisely these things prior to any decision and any serious collector of Ogee clocks would instantly walk away. For someone either interested in the history of clock production or those entering the world of clocks wanting a cheap clock to practice and learn with, it is certainly worth keeping.
The clock is running strongly and striking as it should following a cleaning and oiling. This 30 hour New Haven, Waterbury, E.N. Welch Ogee clock from the 19th century would fool most people.
It reminds me of that old expression….Caveat Emptor (Let the Buyer Beware)!
When people ask about my clock collection their first comment is, “Do you have a cuckoo clock”. No, I say and their reply typically would be “You should have one!” I often wonder why folks think I should have one. I suppose many collectors have at least one in their collection. Now when they ask I can now say, “of course I do”.
sellers are interested in a sale and do not need to know anything about the clocks past
Thank you, Uncle Dave.
I have acquired most of my clocks at flea markets, auctions, word of mouth etc., even had a few given to me but I know little about their history. The sellers are interested in a sale and do not need to know anything about the clocks past; unfortunate but it is what it is.
This is not any old cuckoo clock. This one is especially important……to me at least. This one can actually talk to me. I’ll explain.
My cousin Dave (we called him Uncle) died in 2017and his family knew that he loved his cuckoo clock. Rather than give or sell it to a stranger they decided to hand it over to the family clock guy…..me! Dave was related through my father’s father and has a cottage next door to ours in the province of Quebec. Dave was a helluva a guy and he would do anything for you. He loved life and cherished it to the end.
From time to time you will find service dates written or stamped inside vintage or antique clock cases. These dates give you an indication of the age of the clock and how well it was cared for over the years
In the early 1970s, he and his wife went to Germany for a tour, returned to Canada and regretted not buying a German cuckoo clock. So, he promptly went to the Cuckoo Clock Shop in Ottawa (our nation’s capital) and bought one. He also wanted it in running order. Over the years whenever it stopped he had it promptly repaired.
Back of clock
he history of an object is a window to its past. This clock is a common 30-hour cuckoo clock made in West Germany in July of 1975 (photo below).) and thousands of these were made and sold all over the world. It has a Regula movement, still made to this day. Regula movements are made by SBS-Feintechnik, and are dated by a letter code. This one has the letter “V” which indicates that it was made in 2007.
German made 30-hour cuckoo clock
The clocks complete service history is recorded on the back panel. When I opened the back access door to inspect the movement and the condition of the bellows I found all the dates when the cock was brought in for repair. From time to time you will find service dates written or stamped inside vintage or antique clock cases. These dates give you an indication of the age of the clock and how well it was cared for over the years.
Detailed service history behind the access panel
Oct 10, 1978, clean oil adjust, major repair
Sept 22, 1988, CXO (clean and oil) adjusted by “AO”
October 30, 1990, new movement, repair by “AO”
Jan 1996, 5996 (job #) clean, oil & adjust
April 27, 2007, 9869 (job #) new movement and chains
From the service records, I observed that the clock is on its third movement. It is often simpler (and cheaper) to replace the movement in a cuckoo clock rather than to repair it. Attempting to repair a cuckoo clock is very time consuming, frustrating, and costly. In addition, if the entire clock had to be shipped, the case usually incurs extensive damage as it makes its travels. This is the reason most clockmakers no longer accept most cuckoo clocks for repair.
Regula 1-day movements typically cost less than CDN120. The cost of servicing a two-train clock locally is CDN225 and up, so, replacing the movement is a logical decision.
Cuckoo clock bellows on left and right.
I oiled the movement, installed the weights and now it is a lovely little 1-day clock that dutifully cuckoos on the hour.
We have a number of clocks in our summer cottage and my wife and decided that that is where it should hang. Everyone who visits marvels at the sound of the cuckoo clock, it is so distinctive. Now they say, “that’s a nice cuckoo clock, where did you get it?”.
It is not perfect. Sadly at some point in every cuckoo clock’s life, it needs the bellows replaced and these bellows are brittle and in poor condition. A cuckoo clock that does not cuckoo is, well, just another clock! The bellows is a cottage project for next summer.
If one were to ask those with a keen interest in Canadian antique clocks, the word Pequegnat would immediately come to mind. Pequegnat produced clocks for close to 40 years and left an indelible mark on Canadian culture.
Predating Arthur Pequegnat is a lesser known clock maker (or clock-makers) that made clocks between 1872 and 1884. The Canada Clock Co, and the Hamilton Clock Co. struggled over a 12 year period to put Canada on the clock-making map. In 1872 the Canada Clock Co. established itself in Whitby, Ontario (Canada) but lasted just 4 years before failing, though largely due to a devastating factory fire.
Canada Clock Company cottage clock
Out of the ashes came another attempt in 1876 and key principles including manager John Collins moved to Hamilton and set up the Hamilton Clock Company. After 4 years this new company also failed and production halted in 1880. In late 1880 one more attempt was made to establish a new company called the Canada Clock Company resurrecting the old name. It is still based in Hamilton at the old Hamilton Clock Co. factory. Success was short-lived as the company declared bankruptcy in 1884 ending a dozen years producing clocks for the Canadian market.
Although both movements and cases were made in Canada they were copies American styles
Canada Clock Company, Prince of Wales parlour clock
Canada Clock Company, City of Hamilton parlour clock
I have grouped the clocks from the three companies and these are their characteristics. The most common clocks found today are the weight-driven, thirty-hour “Ogee” style, with colourful birds or flowers surrounded by a black background on the glass tablet. At least five different labels are known, four have a beaver on them. The large printed paper label was located inside the case on the lower back. Spring-driven mantel clocks with plain cases were also made with thirty-hour movements. Although both movements and cases were made in Canada they were obvious copies of American styles.
Hamilton Clock Co Gothic steeple clock with etched glass tablet
Clock label showing the Hamilton Clock Company factory
Also produced was a spring-driven “school house” wall clock.
At least sixty models of spring-driven mantel clocks are known, with both thirty-hour and eight-day movements. Most of the door tablets (Canada Clock Co.) have acid etched glass designs, unique to the two Hamilton-based companies and done in association with a local glass factory. Wall clocks are also found with the Canada Clock Company, Hamilton label.
The most desirable clocks are the ornate time and strike parlour clocks such as the City of Hamilton and Prince of Wales pictured above.
Unfortunately, a valiant attempt to grow a home-bred clock company failed miserably. However, the clocks of all three companies are highly sought after by Canadian collectors today.
Found this little schoolhouse clock not 10 minutes from where I live. It is a Sessions Drop Octagon. It was manufactured in Forestville Conn. USA in the early 1920s and spent most of it’s life hung in a one-room schoolhouse near Springhill, Nova Scotia (Canada). The seller said that he had taken it out of the schoolhouse when it was decommissioned in the 1970s and it has been in storage ever since.
It is small, measuring 21 inches high by 13 1/2 inches wide and with a 7 inch Arabic dial.
Foxing
“It’s not running” he said. “Fine” I said. I took it home and had it running within 10 minutes. Although it ran strongly it required a good cleaning. I took the movement out of its case, dis-assembled it, cleaned all the parts in an ultrasonic cleaner, polished the pivots, cleaned and oiled the mainspring, installed 2 bushings, reinstalled the movement, tested it and set about cleaning up the case.
Time-only movement
After a Murphy’s Soap clean-up to the case I let it thoroughly dry then applied 2 coats of shellac to bring back the natural luster of the wood which was in otherwise good condition. The clock face had some foxing, which, in clock circles, means that some of the tin byproduct had leached through to the paper label and discoloured it. A little unsightly but I decided to live with it. I hung it up over my desk as one of a trio of time zone clocks to remind me of the time where my kids live.
Time zone clocks, Session clcok on right
The clock is a loud ticker but it runs well and should be reliable for years to come.
Need a quick primer on developments and inventions in horology. You have come to the right place.
18th Century shelf clock Porto, Portugal
Though by no means a definitive guide the following are some important dates in the history of the clock as gathered through a number of sources. The difficultly in affixing some dates with precision results from discrepancies among sources.
Horological developments during the centuries before the mechanical clock are left out altogether. Water (Clepsydra) and sun clocks of the middle ages and astronomical clocks of ancient China deserve special mention but are the subject of a separate discourse and are not included here.
Important dates in Horological Development
CA. 1300 – First mechanical verge clock, Europe
1364 – Astronomical clock conceived by Giovanni de Dondi, Italy
1386 – Tower (turret) clock Salisbury Cathedral, England
Salisbury cathedral clock, photo by Dr. Meghan Joiner
CA. 1400 – Fusee invented by Jacobs, Czechoslovakia
CA. 1450 – Table clock with spring and fusee, Phillip the Good of Burgundy, France
CA. 1500 – Mainspring invented, Germany
CA. 1510 – Watch invented by Peter Henlein, Germany
CA. 1560 – Spring driven portable clock, Germany
CA. 1570 – Oldest known clock with a second hand, Orpheus clock, Germany
1637 – Galileo, swinging temple lamp, pendulum control conceived, Italy
CA. 1650 – First tower clock appears in Colonies, America
1656 – Pendulum clock devised by Huygens, Holland
1657 – Verge and foliot gives way to pendulum control, Huygens, Holland
1658 – Long-case prototype made by Fromanteel adapted from lantern clock, England
1660 – Balance wheel conceived by Hooke, England
CA. 1675 – Richard Towneley invents the dead-beat escapement, England
1675 – Balance wheel with spiral spring invented by Huygens, Holland
CA. 1675 – Recoil escapement and crutch invented by Hooke in collaboration with Clement, England
1676 – Rack striking developed by Barlow, England
1680 – 1700 – famous horologists of this era were Arnold, Earnshaw, East, Graham, Knibb, Compion and Windmills of England; Berthoud, Breguet and LeRoy of France
1701 – St Sulpice seminary tower clock (imported from France), Montreal, Canada
1713 – Harrison invents marine chronometer, England
CA. 1715 – Break-arch dial introduced
1715 – Graham perfects deadbeat escapement, regarded as the “father” of the dead-beat escapement
1717 – First tower clock of America, Benjamin Bagnall, Boston
1726 – Mercurial pendulum invented (temperature compensating pendulum), Graham, England
1726 – Wall clock by Thomas Bennett, 8 day brass, weight driven, America
1736 – Harrison’s marine chronometer tested at sea (accurately ascertaining longitude), England
1770 – White dials appear in English longcase clocks
1776 – Independent seconds train invented for watch, Pouzait, Switzerland
1790 – Vienna regulator style case emerges in Austria
1790 – American woodworks clocks begin to be appear
1802 – Willard patents his banjo clock, America
1806 – Terry introduces Pillar and Scroll clock, America
1809 – Martin Cheney leaves America to set up a clock-making shop in Montreal, Canada
1810 – Carriage clock (Pendule De Voyage) introduced by Breguet of France
1818 – Heman Clark makes wrought brass movement for Pillar and Scroll case, America
1825 – Rolled brass production begins in America
1837 – Noble Jerome 30-hour brass movement patent approved, America
1840 – American brass movements in mass production
1842 – American brass movement clocks exported to England by Chauncey Jerome
1845 – Wood-works movement production ends, America
1850 – Westminster tower clock designed by Lord Grimthorpe and made by Dent, England
CA. 1850 – Brocot (pin-wheel) escapement and pendulum suspension introduced, France
CA. 1850 – American mass production of watches begins
1860 – Junghans (Germany) sent to America to study American mass production techniques
1870 – Decline in English long-case clocks
1874 – Mass production of mantel and wall clocks begin in Whitby, Canada,
1900 – American clock production is at its height; makers are Ansonia, Ingraham, Gilbert, Howard, New Haven, Seth Thomas, Waterbury, and Welch
1904 – Arthur Pequegnat begins clock production in Berlin, Canada
1906 – Eureka electric clock introduced, America
CA. 1910 – Torsion pendulum clock (400-day) introduced, Germany
1920-40 – Decline in American mechanical clock production
1941 – Arthur Pequegnat ceases production, Canada
CA. 1960-70 – End of mass produced mechanical clocks, America (though cheaper Japanese, Korean & Chinese mechanical clocks flood North America)
Present day – Some movement and clockmakers remain; Howard Miller (Ridgeway), Keininger, Hermle, Chelsea, Jaeger LaCoultre among others
The clock is one of mans greatest achievements. The development of instruments to tell time is the unwavering toil of brilliant minds from many disciplines who, over 800 years, worked tirelessly to create, innovate and improve methods for telling the time.
Horology is not only the study of time but the synergy of art, joinery, fashion, design, décor, physics, engineering, metallurgy and mathematics. Indeed, the study of the mechanical clock is a microcosm of our society.
Some folks collect clocks without actually working on them. Collecting clocks and repairing them are two very different things. I know people who would gladly send their clocks out for servicing and don’t seem to mind the extra cost. I like to do my own work.
If you work on your own clocks or service clocks for others you know how important it is to ensure safety at all times. Servicing a clock movement requires that you disassemble it completely and safely. There are specific tools designed not only to make life easier as a clock repair person but will ensure your safety at the same time.
Before taking the pins or nuts from the movement plates there are important steps you must follow to ensure your safety working with movements. There is a minimal threat of injury working with weight driven clocks (unless a weight drops on your foot) so the following information pertains to spring driven clocks be they open mainsprings or springs contained in a barrel. The let-down tool is designed specifically for spring driven clocks.
Click, click spring and ratchet
The letdown key is engaged prior to releasing the click
Some clock movements from French, English and German clocks, for example, contain mainsprings within a barrel, safer than open mainsprings. If the spring lets go in a barrel there is still a risk of damage to the gear teeth and wheels however the break will be contained within the barrel itself. The letdown key is used to release the power of the mainspring into its barrel.
The flat clamps (upper left in photo below) are for those open mainsprings which do not leave a lot of working room. Otherwise, the round clamps are good for most applications. Prior to working on a movement the mainsprings must be letdown or restrained in their clamps.
C-clamps used to contain the power of the mainspring
A flat C-clamp is wrapped around the mainspring as you can see in the next photo.
Mainspring contained in a C-clamp
Once the mainspring is safely contained you can work on it with a spring winder, like this spring-winder from Olie Baker .
Mainspring servicing using a Olie Baker spring winder
Here’s how it works. There are four pieces in the let-down set. There are 3 chucks in sizes #5-6, #7-8 and #10-12 plus the handle. Choose the size that fits the winding arbour of your movement. Then insert the let-down end with chuck into the winding arbour. Turn it until the mainspring is compressed. Fit a clamp around the mainspring. Once the clamp is secure around the mainspring release the click spring with a small screwdriver and push it out of the way. Once the click spring is out of the way move the click away from the ratchet while firmly holding the let-down key. The power of the spring will be transferred to the key. Allow the spring to gradually release its power by letting the key handle spin gently within your hand. There, the mainspring power has been restrained and you will be able to proceed with dis-assembly.
Your journey into the world of clock repair requires essential tools The let-down set should at the top of the list. Always minimize the risk of injury by restraining the power of the mainsprings. The letdown key is the safest method of letting down the mainsprings.
An antique clock stopping unexpectedly can be frustrating, especially if it has been running smoothly for years. However, a stopped clock doesn’t always signal a major problem. In many cases, the issue can be resolved with a little troubleshooting and basic maintenance. Whether it’s a cherished family heirloom or a recent addition to your collection, understanding the possible reasons behind its stoppage can help you decide on the best course of action to bring it back to life.
Perhaps you’ve recently acquired a mechanical clock—whether inherited, gifted, purchased at an antique store, bought online, or one you’ve had for a while—and, for no clear reason, it has stopped working.
Categories of Clocks
There are four general categories of clock movements; quartz, electro-mechanical, electric, and mechanical. This post focuses on mechanical clocks, whether antique or vintage and if your mechanical clock has stopped, I may be able to help you get it working again.
Running Time
It may surprise some that mechanical clocks require regular winding. Eight-day clocks need to be wound once a week, while 30-hour clocks require daily winding. 31-day clocks only need winding once a month, and 400-day clocks, also known as anniversary clocks, are wound once a year. Additionally, many German and a small number of American clocks run for 14 days before needing a wind.
Kundo Standard 400-day clock winds with a key once per year
Arthur Pequegnat Moncton, 14-day time-only clock
Winding a Clock Movement
What does winding a clock actually mean? It means providing enough power to a mechanism that will allow it to run for its designed cycle.
For example for clocks with mainsprings, winding a mainspring implies turning the key until the clock winds no further. Time and strike clocks will have two winding arbours, chiming clocks generally have 3 winding arbours.
Clocks with weights have one, two, or three winding points. Absent the odd exception, a time-only clock will have one winding point, a time-and-strike clock will have two, and a chiming clock will have three. If there are no winding holes on the clock face, it is a weight-driven clock and the weights must be pulled up by hand.
In the case of clocks with mainsprings that provide the motive power for the time, strike, and chimes, wind each arbour until resistance is met and you cannot wind any further.
One key will fit all the arbours except the regulator arbour (on clocks that have this feature) which requires a smaller key. Clocks that have a regulator arbour originally came with a double-ended key; the smaller key is for the regulator.
Clocks generally wind clockwise but it is also common to find winding arbours that must be wound counterclockwise.
Over-winding
The idea of overwinding a clock is a myth. If a clock stops after being fully wound, it typically indicates that dirt, old oil, or grime on the mainspring has caused it to seize. Even if the mainspring, once unseized, has enough power, it still needs cleaning, which requires disassembling the movement and checking for other potential issues.
A clock in good working condition should complete its full cycle, whether that’s 30 hours, 8 days, 14 days, 31 days, or any other duration.
Winding arbors on a Seth Thomas mantel clock (arrows). The arbour over the 6 requires a smaller key to regulate the clock
Why Has My Clock Stopped
First and foremost, all clocks require motive power. Winding a clock stores potential energy in the mainspring, which is gradually released over a designed period of time. This energy is regulated by the escapement, a mechanism that controls the release of the energy in small, consistent increments, ensuring the clock keeps accurate time. Weights resting on the bottom of the baseboard will stop a clock and a completely unwound spring-driven clock will not run.
Is the clock in beat? Put your clock on a level surface. Listen to the tick and the tock of your clock. Try to minimize the sounds in the room you are in so that you can listen closely to its rhythm. It is in beat when its ticks and tocks are even….tick…tock…tick…tock…, and is out of beat when they are uneven, either, tick….. tock or tock tick…… Put another way, there must be an equal amount of time between the ticks and the tocks. When a clock is out of beat, it will not run, or it will run for a short time and stop. A clock’s beat must be regular to work properly.
Is the clock level? There are two ways to put a clock in beat. The first is to tilt the clock sideways, one way or the other, and listen for the beat to even out. When the beat is even, prop the clock to stay tilted that way. If it is a wall clock move the bottom section from side to side till you hear a steady beat. Now it will run in beat but it will obviously not look good.
Adjusting the crutch Adjust the crutch to one side or the other until the beat is even. The crutch is the rod that extends down from the pallets which rock back and forth on the escape wheel. The pendulum rod passes through either a loop (called a crutch loop) or a forked foot at the end of the crutch as indicated in the photo below. Incidentally, that rod needs to be in the middle of the crutch loop and can’t be tight inside the loop nor too loose. The crutch is attached to the pendulum leader which is then attached to a post with a suspension spring. Other mantel clocks require similar adjustment to the crutch and instructions may be provided on a label or a pamphlet that came with the clock. A clock with a balance wheel or lever-type escapement rather than a pendulum will operate on a non-level surface.
American made time and strike
Have repairs been done recently? Unless you had a friend fix your clock most reputable clock-makers will offer a warranty, typically 6 months to a year. If your clock stops within that time frame, contact the clock-repairer who may offer a few suggestions in the form of adjustments, over the phone before taking it back to the shop. If it still does not work have that person take a look at the clock.
Do you have the correct pendulum? Other than the winding key, it seems to be the item that gets lost the most. If lost or misplaced, ensure you buy a pendulum that is correct for your clock. One too light may mean that it does not run at all, too heavy and the centre of gravity is lowered and the clock might run too slowly. Clock suppliers such asPerrin or Timesavers will have the correct pendulum for your clock.
Pendulum bob with an adjuster for a French time and strike
Something is broken? If there is no resistance when turning the winding key, the mainspring has broken or a click has let go. If the mainspring winds but releases in your hand, the most common cause is a broken or worn click spring. This is a repair that requires removing the movement from its case, taking it apart, and replacing the worn or damaged part. If you are skilled with that kind of repair, go ahead and fix it, if not, a specialist is required.
A loud BANG when you turn the key indicates the mainspring has broken or let go. It may not be as simple as replacing the mainspring. If the mainspring breaks it might have taken out other parts with it such as pinions and gear cogs. This is called collateral damage. An inspection and a full servicing of the movement is the only solution. Occasionally a broken mainspring is the only problem but the broken spring must come out of the barrel. Some movement designs allow the barrel to be removed without disassembling the mechanism. Whether the barrel is removable or not, a correct mainspring must be sourced to replace it and installed in the barrel which is a job for an expert.
The mainspring inside the barrel may also have become unhooked. This could occur if the clock was wound backward or if the hooked end of the mainspring is split or broken. To address this, the clock will need to be disassembled, the spring barrel opened, and the cause of the unhooking identified. In some cases, a replacement mainspring may be necessary.
For time and strike clocks with open mainsprings, the break may be on one mainspring or both. The clock must be completely disassembled, mainsprings replaced, the movement inspected for other issues, reassembled, and tested.
Sessions click, brass spring, and ratchet
Why does my weight-driven clock stop? Ensure that the weights are in their correct location. If it is a new acquisition of a grandfather clock the three weights have a specific location. Look underneath the weight shells for marks indicating their location “L”, left side, “C”, center and “R”, right side. If there are no markings, use a scale to determine the one that is the lightest weight and put that on the left side.
Ridgway grandfather clock
When bringing up the weights to the top of the clock be careful that they are not run past their stops. You should have a full view of the weights on a weight-driven clock once wound.
Antique Ogee clocks and other weight-driven shelf clocks often lack their original weights, as these have been lost or misplaced over time. Eight-day clocks typically have heavier 8 or 9 lb weights while 30-hour clocks have lighter 2 1/2 lb or 3 lb weights. Incorrect weights for these clocks will cause them to stop.
Is the weight cord or the brass cable binding in any way? The cord or cable should be just long enough to accommodate the weights. A cord or cable that is too long will bind while being wound and stop the clock.
Gustav Becker two-weight wall clock requires a winding crank
Some clocks like weight-driven Vienna Regulators can be adjusted by a transverse regulating screw assembly where the crutch inserts into a slot in the pendulum. Turning a screw in one direction or the other will correct the beat.
Final thoughts
In conclusion, if you encounter a unique issue not addressed here, it’s advisable to consult a professional clock repairer or someone with expertise in mechanical clock repairs. Working with mechanical clocks carries a certain level of risk, as the power stored in the mainsprings can cause injury if not handled carefully. On the other hand, weight-driven clocks generally present less risk.
Although this article may not cover every possible scenario, I hope it has provided you with a clearer understanding of your clock’s issue and how to approach its resolution.
This is Part II of a two part series in which I describe the final finishing of an Arthur Pequegnat Bedford clock case.
In Part I I described the challenges of repairing the clock case and the minor repairs to the movement.
In the first part of the series I also described how I acquired this Arthur Pequegnat mantel/shelf clock during my travels to Quebec this spring.
The red oak veneered clock is complete with pendulum bob, a good label on the inside back of the access panel, coil gong and of course, the signature time and strike Arthur Pequegnat movement with nickel-plated steel plates.
Nickle-plated plates with brass bushings
It is the “Bedford” model. Online research informs me that two Bedford models were produced. This one, which is the later version, measures 9 ¾ inches high by 8 ¾ inches wide by 5 ½ inches deep. It has a silvered 6 inch dial with Arabic numerals with no Pequegnat inscription on the bottom of the dial face, spade hands surrounded by a thick brass bezel and concave base moulding. It has a passing ½ hour strike on a coiled gong.
The earlier model has a 5 inch enameled dial with stylized Arabic numerals and Pequegnat inscription on the dial face, spade hands, oak veneered case, a thinner brass bezel and convex base moulding. The case measurements are identical. The time and strike movement differs from the later model by having a ½ hour passing strike on a bell.
If the dial is a replacement, it is a Pequegnat and someone took the trouble to install larger (and correct) spade hands
I initially thought that the larger dial might make this a one-of clock but after working on the case I am inclined to believe that the dial might be a replacement. I observed two sets of screw holes, one for the larger dial and one presumably for a smaller one. A factory switch or perhaps a clock-maker replaced the dial at a later time for whatever reason. After looking at a photo of the Bedford taken at the Canadian Clock Museum in Deep River, Ontario (Canada) you can easily see the smaller dial and thinner bezel.
Bedford clock on display at the Canadian Clock Museum
Arthur Pequegnat Bedford mantel clock, assembled, cleaned and working but before case refinishing
I do not think the larger dial overpowers the look of the clock, in fact, it gives it a more contemporary presence. If the dial is a replacement, it is a Pequegnat and someone took the trouble to install correctly sized spade hands. Unfortunately, the previous owner is unaware of the difference.
The task of clamping and gluing the case took several days as each section of the case required attention. And now to the final finish.
Gluing and clamping took time
Before the case restoration. Yes, the clock was in sad shape.
Very dirty case with years of grime and no grain visible
After giving the case a good cleaning I applied one thin coat of Minwax red oak stain to hide the bare areas and rough edges. I let the stain sit for 5 minutes and wiped off the excess with a cotton cloth. I allowed the case to thoroughly dry for 24 hours before the first sanding. For the final finish I chose Minwax PolyWipe for two reasons, one, it is simple to apply since it is easily wiped on and secondly, I wanted to avoid the amber tone of a lacquer which might result in concealing the grain. I applied six coats of PolyWipe and used 400 grit emery paper between each coat.
After cleaning, sanding and two coats of PolyWipe this is the result.
After two PolyWipe applications
I am pleased that the grain came up very nicely, reminding me of what it must have looked like many years ago.
Finished clock, after 6 coats of PolyWipe
After six thin coats of PolyWipe the result is a revitalized finish that is durable, attractive and will last for years.
The brass door has me puzzled. What I thought was a broken hinge was actually folded into the bezel and soldered.
7/8 inch hinge is soldered back into the bezel
Why? I am reluctant to remove the solder because I risk breaking the glass by bending the retaining tabs. They are in very tight. As it stands the glass door will friction fit onto the dial bezel. Not the best but it will do for now. I will give it a second look, perhaps I can de-solder that hinge without removing the glass.
A project that is well worth the time and effort. It is always satisfying saving an old clock and bringing it back to life.
American Sessions time and strike clock showing a gear pivot and the build-up of dirt in the pivot hole
Is your mechanical clock not running as well as it should? Does it stop intermittently or not run at all? There may be a number of issues with the movement and among them pivot wear.
Pivots are the ends of the axles (the horological term is “arbours”) that spin in small holes drilled in the clock plates as the clock runs. They are reduced or turned down end of an arbour. These, along with the holes themselves, can become worn. The pivot hole must be perfectly round and the pivots must have a mirror-like polished surface in order to minimize friction within the train of gears. The two surfaces must be protected and the barrier between the pivot and the pivot hole is clock oil.
A badly worn pivot
A worn pivot or worn pivot hole causes the gear to slowly move away from the pinion and it will eventually stop when the gears no longer mesh properly. A clock that is in need of bushings runs erratically or stops altogether.
If a clock movement is not serviced (cleaned and oiled) routinely there will be wear in the plates of the movement where the pivots come through. If new oil is applied over the old il it will free up abrasive dirt and keep grinding away at the steel and the brass bushing hole. Worn pivots are typically found in clocks that have been oiled over and over again and not properly cleaned. The term “properly cleaned” implies disassembly of the movement, cleaning the parts, addressing wear issues, reassembly, and testing.
Occasionally you will see punch marks made to close the pivot hole. Though not an accepted practice today this was a common method of repair employed by past clock repairers
Pivots must be cleaned and polished periodically to ensure they can turn freely within the hole in the clock movement plate. A worn pivot hole is easy to observe as they are oval-shaped instead of round as you can see in the next photo.
Close-up of oval-shaped bushing wear. The circle shows what the hole should look like
The process of bushing consists of replacing the worn brass around the pivot so that the hole is round again. A new hole is drilled into the plate. A new, properly sized, the bushing is punched or pushed into the plate using a bushing machine such as a Bergeon Bushing Machine.
Some clock-makers prefer to hand bush using reamers and smoothing broaches and the results are entirely acceptable but a machine simplifies the task.
Badly worn pivots which are made of steel must be replaced with new pivot. This is called re-pivoting in clock circles. A watch or clock lathe is used for re-pivoting which involves drilling into the end of the wheel arbour with a high-speed bit and installing a new pivot made from pivot wire.
Drilling a hole with a cutting reamer
Punching the bushing home using a Bergeon Bushing machine
Using a micrometer to check pivot diameter
Minor wear is tolerable and expected over the life of a clock and can be addressed by careful filing, polishing, and burnishing.
X marks pivot holes that must be bushed
Clock pivot oil
Punch marks near the pivot hole. This was a common practice of past clock repairers
Bushing is an integral part of movement servicing. Some clocks that have been well-cared for may have minimal wear and may not require new bushings while others, through neglect or improper servicing, may require many bushings.
Bushing a clock is one of the most fundamental tasks of the clock-maker. Pivot and bushing work performed correctly will extend the life of a clock movement while ensuring that a clock runs reliably for years.
I acquired an Arthur Pequegnat mantel/shelf clock during my travels to Quebec this spring. The red oak veneered clock is complete with original hands, pendulum bob, a good label on the inside back of the access panel, coil gong and of course, the signature time and strike Arthur Pequegnat movement with nickel-plated steel plates.
Signature Pequegnat nickle-plated steel plates
It is known as the “Bedford” model. Online research tells me that two Bedford models were produced. This one, which I believe is the later edition, measures 9 ¾ inches high by 8 ¾ inches wide by 5 ½ inches deep. It has a silvered 6 inch dial with Arabic numerals with no Pequegnat inscription on the bottom of the dial face, spade hands surrounded by a thick brass bezel and concave base moulding. It has a passing ½ hour strike on a coiled gong. The earlier model has a 5 inch enameled dial with more stylized Arabic numerals and Pequegnat inscription on the dial face, spade hands, oak veneered case, a thinner brass bezel and convex base moulding. The case measurements are identical. The time and strike movement differs from the later model by having a ½ hour passing strike on a bell.
There is a good label on the inside of the access door which says, “Bedford, eight-day mantel clock, The Arthur Pequegnat Clock Co., Kitchener, Ontario, Canada”.
The label is in good condition
The movement is not marked. Though many Arthur Pequegnat movements were stamped with the maker’s mark it is not unusual to find one without one. This edition was likely manufactured in the Kitchener, Ontario (Canada) plant between 1925 and 1930.
With click fixed the clock is tested
The only issue with the movement is the time side mainspring function which, as the previous owner explained, could not be wound with a key. Damaged top veneer and split-open side trim pieces tell me that the clock had accidentally fallen. The impact point appears to be the very top front of the clock. As a result of the impact the front panel had separated from the main part of the case, leaving a gap of about 1/8th of an inch. It also had a broken access door catch.
Damaged veneer sustained during a fall, veneer was later pushed back in place
At first I focused my attention on the movement and why the time side mainspring would not wind. It was, as I suspected, a missing click spring. The click is a pawl which engages the ratchet wheel to hold the power of the mainspring or the weight. It is moveable and connected to the mainspring by means of a rivet. The click spring is a piece of steel or brass wire which is connected to the click and seats the click in the ratchet wheel.
I had a supply of steel click springs and fashioned one to fit the click. The click, rivet and the ratchet wheel were in otherwise good condition. While the mainsprings was restrained with clamps I postioned the click spring in place applying a little solder to ensure that it remained fixed. An older similar repair occurred on the strike side with solder holding that click in place. A weak point of the movement, perhaps.
A little solder to keep the click spring in place
I inspected the movement for wear and discovered that it had been serviced previously. The solder on the strike side click was certainly a clue but I also noticed that some bushings had been replaced, not unusual given the age of the clock. Brass bushings were punched into the steel plates at the factory. I could see that newer bushings were installed in at least three locations.
There is no lateral movement in the gears as such lateral movement would indicate bushing or pivot wear. There is no evidence of ovalized, enlarged or mis-shapen bushing holes and the gears are meshing well. The movement is clean and free of dirt and debris and I do not feel that a full cleaning is warranted at this point. There is no excess blackened oil; the oil in the bushing holes had simply dried up. I applied clock oil to the bushings, wound both mainsprings and after days of running the movement is keeping excellent time.
With the movement out of the case, repaired and in the testing phase, I focused next on the condition of the oak veneered case. Many of the joints had separated due to the impact I mentioned earlier. Hide glue would have been used originally and could be used for case repair. I have medium strength pearl hide glue, not strong enough for this application. High strength is required to bring the trim pieces together to ensure a good long-lasting and tight fit. This is one of those occasions when a modern glue is an acceptable alternative. Yellow carpenters glue has a bonding power of two tons and I chose this type of glue for the repairs.
Each section had to be clamped for 24 hours and only one section could be worked on at a time. The result is a very time-consuming and complicated process lasting several days.
I used three clamps for one repair. Because the impact point was at the very top I had to push the sides in with a clamp while at the same time bring the front panel into the main part of the case using two clamps adjacent to each other. You can see the clamping method I employed in the next photo.
Using three clamps to bring the sides together and the front section into the case
The side base trim pieces were also split open and had to be clamped in place as you can see in the next photo.
Side trim pieces clamped
Bringing the sides of the case together resulted in raising the damaged veneer, consequently several small pieces of top veneer had to be pushed back into place. Using carpenters glue combined with an “elaborate” weight system I went about with the repair. Using a toothpick I applied carpenters glue under the veneer pieces, wiped off the excess with a wet cloth and used a block with a hole drilled to accommodate a toothpick employing enough pressure to push the small veneer pieces into place. It looks odd but it works.
Toothpick and wood piece to push the veneer in
A degreaser was used to strip years of blackened dirt/grease/grime on the case and once cleaned the original grain in the red oak veneer is now exposed to its former beauty. The case will either need a layer or two of lacquer or a more modern finish such as PolyWipe. I will cover this aspect of the restoration/repair in Part II.
Using Brasso I cleaned up years of tarnish on the brass bezel giving it a new life. I also polished the arbour grommets. The silvered dial face is in very good condition and I left that as-is.
Bezel cleaned up
I fashioned a new door catch out of a worn Sessions click.
Broken door catch was repaired using an old worn Sessions click
With the movement repaired and the successful clamping and gluing of the case the next phase is the final finishing. I am pleased that I am inching closer to bringing this clock back to life and can add it to my modest collection of Arthur Pequegnat clocks.
Tick-Talk Tuesday is about the letters and comments I have received from you, the reader, concerning your clock, issues you might have had, challenges you face or a clock you would like me to profile and my responses to your questions with advice on your particular clock concern. For those comments and questions that stump even me, I consult within my clock circles for the best possible answer.
CM writes,
4 and 5 prong keys and singles
“Hello, I just read your article about keys for wind-up clocks. I have a parlor clock that belonged to my parents. It is on the wall, has a pendulum & requires winding. I believe that it is from the early 1980’s. And made by The Time Mfg. Co. However, I do not have a key – seems that it was lost prior to my getting it. Can you tell me what kind of key I need to get for it? And do you have any that would fit my clock that I could purchase? Thank you so much & have a great day.”
My reply,
“Hi CM. Thanks for coming to my blog. If it is made in the 1980s it is likely Chinese or Korean but it is hard to tell unless I see a photo. If I am correct these are 31 day movements. You could measure the arbours which will tell you the size but it likely takes a #6 or a #8 key which you can find here.”
I have the 30-hour clock bug and my collection of them is steadily growing, but where to put them all? I have not decided where to put this one and for the moment it is on the floor of my work room.
Sperry and Shaw were not thought of as a high end clock company but some models like this 4 column New York style were quite attractive
This is a New York-styled Sperry and Shaw 30 hour time and strike, 4 column shelf hour strike clock, measuring 25 1/2 inches in height by 14 inches in width. The 4 free-standing turned columns first drew my attention as I had never seen anything quite like it. While researching the NAWCC site I discovered that this clock was made in or about 1846-47. The label, of which 98% is intact inside the backboard says 10 Courtlandt (not a misspell, there is a second”t”) Street, the company headquarters during the aforementioned period. Sperry and Shaw were business partners and were regarded as distributors and assemblers rather than clock-makers.
Sperry and Shaw’s label showing 10 Cortlandt St.
They sourced cases and movements, affixed their own stamp on the movement and placed their labels (sometimes over other makers labels) inside the case, a common practice at the time as clocks for the home and workplace both locally and abroad were in great demand.
Not everyone in the clock business was happy with Sperry and Shaw. Consider this excerpt from Chauncey Jerome’s book, History of the American Clock Business.
“These New York men would say that they were agents for Jerome and that they would have a plenty in a few days, and make a sale to these merchants of Jerome clocks. They would then go to the Printers and have a lot of labels struck off and put into their cheap clocks, and palm them off as mine. This fraud carried on for several years. I finally sued some of these blackleg parties, Samuels & Dunn and Sperry & Shaw, and found out to my satisfaction that they had used more than two hundred thousand of my labels. They had probably sent about one hundred thousand to Europe.”
Chauncey Jerome had a few clock-makers/assemblers on his hit list that included Sperry and Shaw and at least managed to sue some successfully.
Sperry and Shaw were not thought of as a high-end clock company but some models like this 4 column New York style were quite attractive, sold well at the time and are sought after today by collectors.
The movement is Jerome-like (Counterfeit perhaps?) and stamped Sperry and Shaw, New Jersey. I measured the plate thickness and compared it to a Jerome in my collection and the plates in this clock are a little thinner.
The narrow brick-shaped weights (4 3/4 inches X 1 inch) fit neatly into channels on the left and right. When I first communicated with the seller, he was not sure if the weights were in the clock. He later emailed to say that it did indeed have weights. I would have passed on the clock had it not come with the weights because the narrow bricks are the only type that will fit into the channels and they would have been almost impossible to source. The weight cords, clearly not original, are old and frayed and will be replaced with simulated gut. How old, well on the first night I raised the strike weight up about halfway and about 20 minutes later I heard a loud BANG. I knew exactly what happened; the cord had snapped and the weight had dropped. Luckily there was no damage.
The open moon steel hands are original.
The upper glass appears original and has the waviness you would expect from a clock over 172 years old.
The lower tablet has a cropped image of the Bay of Quinte (Ontario, Canada) taped to the inside – not original but old. The original 18X12 cm steel engraving was drawn by W. H. Bartlett and engraved by J. C. Armytage in 1840; the image can be found here. Since the image is from 1840 and appropriate to the period of the clock, I might just leave it there. It also tells me that the clock likely spent most of its life in Ontario, Canada.
Sperry and Shaw clock showing dial and lower tablet print
The zinc dial is old though not as old as the clock itself since there is a patent stamp on the back of the dial dated Dec 1, 1863.
Dial patent date of 1863, a later addition to the clock
There is also a clock-makers inscription that says, “cleaned by Felo Bros, March XX 1901”. Obviously this particular dial would not have been on the clock at the time it was made. A wood dial would have been appropriate for the period.
Clock-makers inscription in pencil
The case looks good…from a distance. The veneer looks like mahogany or walnut, I am really not sure. There are a few small pieces of veneer missing at various places and mostly on the corners, a common issue. It has a two-tone appearance though the case might have been all one colour when made (??). There is a lot of grime on the darker surfaces and I have to decide whether to leave as-is or take it down a little bit to see what’s there. Attending to the veneer issues should be a fairly straightforward process. The break in the right corner of the base is a crude repair and that will have to be redone.
One of several areas of minor veneer loss
The movement is dirty but should clean up nicely. There is not a lot of pivot wear on the front plate of the movement but I will learn more once it is out of its case.
There are a number of other clocks in the queue but I am eager to tackle this one.
Antique and Vintage Mechanical Clocks 
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