In the 1960s, T. Eaton & Co., one of Canada’s most iconic department stores, offered a variety of home goods to suit the tastes of the era. Among their diverse range of products was a charming collection of clocks, including the small but striking mantel clock that continues to capture the attention of collectors today. Its distinctive style and craftsmanship represented a unique intersection of mass-market appeal and decorative elegance.
In this article, we take a closer look at this somewhat ordinary-looking clock, exploring its design, history, and place within the broader context of mid-century Canadian home décor.
Solar mantel clock
A changing economic and retail environment in the late 1990s, along with mismanagement, culminated in the chain’s dissolution in 1999. As a young child, I remember pouring through the Eatons “Christmas Wish Book” trying to decide on that perfect gift….for me!
1975 Eaton’s catalogue, page 184, clocks (Online image: Fair Use; for information purposes only)
Eaton’s catalogue, as well as department stores spread across Canada, sold a variety of clocks including this mantel clock with a German-made Hermle movement under their house brand, Solar. Many of the Solar clocks sold from the 1950s through to the 1980s survive in Canadian homes to this day more as decorations rather than functional pieces.
This particular example is a time and strike mantel clock featuring a 6″ dial and a dark walnut case. Priced at approximately $50 or $60 when it was first sold, it measures around 13″ wide, 7″ high, and 4″ deep. Its compact size makes it an ideal choice for homes where space is limited, fitting comfortably in nearly any room without overwhelming the space.
Equipped with a Type 141 German movement from Hermle, this clock features a recoil escapement, an 11cm pendulum, and operates at a rate of 200.8 beats per minute. It strikes on the half-hour with a bell, though its chime isn’t particularly melodious. As a testament to its design and durability, the type 141 is still being produced by Hermle GmbH & Co. KG today.
It also came with instructions and a product card from Eatons.
Solar with type 141 Hermle movement (trademark FHS)
When I purchased the clock, it wasn’t running, and I hoped that a thorough cleaning would restore its function. The scratches and gouges on the backplate of the movement suggest that it has been serviced before. However, I won’t know the full extent of any previous repairs until I remove the movement from its case for a closer inspection. My main concern is the possibility of plated pivots, which were a common issue with Hermle clocks from the late 1970s to the late 1980s. Fortunately, I have a strong feeling that this clock predates that troublesome period.
The case, on the other hand, is in near-perfect condition.
It will be serviced and put up for sale. I am not normally in the business of selling clocks but will sell the odd one locally to trim my collection and cover clock supplies.
Look for an upcoming blog article on the servicing of the Hermle movement.
Lately, I have been working on a stately bracket clock by Junghans from the latter part of 1911. I love the look of this clock though some would say it is quite plain.
Junghans mantel clock on display on the day it was bought
The Regency style veneered mahogany case of this time and strike bracket clock is in reasonably good condition save for a small piece of veneer missing on the right side of the base and replacement chrome feet which look decidedly out of place.
I had completed servicing the movement a while back but also planned to address both the case and the dial as part of the rejuvenation of this clock.
After a thorough cleaning (and scrubbing) with Murphy’s soap, I freshened up the case followed by three coats of shellac.
The top of the clock looked good after a cleaning
Cleaning the dial
Silvered dials present a somewhat more challenging problem than zinc painted or paper dials. The silvering is very thin and can be rubbed off easily through over-aggressive cleaning resulting in a damaged finish so, it pays to be cautious.
Here is a prime example of a German U.M. Muller wall clock dial where someone used a strong cleaner resulting in a serious blemish. The dial must be completely restored. I have no plan to fix it.
U M Muller clock dial, damage between the numbers 6 and 7
Of course, there is the option of leaving this dial as-is but why not attempt a cleaning. As this is a non-porous dial, dirt is surfaced based.
Junghans clock dial and the extent of the dirt and grime
From my research, many methods of dirt removal seemed dubious and any kind of chemical on a silvered dial is plain wrong. I chose to use mild (diluted) liquid soap and Q-tips to lift off the grime. While it took dozens of Q-Tips dipped in soapy water and gentle scrubbing in the direction of the spun dial most of the dirt was removed and none of the silvering was damaged. It is difficult to see any improvement as one proceeds so, it pays to be patient. After a couple of hour’s work of gentle rubbing, this is the end result.
Junghans clock dial after cleaning
While not perfect it is much improved. The aged look remains, with a patina that most would consider acceptable. Following the cleaning, where there was missing paint on the numerals, they were filled in with black acrylic paint. No further restoration is necessary.
Junghans clock project is almost finished but for the lower brass features
Brass features
Next are brass features above the base section. Q-tips (many of them) and Brasso (Simichrome works well too) are perfect for bringing up the shine. Following the polishing, everything is wiped clean with soap and water and the inset panels are given a fresh coat of shellac.
The carrying handle on top was also cleaned with Brasso.
Junghans Cbracket style clock
Dial work and case cleaning are options when bringing any clock back to life but it boils down to personal choice. Some choose to leave things as they are to retain the original patina but I am in the camp that a little cleaning goes a long way. Cleaning takes time and patience, however. You may not see the results immediately but work carefully and you will be amply rewarded.
You may have noticed that the feet are different in the last photo but I will save that story for another day.
Over the summer of 2020, I was asked to service a friend’s clock. It is an attractive machine-carved oak Ansonia Syria parlour clock in the popular Arts and Crafts style of the late 19th century.
Ansonia Syria
It has great sentimental value to my friend but she recognized that it was in need of adjustment or repair. It had been in her late husband’s family for a number of years and she wanted it to preserve it as a reminder of his life.
This is Part II of a two-part series. My general comments and first impressions are found in Part I which you can find here.
It is an attractive clock in relatively good shape for its age. From my research, I have determined that it was made sometime in the early to mid-1890s.
Time and strike movement with an 1882 patent date
In this post, I will continue with disassembly, cleaning, general comments about the condition of the movement, and any potential trouble spots.
Dis-assembly and servicing the movement
The movement is held in the case by 4 screws. Once out of the case the first order of business is to restrain the mainsprings with mainspring C-clamps before separating the plates. Safety is paramount; those springs are powerful.
Although C-clamps are the round type in the following photo I prefer flat clamps for most American movements. Either will do but flat clamps are perfect for tight spaces.
Olie Baker spring winder
After disassembly, my Olie Baker spring winder was put into action to unwind the spring, inspect it for cracks, surface rust, or any other issues.
Each mainspring is stretched out and cleaned with a Scotchbight pad and WD-40. It is carefully wiped down leaving no trace of the WD-40 and placed in the ultrasonic cleaner for 20 minutes. Once out of the ultrasonic cleaner, you must work quickly to dry and clean the mainspring. Rust is insidious and will creep in quickly.
The mainsprings looked very good and once cleaned and carefully inspected I have no hesitation reusing them.
A mainspring is cleaned, oiled and returned to its arbour
I applied a drop of Keystone mainspring oil on each of the coils, wound the spring several times to spread the oil. Once the C-clamp is re-applied and hooked on to the arbour, the excess oil is wiped away. The clicks are in good shape, sometimes a weakness in American movements. At this point, there is nothing more to be done to the mainsprings until the movement is assembled, so, let’s put them aside.
I try to minimize wrestling with American time and strike movement so that once I have the top plate on I loosely attach the bottom two screws and move to the time side because the strike side wheels and levers can be the most frustrating to position correctly and are left to the last
Everything is ready for the next step
I inspected each of the wheels and pivots for wear and found everything including the lantern pinions to be in generally very good condition with one exception. There is minor wear on the flywheel lantern pinions but not enough to warrant replacement at this point.
I usually put the time and strike gears and pretty much everything else in one or two containers. When you have done many movements you learn to quickly identify the location of each component. I can take out any wheel or lever, for example, and identify its specific location. However, if you are just starting out or have not built up enough confidence I highly recommend separating the two sides. In the early days of clock servicing, that is exactly what I did.
I was curious to find that a past repairer scratched “S” (for strike) and “T” (for time) on each one of the wheels according to their location. I understand why but esthetically it does not look good. However, marking the mainspring arbours came in handy. I make it a point to return each mainspring on the arbour they came from. In most cases, the mainsprings are the same length and thickness but every now and then I come across two different sizes. Better to be safe than sorry. That aside the movement appears to be in good condition.
A bushing is marked for replacement
Once the parts are cleaned and dried and the pivot holes are pegged it is on to the next step, pivot polishing. I use a #11 Emory board to polish pivots. I secure each of the wheels in a 3-jaw chuck on my Taig metal lathe and move the Emory boards in an up and down motion to polish the pivots.
Taig lathe at its slowest speed setting
Following the polishing, it is on to any bushing work that may be needed. In the case of this movement, two bushings were needed, the second wheel, front plate and the fourth wheel backplate. Here, a new Bergeon brass bushing is pushed into the bottom plate.
New Bergeon bushing. Notice the fixed lifting lever, lower left
Movement Re-assembly
And now for re-assembly and testing.
Since the lifting lever is attached to the bottom plate and is otherwise immoveable the count lever is the only component that has to be put in its correct location.
I try to minimize wrestling with American time and strike movement so that once I have the top plate on I loosely attach the bottom two screws and move to the time side because the strike side wheels and levers can be the most frustrating to position correctly and are left to the last.
All is ready for the top plate
Once the time side wheels and the hour gear are in place I attach the third screw and then work the wheels and levers into place on the strike side. Once everything is in place I tighten all the screws. A pivot locator is your best friend when re-assembling any movement.
Pivot locator
On the first attempt, I was not able to synch the strike side locking wheel (sometimes you get lucky the first time) but I mounted the movement on the test stand overnight to check out the time side and the next day it was running as expected. The locking wheel pin needs to be adjusted but that can wait till tomorrow.
One issue raised its head after re-assembly. The strike side gears were not moving at all. I tested each gear and found the flywheel (governor) was sluggish and had no end shake. It freed up if the nut nearest the flywheel was loose enough. The reason. A past repairer installed a bushing that was too tall for the plate. End shake allows freedom of the movement when the plates are screwed tightly down. I filed down the protruding bushing on the inside of the plate and the strike side then ran smoothly.
On the test stand
Next day
Now to open up the top part of the strike side to reposition the locking wheel. Safety first. I restrain the mainsprings just in case the whole thing explodes. I re-positioned the stop pin so that it is resting on the stop lever and presto, everything is working as it should.
I would like to refresh the case but the owner left strict instructions to leave it as-is.
The Simcoe is one of 8 Arthur Pequegnat clocks in my collection. It is very similar in dimensions and style to the Jewel produced around the same time but a few dollars more at the time. The Jewel is an unadorned box while the Simcoe has more bling, a piecrust dial bezel, claw feet on each corner and lions head handles with rings on each side.
Time and strike movement with nickle-plated brass plates
To collectors, it is often referred to as a”Berlin” clock. Although it is impossible to date Pequegnat clocks the name Berlin distinguishes clocks made before 1917 and those made after and up to 1941 when the factory finally shut its doors for good. Clocks made prior to 1917 were inscribed “Berlin”, Ontario on the dial face as Kitchener was known as Berlin until midway through World War I.Kitcheneris the present seat of the Regional Municipality of Waterloo, Ontario (Canada). Those made afterwards have only the company name.
I passed by the clock in an antique store in Victoria, British Columbia without realizing that it was a Pequegnat. My wife has an eagle eye, told me to take a second look and I returned. Sure enough, a Pequegnat!
The yellow oak case is in very good condition with one or two small scratches and a chip just above the top of the bezel. The dial pan has had an ugly repair, there are two dabs of solder at 12 o’clock and 6 o’clock protruding through the front of the dial.
Piecrust bezel with some ugly repairs
The working movement looked to be in good shape but I expected some wear when I took it apart. After all, it is nearly110 years old.
I don’t know why Pequegnat chose to nickel-plate its movements. Perhaps the look was more exotic but the practical reason was to mitigate the formation of rust, The plating distinguished itself from similar American offerings notably the Seth Thomas number 89. Earlier Berlin movements had nickel-plated brass plates while later Kitchener clocks had steel plates with pressed in brass bushings.
Nickle-plated brass plate, rear
Front plate with duller finish
On to the movement itself. Having a bell for the 1/2 hour strike adds to the complexity of the movement. It does not surprise me that later Pequegnat dispensed with the bell and relied on a passing strike gong. A keyhole regulator adjustment on earlier clocks, another complexity, gave way to an adjustable pendulum.
Key hole regulator adjustment
As expected, there were no surprises. The only evidence that the clock has been worked on is the newer strike side mainspring which is slightly smaller in height than the time side. Regardless, both springs run the full 8-day cycle.
There was no evidence of bushing work in the past and it is no surprise that it required some bushing work. Four were required on the time side and one on the strike side: S2R, T3F, T4F and EW front and back.
Assembly and testing
Now on to assemble and test the movement.
Assembly went well. On the test stand, the movement seemed to be working well but after a few days, I observed that it was not striking every hour. It was working well before I worked on it, so, something is amiss.
I wound the mainsprings tight thinking it was a power issue until I discovered that the helper spring on one of the lifting levers did not have enough tension. In other words, the unlocking lever was not lifting the count lever to prepare for warning. The solution? Tighten the lever helper spring.
In the meantime, I gave the case a good cleaning and one coat of shellac.
After a week it is running well and back on display.
To Canadian clock collectors, Arthur Pequegnat are clocks highly regarded. Irrespective of model names they are generally classified as either “Berlin” or “Kitchener”. The Arthur Pequegnat Bedford is a Kitchener clock. Let me explain.
Although it is impossible to date Pequegnat clocks to the exact year of production, the name Berlin distinguishes clocks made before 1917 and those made after and up to 1941 when the factory finally shut its doors for good. Those made after 1917 are referred to as Kitchener clocks. Prior to 1917 “Berlin”, Ontario (Canada) was inscribed on the dial face and after the war, simply “Canada”.
Later Pequegnat movements, such as this one, have steel plates with brass bushing inserts while older Pequegnat movement plates were nickle plated brass
Kitcheneris the present seat of the Regional Municipality of Waterloo, Ontario (Canada).
This clock was given to me by a gentleman from Quebec City in May 2018. He wrote to me and asked if I wanted it, at no cost. It was his father’s clock and he felt it should go to a home where it would be appreciated. All I had to do was pick it up. While on our annual journey to our cottage in central Canada we stopped by, spent the morning chatting about clocks and other things, and have become friends ever since.
Bedford with a 6-inch dial, Canadian Clock Museum
This clock might possibly be a variant. Most Bedfords have the smaller 6-inch dial as opposed to the larger 7-inch dial on this clock.
The dial bezel and glass might also have been added as part of a later repair. The past owner told me that the clock fell and the damage was extensive. I spend part of the summer of 2018 reconstructing and refinishing the case but did nothing with the movement.
Gluing and clamping the case
Now, two years later, the movement must be serviced.
Later Pequegnat movements, such as this one, have steel plates with brass bushing inserts while older Pequegnat movement plates were nickel-plated brass. The change to steel was made during World War I when brass was in short supply. Most Pequegnat movements are stamped with the company name; this movement is unmarked.
Standard Pequegnat movement with steel plates
It was a running clock when I received it, had been running since 2018 and I did not expect too many issues while performing the service nonetheless there were problem areas. In a past repair, someone attempted to close pivot holes by punching into the steel plate. That did not work well. There is some bushing wear and from my initial assessment, at least 5 or 6 new bushings are required. On the other hand, the pivots look to be in very good condition.
Servicing the mainsprings
The strike side’s main wheel assembly fell apart when I removed the mainspring. Using a punch I staked it back together. The mainsprings are in very good condition with no rust or cracks and will be re-used. They were cleaned, oiled with Keystone mainspring oil and reinstalled on their wheels.
Servicing the mainsprings
Bushing work
As mentioned above, a past repairer attempted to unsuccessfully close at least 4 existing bushings by punching into the steel plate, so, this movement has never been bushed.
This movement was certainly more worn than I thought. After assessing the movement a second time I determined that 9 bushings were required, 6 for the time side and 3 for the strike side. With brass inserts punched into a steel plate, one is always fearful of an insert becoming dislodged or falling out. Not this time, everything went smoothly.
The 4th wheel on the strike side is unlike every other wheel with a thinner shaft just below the pivot area. The shaft was turned in order to access the lantern pinions from that end. Why not come in from the other side?
Odd repair on 4th wheel, strike side
I have seen many interesting repairs over the years so I am not especially surprised.
Parts laid out after cleaning in the ultrasonic
Once the repairs are made, the parts are cleaned, the pivots polished and new bushings installed, it is on to reassembly.
Everything but the verge is ready for the top plate
Once the wheels and levers are in position it is ready for the top plate. The escapement verge is installed once the plates are together.
During the course of reassembly I discovered a bent steel front plate which meant lining holes to the pillars was frustrating. Brass bends easily but steel also bends with enough force. I suppose if one attempts to punch a plate to close pivot holes while the movement is assembled, the plates might just get bent.
On the test stand. Beat amp microphone attached to set and monitor the beat
Then, it is on the adjustments and testing. The movement is running and striking as it should but a testing period of a couple of 8-day cycles should tell me if any further adjustments are required.
After two weeks all is good and the movement is returned it its case. It should be good for years to come.
While refreshing the case of this relatively nondescript mantel clock assembled by a short-lived Canadain clock company I ran into two interesting surprises.
Here is a garden-variety vintage Westminster chime mantel clock from the Fleet Time Company of Montreal (Canada). Many of these clocks were sold at department stores across Canada during the pre-war (WWII) era. However, this little known Canadian clock company had a brief life. Between 1936 and 1940 the company produced a range of two and three-train mantel clocks with movements sourced from Germany but were forced to end their operations.
The Second World War took a heavy toll on this company as the source of movements dried up and so did the company’s fortunes.
Wood cases were made in Canada for some models while other cabinets were imported from Germany.
This particular clock has a Gufa Westminster chime movement and I assume most of their 3-train clocks had a similar if not the very same movement. Gufa is the Guetenbacher Uhrenfabrik, located in Gütenbach, Germany. They manufactured 400-day clocks, cuckoo-clocks and later they became the “Jahresuhrenfabrik” (August Schatz & Sons in Triberg, Germany).
Rather than advertise the maker, many Fleet Time clocks simply had the word “Foreign” stamped on the movements.
This is a clock that could easily have been thrown in the garbage and I am fairly sure that is where it was headed. While I was in the city of Halifax (Nova Scotia, Canada) to pick up an Arthur Pequegnat Canuk kitchen clock the seller took me into his garage, pointed to a clock sitting on a shelf, and said. “for $10 more you can have this one”. “Why not”, I said!
Refinishing the case
I thought I would tackle the case first. While the front of the clock looks okay, the finish on the side sections were down to the bare wood plus scratches on top really detracted from the general appearance of the clock. It was a real mess. On top of that, the left side shoulder section was completely detached and had to be re-glued. Hot hide glue was used for this repair.
The finish was badly worn on both sides
Surprise #1
Rather than reproduce the dark lacquer finish I chose to sand the case down to the bare wood to see what lay beneath. To my surprise, I discovered a nicely grained, and beautifully textured grain. Enhancing the veneer with a light walnut stain is the way I chose to go because I did not want to go as dark as the original finish. Special Walnut, which has a light tone is perfect for the case and if I did not like it I could apply a darker walnut stain over it later.
Choosing the right stain; part of the case is still drying off from a wipe down with a damp cloth
The special walnut is very pleasing to the eye.
Special walnut stain
And the top of the clock.
Top of clock
After two coats of stain (above), here is the result.
After two coats of stain and two coats of shellac
The Special Walnut stain produced a very pleasing result. I applied one more coat of shellac, let it dry, and topped it off with Minwax Polishing Wax to produce a satin finish. Not the finish that came from the factory but it wlooks good.
Surprise #2
After cleaning the chapter ring, polishing the chrome bezel I was ready to return the movement to its case but what I should have done was test the movement beforehand.
When I received the clock I confirmed that the strike and chime functioned as they should and I assumed the time side was fine.
Broken mainspring which is not reparable
I inserted the winding key into the centre arbour and found no resistance. Hmm!
On these movements the barrels can be pulled out without disassembling the movement which certainly simplifies repairs. I pulled out the barrel, popped the back cap off, and discovered a broken mainspring. Using needle-nose pliers and heavy gloves, I pulled the mainspring out with for closer examination. No part of this mainspring is reusable and a new one must be ordered.
Occasionally when a mainspring breaks it takes a few other components with it like broken teeth, broken leaf pinions or bent arbours referred to as collateral damage. I inspected the gear teeth, pinions and arbours on the time train, gave the wheels a few spins and found everything moved smoothly, so, no damage this time. The broken mainspring is the only issue keeping this vintage mantel clock from striking and chiming again.
Mainsprings care easily sourced from a clock supplier. I waited until I built up a list of supplies for other projects then submitted the order online. German and American mainsprings are best and avoid those made anywhere else particularly India.
The movement was placed in a plastic bag along with nuts, hands, screws etc. and stored safely away until the mainspring arrived.
Two weeks later
Two weeks later, out come all the parts from storage.
Using my Olie Baker spring winder and mainspring retention collar I installed the mainspring into its barrel.
Fitting the barrel back into the movement involves moving the strike rods out of the way which is a bit of a pain, then, the barrel slides into a channel on the plate. The movement was returned to its case and the hands attached.
Fleet Time Westminster chime
The strike hammers were re-positioned for the best possible sound and my guess is that the clock is running and chiming for the first time in many years. As of this writing, it has completed a number of 8-day cycles. And to top it off, it looks great!
Let’s see, $10 for the clock $19.50 for the mainspring and less than a few dollars for stain, glue, etc. A satisfying project combined with a piece of Canadian clock history.
In light of current world events the antiquevintageclock.com family wish to convey our sympathy and condolences to those effected by Covid 19
There are a fair number of Canadian clock enthusiasts that have various sized collections of Pequegnat clocks. Skip Kerr‘s extensive collection immediately comes to mind.
Although my collection is modest by comparison with just eight Arthur Pequegnat Canadian-made clocks they cover a range of models from kitchen to wall clocks.
The Arthur Pequegnat Clock Company was in business in Berlin, later renamed, Kitchener, Ontario (Canada) from 1904 to about 1941. Pequegnat clocks are well known among Canadian Clock collectors. Many are still running today and they can be easily found on local and national online for-sale sites and you might even find them on the northern border states of the US.
Here they are; I will let the captioned photos speak for themselves.
Arthur Pequegnat Maple Leaf kitchen clock, otherwise known as the “Fan top”
Arthur Pequegnat Bedford mantel clock (variant with larger dial)
Arthur Pequegnat Simcoe mantel clock, Berlin period
Arthur Pequegnat Canadian Time (time-only) wall clock
Arthur Pequegnat Brandon (second version)
Arthur Pequegnat Canuck kitchen clock (otherwise known as a gingerbread clock)
Arthur Pequegnat Kitchen clock, Maple Leaf, otherwise known among collectors as the “pointed top”
Arthur Pequegnat Moncton, double spring time-only 15-day clock, post-Berlin (after 1917)
My journey goes on as I continue to purchase Pequegnat clocks adding them to my collection. I have yet to secure a tambour style clock and a Regulator #1 is certainly on the top of my list.
In light of current world events the antiquevintageclock.com family wish to convey our sympathy and condolences to those effected by Covid 19
Here we have a nondescript mantel clock from the Fleet time Company of Montreal. This little known Canadian clock company had a short life between the years 1936 and 1940 producing a range of two and three-train mantel clocks with movements sourced from Germany. All clocks had pendulums and were spring-driven. According to business records, the company was listed as an importer of clocks and watches. The locations were 440 McGill and then 303 St. Paul West, Montreal (Canada).
The Second World War took a heavy toll on this company as the source of movements dried up and so the future prospects of this small company (information obtained from the Canadian Clock Museum, Deep River Ontario). One wonders why they did not diversify and source movements from France and Germany like the Forestville Clock Co. of Toronto during the war years.
Wood cases were made in Canada for some models while other cabinets were imported from Germany.
Gufa chime movement
This clock has a Gufa movement and one can assume most of their 3-train clocks had this movement although some movements are marked “Foreign”. Gufa is the Guetenbacher Uhrenfabrik, located in Gütenbach, Germany. They manufactured 400-day clocks and cuckoo-clocks and later they became the “Jahresuhrenfabrik” (August Schatz & Sons in Triberg, Germany).
Battered company plate, simply says “Fleet Clocks”
Close-up of foil plaque
The movement does not work because the time side mainspring is broken. The case is in bad shape and I am not sure how I will proceed but it is beyond simply cleaning, touching up and polishing. At this point, the only option is stripping. I am always reluctant to strip the finish from an old clock unless it is the only option. In any event, the case will be a late spring (2020) project.
The case needs a lot of work
This is another Canadian clock added to my clock collection although the fact that it was assembled and sold on Canadian soil is its only real qualification.
Why does a mechanical clock movement require servicing? The answer is fairly straight forward.
Keeping your clock in good running condition requires maintaining the movement’s working parts and maintaining the working parts reduces wear. Ideally, most clocks should be serviced every three to five years to maximize longevity and ensure proper functioning.
This article describes the 7 steps that I typically follow when servicing an antique or vintage clock movement. A common American 8-day time and strike, pendulum-driven movement is used as an example.
This is a 3-train Westminster chime mantel clock with Girod movement from France in a Canadian made Art Deco case.
Girod was a clockmaker based in the Morbier-Jura region of France and produced clocks from the 1930’s into the 1960’s. The firm of Girod was founded by brothers Leon and Auguste Girod.
The clock was manufactured after the war years, presumably the late 1940s. It has a pendulum movement which predates mantel clocks with balance wheel escapements that arrived in the 1950s.
The frustrating part was not making directional marks on some of the parts prior to disassembly
I have very little experience with 3-train movements and this movement was part adventure and part learning.
The movement has five hammers, four of the five carry the Westminster chime and three of the five for the top-of-the-hour strike. There are two levers on the left side of the movement looking through the access door. The uppermost is a repeater and the one below it is a chime/strike silencer.
The movement is a conventional design and once assembled all adjustments are made externally. Girod used the split back plate design for their 3-train movements which makes servicing simpler than the classical one plate design.
It is a conventional 3-train movement with a dedicated gear train for each function. Looking at the back, the centre train is the time, the left train is the strike while the right is the chime.
My wife’s aunt lives in a quaint home near a small town in the south of Ireland. During our recent visit to Ireland we were invited to her home, had tea and cake and had a long talk about family history.
While there I was asked to take a look at the family clock which had not been running for a number of years. Aunt Theresa and her husband (now deceased) received the clock from his brother, an amateur antique collector, many years ago.
HAC’s are good quality movements with well-made cases
The clock is an attractive and somewhat large 6-column Victorian-style 14-day time and strike mantel clock with Roman Numeral dial made by the Hamburg American Clock Company. It is model #1902 probably made on or about that date. Hamburg American clocks are known for good quality movements with well-made cases.
I will take a look at it, I said, but without my tools, there is not much I could do. I wound both arbours and determined that the mainsprings had plenty of power. I gave the pendulum a push and immediately observed that there was power going to the escapement but there was an uneven tick-tock, so, the clock was out of beat. I propped up one side of the clock sufficiently to find the correct beat and it not only ran but dutifully struck on the half-hour. It works!
In the clock case was a note.
A note found inside the case
The note said,
Tried getting the clock to go on 22nd Sept ’92- worked at pendulum for a long time. I think the clock was too tightly wound. On morning of 23rd Sept, started pendulum again and it’s going since. The clock has not chimed yet. 6th Oct 92 gave the clock a small wind up as it had stopped
I admire aunt Theresa’s tenacity but the clock refused to run after the second winding way back in 1992, 27 years ago.
Time and strike movement with coiled gong
Here is what I discovered about the Hamburg American Clock Company.
In 1875, Paul Landenberger together with his partner, Philipp Lang, founded the Landenberger & Lang clock factory and although he had taken some know-how with him from Junghans (a noted German clockmaker), the company was bankrupt by 1882/1883. It was converted to a stockholding firm and with new investors, the company was re-named Hamburg-Amerikanische Uhrenfabrik (Hamburg-American clock factory).
The name might suggest that they had American made movements but that is far from the case. Hamburg is in the name because that is where the investors came from and “Amerikanische” referred to the movements which were made according to the “new” American mass-production methods.
Among clocks circles, the company is simply known as HAC.
Nice label with model number above
The familiar crossed arrows trademark mark found on the coiled gong was registered in 1891. The “Lux” trademark, which this clock does not have, was added in 1905 so, it places this clock between those years. Model #1902 might even suggest the year it was made. Junghans eventually gained influence over the company and by 1930 was able to take over HAC completely.
The good news is that the clock runs and that there is nothing fundamentally wrong with it but after all these years it needs a good servicing and that means disassembly and cleaning by a qualified clock repair person.
I have an upstairs office in my home where I work on most of my clocks. I also have a small workshop in my basement where I work on clock cases; gluing, painting, reconstruction and other odd jobs.
In the spring of this year (2019) my wife asked me how many clocks are running in my office at any given time. I said, “I’m not sure”.
I put together a video to show how busy my office can be. Someone (not my wife) asked me if the sounds of ticking clocks bothered me and my reply was, “I find the sounds very soothing”. Allow me to take you on a tour.
I hope you enjoyed the tour. Let me know if you have any general comments or ones you would like more information about.
This Victorian period Seth Thomas mantel clock was in very good condition when I bought it close to 20 years ago. It sat on an upright piano until it was serviced in December 2017.
Image from October 2000, atop a Willis upright piano
During servicing 4 bushings were installed. The clock was then relocated to another room.
The clock would certainly benefit from detailing
The model is not actually called the Adamantine. Adamantine is a chemical process applied to the clock case and it was meant to be an inexpensive alternative to onyx or marble. An expensive looking clock for the masses! Adamantine veneer was developed by the Celluloid Manufacturing Company of New York City in 1880 and the Seth Thomas Clock Company purchased the rights to use Adamantine veneer in 1881.
Rear showing time and strike movement
I have seen many Adamantine clocks on online sites and antique shops and on some the scroll detailing is visible which leads me to think that the gold coloured paint that once filled the detail on this clock case and others has been long gone.
My wife was going through the online catalogue of an estate auction recently and found an attractive vintage Gilbert tambour style clock.
Gilbert mantel clock 1925
“Are you interested?” she said. “Sure”, I said, “put a maximum bid of $35”. We won the bid at $25 + tax and buyer’s premium, so, still under $35 CDN. Would I have paid more? Not likely. However, it is a handsome “Napoleon hat” styled clock but they were plentiful and cheap at the time and not particularly valuable or desirable today despite the fact that it is almost 100 years old.
Winter, along with the dry conditions of a typical Canadian home, can play havoc with wooden clock cases. In Canada we generally shut the doors and windows to keep the cold air out from mid November to mid March and we may stay inside for days at a time. During our Canadian winter we have difficulty controlling indoor humidity. Most modern homes have a commercial style air-exchanger that is designed to control relative humidity but it can only do so much.
I have dozens of clocks and most do not seem to mind the changes in humidity from season to season other than a rate adjustment. Those vintage clocks that are adversely affected tend to be clocks with thin veneers that separate from the frames of the cases. Less affected are Ogee clocks with thicker veneers.
My Ingersoll-Waterbury time and strike clock from the mid 1940s is a 70 year old clock and not a particularly valuable one to begin with but has been affected with peeling veneer. The peeling veneer is unsightly and must be addressed.
I am not opposed to using modern materials to repair a vintage clock and in this case yellow carpenters glue was used to close the gaps on both the left and right rear of the case. Yellow carpenters glue has a bonding strength of 3 tons and for maximum effect is should be clamped for 24 hours.
Split veneer on left side, rear
Both sides of the case were splitting open. The right was slightly worse than the left. Although I have several clamps I only had one to spare for this little project so, the job was spread over a few days.
Right side is clamped
Wax paper is placed between the clamp and the veneer to prevent the glue from adhering to the clamp itself.
Once the glue has bonded, the case is lightly sanded in the affected areas, the remaining cracks treated with wood filler and touched up with a dark stain.
Stain-able filler in the small cracks that remain
Two coats of shellac are then applied.
Not perfect but an improvement.
Clocks and museums
I am not fanatical about humidity as far as my collection is concerned but museums go to great lengths to control humidity. In museums temperature and humidity are interrelated, and must be monitored and controlled in conjunction with one another towards the goal of preservation. Room temperature is usually established according to the needs of visitors, and is set between 18 and 20°C. The relative humidity for the correct conservation of the works displayed usually lie in the limited range between 45 and 50%.
Clocks react to humidity differently. Clocks with wood pendulum rods need seasonal adjusting as the wood contracts and expands with changes in humidity. Wall clocks that have tight doors in the summer are easier to open in the winter as wood contracts.
High humidity can be mitigated through the use of humidifiers if there is sufficient concern about dry air and its effect on clock cases. It is a good option in the winter months.
If you have a modest collection of clocks I would not worry about humidity issues but you can be assured that seasonal changes can have an affect on your clocks.
The world of horology reveals an assortment of interesting expressions as well as the misuse of words and terms. For classic example; why do some refer to shelf clocks as Mantle clocks when a mantel is something you wear like a shawl or a cloak? Mantel, such as a shelf over a fireplace, is the correct term.
I want to focus on one very common expression. How many times have you the heard the expression, “it was running fine till I over-wound it”? I have heard it often enough on clock forum, Facebook sites and among acquaintances. It is an ubiquitous expression. Do not blame the last person winding the clock for they are not the cause of a so-called “over-wound” clock or one that stops mysteriously.
Over tightening
While it may be technically accurate that a mainspring can become damaged by repeated over-tightening that is, winding the spring until it is tight, and then continuing to tighten it more just to be on the safe side, there is another reason why this occurs.
Take a spring barrel like the one in the following photo.
Barrel and winding arbour
When the spring is wound it is coiled tightly around the winding arbour. The other end of the spring has a small hole which is hooked over a small stud, which is riveted into the interior wall of the barrel.
The hole allows the spring to be hooked to the inside of the barrel
The hole in the spring can become fatigued because of years of repeated “over-tightening”, and/or the stamped hook or riveted stud breaks free. “Over-winding” is not the reason.
A dirty movement
American open mainspring clocks “appear” to be “over-wound” because of a buildup of old oil, rust and dirt in the mainspring coil which causes the coil to stick and the spring to seize.
Clocks which might appear to be “over-wound” and non-working can be persuaded to run again by letting down the mainspring completely with a let-down tool, liberally applying mainspring oil and rewinding. This procedure is by no means a substitute for a good cleaning and it does not address other issues that may be causing the clock to stop but it is one step in troubleshooting your clock movement.
It is only when the movement is disassembled and the mainspring is removed from the arbour that you can examine the condition of the mainspring and decide whether to keep it or replace it. Dirt and old oil can be easily cleaned up. Light rust on a mainspring can be removed with emery paper or steel wool; heavy rust and the mainspring should be replaced. Inspect the spring for cracks or breaks. In many situations the mainspring can be saved.
In some cases the click can let go because the rivet securing the click becomes fatigued. For example, Sessions clocks have weak clicks and rivets. Inspection and remediation of a bad click is a typical procedure when servicing a Sessions clock.
Open mainspring click riveted in place.
Do not expect a newly acquired clock to have been serviced recently or at all unless the seller can prove it. Moreover, servicing a mechanical clock on a regular basis is an important part of ownership.
“Over-winding” is one of those terms that one hears quite often and is a very common myth.
Smiths Enfield mantel clocks are highly regarded by beginning clock collectors due to their popularity, abundance, and durable movements. For amateur clock repairers, they offer relatively few challenges.
I acquired my Smiths Enfield time-and-strike clock in 2013 from a young clock tinkerer in Dartmouth, Nova Scotia, but it was never a reliable runner. It would only run for a few minutes before stopping. Eventually, the clock was set aside and left in a corner of my shop.
Post war English time and strike movement
While not an especially attractive clock it embodies the utilitarian design typical of post-war English clocks from the late 1940s and early 1950s.
After several months and armed with new knowledge of clock repair, it was time to take a second look.
About Smiths Enfield
The Enfield Clock Company (London) Ltd. was established in 1929, with its first clocks sold in 1932.
The company utilized modern assembly line techniques to manufacture and assemble its clock movements, inspired by the American system of automated factories. Initially, clocks were sold wholesale and for export, with the movements supplied to shops that would then assemble the cases themselves. Enfield took pride in producing “British-made” clocks. However, in 1933, facing difficulties competing on price, the company was sold to Smiths Industries, which led to the name change to “Smiths Enfield”.
In 1935-1936, they introduced a striking 14-day clock in a Jacobean Oak case, which helped solidify the company’s position in the market. With the outbreak of war in 1939, the factory shifted to wartime production. While clock production continued, material shortages became a significant challenge.
After the war, American machines were allowed to be kept and production of the 53mm movement re-commenced. Production was later moved to the Smiths factory at Cricklewood and then later to their Welsh factory in about 1955. Under Smith Industries the production line was changed to watches. Ultimately all clock production was phased out and the company closed shortly thereafter.
A New Suspension Spring?
I serviced the clock in 2015, and it needed bushing work. Since the wear wasn’t severe, I thought I could delay it for another two years. However, the clock has not been running since then. At the time, I knew little about the purpose and function of a suspension spring, and since I assumed the one that came with the clock was correct, I thought there must be another issue causing the clock to run poorly.
Suspension spring post
It’s time to revisit the suspension spring to determine if that’s the issue.
Suspension spring location
Over the past four years, I have accumulated an assortment of suspension springs and, through trial and error, found one that is either correct for the movement or very close.
The suspension spring has a mounting hole on one end and a small T-bar on the other where the pendulum hangs. I replaced the old spring with a shorter, more flexible one. As a result, the clock started running. In the first week, it lost about five minutes, but after making minor adjustments to the pendulum length, the timekeeping improved with each change.
The takeaway from this is that the correct suspension spring is crucial to whether a clock runs, and it should be considered as one of the potential reasons when a clock is not working.
I have been collecting clocks for over 8 years. In that time I have enjoyed my hobby immensely and I am constantly on the lookout for new and interesting acquisitions. It is more like a daily passion.
However, I now realize that as my collection steadily grows I have more than I need or want. I cherish some of my clocks and intend to keep them for years; my Arthur Pequegnats, selected Seth Thomas clocks, clocks made by the Hamilton Clock Co. and the Canada Clock Co., my Vienna regulators and some of my German wall clocks. I don’t mind parting with other clocks now or in the foreseeable future. Some I will miss and others I will not.
A house can only hold so many clocks
My daughter correctly pointed out that I should adopt a one clock comes in another goes out approach. “One-in, one-out”, she says and it makes perfect sense.
A house can only hold so many clocks. In my small office which is 10X12 I have a total of 15 clocks, 10 of which are running daily and the remainder in various states of repair. Outside my office, at any given time, there are 26 clocks in a number of rooms around the house. I am not one of those persons on YouTube who feel the need to cover their walls with clocks. I prefer to display them in a natural way, as an integral part of the decor of my home. The number is not all that important but I am trying to keep it manageable.
Kienzle World Time clock and Ingraham Huron balloon style shelf clock
I have decided that now is the time to sell some of my clocks. My objective is not to make money but to recover the cost of the original purchase plus my labour on each clock that I sell. These are the clocks that have left my collection recently.
I am making more critical choices when adding pieces to my collection
Mauthe Westminster chime mantel clock, circa 1950Juba Schatz Bim-Bam mantel clock, circa 1948Hermle Westminster chime with moon phase circa 1985
I have also gifted eight clocks over the last 3 years and most have been mantel clocks. Antique and vintage clocks make wonderful gifts to friends and family. It is cool to see them displayed and running in their homes when I visit though I know darn well that they are wound just hours before my arrival.
On a clock forum site recently someone said’ “How many clocks do you need”. The answer, “Just one more”
As my knowledge of the clock world grows and my experience repairing and restoring them expands I am making more critical choices when adding pieces to my collection. However, those critical choices often translate into spending more money. For example, recent acquisitions have been a Seth Thomas Regulator #2 and an Arthur Pequegnat Moncton, both wall clocks.
Seth Thomas Regulator #2, time-only, weight driven clock Circa 1922Arthur Pequegnat Moncton, double spring time only clock, Circa 1930
I believe my new approach is a natural progression and perhaps I have been subconsciously heading down that path for a year or more. Unless a clock has an interesting provenance, is rare, uncommon, unique and/or is a challenge to restore I will now shy away from most of the garden variety clocks one sees on online for-sale sites and yes, I still have a few of those.
On a clock forum site recently someone said’ “How many clocks do you need”. The answer, “Just one more”.
I knew during the course of collecting antique and vintage clocks combined with increased knowledge/experience that my hobby would evolve and continuing my horological journey in a slightly different way is about time,
Carved pine antique mantle Grandmother clock circa 1900
“Pine”, “1900” and “antique” might be correct but what style is this clock? It is not a Grandmother clock but commonly known as a kitchen clock or a Gingerbread clock. It is not carved but steam pressed and tens of thousands of these were made.
If you are going to ask $125 you had better know what you are selling, who the maker is, what kind of clock it is, any issues and the overall condition.
The Classic, made by the Arthur Pequegnat Clock Co.
Tick-Talk Tuesday is about the letters and comments I have received from you, the reader, concerning your clock, issues you might have had, challenges you face or a clock you would like me to profile and my responses to your questions with advice on your particular clock concern. For those comments and questions that stump even me, I consult within my clock circles for the best possible answer
DSfrom New Brunswick, Canada writes, “Good day Mr. Joiner, I have purchased my first Pequegnat clock by accident. It was just a parts buy but I was quite surprised to see it was an Arthur Pequegnat Bedford Classic. Now I’m looking at resurrecting this old girl. My concern is the dial. I’ve found a few few Bedford clock online but they have porcelain dials with a proper side hinged bezel but mine is a metal dial soldered into bezel so it opens upwards? I removed the bezel to try to rotate it but the only screw holes will only mount it as you see it. Would the brushed(?) metal dial have been an option or is this clearly a poor replacement. Any thoughts or opinions would be appreciated. I live just outside of Buctouch and could make the trip if you would like to see it for a closer inspection.
Thanks”
A reused label
My reply,”
Hi and thanks for your email.
Nice find. First of all it is called the Classic. The Bedford label was used and crossed out. Though not common I have seen this before.
I have attached a link to the Classic which is part of Skip Kerr’s extensive Pequegnat collection. You will see that his clock has a smaller (original) dial which is in keeping with the size and style of the case.
It is a Pequegnat dial though not normally for that particular clock and yes, Pequegnat made brushed metal/painted metal dials. I have never seen a Pequegnat clock with the hinge in that location but you never know, it might be a variant.
It might also be a replacement. If so, I would think that the “newer” dial’s hinge would not fit if hinged on either side. Are there any screw holes at all on the left or the right? The dial is soldered to the bezel? That is unusual. I don’t see any glass?
The next is a link to an article I wrote concerning a Bedford clock. You will notice that the case is quite different and yes, the dial on mine is a replacement and larger than the original, just like yours.
Arthur Pequegnat Bedford model, mantel clock
Rather than change it out I would keep it the way it is, after all, it is part of the clock’s provenance.
DS replies,”Thank you sir, it was a $6 online auction purchase. I was fond of the case style and thought I could strip it and update it for our guest room, maybe even paint it (I know I used the “P” word). Once I received and inspected it couldn’t believe it was a Pequegnat. Thinking it was another mass produced import I expected missing parts and poor veneer but other than the missing glass and hands it is complete and in working order. I’m honored to have the opportunity to save this piece and will enjoy it for many years to come. The body has only one set of screw holes for the bezel, I tried to reposition the bezel then I would re-solder the face in the proper position but nothing lines up except the current position so I welcome your idea to leave it as found.
Thanks again for your advice and link I will definitely take a look. I enjoy researching and learning with each new piece I collect.
Happy hunting, DS”
Later DS wrote, “Well sir I’ve cleaned up the original case, installed new hands and replaced the glass. I believe the bezel and face may be original. There are only one set of screw holes in the case and the bezel and when I correct the bezel the wood trim on the case interferes with opening the bezel. So there it is my first Pequegnat. Thanks for the information on my clock. Now on to the next.”
You will not see Geneva stops on many clocks but if you do here is an explanation of how they work and how to set up the stops.
EN Welch Whittier parlour clock circa 1895, time and strike movement with Geneva stops
Most American clock movements do not use the middle portion of a long & powerful spring but use most, if not all of the mainspring. Geneva stops address this power issue. They are found on better quality antique movements made by American manufacturers. They are set so that when winding the mainspring you can only wind so far and then no further. As we know, clocks can’t be “over-wound” and this lets you know where the definite stopping point is.
On weight drive clocks Geneva stops are used to prevent undue force coming on the pendulum by jamming the weight against the seat board.
Stop works are used as a compromise by utilizing only the middle portion of a long and powerful spring, which varies too much in the amount of its power in the fully wound and completely released positions to get a good rate on the clock if all the force of the spring were utilized in driving the movement.
Removing the stops will do no harm to the movement but it will not release power as originally intended
You will notice a long “finger” (long point of upper star) on one of the Geneva stop gears and a wider gap (shallow groove of lower star) on the other. You set these up so that when the proper number of turns are completed the long finger meshes with the wide gap, thus preventing any further turning.
Strike side stop in lock when long point of upper star is engaged in shallow groove of lower star
You will need a letdown set to release the springs
Setting up the Geneva stop
Wind up the spring and then let it down slowly until the stop work is locked, counting the number of turns and writing it down. Then, hold the spring with your let down key and remove the stop from the plate; then count the number of turns until the spring is down and also write that down. Alternatively, wind the mainspring until it winds no further, release the mainspring with your letdown key one complete turn and set the stop. It may take more than one try to set it up correctly.
Don’t worry if they have been removed
On many antique clocks these have been removed because the repair person did not know what to do about properly setting them up.
Geneva stops removed
Removing the stops will do no harm to the movement but it will not release power as originally intended.
What do you do when you find a movement without a case? Hope that one comes along? Make one?
I discovered an Aug Schatz & Sohne W3 movement at a local antique store for under CAN$20. My wife said, “You should buy that, maybe you can make a case for it”. “Hmm”, I thought; that would be above my pay grade.
W3 refers to three chimes, St Micheal, Whittington and Westminster. It looked interesting and it was not expensive so, why not! Having a movement without a case is like a car engine without the body. Maybe a case will come along someday, I thought.
Back in August of 2017 I appealed to my readers asking, “If you have a spare case that would fit this movement and it is lying around in your shop I’d be very happy to take it off your hands.”
Triple chime Schatz movement
Aug. Schatz & Sohne are better known for 400-day clocks (including the 1000-day clock) and ships clocks. They are not typically known for shelf or mantel clocks but it is not too difficult to find them at antique stores and online auction and for-sale sites. The company is well regarded by German clock-makers.
Having a movement without a case is like a car engine without the body
This movement has a lever escapement though earlier versions of the W3 were pendulum driven. This particular escapement has 2 jewels; after came escapements with 7 and later still, 11 jewels.
2 jewelled escapement. Has escapement been serviced as well?
The front and back plates are thick and solid. Cut leaf pinions throughout suggest a robust movement design. There are eight chiming hammers and the chime drum can be switched to one of 4 positions; silent, St Micheal, Whittington and Westminster.
The movement is clean and in good shape though it has been serviced at least once in its life. I counted 13 new bushings and a newer click spring.
I now have a brand new custom built case
Having a movement without a case is like a having a car engine without the body.
Earlier this year my son’s girlfriend suggested that her grandfather could build the case. She said he loves doing this kind of work. Although skeptical at first, I considered her offer. Her grandfather is over 90 years of age but is a skilled craftsman and he continues to work in his woodworking shop in rural Virginia when he is able. She asked him and he agreed. I sent the measurements to him. Better if I brought the movement to him, her grandfather suggested. I gave the movement to her and she brought it to Virginia while on a visit. He was now able to use the movement as a guide to constructing the case.
We corresponded back and forth through email. I gave him complete latitude concerning the design of the case though he sought my approval during certain stages of construction. After a few months, the clock began to take shape. Below is a photo of the completed case taken in his rural Virginia shop.
The harsh lighting of the shop does not do the clock justice
The glass side panels give it an old world look. The hands are original but are lost in the detail of the new dial. I have since painted them a darker colour.
There is ample room for the chime block which I must supply. The chime block is bolted through the base of the case. The chime block is positioned as close to the chiming rods as possible and if the distance has to be closed the chime hammers are bent towards the rods allowing an eighth of an inch or so of space. It is a relatively simple procedure. As they are brittle, chime rods should never be bent!
The chime block will be mounted under the chime hammers
The clock finally arrives at Christmas time (2018)
My son brought the clock back from Virginia in a carry-on suitcase just after Christmas. He took special care not to damage it in any way.
Schatz W3 bracket clock
The detail and craftsmanship are impressive and reflects hours of meticulous work.
The detail work on the case is amazing
Image from H&W Perrin Co. Ltd
I put the final touches on the clock by painting the hands black, attaching four protective felt pads under the base and giving the case two coats of shellac (traditional 1 lb cut) to achieve an antique finish. With the chime block installed the project will be complete.
After writing the maker and expressing how pleased I was of the outcome, he replied;
“I’m glad you like the case and glad that a simple fix got it running. Painting the hands black was an excellent idea, for I worried that reading time would be difficult. I hope you are able to send me a video of clock with chimes.
Best wishes”
The chime block has arrived and is a perfect fit for the case. The installation and final adjustments should be interesting so, check back later.
This is Part III of a 4-part series. I have a vivid memory of this Waterbury octagon short drop schoolhouse clock that hung in my grandparent’s kitchen when I was a young boy. Now that I have it what do I do with it.
I have devoted two previous articles to this curious and somewhat homely Waterbury time and strike schoolhouse clock. It is a clock that had been passed down within the family and it has had a hard life. Along the way it has undergone some changes, not all of them pretty. I thought about the next steps for this clock and considered advice from friends and family. It came down to three options:
1) Do absolutely nothing, preserve it as-is and store it in a closet,
2) Discard the case out, buy a donor case and install the parts I have in the new case or,
3) Preserve it, that is, not change it in a significant way but make some cosmetic changes and have it run reliably.
Option three it is.
At one time the original case was painted yellow with red trim. which is probably why it was discarded
Restoration or preservation? The restoration process consists of performing clock repair procedures on the movement as well as cosmetically restoring the dial, the case and its wooden and metal components using period procedures. Proper restorations do not change the clock’s functionality, appearance or value. Restoration of a valued clock is a serious business as many owners are emotionally attached to a clock for various reasons.
In this situation the movement can be restored and the other hardware cleaned up, however, the case is not original and was likely made 40, or 50 years ago which is why this project is part restoration and part preservation. Servicing the movement, putting the clock in running condition and making some cosmetic changes is my objective for this project.
This is what the clock looked like when I first received it.
First photo of the clock sent by my cousin
It has a homemade plywood case though it has all the essential mechanical parts. There is no dial glass. The brass bezel would have been hinged and perhaps the hinge broke and was discarded. The bezel was then screwed into the plywood.
The first step is the movement. The parts arrived from Perrin and I went to work on the movement. The movement is a Waterbury time and strike with a patent date of Sept 22, 1874. It was dirty as expected and there was some rust but it cleaned up nicely.
Before
And after servicing
The movement required 5 bushings at T2F, T2R, S2F, S2R, and S3F. As always it takes me more than one try to get the strike side functioning correctly. During testing I noticed that the strike side was sluggish. A tight bushing, bent pivot, insufficient end shake? I will know when I take it apart and take a second look.
Walnut stain and clear coat, hiding the plywood and nail heads, for the most part
I gave the case a thorough cleaning, then a sanding and applied one coat of dark walnut stain followed by three coats of shellac. A dark Walnut stain is the optimal way to hide the plywood and the nail heads. It does not hide the plywood completely but the intent for this project is to refresh the case rather than conceal imperfections.
At one time the original case was painted yellow with red trim, my grandfather’s idea of matching the clock to the paint and trim in his kitchen. The original case was likely in such poor condition that it was thrown away.
Next, the brass. It was painted red at one time so it took a little Brasso muscle to remove a combination of red paint and tarnish.
The brass was quite black
The result looks good
The dial was a challenge. Cleaning up the pit marks and faded numbers was my key objective. The nicks are chicken pecks while stored in a barn. Again, I was not interested in replacing it but touching up the nicks and rust spots while preserving the character of the dial. I have a supply of acrylic metal paint and it is a matter of mixing the right colours to determine the closet match.
The numbers were painted with flat black acrylic metal paint. The dial touch-ups would fool most people at a distance. I removed the rust from the hands and gave them two coats of flat black paint. The coil gong base was cleaned and also painted black.
Colour matching to hide paint loss
I ordered 10 1/4inch convex glass for the bezel plus a door hinge. The hinge was soldered into place as were brass tabs to hold the glass. Although the hinge is not affixed in this photo, this is what the door complete with dial glass looks like. There is not much I can do about the screw holes on the bezel; it remains part of its provenance. I may cut the heads of some brass slotted screws and solder them to the holes or simply leave the holes as-is.
Glass installed in bezel. Hinge installed but not fit to case in this shot
The clock requires an access door on the short drop, the opening is unsightly. As you can see in the photo above the cut-out is rough and a door will effectively hide it. I plan to make a solid door much like the one on this New Haven schoolhouse clock.
Drop door on a New Haven schoolhouse clock
It may not not be the prettiest clock in my home but it will be a great conversation piece and after 60 years it will finally tell the time. I can only imagine my grandfather standing under the clock, comparing the time with his pocket watch and deciding if he should make just one small adjustment.
Next is new drop access door and final assembly which I will detail in the next and last post for this project, Part IV in 4 days.
What to do with this old clock was a difficult decision. What would you have done?
If one were to ask those with a keen interest in Canadian antique clocks, the word Pequegnat would immediately come to mind. Pequegnat produced clocks for close to 40 years and left an indelible mark on Canadian culture.
Predating Arthur Pequegnat is a lesser known clock maker (or clock-makers) that made clocks between 1872 and 1884. The Canada Clock Co, and the Hamilton Clock Co. struggled over a 12 year period to put Canada on the clock-making map. In 1872 the Canada Clock Co. established itself in Whitby, Ontario (Canada) but lasted just 4 years before failing, though largely due to a devastating factory fire.
Canada Clock Company cottage clock
Out of the ashes came another attempt in 1876 and key principles including manager John Collins moved to Hamilton and set up the Hamilton Clock Company. After 4 years this new company also failed and production halted in 1880. In late 1880 one more attempt was made to establish a new company called the Canada Clock Company resurrecting the old name. It is still based in Hamilton at the old Hamilton Clock Co. factory. Success was short-lived as the company declared bankruptcy in 1884 ending a dozen years producing clocks for the Canadian market.
Although both movements and cases were made in Canada they were copies American styles
Canada Clock Company, Prince of Wales parlour clock
Canada Clock Company, City of Hamilton parlour clock
I have grouped the clocks from the three companies and these are their characteristics. The most common clocks found today are the weight-driven, thirty-hour “Ogee” style, with colourful birds or flowers surrounded by a black background on the glass tablet. At least five different labels are known, four have a beaver on them. The large printed paper label was located inside the case on the lower back. Spring-driven mantel clocks with plain cases were also made with thirty-hour movements. Although both movements and cases were made in Canada they were obvious copies of American styles.
Hamilton Clock Co Gothic steeple clock with etched glass tablet
Clock label showing the Hamilton Clock Company factory
Also produced was a spring-driven “school house” wall clock.
At least sixty models of spring-driven mantel clocks are known, with both thirty-hour and eight-day movements. Most of the door tablets (Canada Clock Co.) have acid etched glass designs, unique to the two Hamilton-based companies and done in association with a local glass factory. Wall clocks are also found with the Canada Clock Company, Hamilton label.
The most desirable clocks are the ornate time and strike parlour clocks such as the City of Hamilton and Prince of Wales pictured above.
Unfortunately, a valiant attempt to grow a home-bred clock company failed miserably. However, the clocks of all three companies are highly sought after by Canadian collectors today.
Antique and Vintage Mechanical Clocks 
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