French clockmakers such as Vedette, like so many makers of 1930s Europe, made box clocks in several styles. Although I have always wanted a Vedette clock buying one so plain was not what I had in mind but there it was at a silent auction in a clock mart at the NAWCC National Convention in Springfield, Ma. in June 2019 at atake-me please price.
It could easily be mistaken for a typical German box clock of the period save for the attractive oval beveled lower window and lack of side windows. Vedette clocks are typically quite ornate – not this one! However, the sound of the chimes more than make up for its plain jane appearance.
There is nothing quite like the reverberating chime of a Vedette clock
Having a movement without a case is like a car engine without the body
I discovered this Aug Schatz & Sohne W3 (circa 1960) movement at a local antique store for under CAN$20. My wife said, “You should buy that, maybe you can make a case for it”. “Hmm”, I thought; that would be above my pay grade. The movement looked interesting and it was not expensive so, why not! But, having a movement without a case is like a car engine without the body but I was confident that one day I would have the solution.
This is a type W3 movement. “W3” refers to three chime tones, St Micheal, Whittington and Westminster.
Rear plate of the W3 movement showing chime selector and chime/strike hammers
I put out a plea and two people contacted me to say they had a case that would fit. One lived in Australia and the cost of shipping the case was too high. Another corresponded twice but I sensed he realized that his case would not fit. So, I put the movement away. On a positive note it runs well.
Schatz and Sohne W3 movement installed in a custom case
The pursuit of a custom made case
In the spring of 2018 my son’s girlfriend suggested that her grandfather could build the case. He loves doing this kind of work, she said. Although skeptical at first, I accepted her offer. Though a skilled craftsman her grandfather is over 90 years of age but spends as much time as he can in his woodworking shop in rural Virginia. He agreed to do the work. I sent the measurements to him but he preferred to have the movement in hand so it was sent to Virginia. He was able to use the movement as a guide in constructing the case. The clock was returned to me in December 2018 and it looked absolutely perfect.
Now to the installation of the chime block
The dimensions of the case allowed ample room to place a chime block. The block and rods are 7 1/2 inches long but even so there was not much room to spare on one end. The 8-rod chime block is from a Canadian clock supplier and is designed for a Hermle triple chime movement. There are not a lot of 8-rod chime blocks available through suppliers and given that I had little choice I had to assume that it would work for my clock and it does!
This video describes the placement of the chime block and some experimentation to achieve the optimum sound.
The tapered sections of the rods are an inch long and the hammers must be positioned to strike the wide point of the rods for best results. The oak base was trimmed to fit, allowing for about an eighth of an inch between the rods and the hammers. To close the distance to the rods the hammer wires are bent and centered on the rods. As they are brittle, chime rods should never be bent!
Chime block and oak piece forming the base
Once I was satisfied that the chime block was correctly positioned the block was secured. First I screwed the chime block to the hardwood base with 4 brass slotted screws. And finally, I secured the chime block through the base using two 1 1/4 inch slotted screws through pre-drilled holes.
I gave the case one more coat of shellac before putting it on display.
I am impressed with the outcome. Not all movements have such a happy ending.
I have been collecting clocks for over 8 years. In that time I have enjoyed my hobby immensely and I am constantly on the lookout for new and interesting acquisitions. It is more like a daily passion.
However, I now realize that as my collection steadily grows I have more than I need or want. I cherish some of my clocks and intend to keep them for years; my Arthur Pequegnats, selected Seth Thomas clocks, clocks made by the Hamilton Clock Co. and the Canada Clock Co., my Vienna regulators and some of my German wall clocks. I don’t mind parting with other clocks now or in the foreseeable future. Some I will miss and others I will not.
A house can only hold so many clocks
My daughter correctly pointed out that I should adopt a one clock comes in another goes out approach. “One-in, one-out”, she says and it makes perfect sense.
A house can only hold so many clocks. In my small office which is 10X12 I have a total of 15 clocks, 10 of which are running daily and the remainder in various states of repair. Outside my office, at any given time, there are 26 clocks in a number of rooms around the house. I am not one of those persons on YouTube who feel the need to cover their walls with clocks. I prefer to display them in a natural way, as an integral part of the decor of my home. The number is not all that important but I am trying to keep it manageable.
Kienzle World Time clock and Ingraham Huron balloon style shelf clock
I have decided that now is the time to sell some of my clocks. My objective is not to make money but to recover the cost of the original purchase plus my labour on each clock that I sell. These are the clocks that have left my collection recently.
I am making more critical choices when adding pieces to my collection
Mauthe Westminster chime mantel clock, circa 1950Juba Schatz Bim-Bam mantel clock, circa 1948Hermle Westminster chime with moon phase circa 1985
I have also gifted eight clocks over the last 3 years and most have been mantel clocks. Antique and vintage clocks make wonderful gifts to friends and family. It is cool to see them displayed and running in their homes when I visit though I know darn well that they are wound just hours before my arrival.
On a clock forum site recently someone said’ “How many clocks do you need”. The answer, “Just one more”
As my knowledge of the clock world grows and my experience repairing and restoring them expands I am making more critical choices when adding pieces to my collection. However, those critical choices often translate into spending more money. For example, recent acquisitions have been a Seth Thomas Regulator #2 and an Arthur Pequegnat Moncton, both wall clocks.
Seth Thomas Regulator #2, time-only, weight driven clock Circa 1922Arthur Pequegnat Moncton, double spring time only clock, Circa 1930
I believe my new approach is a natural progression and perhaps I have been subconsciously heading down that path for a year or more. Unless a clock has an interesting provenance, is rare, uncommon, unique and/or is a challenge to restore I will now shy away from most of the garden variety clocks one sees on online for-sale sites and yes, I still have a few of those.
On a clock forum site recently someone said’ “How many clocks do you need”. The answer, “Just one more”.
I knew during the course of collecting antique and vintage clocks combined with increased knowledge/experience that my hobby would evolve and continuing my horological journey in a slightly different way is about time,
What do you do when you find a movement without a case? Hope that one comes along? Make one?
I discovered an Aug Schatz & Sohne W3 movement at a local antique store for under CAN$20. My wife said, “You should buy that, maybe you can make a case for it”. “Hmm”, I thought; that would be above my pay grade.
W3 refers to three chimes, St Micheal, Whittington and Westminster. It looked interesting and it was not expensive so, why not! Having a movement without a case is like a car engine without the body. Maybe a case will come along someday, I thought.
Back in August of 2017 I appealed to my readers asking, “If you have a spare case that would fit this movement and it is lying around in your shop I’d be very happy to take it off your hands.”
Triple chime Schatz movement
Aug. Schatz & Sohne are better known for 400-day clocks (including the 1000-day clock) and ships clocks. They are not typically known for shelf or mantel clocks but it is not too difficult to find them at antique stores and online auction and for-sale sites. The company is well regarded by German clock-makers.
Having a movement without a case is like a car engine without the body
This movement has a lever escapement though earlier versions of the W3 were pendulum driven. This particular escapement has 2 jewels; after came escapements with 7 and later still, 11 jewels.
2 jewelled escapement. Has escapement been serviced as well?
The front and back plates are thick and solid. Cut leaf pinions throughout suggest a robust movement design. There are eight chiming hammers and the chime drum can be switched to one of 4 positions; silent, St Micheal, Whittington and Westminster.
The movement is clean and in good shape though it has been serviced at least once in its life. I counted 13 new bushings and a newer click spring.
I now have a brand new custom built case
Having a movement without a case is like a having a car engine without the body.
Earlier this year my son’s girlfriend suggested that her grandfather could build the case. She said he loves doing this kind of work. Although skeptical at first, I considered her offer. Her grandfather is over 90 years of age but is a skilled craftsman and he continues to work in his woodworking shop in rural Virginia when he is able. She asked him and he agreed. I sent the measurements to him. Better if I brought the movement to him, her grandfather suggested. I gave the movement to her and she brought it to Virginia while on a visit. He was now able to use the movement as a guide to constructing the case.
We corresponded back and forth through email. I gave him complete latitude concerning the design of the case though he sought my approval during certain stages of construction. After a few months, the clock began to take shape. Below is a photo of the completed case taken in his rural Virginia shop.
The harsh lighting of the shop does not do the clock justice
The glass side panels give it an old world look. The hands are original but are lost in the detail of the new dial. I have since painted them a darker colour.
There is ample room for the chime block which I must supply. The chime block is bolted through the base of the case. The chime block is positioned as close to the chiming rods as possible and if the distance has to be closed the chime hammers are bent towards the rods allowing an eighth of an inch or so of space. It is a relatively simple procedure. As they are brittle, chime rods should never be bent!
The chime block will be mounted under the chime hammers
The clock finally arrives at Christmas time (2018)
My son brought the clock back from Virginia in a carry-on suitcase just after Christmas. He took special care not to damage it in any way.
Schatz W3 bracket clock
The detail and craftsmanship are impressive and reflects hours of meticulous work.
The detail work on the case is amazing
Image from H&W Perrin Co. Ltd
I put the final touches on the clock by painting the hands black, attaching four protective felt pads under the base and giving the case two coats of shellac (traditional 1 lb cut) to achieve an antique finish. With the chime block installed the project will be complete.
After writing the maker and expressing how pleased I was of the outcome, he replied;
“I’m glad you like the case and glad that a simple fix got it running. Painting the hands black was an excellent idea, for I worried that reading time would be difficult. I hope you are able to send me a video of clock with chimes.
Best wishes”
The chime block has arrived and is a perfect fit for the case. The installation and final adjustments should be interesting so, check back later.
Mauthe Westminster chime mantel clock similar to LL’s clock
Tick-Talk Tuesday is about the letters and comments I have received from you, the reader, concerning your clocks, issues you might have had and challenges you face and my responses to your questions with advice on your particular clock concern(s). For those comments and questions that stump even me, I consult within my clock circles for the best possible response to your question
LL writes, “I just had my Mauthe 3-train Tambour mantel clock cleaned and repaired. This is the first I’ve heard it chime in decades! I know my brother bought in England in the eighties but that is all I know about it. Can you tell me any more about the maker?”
Mauthe would have called your mantel clock a “buffet clock”.
Mauthe clocks have an interesting history. In 1844 Friedrich Mauthe and his wife Marie founded a company in Schwenningen, Germany to produce watch parts. At the end of the 1860’s Mauthe began to produce their own wall clocks (and movements). Some have been produced by home-work by so called “Gewerblern”, others have been produced in a more “industrial” way.
The Mauthe sons Christian (1845-1909) and James (1847-1915) took over in 1876. In 1886 Mauthe began manufacturing its own spring mechanism.
Around 1900, alarm clocks, pendulum wall clocks, grandfather clocks, office clocks and so called “Buffet Uhren” “Buffet clocks” were offered. The number of employees at that time went up to about 1,100 people. In 1904 the 3rd generation took over (Eugene Schreiber (1877-1939) – son of Christian Mauthe, Dr. Fritz Mauthe (1875-1951) – son of Jacob and Mauthe Alfred (1879-1911) – son of Jacob Mauthe.
In 1925 Mauthe announced a new trademark. It shows a right-looking eagle with outstretched wings, holding in its talons a three-part round plate with the letters F, M and S. My Mauthe mantel clock is unmarked. Early in 1930 the company produced about 45.000 clocks per week (with 2000 employees). About 60% were produced for export markets, England for example was one of those export markets.
Mauthe mantel clock sitting atop a Stromberg Carlson console radio
In the mid-1930’s Mauthe started to manufacture their first wrist watches, some were even supplied to the German Army (“Wehrmacht”).
From 1946 on Mauthe re-started with the production of wrist watches. Though largely successful during the post war years, sales began to decline and the company eventually declared bankruptcy closing in 1976.
These precision German movements keep very good time and are certainly worth keeping and repairing. Enjoy yours now that it chimes.
I have an elegant Grandfather clock in Cherry wood and works perfectly! Daniel Dakota with gold finish. It is 38″ high with no scratches. Looks Brand New! Westminster Chimes every hour. Works with batteries. Beautiful triple pendulum.
38″ high (97 cms) for a grandfather clock! Now that’s really “stretching” the definition of a grandfather clock. And what’s a triple pendulum?
W3 refers to the 3 chimes, St Micheal, Whittington and Westminster
This W3 Aug Schatz & Sohne movement is local antique store find for under CAN$20 though it came without a case and chime rods. W3 refers to the three chimes, St Micheal, Whittington and Westminster. The Whittington chime is my favorite.
Aug. Schatz, a German company, are known today for two types of clocks: the Schatz 400-day clock (including the 1000-day clock) and the ships clocks. They are not typically known for shelf or mantel clocks.
The movement has a platform escapement though earlier versions of the W3 came with a pendulum. I believe that this platform escapement has 2 jewels. Later platform escapement had up to 7 jewels. The front and back plates are solid. It has higher quality leaf pinions rather than lantern pinions and there are 8 chiming hammers, three for the hourly strike.
Rear plate
It has been worked on before, perhaps more than once, but it seems to be clean and in very good shape. There are at least 13 new bushings and a newer click spring.
Arrows show new bushings and a newer click spring (bottom arrow)
Aug Schatz and Sohne German trademark showing W3 stamp
I oiled the movement and I wound all three arbors and it has been running happily for a week now, going through its quarter hour chime sequence flawlessly and hammer striking on the hour as it should. Well, at least the hammers moved.
Platform escapement, jeweled or not
If you have a spare case lying around in your shop I’d be very happy to take it off your hands
If you have a spare case that would fit this movement lying around in your shop I’d be very happy to take it off your hands. It would have been a mantel, shelf or bracket styled clock. If a mantel clock it might look similar to this Juba Schatz bim-bam clock.
Juba Schatz time and strike clock
Having a movement without a case is like have a car engine without the body. If you have or know someone with a case that will fit this fine movement please drop me a line.
Tick-Talk Tuesday is about the letters and comments I have received from you, the reader, concerning your clocks, issues you might have had and challenges you face and my responses to your questions with advice on your particular clock concern(s). For those comments and questions that stump even me, I consult within my clock circles for the best possible answer.
This is a Sessions Westminster A mantel clock made in Forestville Conn. The first year of production for this model was 1927. This particular clock was made in October of 1930 and features minor improvements to parts of the chime / strike train. Between 1903 and 1933 Sessions produced this and 51 other models of mechanical clocks, ranging from Advertisers, large and small clocks with logos of various businesses, to wall, or regulator clocks, and shelf or mantel clocks, designed for the home. Many of the Sessions clocks from this period are prized by collectors.
Everything seems to working very well with my clock except for the chimes which seem to have a rather peculiar problem
JD writes. “I stumbled across your WordPress blog about your Sessions Westminster clock and thought I’d reach out as I’m in the process of finally getting mine running. Everything seems to working very well with my clock except for the chimes which seem to have a rather peculiar problem. The hourly chimes work great. Full Westminster, then the correct number of hour strikes. The half hour chimes are also correct. The problem is that the quarter hour & three-quarter chimes are reversed. The quarter hour has 12 notes and the three-quarter hour has only 4. I haven’t even taken the movement out of it’s case yet, and at this point I’m just trying to figure out what the problem might be, and how complicated it may be to resolve it. This is one of about a dozen old clocks that my father had in his collection when he passed away, all of which I had been led to believe were non-functional. I’ve got ten of them running and would like to get an idea what I’m up against with this peculiar problem. Thanks in advance for any insight you may be able to offer.”
Sessions Westminster chime circa 1931
Co-incidentally I have been working on the same clock. Mine also had issues with the strike and chime sequence. I received JDs letter prior to working on my Westminster A mantel clock so I could not advise him on his specific issue but hope to share my experience with him once I have completed work on it.
The Sessions Westminster A mantel clock was made in Forestville Connecticut, USA. The first year of production for this model was 1927. Between 1903 and 1933 Sessions produced 52 models of mechanical clocks, ranging from advertisers, large and small clocks with logos of various businesses, to wall, or “Regulator” clocks, and shelf or mantel clocks, designed for the home. Many of the Sessions clocks from this period are prized by collectors. Having a unique and innovative design, the Westminster A is particularly sought after.
Westminster mainspring
My reply was. ” Thanks for your letter JD. I have yet to tackle this clock and know that it is not a good clock for the novice clock repair person to work on. If you have the skill-sets to have worked on other clocks then you are prepared for this one. I have attached a detailed guide which will help you through the servicing of this clock. It was prepared by Robert Croswell a member of NAWCC. One thing I should mention. The clicks are very weak on this clock and click failures are common. I need not remind you that when clicks fail they may also take parts of a clock with them. If you decide to tear it apart, do yourself a favour and replace the clicks. I have a number of clocks that I have to service before I get to the Westminster A. Let me know how you are progressing with the clock and any insights you can pass along to me.”
Drum and hammers on a unique two train chiming clock
I attached Robert Croswell’s excellent manual called Taming the Sessions 2-Train clock.
JD wrote back, “Thank you very much for the reply, and especially for the very helpful guide. I also asked the question on JustAnswer.com and received a helpful response from a clock repairer who said that the chime correction cam that is behind the locking plate needs to be rotated 180 degrees after it chimes the 12 notes, to the 3/4 hour position. As I said, I haven’t even removed it from the case yet so I just wanted to get an idea how involved the repair might be before I take any action. Now I have an idea where to focus my attention, and I can at least remove it from the case and examine it to fully understand the working of the chiming mechanism. Not sure if I’m up to tearing it apart quite yet, especially since it is running well for the most part. The resource you provided will no doubt prove very helpful to my learning process. I’ll let you know if I manage to resolve the issue and of course, anything I learn along the way. Thanks again.”
I will be sharing my experience with JD once I have the clcok running as it should. I have assembled the clock and in the process of testing the time side. Although the racks and snails (there are 2) are reinstalled I have not yet managed to have the time properly aligned. Once I have determined that the going train will run it’s full cycle I will focus on adjustments to the strike and chime side racks and snails.
Ridgeway Hamilton Country, Westminster Chime, 1996
How did we get the name grandfather clock?
Most serious clock collectors and enthusiasts do not use the term grandfather clock when conversing with each other.
Firstly, most clock collectors and enthusiasts do not use the term grandfather clock when interacting with each other. I tend to use the word when conversing with family and friends because they know exactly what I am talking about. The name first appeared in a song. In 1876, a song called My Grandfather’s Clock by Henry C. Work popularized the term grandfather clock and the name has stuck to this day. You can listen to Work’s famous song here.
Twiss Canadian tall clock circa 1890
Secondly, depending on where you are in the world this style of clock may have a different name. In England it would be referred to as a “long-case clock” while Americans prefer the term “tall clocks.” During the 20th and 21st centuries, some writers, including those writing for museum-sponsored publications, have combined regional names into one term,“tall case clock.” It is also referred to as a “floor clock”. These clocks have the following features in common. They are a tall, freestanding, made from a variety of wood, are time and strike though all modern clocks include a chime, weight-driven pendulum with the pendulum held inside the waist or throat of the case. The case often features elaborately carved ornamentation on the hood (or bonnet), which surrounds and frames the dial, or clock face.
A trio of Arthur Pequegnat tall clocks, circa 1912
Let’s go further back in history
Let’s go back in history. In the 16th and 17 century English lantern or chamber clocks were popular but they had serious limitations. Lantern clocks used a verge and foliot escapement and were notoriously inaccurate and unreliable, in fact, some had to be wound two and three time a day and were limited to a 12-15 hour run time. Many of the verge escapement with pendulums had a very wide pendulum swing.
It is widely accepted that the anchor escapement was invented by Robert Hook around 1657. An escapement is basically a speed regulator on a clock. At about the same time the pendulum was invented. The anchor escapement made for shorter pendulum swings, and heavier and longer pendulums. Since the pendulum had a lower beat a clock with an anchor escapement required less power and could run longer, up to 8 days. Only then did cabinetmakers get involved in building a case around the weights and pendulum. For an excellent article on the origin and evolution of the anchor escapement go here.
Hugh Gordon long-case clock circa 1740
As long-case clocks became popular regional styles began to emerge.
It is a question many clock owners face when confronted with a nonfunctional antique or vintage clock. Whether it’s a handed-down family heirloom, a vintage find from a flea market, or a sentimental gift, deciding whether to invest in repairs can feel daunting. Beyond its monetary value, a clock’s worth often lies in its history, craftsmanship, or the memories it holds. In this article, we’ll explore key factors to consider—such as the clock’s condition, sentimental significance, and potential repair costs—to help you determine whether restoring your clock is the right choice for you.
1) Sentimental value:
An antique clock passed down through generations often carries more than just the weight of its years; it holds the stories, traditions, and memories of a family or a special person. Such a clock may be destined to continue its legacy with future generations.
Similarly, a clock might hold personal significance as a cherished anniversary present, a thoughtful retirement gift, or a token of friendship. In these cases, the emotional value far outweighs its replacement value, making the clock truly “one of a kind” and irreplaceable. Repairing a clock with this kind of sentimental importance is unquestionably worthwhile. When entrusted to a trusted, professionally certified repair person (horologist), the restoration ensures its continued presence in your life, regardless of its resale value.
For instance, my 114-year-old Gustav Becker two-weight Vienna Regulator, a retirement gift from my wife, holds immense sentimental value. Initially purchased as a project clock on eBay, it required substantial investment to function correctly. Today, it looks stunning and runs beautifully, but repairing it wasn’t about the cost; it was about preserving something irreplaceable. In such cases, the expense of repair becomes less of an investment and more of a necessary operating cost to keep a beloved treasure alive.
Gustav Becker two weight regulator, a retirement gift from my dear wife
I own a Ridgeway grandfather clock that I plan to pass down to my children. It holds deep sentimental value, reminding me of a clock my wife and I nearly purchased over 30 years ago. At the time, we decided not to proceed with the deal but made a promise that we would one day own a grandfather clock like it. That promise was fulfilled in 2012 when we found a Ridgeway Hamilton Country grandfather clock, made in 1996 and in pristine condition. If and when it eventually requires repair, the cost may equal its market value, but to me, the repair would be well worth it. Its sentimental significance far outweighs any monetary considerations.
Ridgeway Hamilton Country Westminster chime tall clock
2) A decorative item: The second type of clock is one with no emotional value—purely a decorative piece that no longer works. Perhaps it was a flea market find you got running for a time, but now it has stopped. In this case, you have two options: let it sit as a decorative item or repair it. When considering repairs, the replacement value of the clock should play a key role in your decision. If the repair costs exceed the cost of replacing the clock, it may make more sense to simply replace it.
However, if you have the tools and skills to repair it yourself, weigh the cost of new parts against your time and effort. For quality clocks, even a full overhaul of the movement may cost less than the clock’s actual value. With common antique clocks, such as American mantel or wall clocks, repair costs often approach or even exceed their market value. For rare or unusual clocks, however, repairs are typically more economical relative to their value, making the investment worthwhile.
3) Collector value: The third category includes clocks with collector value.
If a clock has been purchased as an “investment,” for resale, or simply as part of a collection, the repair costs should not exceed its overall value. For high-grade clocks requiring repair, especially if parts are unavailable, it’s important to carefully consider whether repairing it is worthwhile. When selling a clock, remember that buyers almost always prefer one in working condition, and as original as possible, so minimal repairs may enhance its appeal and value.
For example, I recently acquired a miniature Vienna Regulator. Not only is it in good working order, but it is also in exceptional condition—an impressive feat for a clock that is 145 years old.
One-weight Vienna miniature wall clock, circa 1870
For collectors, determining a clock’s value can be challenging, especially with the significant fluctuations in clock prices in recent years. However, certain types of clocks, such as high-quality French bracket clocks, English lantern clocks, carriage clocks, and jeweler’s regulators, have managed to retain their value. Clocks that are unique, exquisitely crafted, low-production, or one-of-a-kind are typically far more valuable than common, mass-produced examples.
4) Quick re-sale: The final category includes clocks purchased for quick resale.
Many individuals buy and sell antique and vintage clocks purely for profit, often through online marketplaces or specialized sales. When acquiring a clock with the intent to resell, it’s important to factor in both the time and cost of repairs or parts needed to make it marketable. Since buyers almost always prefer a functioning clock, a fully serviced clock is not only more desirable but can also command a higher price than one left unserviced.
This Ingersoll-Waterbury mantel clock (photo above) was purchased at a flea market for a very reasonable price and has since been fully serviced. If I were to sell it, I would need to recover the initial purchase price along with the cost of my time and supplies.
It’s worth noting that many clocks sold on online marketplaces are marketed to unsuspecting buyers. Sellers often claim the clock is in “excellent running condition” while adding a caveat that it “may require adjustment after shipping.” If you’re involved in buying and selling, keep in mind that buyers are often looking for a bargain. Additionally, you may not always achieve the price you believe your clock is worth, so pricing realistically is essential.
Final thoughts
There are many reasons why people acquire antique and vintage clocks. Deciding whether they are worth keeping or repairing ultimately depends on your purpose—whether it’s for profit, sentimental value, or a passion for collecting, as it is for me. Each clock has its own story and value, and understanding your connection to it will guide your decision.
Should every clock collector have a Grandfather (tall case or long case) clock? No, but it was something I had always wanted.
Ridgeway tall case clock
In 2012 I was perusing a local for-sale site and came upon this particular Ridgeway grandfather clock. The ad said that the clock was in excellent condition. When I called the seller and asked what he meant by “excellent” he said, “You have to see it to believe it”. He was right. The brass was bright and shiny and the only indication of its age (1996) is slight tarnishing of the column capitals.
Unfortunately, this type of clock takes a real hit on the used market. The smaller homes that many folks prefer today simply means there there is no room for a clock this size.
Clock face showing moon dial and raised Arabic numerals
The clock has a graceful, regal look. It stands 83 inches tall, has a scalloped bonnet crown, functional blue moon dial with constellation, 5-rod Westminster chime with shut-off, stately columns with brass base and caps, raised Arabic numerals, oak solids and veneers, brass lyre pendulum with 10 5/8 polished bob and access panels on each side. It was made by the Pulsaski Furniture Company. The Pulaski company struggled financially in later years and was eventually bought out by the Howard Miller Clock Company in 2004. Howard Miller continues to offer the Ridgeway line.
Moon phase with constellation
And it came with the original cabinet key.
Original Ridgeway cabinet key
The seller advertised that it had a quality Keininger movement. Later ones did; this has a Hermle movement. In the 1990s the German clock company Hermle was the principle supplier.
Hermle movement
In this case the ubiquitous 451-033, with 114 cm pendulum and 60 bps.
Sussex model
The clock is very similar to the Sussex model as shown in this advertising brochure.
I have also seen the clock referred to as the Hamilton Country model. Nonetheless, it is impossible to verify since very little information about the original company exists to this day.
Lyre pendulum with brass bob
The clock runs very well and to within a minute a week. When it fails it is more cost effective to replace the movement rather than bring someone in to repair it. I will simply swap the movement out with an identical one since Hermle continues to make this movement to this day.
This fairly non-descript mantel clock is a puzzler. It has a nicely constructed case with curved wood relief features and a westminster chime, hence the three winding arbors. It is in very good condition and required a simple de-greasing of the cabinet to bring it back to it’s former glory.
The clock was presumably made after the war years, perhaps the late 1940s and has a pendulum movement. Most mantel clocks beginning in the 1950s had balance wheel escapements so I am putting this in the late 1940s perhaps even the early 1950s. This particular mantel clock has a French Girod westminster chime movement.
Girod was a clock maker based in the Morbier-Jura region of France and produced clocks from the 1930’s into the 1960’s. The firm of Girod was founded in 1865 by brothers Leon and Auguste Girod. The clocks were made almost exclusively in the Art Deco style. This clock has Art Deco features particularly the formation of the dial numerals but I would not say it was sold as a Girod clock.
Dial face
Girod clocks (both mantel and tall case) often came with Westminster chimes, and often a second chime named Cloche de Jura, using the same notes as the Westminster chime. A handful of clocks were built with Ave Maria de Lourdes, and St. Etienne chimes. This clock is westminster chime only; no double chime feature unfortunately. Girod cases usually featured carved walnut appliques and were very ornate, almost garish. Mine is very plain and as I said non-descript.
So, what is it? Well, from my research I have discovered that despite the fact that the clock movement is stamped Girod, it might be a German Kienzle movement. Girod movements had the distinctive feature of split plates, this one has solid one-piece plates. Again my research reveals that as a result of the post-war German reparation effort, Kienzle clock movements were brought from Germany into the Girod factory in France, assembled and stamped as a Girod movements for, it is my guess, export to Canada and other countries.
Another clue. The case has a stamp on the back. It is a little faded but it says, “Quality Cabinet Made in Canada”. There are three letters in the middle that I cannot make out. PHS or FHS perhaps?
Upside down stamp on back
There is no trademark on the dial face which would normally indicate the retail seller or manufacturer but my guess is that it was likely sold as a Forestville mantle clock (the Forestville Clock Company was based in Toronto). The logo (??) punched into the hour hand makes me wonder though.
Look at the key. Why two wrench punch-outs and a screw driver end?
Key with screwdriver and wrench punch-outs
Girod movement showing chime rods and unusual pendulum
The above shot shows the movement. It has five strike hammers, 4 of which carry the Westminster chime and three hammers for the on-the-hour strike. The strike feature is quite loud. The rods appear to be differing lengths of copper and the pendulum has a relief of the Eiffel Tower that you can just make out. There is also a lever on the upper front of the movement which serves as a repeater. The movement appears to be very sturdily built and reflects German (??) quality.
Again my best guess is the Forestville Clock Company of Toronto but if you have other information or if you know more about the history of Girod clocks please drop a line.
No serious collector would admit that they have a Daniel Dakota wall clock in their collection. I have two!
The clcok that started my collection, a humble Chinese clock that still ticks today.
One was converted to quartz. The other was gifted to a family member. Are they attractive clocks? The functional styling is borrowed from American and German box clocks; they are not what one would consider a beautiful clock.
One Daniel Dakota clock was given to me. I took it to a local clock repair person. I will not say he was a competent clock-maker because he was not at all interested in repairing this clock or any other clock for that matter. His method of maintaining a profitable business consisted of replacing every mechanical movement with a quartz one. However, with my blessing he pulled out the movement because it was “broken” and installed a quartz movement. I found out later that a very little work was needed to make this mechanical movement run again.
A previous owner attempted to wind the clock in the wrong direction using a pair of pliers and popped the mainspring out. Though a simple to fix I now have a working movement with no case.
The case was in sad shape. Not surprising since clocks such as this one were never taken care of properly. I removed tacky plastic trim, added two rosettes, re-stained damaged sections of the case and cleaned the glass.
The quartz movement is a Westminster / Whittington chime with auto night shut off. Although many quartz movements can be found around the $10 range this was well over $100. Although there not marking on the movement I believe this one was made by Sieko. Quartz movements can be pricey when you factor in 2 chime tones, a pendulum, auto shut off and so on.
Daniel Dakota movement
My other Daniel Dakota is in the midst of a good cleaning and undergoing some slight adjustments. It is missing a bottom trim piece but I doubt that it will ever be replaced. The bottom piece was likely taken off so that it could sit on a shelf.
Daniel Dakota missing bottom trim piece
Daniel Dakota movement dis-assembled and parts spread out
Chinese movements are not made to the same tolerances as a fine German or American movements. The plates are thin, there are plastic parts (though not on this movement) and no supplier has replacement parts. They have an amazing ability to last almost forever and the manufacturer knew that they would never be serviced. A throw-away mechanical clock in the Chinese tradition of mass marketing. However, you can breathe new life into these movements with a thorough servicing.
Although Daniel Dakota is a successful marketing brand name, you will not find a company site anywhere online. There are many suppliers associated with the name and no single factory where they are produced. Daniel Dakota clocks are sold by many a variety of retailers across North America and they are regarded as a low cost, low quality utilitarian clock for the average home.
The next time you hear someone criticize Daniel Dakota clocks remind them that although they are very inexpensive or can be picked up for almost nothing they will run for many years with very little care.
Antique and Vintage Mechanical Clocks 
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