Will grandfather clock prices go up in 2026? That’s the question. And while no one can predict the market with certainty, there are a few subtle signs worth paying attention to.
Just recently, I came across a recent article in House Beautiful titled “This Status Symbol From Your Grandmother’s House Is Suddenly Cool Again.” The headline alone caught my eye, and sure enough, the featured photo was a tall, elegant grandfather clock. According to the article, designers are beginning to reintroduce these traditional pieces as focal points in modern homes. Instead of being seen as outdated or fussy, they’re being appreciated once again for their warmth, craftsmanship, and presence.
Grandfather clocks are statuesque by nature. They bring a certain rhythm to a room—not just visually, but audibly. The ticking, although not for everyone, can lend a feeling of calm and stability. But the article made an important point: a tall clock works best when it complements the interior, not when it demands attention. It should feel like it belongs there. You also need enough physical space to make one feel at home, especially since most stand between six and eight feet tall. Trying to wedge a clock of that size into a tight room is rarely successful.
One designer interviewed noted that grandfather clocks shine in areas where you want a sense of arrival or serenity: an entrance hall, a living room, a dining room—anywhere you can slow down and appreciate it. And that’s key. These clocks aren’t meant to be tucked away. They do best in spaces where their presence adds to the experience of the room.
But is all this designer enthusiasm translating into a real comeback? That’s where things get interesting. While some people may be rediscovering grandfather clocks, I still see plenty advertised online for next to nothing. Many of those, unfortunately, are well past their prime—either cheaply made to begin with (I’m looking at you, Daniel Dakota) or neglected to the point that the movement is at the end of its service life. Attractive case or not, if a clock hasn’t been serviced in decades, you’re buying a project.
On the other hand, clocks in genuinely good condition—especially those recently serviced, with high-quality movements—are holding their value better. And if the design world truly is coming back around to tall clocks as decorative pieces, these better examples could see a modest bump in demand.
So, will prices rise in 2026? We’ll see. The market for antique clocks tends to move slowly, and tastes change gradually. But if designers continue to feature them, and if homeowners begin to see past the “big old thing in the corner” stereotype, we might be witnessing the early stages of renewed appreciation.
For collectors, that means one thing: keep your eyes open. A well-cared-for grandfather clock might not just bring character to a home—it may also turn out to be a smart long-term buy.
In an era when Canadian furniture manufacturers were struggling to compete with international imports, one company stood out not just for its elegant craftsmanship but for the remarkable story behind its founder.
Craftline Industries, established in Toronto during the mid-20th century, was the brainchild of Manny Drukier, a Holocaust survivor whose vision, ingenuity, and resilience transformed a fledgling furniture operation into one of Canada’s premier producers of home furnishings and decorative clocks. With little formal education but a boundless entrepreneurial spirit, Drukier built more than a business—he created a legacy that continues to tick away in homes across North America.
Manny Drukier, as a young man, after WWII
In preparation for an article on Craftline Industries and its founder, Manny Drukier, I contacted the Drukier family with a series of questions. My main point of contact for this article was Cindy Drukier, Manny’s daughter. The Drukier family responded with remarkable generosity, providing a wealth of information, far exceeding what I had initially sought. I have included the entire text of their reply to me and have their permission to make minor edits for flow and clarity.
A snapshot of production, entitled Production Operations 1974, offers readers a clear sense of the scale and ambition behind Manny Drukier’s vision.
Manny Drukier’s Story as Told by His Family
From his daughter, Cindy Drukier, “The answers to the questions you asked may be more than you bargained for. Apologies for the excessive detail in some places, but the family decided that since such scant online evidence of Craftline exists, this was an opportunity to enter it into the digital record. These days, if it doesn’t exist online, it’s almost as if it never happened. So we’re grateful for the opportunity!”
The answers were written by Manny’s daughter Cindy, with input from her mom, Freda Drukier, and three siblings, Gordon, Laurie, and Wendy. Cindy also consulted the 1974 Canadian Jeweller article (which I have summarized in a separate section) and Manny’s unpublished writings. Manny has a published memoir, “Carved in Stone: Holocaust Years – A Boy’s Tale,” but it stops when he arrives in Canada. He wrote a Part 2, but it wasn’t published before he passed. Manny died in January 2022 of Alzheimer’s at 93.
The Vision
In 1948, Manny arrived in Toronto, a 19-year-old Holocaust survivor from Poland. He’d already spent a year in New York, but his mother and sister had made it to Toronto post-war, so he moved to Canada to join them.
Suddenly, Manny had to find a way to support the family. While buying furniture for their tiny flat with savings from New York, it dawned on him that the city was full of fresh immigrants needing to do the same—furniture would be a booming business, he figured. He had zero experience but managed to finagle (i.e., lie that he had experience) a sales position in a furniture store and quickly excelled at it, earning $30 for a six-day week, plus 2 percent commission.
He lasted less than a year working for someone else. By then he decided he had learned all he could and would go into business for himself.
He rented his first small store with his brother-in-law, David Rosenfeld, on Bloor St. West near Dufferin in downtown Toronto and called it North American Furniture. It went well, and soon they opened a second location on The Danforth on the east side of downtown Toronto. In 1961, they closed both to open a much larger and more upscale store in a former supermarket at Bathurst and Eglinton.
By 1964, he noticed he was importing more and more goods from the United States because Canadian furniture, although well-made, wasn’t elegant enough for modern consumer demand. He saw an opening in the market. He also disliked being the middleman—selling the wares of others—so he decided to go into manufacturing.
He didn’t have a clue how to do it, but he thrived on challenge and had infinite faith in his ability to figure things out. He sold North American Furniture to his brother-in-law and cobbled together a couple of partners for his new venture. Leonard Caplan was manufacturing case goods in Georgia, and Henry Gancman was a Canadian maker of chrome kitchen sets, which Manny sold in his store.
Manny, circled in red
They opened a small factory in the north end of Toronto, on Lepage Ct., employing about 15 people. One was my mother, Freda, who set up the bookkeeping and ran the one-woman office.
A couple of years later they moved to a bigger location, that included a showroom, on Milvan Dr. A few years after that they bought some land (including some from the power company, Ontario Hydro), to eventually build a 215,000 sq foot factory, showroom, and offices on 13 acres located at 15 Fenmar Drive in Weston, and industrial area at the northwest end of Toronto.
Craftline catalog
Craftline manufactured all-wood occasional furniture such as coffee tables, end tables, curios, and consoles, and, later on, wall units and grandfather and grandmother clocks. It eventually became Canada’s top manufacturer of elegant furniture, employing about 250 people.
Craftline catalogue
Cindy added, “Manny was the main designer for all the furniture, including the clocks. He had no experience in this, of course, and couldn’t really draw on any either, but he always had lots of ideas!”
ProductionOperations 1974
The information in this section is sourced from the March 1974 issue of Canadian Jeweller magazine.
Demand for Craftline grandfather clocks was high in 1974—so high, in fact, that the company couldn’t keep up with orders. In 1973, Craftline produced 2,500 grandfather clocks and expected to double production by the end of the year, 1974. At the time, owner Manny Drukier estimated the U.S. retail market for clocks, priced between $200 and $4,000, to be worth $200 million.
Manny is in the special clock boutique area of the factory
Craftline began making grandfather clocks in 1968, and by 1974, 20% of the company’s total output was devoted to them. The tall clock cases were made from solid lumber and veneered with fruitwood, elm, and ash, in styles such as Spanish, Mediterranean, Colonial, and Country French.
They produced both eight-day mechanical clocks and transistorized, battery-operated, pulsation-type clocks. The higher-priced models used mechanical movements, while the less expensive versions, made by subsidiary Craftique, used battery-powered movements. Craftique, by 1974, had manufactured 14,000 units.
The production floor
In 1974, clock faces, hands, and weights were imported, although Craftline was exploring Canadian sources. The mechanical movements were imported from two suppliers in Schwenningen, Germany. One supplier would have impacted production, while relying on two suppliers was a safer approach.
While the suppliers were not named in the article, at least six companies were manufacturing movements in Schwenningen at the time: Kienzle, Mauthe, Hermle, Schatz, Urgos, and Haller. (Author’s note: Urgos and Hermle would have been the suppliers)
Eaton department stores began selling Craftline clocks in 1972, but could not get enough stock to meet demand. However, most clocks were sold through furniture stores, where salespeople were well-equipped to market them. Jewellery stores typically bought in smaller volumes, as limited floor space made it harder to display the larger clocks.
Checking on Canadian sources for parts
The Craftline plant could finish 700 clock cases in two days, but the four-person team responsible for installing movements could only assemble 36 completed clocks per day. Much of the training for clock assembly was done in-house, with employees learning from one another.
Back to the story.
Launching the Clock Line
Manny constantly had an antenna up, looking for profitable ways to expand Craftline’s offerings, and, in 1968, he got the idea for grandfather clocks. We’re not sure where the idea came from.
Craftline catalog
Manufacturing the wood cabinets was easy, but not so the clockworks. He had two suppliers in the German Black Forest, but we don’t know more than that. I do know that, being a Holocaust survivor, he initially had misgivings about buying the works from Germany, but they were excellent and reliable, so he went with it. He said he also considered sourcing them from Asia, but decided it was too risky. He had expressed hope of buying them from a Canadian source in the future, but that never happened.
The clock cases were made of hardwood like elm, ash, and fruitwood. There were many designs, including traditional, Spanish, Mediterranean, colonial, and country French. They either had an eight-day wind-up chain mechanism or battery-operated pulsation movements. The highest-end grandfather clock was an oriental design with black lacquer and gold. The wholesale price for that clock was about $1,000 (CAD) in the early 1970s. It was the only model with an imported case—from Portugal, as it turns out.
He also started a spinoff company called Craftique Originals that produced ornamental objects from molded urethane. Craftique’s products included elaborate mirror frames, framed art reproductions, wall-mounted weather stations, and a line of wall clocks that looked like miniature grandfather clocks—except their brass weights were purely decorative and they didn’t chime.
Clock Sales and Ice Cream
Craftline had a team of salesmen who covered Canada coast to coast, and a bit of the eastern United States. All clocks were branded as either Craftline or Craftique, and they were sold to department stores and independent retailers, not to individual customers. He did, however, offer a premium service: customers could order a personalized engraved brass plate for their clock. Cindy Drukier spent one summer filing invoices and using an engraving machine to etch out those plates.
And there was one time when Manny traded a grandfather clock for its value in ice cream from the first Canadian importer of Häagen-Dazs. “Best business deal ever for a household with four kids!”
The Difficult Process of Ending Operations
Craftline lasted until 1991, when two hammers fell at once: The Canada-US Free Trade deal (precursor to NAFTA), and the introduction of the GST (Goods and Services Tax). Both hit manufacturers hard. Everyone knew Canada’s furniture industry wouldn’t make it, and despite a valiant effort to keep things afloat, the bank stepped in and forced Craftline into bankruptcy.
Craftline catalogue
By then, Manny was the sole owner. He and Henry had bought out Leonard in about 1975, and Henry got out in the final few years.
It was very upsetting, says my mom, after putting so much of your life, money, time, energy, and creativity into something, and then to have the rug pulled out from under you through no fault of your own.
She worked by his side the entire time. Manny was more philosophical and practical about it. He really didn’t dwell on things. It happened, so it happened. Meanwhile, he had other business ventures and interests. He also took the opportunity to go to Poland, with Freda, for the first time since the war and write his memoir (Carved in Stone: Holocaust Years – A Boy’s Tale).
Grandfather clockowned by the author’s daughter
Personal Challenges
We had one very fine oriental-style grandfather clock for about 40 years until it was consumed by flames in a house fire in 2011. So we all grew up with that wonderful ambient chime every 15 minutes. We’re elated to hear that many Craftline clocks are still working well!
What he enjoyed most about business was always the challenge. Clocks were just the next challenge, having mastered furniture. Lack of experience was never a barrier. He was not motivated by money—he was motivated by trying to make a longshot succeed. Nothing daunted him. Certainly, that attitude came from surviving the Holocaust. Money was fleeting—in a single day, it could be made worthless. And since he’d already been through the worst, no setback was terribly troubling. He also got bored quickly with the routine.
TheLegacy of Manny Drukier
It’s extremely heartwarming to hear that you (author) care to research and record the history of Craftline. He’d be gratified to know it! Occasionally, we hear about this or that Craftline clock still standing in someone’s home, and it’s always satisfying to know its chimes are resonating in someone’s life.
Grandmother clock owned by the author’s sister
Manny had many business ventures over the years, not just Craftline, although Craftline was the constant, and the one that made money. But he also dabbled in real estate, although he found it generally uninteresting (unless he had colourful tenants).
He published two short-lived magazines—a cooking magazine, “à la carte [sic]”, and a literary magazine, “The Idler”. He opened a pub we lived above, also calledThe Idler, and ran that for 15 years. He became an author and the star of a documentary my husband and I made about his war years called Finding Manny.
Manny was an innovator—if he had a vision, he went for it, and nothing would stop him. Because of the war, his formal education stopped at grade 4, but he was a voracious reader and a lifelong learner. He was a generous mentor and an incurable optimist. He also had a great sense of humor and left us with many useful words of wisdom.
“I’ll leave you with a few gems that seem most apt:
LIfe isn’t a cafeteria, you can’t always choose what you want.
Sometimes a kick in the pants is also a step forward.
Don’t be the schmuck who ends up walking backwards when you’re moving furniture.
I think I’ve contributed something by my staying alive. (in Finding Manny):
We agree.
The Drukier Family”
That’s the story—more than I ever expected. I encourage you to watch Finding Manny, which explores Manny’s early life, the profound loss of family members during the Second World War, and the horrors of the death camps.
Given the lack of other dedicated online sources, this stands as the most reliable and comprehensive resource currently available on Craftline Industries.
Buying your first clock is an exciting journey, but it can also feel a bit daunting. In this article, I’ll share some practical tips and advice to help you choose your first clock and discuss the various types of clocks to consider.
One of the goals of this blog is to introduce antique and vintage clocks to younger generations and inspire an appreciation for these remarkable mechanical devices from the past. In today’s modern age of a throw-away culture, how many items can you think of that still function flawlessly after more than a century? It is a short list indeed!
Before we get started, let me clarify two key assumptions. First, I’m assuming you’re not purchasing your first clock with the goal of turning a profit. If profit is your motive I won’t be much help to you. Having collected clocks for many years, I can tell you that buying and selling clocks rarely yields significant financial returns. Of course, there are always exceptions.
Second, this guide focuses on mechanical clocks rather than electric, quartz, or electro-mechanical models. While some of the latter are certainly attractive, there are other resources available for learning more about these types of clocks.
An antique mechanical clock operates through a system of metal gears and levers, powered by weights or springs, wound manually, and displays the time. These clocks were essential for daily life in the past, providing reliable timekeeping that helped people manage their routines, coordinate activities, and regulate work, particularly before the advent of modern electrical or digital timekeeping devices.
Let’s explore why you would want an antique or vintage clock.
Choosing an Antique or Vintage Clock
Is the clock for decoration, an expression of your new interest in horology, or are you starting a collection? Your motivation for acquiring your first clock is important, as it involves an investment of your money.
Establishing a budget is essential to guide your decision. If your primary goal is to use the clock as a decorative piece, the condition of the case may take priority, and whether the movement works might not be a concern. However, if you want a functional clock and the one you choose is not in working condition, you’ll need to account for potential repair or restoration costs in your budget.
When considering the clock’s condition, it’s important to assess whether it’s running or in need of repair. A case that shows significant wear often indicates that the movement may also be in poor condition. Some damage can be repaired, but other types of damage may be expensive to fix, and if the clock was inexpensive to begin with, the cost of repairs may outweigh the value. An example of this is pieces of veneer missing on a clock. While small imperfections may be acceptable, large areas of missing veneer can significantly affect the clock’s appearance. Replacing large sections of veneer should be left to a professional restorer.
The case requires new sections of veneer
Clocks with an interesting provenance may not only be more desirable to collectors but can also serve as fascinating conversation starters. Understanding who made the clock and where it was produced is crucial. A clock from a renowned manufacturer or region known for quality craftsmanship can be more valuable.
A clock with a well-documented ownership history, especially if it has been in the hands of notable individuals or has an intriguing backstory, can make it more desirable. If it was owned by a historical figure or used in a significant event, this can greatly enhance its appeal.
Look for original labels, receipts, or certificates of authenticity that confirm the clock’s origin, age, and maker.
If the clock has thorough documentation, be prepared to pay a premium price. Look for a clock with a known history of quality repairs or restorations, especially if these were done by reputable professionals.
The location and placement of the clock can influence your choice of type and size. For example, in a 600-square-foot apartment, a grandfather clock might not be the best option. A small mantel or novelty clock can be placed almost anywhere, while wall clocks don’t take up valuable floor or shelf space.
Antique and vintage mechanical clocks require periodic care and upkeep because their components are subject to wear and aging over time. The materials used in older clocks, such as metal gears, springs, and wood, can degrade or become less effective without regular maintenance. This should be taken into account when making your decision.
An emotional connection is important. You should select a clock that you genuinely connect with, as it will become a lasting part of your environment. Purchasing a clock simply because it’s inexpensive, but not to your taste, may lead to regret.
And finally, consider starting with a straightforward, reliable clock before diving into more complex or high-maintenance pieces.
Here are the Types of Clocks to Considerand Why
Mantel Clocks are compact clocks designed to sit on a mantelpiece or shelf. They often feature a strike while some might also feature a chiming mechanism such as Westminster chimes.
A mantel clock is a good entry point for beginners due to its manageable size and the many different styles and designs. In North America, popular examples come from manufacturers such as Seth Thomas, Ingraham, New Haven, Gilbert, and Pequegnat.
Wall Clocks are designed to hang on walls, ranging from simple schoolhouse styles to ornate regulator clocks. These clocks are ideal for those with limited floor space and looking for a functional piece. Look for clocks that are complete, with no missing parts, and inspect hands, glass, and the movement for any problems.
Grandfather Clocks otherwise known as Longcase Clocks, Tall Case Clocks, or Hall Clocks are tall, freestanding clocks often over six feet tall, with pendulums, often featuring intricate mechanisms and chimes. These clocks are statement pieces suitable for those with ample space.
Maintenance can be more demanding, and many of these clocks especially from the 1980s and 1990s have movements that are near the end of or at the end of their service life. A gently used tall case clock can provide many more years of service. While these clocks are undeniably charming, their sound might be a bit too loud for some individuals.
Cuckoo Clocks are typically from Germany, these whimsical clocks are known for their animated cuckoo bird and decorative carvings. These clocks are great for a touch of old country charm and fun, often appealing to families. All inexpensive ones require winding once per day and the cuckoo sound can be annoying for some. Look for an eight-day model instead.
Cuckoo clock
Ogee Clocks are classic 19th-century weight-driven clocks with a simple yet elegant design. They are an affordable entry into antique clocks and often come with a rich history. Ensure the glass and reverse-painted artwork are intact, as these are defining features. Shelf space is required as these clocks are not meant to be hung.
Most are 30-hour clocks that require winding once per day which some might regard as an annoyance if the intent is to have them running daily. Eight-day clocks are preferable since they require winding once per week. For a shelf clock, they are quite large and space could be a factor to consider.
Shelf Clocks are a broader category encompassing small to medium-sized clocks that fit on shelves or desks. They are practical and versatile, with a range of styles to suit different tastes.
Fancy clocks with intricate visible designs display beautifully and can serve purely decorative purposes.
HAC mantel clock
Anniversary Clocks feature mechanisms that can run a year or more, have glass domes, and feature a rotating pendulum. They make a striking display and serve as fascinating conversation pieces. Historically, they were often presented as wedding gifts.
Novelty Clocks are clocks with unique designs, animations, or themes. They add personality and character to any room often sparking conversations. They can be as small as an alarm clock and can be placed just about anywhere in a room.
Buying your first clock is a rewarding experience that combines history, craftsmanship, and personal taste. By considering factors such as your budget, the clock’s condition, provenance, and placement, you can make an informed decision and choose a piece that brings lasting enjoyment.
Remember to select a clock that resonates with you personally, as it will become a cherished part of your space. With thoughtful planning and care, your first clock can be the start of a lifelong appreciation for the art and beauty of horology.
Transporting antique clocks requires meticulous care due to their delicate mechanisms and fragile components, including glass panels and chime or strike rods. Whether you’re moving a clock across the house, across town, or shipping it across the country, proper packing and handling are essential to avoid damage.
However, this guide focuses on the steps needed to safely relocate your antique clock from one room to another.
Although we are only moving a tall case clock, often referred to as a grandfather clock, a few meters to another room in our house, it’s important to follow several key steps to prevent damaging the clock.
A tall case clock poses the greatest challenge to relocate
The Clock
This Ridgeway tall case clock was made in the mid-1990s by the Pulaski Furniture Company, which is still in operation today as part of HF Hooker Furnishings in Virginia, USA. We acquired the clock in 2013 from a collector in Halifax, Nova Scotia.
The closest match to its model name appears to be “Hamilton Country.” The Ridgeway line was eventually absorbed by the Howard Miller group about 20 years ago. New Ridgeway clocks feature Howard Miller-owned Keininger movements but in the 1980s and 90s, Hermle movements were typically found in Ridgeway grandfather clocks. This Hermle 451-033 movement in this clock has Westminster chimes and a midnight blue moon phase dial.
The clock is being moved to create more space between our main entryway and dining room. It is much better suited for display in our living room, which recently had its carpet replaced with hardwood.
Although one person can move the clock it is best left to two people.
Supplies
Before you begin, collect the necessary materials to ensure a safe process. This is a simple move so, other than a method of moving it to the new room the only supplies you will need are cotton gloves, twist ties, and padding (Styrofoam/sponge) for the chime rods. A moving dolly is optional, as the clock case is surprisingly light once the weights are removed from the case.
Remove Weights and Pendulum
Antique clocks often have fragile or loose parts that can potentially be damaged. Safely removing these components before moving is the key.
Since this is a weight-driven clock, I first remove the weights, label them left, right, centre, and place them away from the clock in a safe location. Check the underside of the weights as they might have a small sticker with a letter indicating their location. “L” for left, and so on. Mine are already labeled.
Next, carefully remove the pendulum and place it in a safe area. I use cotton gloves to protect against tarnishing the brass components. In this case, the pendulum is hooked onto a leader. To access the leader a side vent is removed so that you can observe the leader coming off the hook and the pendulum is then lifted out of the case.
The glass is often the most vulnerable component and can be challenging to protect completely. Simply be mindful of the glass when moving the clock a short distance.
Secure the Chainsand Chime Rods
My Ridgeway clock features pull-up weights. After removing and setting the weights aside, it’s essential to secure the chains. Use a twist tie to secure each chain, preventing them from becoming unhooked or tangled.
The clock’s delicate movement is securely anchored on the seat board and protection is not needed since the clock is moved only a short distance.
Chime rods produce a wonderful sound but are brittle, and even slight movement can cause them to collide and potentially break. If your clock has chime rods, they can be protected with Styrofoam blocks or pieces cut from a sponge placed between the rods.
If your clock is cable-wound, I recommend running the cables fully onto their respective drums. Before removing the weights, tie a string around each weight hook, run the string, and secure it tautly to a hook at the bottom of the case (most tall case clocks have a transport hook on the inside bottom of the case). By carefully securing and protecting the cables, you can help ensure they remain tangle-free and in good condition during the move.
Flooring Type
Since this clock was being moved to a new location which also had a hardwood floor I was not concerned about flooring issues. Hardwood flooring eliminates concerns about potential issues like uneven surfaces, leveling difficulties or thick carpeting, which could affect the clock’s stability or leveling once it is relocated. To reiterate, tall case clocks should not be placed on carpeted flooring.
Moving the Clock to a New Location
We used a dolly to move the clock most of the way but when it could not fit under a doorway we carried it the last meter.
Leveling
Don’t assume the floor in the new room is level, so be prepared to make some adjustments. The final step before re-attaching the pendulum and weights is leveling the clock. On modern tall case clocks, there are adjustment screws at each corner that turn clockwise to raise the clock and counterclockwise to lower it. Adjust both axes as needed until the clock is level.
In its new location
Once the weights are reattached and the pendulum is returned to the case, verify that the clock is running properly.
Proper handling and preparation are crucial to prevent unnecessary damage to tall case clocks, even when moving them just a few meters.
NOTE: Please refer to this article if you are transporting your clock from one location (across a city for example) to another.
Who is Craftline and why do we know so little about a company that sold fine clocks that adorned the living rooms of many Canadian homes from coast to coast?
In the 1970s through the 1980s and into the 1990s, having a grandfather clock in the home was a symbol of success, and many families of means proudly displayed these elegant clocks in their homes much like having a Cadillac in the driveway.
My daughter’sCraftline grandfather clock
Two years ago, my daughter purchased a new home in a large city in western Canada. As part of the sale, a few pieces of furniture, including a grandfather clock, were left behind and offered for sale. Recognizing the seller’s disinterest in taking the clock along with them, my daughter made an appropriate offer, successfully acquiring the clock.
What they acquired was a Craftline grandfather clock purchased by the original owner in the 1990s. This model boasts impressive features and at one time would have been considered a high-end model within its range. It included selectable chimes, a seconds bit, a beveled glass lower access door, a 12-inch pendulum bob, a moon phase display, crank weights, and a beautiful solid wood (possibly Cherry) case with carefully chosen veneers.
Catalog page
It is a beautiful clock but not something that most folks would choose to furnish their home today.
Unfortunately, information about the Craftline company is elusive. What is known is that it was a Canadian company that made furniture but it also specialized in crafting clock cases, sourcing movements from Germany, possibly from Hermle and Urgos, as well as faces, pendulums, and weights.
The timeline of their production and when they ceased operations, likely in the early 1990s, remains a mystery. Nevertheless, the clock’s craftsmanship suggests that Craftline was a formidable competitor to renowned US brands like Howard Miller and Ridgeway.
In the end, while the era of every home having a grandfather clock may have passed, the presence of such a finely made clock serves as a reminder of a bygone era when these clocks were considered essential elements of a well-appointed home.
Catalog page
Online searches suggest that the company encountered obstacles in maintaining its copyright brand name due to numerous other businesses also operating under the Craftline name, resulting in search efforts leading to many dead ends. Join me in a challenge to uncover information about this company. With enough bits of information perhaps we can piece together a profile of this fine Canadian company.
We deserve to know more about the Craftline Furniture Company of Canada.
June 2025 update: The definitive source on Craftline Industries is an article I authored earlier this year.
The tall clock that may be gracing your hallway or living room belongs to a bygone era. That sense of history and tradition seems to be missing in our modern world. In an era defined by fast-paced technological advancements and fleeting trends, the tall clock stands as a reminder of an earlier era when craftsmanship and longevity were paramount.
A grandfather clock
TheGrandfather Clock
A tall case clock is commonly referred to as a “grandfather clock” due to a story that dates back to the 19th century. The term “grandfather clock” is said to have originated from the song “My Grandfather’s Clock,” written by Henry Clay Work in 1876. This song tells the tale of a clock owned by the songwriter’s friend, and it played a significant role in popularizing the term.
Henry Clay Work was an American songwriter and composer known for capturing the spirit and emotions of the time. His greatest hit was “Marching Through Georgia” in 1865, a cheerful marching song.
The lyrics of My Grandfather’s Clock narrate the story of a long-case clock, or a tall case clock, that belonged to the songwriter’s friend’s grandfather. The clock worked perfectly throughout the grandfather’s lifetime but stopped working when he passed away. The song’s lyrics reflect the sentiment that the clock’s ticking was synonymous with the grandfather’s life, and the clock’s stillness upon his death was seen as a representation of his passing.
Over time, this sentimental and catchy song contributed to the popularization of the term “grandfather clock” as a synonym for a tall case clock. The term stuck, and now, tall case clocks are commonly referred to as grandfather clocks in many parts of the world.
Scottish tall-case clock
Tall Case and Long Case Clocks
However, horologists generally prefer using the terms “tall case clock”, “long case clock” or hall clock instead of “grandfather clock”. The difference in terminology between “tall case clock” in America and “long case clock” in England primarily arises from regional linguistic variations and historical usage.
Tall Case Clock (America): The term “tall case clock” is commonly used in the United States to describe this type of clock. This name emphasizes the clock’s design, which features a tall, vertical case that houses the clock’s movement and the pendulum. The term “tall case” is descriptive of the clock’s physical appearance, highlighting its height and elegant proportions.
Long Case Clock (England): In England, the term “long case clock” is more commonly used. This name also relates to the clock’s appearance, particularly its elongated and vertical shape. The term “long case” emphasizes the clock’s form, again highlighting its height and the distinctive design of the case. On the other hand, a Long case Regulator (Chronometer) is a precision clock known for its accuracy. It often features a simpler, more functional design with a focus on precision rather than ornate decoration.
The names simply reflect different ways of describing the same type of clock. Over time, these regional differences have become firmly established.
Hall clock (image by Openverse)
The Hall Clock
The term “hall clock” is also used in some parts of the world as an alternative to “grandfather clock,” “tall case clock,” or “long case clock.” This term, “hall clock,” emphasizes the placement of the clock in a hallway or entrance hall, which is a common location for these impressive and stately clocks.
While the “hall clock” might not be as widely recognized or used as the “grandfather clock” or “tall case clock,” its origin and usage can be traced to the same concept of describing these tall, freestanding clocks with long cases.
The term “hall clock” is descriptive and straightforward. The term continues to be used in some contexts, particularly in regions where the emphasis is on the clock’s placement and role within the home.
And lastly, a “grandmother clock” is a type of clock that is smaller than a “grandfather clock”.
Similar in design and functionality to its larger counterpart, the grandfather clock, a grandmother clock typically features a pendulum-driven movement enclosed within a vertical wooden case. The main distinction between a grandmother clock and a grandfather clock lies in their size. Grandmother clocks are generally shorter than grandfather clocks, standing around 5 to 6 feet tall, making them more suitable for spaces with limited room.
Despite their smaller size, they often retain the same elegant appearance and decorative features as their larger counterparts.
The term “grandmother clock” is less commonly used than “grandfather clock,” but it serves to describe this intermediate-sized clock that is more compact than the towering grandfather clock.
Different Phrases Express the Same Concept
The various terms used to describe this type of clock—such as “grandfather clock,” “grandmother clock”, “tall case clock,” “long case clock,” and even “hall clock”—all refer to the same basic type of clock: a freestanding weight-driven device with a tall vertical case housing the clock movement and pendulum.
Tick-Talk Tuesday is dedicated to addressing readers’ letters and comments related to clock issues, challenges, and recommendations for specific clocks. In cases where the comments and questions are particularly challenging, I seek advice from my fellow clock enthusiasts to provide the most accurate and helpful response.
DH writes
I am the executor of an estate and am dealing with a Grandfather clock that will be sold outside the normal auction process to one of the children. I have attached a picture of the clock and a description of the movement inside the clock. The clock was built by Hanson Heffler of Cherry Run, WV. He only built a couple of clocks and those were for family, so he is not a known clock builder. How can I get a valuation done for Estate purposes? What other information do I need to obtain? What fees will need to be paid to get the valuation? Any assistance you may provide is appreciated.
Custom clock with Mason and Sullivan movement
My reply
You are certainly entitled to consult an expert to determine the value of the clock, however, let me offer a few words of advice.
I am not a clock valuation expert and cannot physically inspect its construction, repair status, and overall condition and any estimate I offer from information provided to me by email regarding the clock’s value would be approximate.
The clock appears to be from the 1970s to the 1980s. While the case is custom-made, as you say, the movement is sourced from Germany which was very common during that period. The clock movement may say Mason and Sullivan but the maker is Hermle of Germany. Mason and Sullivan simply put their stamp on it suggesting to the buyer that it is American-made. Whether a clock was custom-made or factory produced as in grandfather clocks from Howard Miller or Ridgeway during that period, for example, the practice was to install German-made movements which is not a bad thing since German-made movements are robust and reliable.
Movement is stamped Mason and Sulivan
That said, many of these clocks are difficult to sell because nobody wants them for a number of reasons. One, they generally cost more to repair than they are worth. If the clock has not been serviced in quite some time, at the very least the movement would require inspection and oiling by a professional clock repair person. In addition, ongoing repairs and maintenance can add up over time. Two, they take up space. Homes are typically smaller today and space is often at a premium and the size of the clock often puts off buyers. Three, transporting and setting up these clocks can pose a challenge if the buyer lacks the familiarity with setup. Four, the clock has a period look and may not fit with the style of a modern home or may clash with other furnishings.
If the clock does not have a distinct history (provenance) or the maker is not highly regarded, its value will be significantly lower than the original purchase price.
Typically a clock of this style and vintage would fetch something in the neighbourhood of $500 to $600.
While it is recommended to seek the advice of an expert to obtain an accurate valuation of the clock, their estimate may not deviate significantly from the one I have given.
Tick-Talk Tuesday is dedicated to addressing readers’ letters and comments related to clock issues, challenges, and recommendations for specific clocks. In cases where the comments and questions are particularly challenging, I seek advice from my fellow clock enthusiasts to provide the most accurate and helpful response.
It is important to respond to emails from interested visitors, as it not only cultivates a sense of community and engagement with my audience but also facilitates the establishment of relationships with individuals who share similar interests.
JB did not provide a photo but here is a Ridgeway clock from the 1990s
JB writes:
Just wanted to contact you for your professional opinion on a Grandfather clock I’ve been lucky enough to find for sale for $1500.00, it’s in near mint condition and works, it’s my understanding that the first 2 digits of the serial number is the year made if that’s true then it was made in 1986 listed is the information I have on the clock:
Ridgeway A.L. Latham Grandfather Clock
Dial Pg
Finish OKM3 U5
Setups 080586
Model 273
Registered Serial # 86036698
I have always want one and love to listen to them tic and chimes so based on what I’ve mention can you please tell me anything about this clock and if that is a good purchase value?
Thanks very much for any information you can share on this!
My response:
Hi and thanks for your email. The 1980s is correct judging from the last two digits. I would exercise a little caution on the price. If it was a particularly high end clock at the time it might be well worth the asking price but grandfather clocks of that period, the 1980s, have trouble fetching $500 to $1000 in today’s market.
The movements in these clocks do not last forever and if it has never been serviced it may already be very worn. Servicing, which involves taking the movement apart, addressing wear issues, reassembling and testing might be in the region of $400 or much more. If the clock has been serviced in the last year or two and the seller can provide receipts you can be assured that it will run reliably for a number of years. If the movement has been replaced recently with a brand new one (and that is not a bad thing) you can also expect years of reliable service.
For an unserviced clock of this vintage I would definitely haggle but even if serviced I would still haggle.
JB replied
I really appreciate your advice on the clock I mentioned in the email. Not knowing anything about something so tedious can be concerning especially when it is an item you’ve wanted to purchase. I did past the information on to the seller so she knows what she has because she too knows nothing about the clock only that it belonged to her late husband.
In 1981 my wife and I decided to buy a grandfather clock. We were newly married, living in Calgary, Alberta (Canada) at the time, and thought a grandfather clock would look perfect in our spanking new condominium.
Grandfather clocks were all the rage back then and every home had to have one. Indeed, it was the heyday of the grandfather clock and thousands were sold throughout Canada and the US. Folks spent thousands on a clock and like the old upright piano they cannot be given away today, nobody wants them!
We selected a clock within our price range and put down a deposit which was several hundred dollars, a considerable amount of money at the time. Unfortunately, we had to cancel the order a month later so that we would have enough money for a down payment on our next home.
We regret having canceled the order but had to be realistic. Today neither of us can remember what the clock actually looked like back then and any brochure we had is long gone but it would have been a standard Howard Miller or Ridgeway clock.
In 2013 we noticed a Ridgeway grandfather clock for sale on a local online for-sale site. “Isn’t that something like the clock we ordered many years ago”, my wife said. We made a call, spoke to the seller, and enquired about the condition of the clock. The seller replied, “you’ve got to see it to believe it, it is in perfect condition”, and it was. The price was $500, firm.
Ridgeway grandfather clock
In the years since I have attempted to identify the model name or number and the closest model names I can find is the Hamilton Country or possibly the Sussex made by Ridgeway then owned by the Pulaski Furniture Company in 1996. There was an option at the time for cable drive weights but this one has the more inexpensive chains.
Clock face showing moon dial
The clock has a Westminster chime, a blue moon phase with a constellation, and although the movement is stamped Ridgeway it is, in fact, made by Hermle, model #451-033 with 114 cm pendulum.
The clock has a scalloped bonnet crown, brass dial with raised Arabic numerals, brass lyre pendulum with polished bob, reeded pilasters with brass capitals, and wooden grill access panels, all within a mahogany case (combination of solids and veneers).
Hermle three train movement
This clock is very much like the clock we almost bought in the early 80s.
Back then we would have paid $2000 or more. $500 in 2013 seemed like a fair price but we would be hard-pressed to get even a fraction of that today. Young people today are not interested and with the move to smaller homes, there is no room for them anymore. Perhaps these clocks will make a comeback but I doubt it.
Occasionally, sellers on online for-sale sites ask far more than they are worth not realizing that the price of these things has plummeted in recent years.
There is a certain sentimentality attached to ours and we’ll keep it.
There was a time in the 1970s and 1980s when every family of sufficient means had a grandfather clock in their home. It was a symbol of success but today, nobody wants them.
clock face
Two years ago my daughter bought a new home in a large western Canadian city. There were a couple of pieces of furniture in the house during the process of the sale.
Craftline grandfather clock
One item, a grandfather clock was offered for sale, my daughter consulted me and I advised her to lowball the offer. So, she bought it far below the asking price. It was clear the seller had no interest in taking it with them and they quickly agreed to the lower price.
Weights and pendulum
It is a Craftline grandfather (or tall-case) clock from about the mid-1980s. I have seen a few modern grandfather clocks and to me, this was a top-of-the-line model with selectable chimes, seconds bit, beveled glass lower access door, 12-inch pendulum bob, moon phase, crank weights, beautiful solid wood (Cherry?) case with selected veneers.
Craftline clock
The trouble is that I cannot find one darn thing about the company during an online search.
I do know that Craftline was a Canadian company that made clock cases and sourced Hermle and possibly Urgos movements, plus faces, pendulums, and weights from Germany. When they ceased production (presumably in the early 1990s) and how long the company was in business is a mystery. However, judging from the quality of this clock, they were able to compete successfully with Howard Miller, Ridgeway, and others.
However, it is a fine-looking clock that represents a time when every home had to have one.
June 2025 update: The definitive source on Craftline Industries is an article I authored earlier this year.
Tick-Talk Tuesday is about the letters and comments I have received from readers concerning clock issues, challenges faced, a clock you would profiled or advice on your particular clock concern. For those comments and questions that stump even me, I consult within my clock circles for the best possible answer
PS writes;
I have a 35+ year old Ridgeway Tall Case “Sussex” clock that was severely damaged in transit. It is my parents 35th wedding anniversary gift to themselves from back in the mid 80’s. They have both passed and I inherited it. It was shipped from Chicago to Phoenix where I live last month and when it arrived it was crushed pretty severely. All of the weights are dented and scuffed, the face is detached from the case and the case itself was all but destroyed.
Similar to the Sussex
The carrier is requiring me to get a detailed repair estimate, which I am more than happy to pay you for. The insurance on the freight was $3500.00 and was one of the highest policies available. Now they want a detailed breakdown estimate for repairs, which will likely exceed the 3500.00 it is insured for.
Can you please help me with this? And if you could, I would be happy to pay for your estimating services.
Please let me know so I know how to proceed.
My reply:
As I am not a professional appraiser all I can do is give some advice.
I am sorry to tell you that while your Sussex clock may have cost your parents $3500 in the 1980s it is worth far less today. I have a similar model in my dining room. It is in excellent condition but it is worth no more than $500CDN. They are simply not collectible and grandfather clocks generally are not sought after unless they have historical value or a special provenance. You will be paying many more times what it is worth to repair it. Although for sentimental reasons the cost may not be important.
I have two suggestions. One, take whatever money you can get from the carrier without having to justify a breakdown of the cost. The carrier is engaging in a stall technique and may not even agree with any appraisal you submit to them. In other words take the money and run.
My second suggestion is to find another Ridgeway Sussex (or similar model) and marry the best parts of the two clocks. Chances are you will have good weights, and good glass etc. from the replacement clock. A replacement Sussex (or similar model) should not cost more than $500 and may well be much cheaper. It will take some looking around but they do come up on auction or for-sale sites occasionally.
Clock face showing moon dial
I have another bit of advice. Your grandfather clock movement (the mechanical works) is at the end of or near the end of its service life. The movements in these clocks were generally designed to last about 25 years. It may last longer but it is living on borrowed time. They can be repaired ($$$) but replacing the movement is more cost effective.
Ah, the holiday season is upon us, what to buy? Are you are looking for a unique gift for a friend or family member. An antique clock may not be anything you have considered but wouldn’t it make a terrific gift.
Mauthe time and strike wall clockfrom 1895
If you know a little about antique or vintage clocks or you know nothing at all, you may need some help finding the right clock for that special person. I will give you a few pointers plus an explanation of some of the terms you may come across.
Why buy an antique or vintage clock?
A year ago I sold a clock to a young woman who was looking for a unique gift for her father. She responded to my advertisement by saying that it was exactly the clock she was looking for because it reminded her of the family clock when she was young.
Sentimental reasons, satisfying the need to acquire anything antique, or the uniqueness of an old mechanical clock top the list for reasons to buy an old clock.
What is the difference between antique and vintage?
It is not easy to tell the age of a clock, or, for that matter, anything in an antique store and, ads for clocks seldom tell the year it was produced although it might hint at the period it was made, for example, “mid-century”. A quick trip through the world of Google will give you a general sense of how old something is give or take a few years.
Vintage Kienzle wall clock from the 1930s
An antique is anything over 100 years old and vintage is less than 100 years but more than 30 years old. Anything that is less than 30 years old may be considered vintage but more often called collectible.
Mechanical or something else
This article focuses on mechanical clocks but there are a lot of different types of clocks out there and online auction sites are filled with every type imaginable. It can be confusing to the shopper.
As a general rule quartz clocks have limited value and very few would be considered collectible.
Electro-mechanical clocks have a traditional mechanical movement, which keeps time with an oscillating pendulum or balance wheel powered through a gear train by a mainspring but uses electricity to rewind the mainspring with an electric motor or electromagnet. Something quite different is the electro-magnetic clock, popular in the 1950s. Both types can be highly desirable but leave that to the professional collector who knows specifically what they are looking for.
In the 1930s electric shelf, desk and wall clocks were introduced into homes everywhere. Some have value but most are not worth the trouble.
Sessions 3W electric table clock 1927
They are great timekeepers but are often quite worn, dangerous to work on, and can be difficult to repair. I would not give one as a gift unless you know that it was serviced by a competent professional.
My advice is to stick to an antique or vintage mechanical clock.
One last note; beware of conversions, clocks where the mechanical movement was taken out for whatever reason and replaced by a quartz movement. They are worthless but some people fall for this sinful and deceptive practice.
Type of clock and placement
Space is the biggest consideration.
Antique Seth Thomas alarm clock from around 1910
In the trend towards smaller homes, there is not always space for a clock. Mantel clocks require a shelf or table to put them on.
Simple time-only or time and strike clocks can be quite small but others may have more a complicated Westminster chime movement in a larger case. Alarm and desk clocks occupy the least space.
This 1917 Gustav Becker Vienna Regulator is 51 inches long
Wall clocks are easier to place. Wall clocks come in all shapes and sizes from the diminutive cuckoo clocks to large box clocks and Vienna regulators.
Floor clocks, otherwise called grandfather or grandmother clocks, tall case, long case or hall clocks are the most difficult to place. Unless the person in mind would appreciate one and has sufficient floor space I would not recommend one.
Working or non-working clock?
A working clock that has been recently serviced by a competent clock repairer is the most desirable. However, if the clock will be a decoration or part of the decor and a working clock is unimportant, you might find them less expensive to purchase. Perhaps one with a replacement quartz movement might be okay as long as you know that’s what you are getting.
Clockbuying tips
1990s Ridgeway grandfather clocktakes up space
Look for a working clock over a non-working one. Chances are it has been better cared-for over its life span.
Facebook Marketplace, eBay, your local online for-sale site (we have kijiji in Nova Scotia), reputable estate auction sites, antique stores and word of mouth are among the best sources.
Most common clocks are priced reasonably. Clock prices have generally fallen over the last 5 years but expect to pay more for rare clocks or those with a special provenance.
Stay away from Chinese made or Korean clocks or most anything that has directional arrows around the winding points. They have very powerful mainsprings and will potentially harm the user if the springs break.
The maker of the clock is largely unimportant. For example, all American clock producers made cheaper and more expensive lines of clocks.
A little research is always helpful before you make the purchase. A little knowledge might be a dangerous thing but knowing nothing is worse.
It may or may not be important to you if the clock has been altered in any way but it is nice to know. For example, many old ogee clocks are attractive but have had a replacement movement installed when the old one failed. In the clock world these are called marriages and it makes a difference to some people.
Try to inspect the clock in person before you buy. Surprises are never nice when you discover something sent to you is not what you expected.
Well, if you are looking for a clock for that special person I hope I have given you something to think about before you put your money down.
I should say that I am not in the business of selling clocks but will sell the odd one locally to keep my collection manageable.
I found the clock on an online for sale site in the spring of 2021 and contacted the seller the same day. When I saw the sellers photos my first thought was that it was pretty reasonably priced for a hall clock, known by many as a grandfather clock. I decided to take a chance, arranged a meeting with the seller and arrived to pick up the clock.
During our brief discussion I learned that the clock is inexpensive for a good reason – it is not quite what I thought it was.
Seller’s photo
Missing are the door handles, otherwise it is complete. It has a mechanical movement with a pendulum but what I was not expecting was a spring-driven movement. Almost all hall clocks are weight-driven.
Is it a conversion? Was the old movement worn out and a new movement installed in its place. I don’t think so. There was never a seat board in the case as seat boards are almost always present on a clock driven by weights. So it seems that from day one this was never intended to be a weight-driven clock.
The case was likely made by someone other than The New Haven Clock Company and the dial, hands, pendulum rod and bob, weight chains, weights, acorn chain pull knobs and the wood dial face were purchased together as a package from New Haven and installed in the case.
Fakes weight chains below the movement
Okay, that’s different!
Cleaning or stripping?
The decision to clean or strip is made easy by a good cleaning. After a good cleaning it is better to assess whether or not it requires stripping. What was revealed was a very nice red oak case.
All cleaned except the base
In the photo above the base, which was the last section to be cleaned, is almost black.
Base section
What is truly remarkable is the weight of the case and no wonder, the base sides are two inches thick. The top and base can be removed but the middle section alone cannot be lilted by one person, it is that heavy!
I left the cleaning aside to work on the hands and brass (fake) weights.
Clean weight on leftBrass hands and Brasso
The brass hands might looks flimsy but they are surprisingly heavy. Brasso was used on all brass pieces except the dial numbers. They appeared to have been lacquered either from the factory or sometime later.
A very light coat of red oak stain accentuated the grain. I considered shellac for the final finish but opted for Wipe-on Poly, an amber tinted polyurethane.
Finally complete
Yes, there are flaws, nicks and scratches that are consistent with age but given that it is over 100 years old some of the flaws add character. The fake weights went back into the clock to complete the look of a weight-driven clock.
Tick-Talk Tuesday is about the letters and comments I have received from you, the reader, concerning your clock, issues you might have had, challenges you face or a clock you would like me to profile or my responses to your questions with advice on your particular clock concern. For those comments and questions that stump even me, I consult within my clock circles for the best possible answer
Author
In the spring (2021) I found a tall case clock on an online for sale site at what seemed to be a bargain price. It is not what it appears to be. Although you can clearly see weights on the inside of the clock case it is not a weight-driven clock but a spring driven clock with fake weights.
I bought it anyway.
Seller’s photo
The New Haven movement was serviced and the case was cleaned almost down to the bare wood. It looks terrific and keeps good time. I don’t normally send photos back to the seller on a clock that I have rejuvenated but I thought, what the heck, the seller might be pleased that it went to a good home.
My email to TC:
“No need to reply but I just thought I’d send along a photo of the clock you sold me. The clock runs perfectly, everything has been polished, the movement taken apart and serviced and the case refinished.”
TCs reply;
“Wow…. Looks really good. Hard to believe it’s the same clock. Glad you got the clock all fixed up.”
In the spring of 2021 I responded to an ad on a local online for sale site for what appeared to be an antique hall clock. It was inexpensive and I now know why. The seller bought it 20 years ago and in the midst of downsizing it had to go.
I knocked on the seller’s door, she answered. The clock was a few feet from the front door. It looked quite a bit larger than I imagined. Will it fit in our wagon?
Prior to loading the clock into the car, I noticed that the weight cans were very light. The seller said the weights were fake. She gave me a key and I inserted it into the winding points to discover mainsprings, something I was not quite expecting for a hall clock. Okay, I’ll take a chance on this one, and the price is right.
The base and the top crown lift off, presumably to ease relocation. My wife and I loaded the clock in the car. Everything fit nicely. The case is very solid and unbelievably heavy. The clock just fit into our station wagon. On the way home I thought, how strange, a clock with faux weights.
When I arrived home my curiosity got the better of me. I removed the hands, then the dial which was, interestingly enough, quite heavy. Once the dial was removed I saw a large spring-driven New Haven mechanical movement.
Why is there a spring-driven movement in a hall clock?
Did this clock have a weight-driven movement at one time? The spring driven movement is mounted on a raised platform, interesting. Later, I will remove the platform to see if there is any evidence of a seat board as weight-driven movements almost always sit on a seat board.
The ladder chains are crudely screwed onto the backboard to simulate a weight-driven movement, hence the empty weight cans.
The next day
I removed the raised platform and could not see any evidence of a seat board ever being in this case.
I do not believe this is a New Haven factory clock. As far as I can determine it started life as a grandfather clock with a spring-driven movement and fake weights. Spring-driven Mission style hall clocks were made with fake weights by some makers many years ago so, they are not so rare and New Haven did sell mechanical packages to case builders.
I have no idea why the cord is tied to the strike lever as it serves no useful purpose.
Next steps
I am not overly concerned, it was cheap.
Are both the case and movement antiques? The movement is stamped 27. This could be a date stamp but it is more likely the length of the pendulum in inches. The movement plates are pinned rather than held with screws or nuts suggesting an older New Haven movement. My research tells me that it is referred to as a square-aperture movement and appears on occasion in Anglo-American clocks.
I removed the movement from its case and mounted it on a test stand. It runs for a short period and stops. The movement runs at 72 bpm, not quite the 60 bpm one would typically expect from a hall clock but still, it looks like a weight driven clock. Yeah, fake!
My take on this clock? The cabinet was made separately perhaps in a shop along with others, and a New Haven movement, dial face, numbers, hands, chains and weight cans were acquired as a kit and installed in the case. That is the only thing that makes sense.
In the meantime, I intend to service the movement and clean the case. Check for articles on movement servicing and cleaning the case in the next few days.
Tick-Talk Tuesday is about the letters and comments I have received from you, the reader, concerning your clock, issues you might have had, challenges you face, a clock you would like me to profile, my advice on your particular clock concern or a general clock question. For those comments and questions that stump even me, I consult within my clock circles for the best possible answer
Clock for sale
MB wrote
“Hi Ron,
I came across this clock and your blog and have fell in love with it. I want to put a bid on it but have no idea what it is worth. Could you give me your opinion please?”
I am not sure whether they fell in love with the clock or my blog!
I replied,
Attached photo
Hi and thanks for writing.
The clock you wish to bid on appears to be American-made and from the 1990s. Let me point out some factors to consider.
If the clock is from the 1990s, the movement (the mechanical works) have reached the end of its service life. Typically movements from this era have a life span of about 25 years. If it is a non-working clock, it is worn out. If it is a working clock there is not much time left on the movement. Regardless, to service or replace the movement would be in the order of $450 to $500. If it has been recently serviced (disassembled, wear issues addressed, repairs made, reassembled, tested and oiled) or the movement has been replaced with a new one, that is a big plus.
From the photo I would question why the weights are at different levels. In a working clock the three weights descend together (with slight variations) through the clock’s 8-day cycle. See attached photo (right).
Many years ago it was not unusual to spend $2000 to $3000 for one of these clocks when new. Today they are worth almost nothing. The fact that this clock appears to be in a basement or garage does not bode well for its condition. The photo is not very clear but I can see wear around the base of the clock and it may even be missing the bottommost pedestal (which might be concealed by something in front of it) which also begs the question: what else is missing?
A similar clock in excellent condition with a recently serviced movement would be in the $500 price range.
A clock, such as this, that has never been serviced whether working or not would be in the $100 – $125 price range but be prepared to spend more money on it unless you can do the repairs yourself.
MB writes back,
“Thank you so much! They did indicate that the pendulum isn’t working so I guess I will stay away.
I appreciate your detailed answer and for saving me from what sounds like it could have been a waste.
The ad: Herschede Sheffied Grandfather clock $2,500 Model #230, 9 tube, 3 different chimes, moondial, chime/silent, burlwood, original wind/door keys, has been recently serviced.
Photo in clock ad
Okay so, you want to sell your clock but for $2500 shouldn’t the photo be better than this? And Sheffield is spelt wrong!
In February 2020 my wife was perusing an online auction house looking for interesting bargains and noticed a 170-year-old Scottish tall case offered for bidding.
Over the past couple of years we had talked about acquiring an antique tall case clock but those we liked were either well beyond our reach or required extensive repairs so, here was a unique opportunity.
Though we had only auction photos to go by, the clock looked intriguing and was very much what we had in mind. We began our bidding low and managed to win the bid with a decent and acceptable (to us) price.
Tall case clocks have dropped dramatically in price over the past few years; nobody wants them and they do not fit the modern minimalist lifestyle of the young today. Besides, where would you put it?
Tucked into the corner of the auction house
The clock was not without issues nor did I expect it to be problem-free. The case required some structural work and the overall finish was dull and lifeless.
This article concerns my initial impressions and assessment of the movement prior to cleaning and dis-assembly.
Movement as found
What was I up against in terms of servicing the movement? What kind of issues would I find and did I have the skills to address those issues?
My preliminary assessment involved setting up the movement, connecting the weights, and performing some tests. After putting the clock in beat I managed to have it running for about a day.
while the time side ran well the strike side was another matter. Attaching the weight to the strike side produced a run-on strike until the power was depleted. Hmm, something serious or simply a minor adjustment?
Back of clock showing the crutch, bell, and hammer
While I have worked on dozens of English, German and American time and strike movements, this was my first attempt at an English bell strike. They are relatively easy to dis-assemble and re-assemble but are notorious for being temperamental. The greatest challenge is not the cleaning of the components or the reassembly, it is achieving long term reliability as a dozen parts threaten to hang up, split, or fall apart. Wear combined with scars from old repairs challenge any clockmaker.
First impressions
It is a very heavy movement with 3mm plates and large well-engineered components. These movements were designed to run reliably for years but 170 years and a history of cumulative repairs leaves one with a movement that can fail in many unexpected ways.
Looking at the escapement from above
Problem areas/issues
Enlarged pivot holes: I am reluctant to bush every pivot hole but upon inspection at least 3 bushings are required and possibly a fourth.
Repaired rack tail: The rack tail takes quite a beating. Once the rack is released during the strike sequence it drops with a bang on the snail. Years of banging ultimately results in a damaged and often repaired tail. The fix on this movement is ugly but the question is, is it robust enough to continue doing its job?
Homemade rack tail spring: Made from copper wire; there is too much tension causing the rack tail to strike the snail with too much force. A new rack spring has been ordered. In the meantime, I am using a thinner spring wire.
Worn gathering pallet: Assess and determine functionality.
Loose clicks: Loose clicks are a common issue with English bell strike clocks. The clicks on this movement are loose though the strike side is a little tighter than the time side. Both are functional. Should they be replaced or will they continue to function reliably as-is?
Loose crutch The crutch rod connecting to the escape wheel arbour has been adjusted too many times. It is loose and must be addressed.
Stiff Suspension spring: The suspension spring is the incorrect thickness and fashioned from a piece of a metal ruler! There is little amplitude. A new suspension spring assembly, pendulum rod, spike and hex nut have been ordered.
Bent rack: If it is soft steel it can be bent back to its original position. If it is hardened steel it could break if I tried to bend it.
Loose bell connection: Bell has been removed many times and the thread for the bell rod end where it connects to the cast iron bell, is stripped.
Missing seconds hand: Ordered
Calendar hand not connected: The movement has no calendar function. The face has a calendar hand and while the movement has no calendar wheel the movement is period correct. Was the movement replaced early in the clock’s life or was the clock originally built and assembled without a calendar function? That will remain one of the clock’s mysteries.
The cables are brass and they look old: I will make decision whether or not they should be replaced.
Side view showing the main wheel and the time train
And this ends part I. In the next part, dis-assembly and re-assembling the movement will be covered so, stay with me as we explore this movement further in Part II.
This is my first experience with a tall case clock from the 1850s and my first venture into English bell strike movement servicing.
Let me explain. Although the case was made in Scotland, the movement, dial and weights are all from Birmingham, England made at or before 1850. The clock was in fair condition when I bought it from an estate auction early in 2020, though I knew almost immediately that structural repairs and cosmetic fixes were necessary.
In this Part I, I will address case age cracks, a cracked backboard and attaching the backboard to the waist.
In Part II, I will continue with new door pins, replacing a missing right rear foot, cleaning the case, overall finishing & attending to various trim pieces.
Although modern adhesives were used for the main structural repairs, some trim pieces were attached using traditional hot hide glue
The first question is how to address present structural issues. Should I utilize materials and techniques that would have been available at the time or select a modern method that would ensure that the part(s) will continue to provide strength, rigidity and service for many years to come? I used both approaches and my apologies to the purists.
As found, standing in a corner of the auction hall
The disassembly of an antique tall case clock need not be a daunting task. When I bought this clock at auction at the beginning of 2020 I put into practice some of the things I had learned when transporting a Ridgeway grandfather clock in 2013. My advice is to work slowly and methodically but think about what you are doing at each step of the process.
Why disassemble? A move across town, across the country, or even redecorating are three of many reasons. Even if you wish to move the clock from one area of your home to another disassembly is required. Yes, moving it a few inches requires disassembly.
Scottish tall case clock from the 1850s
An antique tall case clock, such as this weight-driven Scottish tall case clock from the 1850s with an English brass bell strike, can be easily disassembled by one person. In this blog, I will walk you through the steps required to safely disassemble an antique tall case clock.
Similar American tall case clocks from the same period are disassembled in the same manner.
Photo of Waterbury time and strike wall clock sent to me by my cousin
I’ve thought about this clock, dreamt about it, wondered where it was all these years……and now I have it. I was confident that I could do something with this clock since I had just finished a major restoration project.
I had no idea that the clock I was getting was a movement in a homemade case
I have a vivid memory of this Waterbury octagon short drop time and strike schoolhouse clock that hung in my grandparent’s kitchen when I was a young boy. After church on Sundays, my father would take (drag?) us kids for a visit; it was a weekly ritual. The house was stone quiet except for the sound of a clock ticking loudly in the kitchen. My grandfather was a veteran of WWI and was bothered by noises, shell shock they called it, but he did not seem to mind the rhythmic sound of a mechanical clock.
When I was a kid in the 1950s it looked impressive.
So, I jumped on this project and have learned a few things along the way.
The following are lessons learned restoring grandfather’s old clock.
When it comes to family, lower your expectations
I made some inquiries within the family and when I first saw a photo of grandfather’s old kitchen clock and discovered that the case was homemade I was very disappointed. I had no idea that the clock I was getting was a movement in a homemade case. The original case, long gone is but a family mystery. Nevertheless, my cousin said, “You can have it”. I wondered what I would do with it. I explored several options but at the end of the day I wanted a working clock no matter which direction I took.
Work with what you have rather than dream of significant changes
I could have radically altered the appearance of the clock completely but would it be the same? It is a philosophical dilemma. If too much is done to restore a clock it is not fundamentally the same and cannot be considered original. The homemade case is crude and made some 30-40 years ago but it is part of the clocks history. The chicken pecks on the clock face tell the story of a clock that likely sat in a barn for many years.
Envision what the final outcome should be before you begin and resolutely stick to your plan
Should I restore the clock or preserve what I have? It was an interesting dilemma.
My options:
Do absolutely nothing.
Take the movement out, find an appropriate period donor case or
Make some minor changes but preserve the provenance
I chose #3 for several reasons:
To preserve the bygone times of a clock passed on through the family, despite its many warts
Labour aside, it was cost effective; my entire monetary outlay was less than $50
Ignoring aesthetics, the case was crude, heavy but very sturdy and should last forever
Be content that the clock tells a story no matter how ugly or homely it might look
It may not be the prettiest clock on the wall but it will be a great conversation piece and after 70 years (??) it is finally functional. I can only imagine my grandfather standing under the clock, comparing the time with his pocket watch and deciding if he should make just one small adjustment.
Retouched dial face
Changes I made
Sanded, stained and shellacked the case
Brass bezel was separated from the dial bezel (don’t ask me why the two were screwed together), new bezel hinge installed, and door catch
New convex glass dial installed
Brass was cleaned and polished
New clock hands
New pendulum, pendulum rod, verge and crutch
Movement completely serviced, several bushings installed
New hinged access door made from century old clock case wood
After servicing, a fully functional Waterbury time and strike movement
What I did not change
The overall “character” of the clock
The holes in the brass bezel were left as-is; it is what it is
Dial is original though touched up in some areas; I considered a new paper dial but decided to retain the original and came very close to matching the colour of the dial face
The case is made of thick plywood; it is utilitarian, very solid and will likely outlast the movement
Yes, it is ugly but it works and it tells a story
Final thoughts
I am actually very pleased with the outcome. The changes manage to preserve the provenance but not enough to radically alter the look of the clock such that it is. It is now worthy of being placed on a wall and it will certainly occupy a prominent spot in my home, plus, it tells a fascinating story.
Chinese time and strike wall clock that seller calls a grandfather clock
Antique Grandmother Clock in Immaculate Condition
I am selling my wife’s grandmother clock because it does not suit the decor of our new home. She has treasured this antique for years and doesn’t want to part with it. Please make my execution as painless as possible and buy this clock quickly. Keeps perfect time and has no scratches on the cabinet.
This ad will be removed when I am executed…………..actually just before ,,,,,so purchase this clock now
This is a Chinese clock with a calendar feature, circa the 1960s. The ad refers to it as an antique. It is not!. Vintage, perhaps. The ad refers to it as a grandmother clock. It is not!
Grandmother clock by CraftLine circa 19780; a little shorter than a grandfather clock
The seller is asking $150, five times more than it is worth. It’s probably fairly reliable, looks well cared for and I would take it if it were given to me.
The Tempus Fugit Clock Company must be doing exceptionally well. Tempus Fugit clocks are everywhere, online for-sale sites, eBay, Kijiji and the like. Type “Tempus Fugit” in the eBay search box and dozens of wall clocks, grandfather clocks and mantel clocks will pop up.
Not only can the Tempus Fugit clock-makers pump out quality clocks they have also maintained a level of quality that is unmatched in the industry
The other day I found this 32″ clock (next photo) for the paltry sum of $30. What a deal! A truly inexpensive entry point for an exquisitely designed Tempus Fugit clock made by some of the worlds foremost craftsmen that you can add to your collection today.
A Tempus Fugit clock on an online for-sale site for only $30
Tempus Fugit clock-makers pump out quality clocks and they have also maintained a level of quality that is unmatched in the industry.
The factory is located in Timeville, Canada. I had a chance to visit the factory this spring and was able to converse with the owners, I said to Mr. Tempus and Mr. Fugit, “Your building could use a paint job”, to which Mr Fugit replied, “Don’t worry about it, clock-making is our strength”
Tempus Fugit Clock Co. factory in Timeville Canada
They graciously permitted me to install C and AA batteries in some of the movements on the factory floor. What a thrill! I really got a charge out of it. The 40,000 sq ft 400 sq ft factory floor is abuzz with activity. Placards of inspiration are everywhere such as “Time is on your side”, Time marches on” and “Time Flies”. The company also makes mechanical clocks. Here, a worker has all the movement parts laid out prior to assembly.
Putting it all together at Tempus Fugit
Gustav Becker and E. Howard might be great names in the clock world but Tempus Fugit always rises above them.
Anyway, back to repairing and restoring clocks. As they say at Tempus Fugit, “Time Flies” ……..or is it “Time Flees”?
I have always had a fascination with clocks. As a young boy I can remember the schoolhouse clock in my grandparents’ kitchen and the ticking sound it would make that echoed through the entire house.
Seth Thomas Adamantine time and strike mantel clock, circa 1913
We all have busy lives and despite my interest in clocks over the years it was not until the year 2000 that I started building my collection, first with a Seth Thomas Adamantine clock and later with more mantel clocks, wall clocks and finally a grandfather clock in 2012. My collection has expanded to include virtually every style of clock though my interest lies specifically with American and European wall and shelf clocks. As I write there are about 35 clocks ticking away in my home.
In my blog I stress that I am not a trained horologist but have accumulated enough knowledge over the years that I feel capable of addressing general clock issues
Clock repair came a little later. I began with general understanding of the cleaning and oiling of clock movements in order to keep my little collection running. As I acquired clock repair tools and equipment I progressed to servicing pinions, bushings, verge repairs, cleaning of mainsprings and case restoration.
In 2015 I decided to write a blog about collecting and servicing vintage and antique clocks. There are some excellent clock blogs but many are commercial sites or professional horologists selling their services. I decided to design a blog that would appeal to the amateur clock collector/repairer. In my blog I stress that I am not a trained horologist but have accumulated enough knowledge over the years that I feel capable of addressing general clock issues. Therefore, my blog is not aimed at the professional repairer or restoration expert but the individual looking for specific information about a certain clock, those who have a particular problem with their clock and finally those who have a general interest in clock collecting and repair.
Fully restored Junghans time and strike wall clock, circa 1899
Time and strike movement on a test stand after servicing
I publish an average of seven blog articles per month on a variety of clock topics. I appeal to a wide change of subjects; some articles have a philosophical perspective, some detail the challenges of working on a specific clock, some present simple repair techniques for the beginner, general maintenance tips as well as articles of general interest. As a history buff I try to include a background history or provenance of the specific clock I am profiling or information about its maker.
A micrometer is used to size a bushing for an escape wheel pivot
Blogging has also allowed me to combine my other interests, that of photography and traveling. My wife and I have had many interesting adventures seeking out unique clocks for my collection.
Antique and Vintage Mechanical Clocks 
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