E Ingraham and Co. 30 hour movement cleaning

The movement was pulled out of a 30-hour shelf clock made by American clock-maker E. Ingraham and Co. in the 1870s (the name the company used from 1861 to 1880). The clock was bought at auction in mid-March 2022 along with 3 other clocks.

This is one of those situations where the case looks distressed whereas the movement looks like it has been well cared for over the years. It has seen service at least three times.

The three dates, two on the back panel and one on the rear of the dial, are all presumably service dates. The inscription, Bridges Bros, Woodstock, New Brunswick, 1879 is the earliest and on the back panel are the dates January 31, 1916 (barely readable) and October 1994.

The case

The gold band on the front face of the “octagon top” has some losses. I intend to hide the nicks with gold artist paint matched to the case. There are a few scratches over the rosewood case which will be hidden by a fresh coat of shellac following cleaning with soap and water.

5% of a label remains on the back. The inside label is interesting since most of the back panel is covered in black paper with E Ingraham Co. inscribed in gilt on the bottom section.

_{Dull dark blue paper label} _{with gilt lettering}

The dial shows considerable wear following years of daily use and the plan is to enhance the numbers with multi-surface black acrylic paint.

As a collector who has seen many of these styles of clocks, I initially assumed the access door glass was a replacement since many from this period had reverse painted tablets. Due to the decorative pendulum, the bright brass bell, the stylized wood panel that is the base for the dial, the glass panel with its waviness and various imperfections plus the putty-like material that is used to mount the glass, the total absence of any sign that it was painted, the clear glass appears to be original to the case.

It is always a bit of a disappointment when something is lost or changed in a clock’s history but the case looks reasonably good despite the minor wear.

Some of the scratches, dents, etc. found on a case (not all of course) are no doubt the result of rough handling either when transporting the item to the auction house or during its stay.

This is certainly not an example of a case that requires refinishing. The minor touch-ups and enhancements will dramatically improve the appearance of this clock while not changing its character or value in any way (but may even increase it marginally).

The movement

Now to the movement. The movement looks surprisingly good for its age and from my first inspection, it does not need much to put it right.

_{The front plate and escape wheel removed}

Every time-side pivot and bushing is in very good condition and there is an old replacement bushing, 3rd wheel back-plate.

The strike side requires a new bushing second wheel back-plate. There are two old replacement bushings on the front plate and two on the backplate, all on 3rd wheels. The bushings are nice to see but it is not encouraging when one pops out while pegging the movement. It will be replaced. Not the best of workmanship.

There are punch marks around four bushing holes, front, and back. All pivots on the strike side are in very good condition.

It also appears the time side mainspring has been shortened a bit, not a concern since these clocks when properly serviced will run well past 30 hours.

All in all, it should be a quick project. Now that I have a clear idea of what needs to be done I will get to work on the case. Expect a post on the case itself in the next few weeks.

April 30, 2022

Sperry and Shaw New York Style shelf clock – refreshing the case

Sperry and Shaw clock showing dial and lower tablet

The four free-standing turned columns of the New York style Sperry and Shaw clock immediately drew my attention. The style reflects the decorative period of the Empire style popular in the mid 1850s. In a previous blog post I discussed servicing the movement. I thought long and hard about what to do with the case and decided that a refresh was what it needed.

Continue reading “Sperry and Shaw New York Style shelf clock – refreshing the case” →

May 20, 2019

George H Clark Ogee clock – movement and dial work

One cannot deny the classic style of an American Ogee clock. This one is in great shape and required almost nothing to get it to top form. 30-hour shelf clocks are abundant but not many cases survive years of wear and tear.

Dial removed to show the 30 hour movement

This George H. Clark 30-hour shelf clock is a very good example of Connecticut form. The case form is called an “og” or “ogee”, a mathematical term that describes the “S” curve shape in the primary molding that surrounds the door.

The clock has a brass time and strike, weight driven movement with an excellent original printed paper label on the interior reading in part “Made and Sold at/46 Courtlandt St/New York…. George H. Clark”. It measures 28 x 17 x 4.5”. This rectangular shaped case is decorated with nicely grained mahogany veneers. The veneer has very little if any losses.

The dial face

The upper section of the door is fitted with clear glass. Through this one can view the painted wood dial. The wood dial tells me that it is an early pre-1850 clock. This dial is formatted with a Roman numeral time track.

It is always a challenge matching 100+-year-old paint but by combining white. brown and yellow acrylic paint I was able to approximate the original colour. Some Roman Numerals were touched up with black acrylic paint.

And after numerals and face given a matching paint; you can see the difference in the number 4

I also glued two small blocks under the left and right “L” pins to centre the dial correctly.

The door is open showing the gong coil and the pasted label in very good condition

The lower section features a beehive painted tablet. The tablet is a replacement but fairly close to what would have been there at the time.

Beehive design; not original but in keeping with the style

Observations regarding the movement

The movement looks like an early (unmarked) Waterbury, ca. 1860 type 2.411. Waterbury movements have “quarter-round” corners, while most other ogee movements tend to have the “tombstones” or plain rectangles. The movement could have been swapped but It is difficult to tell.

Everything except the movement points to a period between 1840-50. If the movement is a replacement it was likely an early replacement.

30-hour movements will run surprisingly well with horrible pivot wear. However, regarding repair, my view is this: I do not normally install new bushings in every single pivot hole on the movement. If a bushing hole is passable I will leave it as-is but if the hole is quite oblong I will install a new bushing to mitigate potential gear meshing issues in the future.

Addressing the movement

I will also ignore some past repairs. For example, in this particular movement I noticed 4 punch marks around the escape wheel bridge pivot hole. As most clock repairers know using a punch to close a pivot hole was an acceptable practice many years ago though it is not considered a good practice today. In this particular case, the pivot hole was in good shape and I decided to leave it as-is. After assessing the movement further, I installed one bushing on the second wheel front plate strike side (S2) and the second on the second wheel strike side rear plate (T2). Just two bushings. As to the three lantern pinions, they were in very good condition.

Reassembly was routine. The time side ran fine.

Adjusting the strike side was not easy and should have been a simple procedure. The problem was not only correctly positioning the warning pin on the fly but ensuring that the warning hook lever could actually meet the warning hook. The levers in this clock had been bent every which way making it a real challenge to find the correct angles. It did not strike correctly before servicing. Trial and error combined with colourful language certainly helped correct the strike.

The gong block and coil were also cleaned up. Tip; it helps to put the same screws back in the same holes. Seems trivial but it is a good practice. Not all screws are the same.

Little time was spent on this clock and I was fortunate to have an almost perfect case. The previous owner knew how to take care of the case but the movement neede work. When many of these clocks stopped they simply became decorations but I am sure that this one will run reliably for many more years to come.

April 10, 2019

Removing a 30-hour clock movement from its case – how-to video

In the process of adjusting the strike side on a George H Clark 30-hour clock I decided to make a video showing how to remove and install a 30-hour movement from its case.

Part of the video concerns the adjustments required for the clock to run correctly but also shows the steps required to safely remove and install a 30-hour movement with a couple of worthwhile tips.

IMPORTANT: In the video, I did not include the fact that the two holes in the movement seat board are access points for pins that insert into the side support boards. Along with the top block they are intended to secure the movement in place. I have five Ogee clocks and none of them had pins when I received them. Inspect the movement mounting first. If you should have a clock with the pins they must be pulled before the movement slides out. (Thank you for pointing this out JC).

March 13, 2019

George H. Clark 30-hour Ogee clock – in very nice shape

This George H. Clark 30-hour shelf clock is a very good example of Connecticut form. The case form is called and “og” or “ogee”. a mathematical term that describes the “S” curve shape in the primary molding that surrounds the door.

The clock has a brass time, strike, weight driven movement with original printed paper label on the interior reading in part “Made and Sold at/46 Courtlandt St/New York…. George H. Clark”. It measures 28 x 17 x 4.5”. This rectangular shaped case is decorated with nicely grained mahogany veneers. The veneer has very little if any losses. The one blemish on the top is auction label glue which took off some of finish but was later retouched with shellac.

The upper section of the door is fitted with clear glass. Through this one can view the painted wood dial. The wood dial tells us that it is an early pre-1850 clock. This dial is formatted with a Roman numeral time track. The lower section features a beehive painted tablet. The tablet is a replacement but fairly close to what would have been there at the time.

Wood dial in fair shape; the spade hands might not be original, veneer is stripped where an auction label was placed

An online search for “George H. Clark clocks” or “Clarke” turns up various references at 46 Courtlandt Street, anywhere from 1844 to 1847. They mention a George H. Clark (no “E”) in Bristol in the early 1840’s, and then in New York City in the late 1840’s. He is said to have sold Ogee clocks with 30-hour brass weight movements. Spittlers and Bailey, an important source for Ogee clocks of this period, mention George H. Clarke (with the “E”) and they indicate a label with the words “Made and Sold at 46 Courtlandt St.”

They say “No date” for this Clarke. Two different people? A name like Clark/Clarke, may be variants of the same basic name and the same person.

The pendulum bob is also 1840s in style.

The label is in good condition. In pencil below the address are the initials “GLD” plus the date “Dec 29” that may ether refer to a day in the month or the year 1929. A service date perhaps. The overall look of the label is 1840-50 in style.

There is a screw to the right of the gong. Screws in this location are used to anchor the clock to a wall and are common as clocks such as these are top heavy when the weights are wound fully to the top of the case.

The movement looks like an early (but unmarked) Waterbury, ca. 1860 type 2.411. Waterbury movements have “quarter-round” corners, while most other ogee movements tend to have the “tombstones” or plain rectangles. The movement could have been swapped but It’s hard to tell because it appears original to the case.

Everything except the movement points to a period between 1840-50.

Aside from touching up the slight damage on the top part of the case there is nothing else to be done. The movement? That will have to be taken out and serviced but I will leave that to another day.

January 27, 2019

Sperry and Shaw 30 hour four column New York Style shelf clock – servicing the movement

I decided that it was time to service this attractive New York-styled Sperry and Shaw 30 hour time and strike, four column hour-strike clock. The case measures 25 1/2 inches in height by 14 inches in width, very close to the dimensions of a typical ogee clock. This clock is an estate auction buy.

The 4 free-standing turned columns drew my attention. It reflects the decorative period of the Empire style popular in the mid 1850s. While researching the NAWCC site I discovered that this clock was probably made between 1846 and 1847. The label, 98% of which is intact, and affixed to the backboard says 10 Courtlandt Street, the company headquarters during the aforementioned period. Sperry and Shaw were not clock-makers but business partners and were regarded as distributors and assemblers.

They sourced cases and movements, affixed their own stamp on the movement and placed their labels (sometimes over other makers labels) inside the case, a common practice at the time as clocks for the home and workplace both locally and abroad were in great demand.

The movement is Jerome-like and stamped Sperry and Shaw, New Jersey. The plates are thinner than a Jerome evidently a cost cutting measure.

The narrow brick-shaped weights (4 3/4 inches X 1 inch) fit neatly into channels on the left and right with little to spare. When I first contacted the seller, he was unsure if the weights were in the clock. He later contacted me to say that the clock indeed had its weights. Had it not come with the weights I would have passed on it because the narrow weights are the only type that will fit into the channels and they would be difficult to source.

Movement needs a good cleaning, old weight cords shown — The weight channels are either side of the movement

The case

The weight cords, though not original, were old and frayed. On the first night I raised the strike weight to the halfway point. Twenty minutes later I heard a loud BANG. When I heard the sound I immediately knew. The cord had snapped and the weight had dropped. Fortunately, there was no damage. I promptly replaced the cords.

I am not sure how I will proceed with the case. The veneer appears to be either mahogany, walnut or rosewood. There are small sections of veneer missing here and there but mostly on the corners, a common issue. It has a two-tone appearance though it is hard to tell if it is the result of aging or the original intent of the maker. There is grime on the darker surfaces and I must decide whether to leave as-is or take it down a little to see what’s there. Attending to the veneer issues on the corners should be a straightforward matter. The break in the right corner of the base is a crude repair and that will have to be redone.

The movement

The movement was disassembled and placed in my L&R ultrasonic cleaner with DEOX-007 solution (7 to 1 ratio) for 30 minutes. The ultrasonic did an terrific job and I am always impressed at how well it cleans lantern pinions. Once the parts were washed in warm water and dried it gave me an opportunity to visually check the movement for obvious issues such as broken or worn teeth, bent arbours and so on. All the parts were in good condition.

The movement had punch marks around every single pivot hole which caused me some concern. However, after pegging the pivot holes and polishing the pivots I re-assembled the movement to check pivot wear and found there were three or four pivots holes that were slightly enlarged but not so much that they had to be done immediately. So, no bushing work this time.

The movement was re-assembled and tested. Unfortunately, my movement stand is not set up for weight driven clocks so testing had to be in the clock case.

Sperry and Shaw 30-hour movement tested in the case

I usually test the movement dry for an hour or so before oiling. Why waste clock oil if it must be taken apart again. Once I am satisfied that the movement is running smoothly I take the movement out of its case, oil the pivots and then run it for several days to regulate and to determine if there any minor issues that need to be addressed. Once I am satisfied, the dial and hands are re-attached. With the new weight cords and the movement fully serviced, I tested it for several days.

However, a week later I adjusted the time since it had stopped and the minute hand was disconnected and spinning freely. The main wheel was not communicating with the second wheel because the arbour washer was loose and the resulting wobble meant that the teeth did not engage properly. Out comes the movement to tighten the washer. Now, all is well.

Back to the case. I am still debating what I should do but I may give it a light refresh.

January 15, 2019

Seth Thomas Alarm Clock – big and ugly but I like it

My wife loves those little craft shops that seem to pop up everywhere. While shopping for Christmas presents in Truro, Nova Scotia, she spotted an attractive Seth Thomas balloon alarm clock. It is not working, said the vendor but my wife knew that her clock loving husband would likely get it running in no time.

Art Nouveau styled Seth Thomas alarm clock

These clocks are not uncommon on online auction sites

Made around 1900, the clock features a metal case with openwork, scrolling details, a rectangular base with a central shell design. The dial is marked “Seth Thomas” to the center and “Manufactured in the United States of America” underneath the six. An alarm bell is housed in the base and yes, it is very loud. The clock measures 7.25″ W x 9.0″ H x 3.5″ D.

Not rare but interesting

These clocks are not uncommon on online auction sites. Though some describe the alarm clock case as cast iron or copper, it appears to be either plated cast brass or more likely spelter. Some would describe the style as Art Nouveau. Art Nouveau is an international style of art, especially the more decorative arts that were most popular between 1890 and 1910.

The dial features Roman numerals, a working inset sixty-second dial at the twelve, a twelve-hour alarm dial at the six and a cast metal bezel with a beaded pattern. The clock features two winding keys on the reverse (though one key is missing as well as one set screw) and is marked “Made in U.S. America.”

I took off the back cover, put it aside and cleaned it. The 30-hour movement with alarm was quite dirty, as expected. A thorough dismantling and cleaning is in order but for now, let’s see if it works.

Let’s see if it runs

Using Keystone clock oil I applied oil to the pivots and those I could reach in the front without taking the movement out of the case. New oil introduced to old oil will eventually mix and cause an abrasive sludge that will hasten wear but I wanted to determine if the movement was capable of running. After the oiling, I gave the escapement a gentle push and the clock came to life and continued to run its 1-day cycle. The alarm feature works but I am missing the windup key and the time key does not fit properly. I am also missing the hands’ adjustment set key, so, a pair of pliers was used to set the time.

The clock looks great

I cleaned the case with a mild soap avoiding hard rubbing for fear of taking off the plating. The clock looks great and has a pleasant patina.

My wife paid $15 for the clock. Online auction and for-sale sites reveal realized prices all over the map, from $30 to $410. I am pleased that it is a working clock at a very reasonable price and a nice addition it to my modest alarm clock collection.

December 29, 2018

Waterbury, New Haven or EN Welch – A true Frankenstein clock

Is this attractive 30 hour weight driven Ogee a Waterbury, a New Haven or an E.N. Welch? All of the above, actually and perhaps more.

The older the clock and the greater the number of owners means there is an increased chance that there have been minor and even significant changes to the clock

Is it a marriage or a Frankenstein?

When horologists speak of a marriage they mean the clock in its entirety is not original. It generally means the movement is not original to the case but it can have other meanings as well. Various parts and components might have been added or changed over time. Over the life of a clock it has often been in the hands of many owners particularly if the clock is well over 100 years old. The older the clock and the greater the number of owners means there is an increased chance that there have been minor and even significant changes. Each owner may add or take away components in the interest of having a reliable clock while sacrificing authenticity. Functionality trumps aesthetics. When a clock goes well beyond the horologists definition of a marriage, it is called a Frankenstein.

A Frankenstein clock is made up of a mixture of clock parts from many makers. In this case, a previous owner acquired a number of non-working Ogee clocks, took what was salvageable from each one and constructed a working clock.

This clock was purchased at auction as a non-running example and cost the owner very little money. I was asked to take a look at it and perhaps “do something to make it run”. It came complete with weights for both sides missing only the pendulum bob and the correct key. The key that came with it was a #3 mantel clock key as the original would have been a crank style key. One weight was stuck in the right channel past its hook; the other was loose in the case; not a good way to transport a clock. Though difficult to tell if they are original to this clock, the weights are those typically found in a 30-hour brass time and strike movement.

The numbers have been repainted by the writer

The dial is not original to the case though it is correct for the period. There is a stamped impression in French on the back of the dial suggesting that the clock it was attached to was intended for export to France (Chauncey Jerome?).

The tablet is a nicely detailed floral design but has some loss as one would expect given its age. However, the tablet and the door do not appear to be original to the case. There are small blocks under each hinge suggesting the door was “made to fit” this case. Nails are used on one hinge and screws on the other.

The case is an E.N. Welch, the time and strike weight driven movement is New Haven and the coil gong is a Waterbury.

The aluminum spindle for the cable just above the movement on the right side is an curious touch.

A wall hook at the top and back of the case suggests that it was hung rather than having sat on a shelf. Knowledgeable Ogee clock owners know that these clocks were never meant to be hung though many were displayed in that manner.

I took the movement out of the case, inspected it for wear and found it to be in very good condition with no obvious pivot, tooth, pinion or click wear. The verge and escape wheel similarly had little wear. The cables for the weights should be just long enough to bring the weight to the bottom of the case with a little to spare. On both sides the cables were twice as long as they should have been. The suspension spring and rod which is a later replacement, is too long as the bottom of the spring touches the crutch loop. The crutch loop had been incorrectly turned 90 degrees requiring a simple twist with pliers to correct it. How it ran is a puzzle since there was no impulse transmitted from the crutch to the pendulum rod. A previous owner, though well intentioned had little knowledge of how a movement functioned.

The rosewood veneer though dulled with age is in fair shape and had acceptable repairs with the exception of the flat horizontal strip on the top front, which upon closer inspection, is a replacement with simulated grain oriented in the wrong direction. Other issues are minor chips on the bottom edge of the case, two pieces of missing veneer on the right side and slight bubbling of veneer on the top left side panel.

So, what is this clock exactly?

The answer is that it is a 30 hour Ogee clock. It is also an amalgam of many clock parts, a Frankenstein. From afar the entire clock looks very good, but closer examination immediately reveals it many sins. As they say, “Nice from afar but far from nice!”. A resourceful person took all the good parts from a variety of clocks and combined them to make a clock that actually runs and keeps good time.

Is it a keeper?

For discerning clock collectors this example is far from acceptable and certainly diminishes the value of a clock considerably even if it runs well. An expert looks for precisely these things prior to any decision and any serious collector of Ogee clocks would instantly walk away. For someone either interested in the history of clock production or those entering the world of clocks wanting a cheap clock to practice and learn with, it is certainly worth keeping.

The clock is running strongly and striking as it should following a cleaning and oiling. This 30 hour New Haven, Waterbury, E.N. Welch Ogee clock from the 19^th century would fool most people.

It reminds me of that old expression….Caveat Emptor (Let the Buyer Beware)!

November 2, 2018

The first cuckoo clock in my collection – thank you Uncle Dave

When people ask about my clock collection their first comment is, “Do you have a cuckoo clock”. No, I say and their reply typically would be “You should have one!” I often wonder why folks think I should have one. I suppose many collectors have at least one in their collection. Now when they ask I can now say, “of course I do”.

sellers are interested in a sale and do not need to know anything about the clocks past

Thank you, Uncle Dave.

I have acquired most of my clocks at flea markets, auctions, word of mouth etc., even had a few given to me but I know little about their history. The sellers are interested in a sale and do not need to know anything about the clocks past; unfortunate but it is what it is.

On the other hand, I have several clocks which have a very interesting heritage; my Crispi wall clock by Junghans that survived the Halifax Explosion, my Ingraham Huron shelf clock that remained within in the same family for over 80 years or my Canadian Time wall clock by Arthur Pequegnat that hung in a railway station waiting room until 1993.

This is not any old cuckoo clock. This one is especially important……to me at least. This one can actually talk to me. I’ll explain.

My cousin Dave (we called him Uncle) died in 2017and his family knew that he loved his cuckoo clock. Rather than give or sell it to a stranger they decided to hand it over to the family clock guy…..me! Dave was related through my father’s father and has a cottage next door to ours in the province of Quebec. Dave was a helluva a guy and he would do anything for you. He loved life and cherished it to the end.

From time to time you will find service dates written or stamped inside vintage or antique clock cases. These dates give you an indication of the age of the clock and how well it was cared for over the years

In the early 1970s, he and his wife went to Germany for a tour, returned to Canada and regretted not buying a German cuckoo clock. So, he promptly went to the Cuckoo Clock Shop in Ottawa (our nation’s capital) and bought one. He also wanted it in running order. Over the years whenever it stopped he had it promptly repaired.

he history of an object is a window to its past. This clock is a common 30-hour cuckoo clock made in West Germany in July of 1975 (photo below).) and thousands of these were made and sold all over the world. It has a Regula movement, still made to this day. Regula movements are made by SBS-Feintechnik, and are dated by a letter code. This one has the letter “V” which indicates that it was made in 2007.

The clocks complete service history is recorded on the back panel. When I opened the back access door to inspect the movement and the condition of the bellows I found all the dates when the cock was brought in for repair. From time to time you will find service dates written or stamped inside vintage or antique clock cases. These dates give you an indication of the age of the clock and how well it was cared for over the years.

Detailed service history behind the access panel

Oct 10, 1978, clean oil adjust, major repair
Sept 22, 1988, CXO (clean and oil) adjusted by “AO”
October 30, 1990, new movement, repair by “AO”
Jan 1996, 5996 (job #) clean, oil & adjust
April 27, 2007, 9869 (job #) new movement and chains

From the service records, I observed that the clock is on its third movement. It is often simpler (and cheaper) to replace the movement in a cuckoo clock rather than to repair it. Attempting to repair a cuckoo clock is very time consuming, frustrating, and costly. In addition, if the entire clock had to be shipped, the case usually incurs extensive damage as it makes its travels. This is the reason most clockmakers no longer accept most cuckoo clocks for repair.

Regula 1-day movements typically cost less than CDN120. The cost of servicing a two-train clock locally is CDN225 and up, so, replacing the movement is a logical decision.

I oiled the movement, installed the weights and now it is a lovely little 1-day clock that dutifully cuckoos on the hour.

We have a number of clocks in our summer cottage and my wife and decided that that is where it should hang. Everyone who visits marvels at the sound of the cuckoo clock, it is so distinctive. Now they say, “that’s a nice cuckoo clock, where did you get it?”.

It is not perfect. Sadly at some point in every cuckoo clock’s life, it needs the bellows replaced and these bellows are brittle and in poor condition. A cuckoo clock that does not cuckoo is, well, just another clock! The bellows is a cottage project for next summer.

And yes, provenance is important.

October 29, 2018

New Haven – servicing a 30 hour spring-driven clock movement

This is a 30 hour or 1-day New Haven Ogee shelf clock. 1875-80 seems to be the approximate period of manufacture for this smallish Ogee clock. The case measures 18 1/2 by 11 3/4 inches (47cm X 30cm) and the hour strike movement measures 3 1/2 by 5 inches (9cm X 12.7cm).

So, its a bit of a miss-match. Imperfect but attractive just the same

This 30 hour New Haven Ogee shelf clock looks nice from a distance but closer inspection reveals a number of issues regarding the condition of the case. Although the sides panels of the clock are veneered, the front veneer has been stripped likely because of significant loss or damage. Crude chisel marks on the left front of the case suggest that the veneer in this section was tough to take off. This is unfortunate, but I have no intention of re-veneering any part of this clock. There is also veneer loss on the top right side. From a distance the entire clock actually looks good and the casual observer would not notice the difference.

It takes a#3 key to wind the clock. It is probably the only American shelf clock I have that uses a key that small.

The movement looks original to the case and there are indications that it has been worked on in the past. There are punch marks surrounding several pivot holes, an common old-style repair to close the holes.

The coil gong is a replacement and is in a slightly different location than the original gong judging from screw holes to its right. The gong is probably from an E. N. Welch or a Gilbert. The clock dial face is a recent addition and the access door knob looks like it is a later addition.

So, its a bit of a miss-match. Imperfect but functional.

The movement was dis-assembled and the parts cleaned in my recently acquired Quantrex 140 ultrasonic cleaner. The movement parts came out shining particularly the lantern pinions.

The pivots were in very good shape and polished up well with my Butterworth Bushing Polishing System that I use with my multi-speed Dremel tool. I decided to tackle only the worst bushing holes; the centre canon, back plate and the escape wheel bridge. Four bushings were also installed on second and third wheels, front and back plates.

Testing in the clock case rather than on a stand

Some consider 30 hour clocks as a hassle because they must be wound once a day but I am okay with that. This 30-hour Ogee clock runs very well, keeps good time and I am pleased with the servicing.

October 3, 2018

Sperry and Shaw 30 hour 4 column New York Style shelf clock circa 1846-47

4 column Sperry and Shaw 30 hour shelf clock

I have the 30-hour clock bug and my collection of them is steadily growing, but where to put them all? I have not decided where to put this one and for the moment it is on the floor of my work room.

Sperry and Shaw were not thought of as a high end clock company but some models like this 4 column New York style were quite attractive

This is a New York-styled Sperry and Shaw 30 hour time and strike, 4 column shelf hour strike clock, measuring 25 1/2 inches in height by 14 inches in width. The 4 free-standing turned columns first drew my attention as I had never seen anything quite like it. While researching the NAWCC site I discovered that this clock was made in or about 1846-47. The label, of which 98% is intact inside the backboard says 10 Courtlandt (not a misspell, there is a second”t”) Street, the company headquarters during the aforementioned period. Sperry and Shaw were business partners and were regarded as distributors and assemblers rather than clock-makers.

Sperry and Shaw's label showing 10 Cortlandt St. — Sperry and Shaw’s label showing 10 Cortlandt St.

Not everyone in the clock business was happy with Sperry and Shaw. Consider this excerpt from Chauncey Jerome’s book, History of the American Clock Business.

“These New York men would say that they were agents for Jerome and that they would have a plenty in a few days, and make a sale to these merchants of Jerome clocks. They would then go to the Printers and have a lot of labels struck off and put into their cheap clocks, and palm them off as mine. This fraud carried on for several years. I finally sued some of these blackleg parties, Samuels & Dunn and Sperry & Shaw, and found out to my satisfaction that they had used more than two hundred thousand of my labels. They had probably sent about one hundred thousand to Europe.”

Chauncey Jerome had a few clock-makers/assemblers on his hit list that included Sperry and Shaw and at least managed to sue some successfully.

Sperry and Shaw were not thought of as a high-end clock company but some models like this 4 column New York style were quite attractive, sold well at the time and are sought after today by collectors.

The movement is Jerome-like (Counterfeit perhaps?) and stamped Sperry and Shaw, New Jersey. I measured the plate thickness and compared it to a Jerome in my collection and the plates in this clock are a little thinner.

The narrow brick-shaped weights (4 3/4 inches X 1 inch) fit neatly into channels on the left and right. When I first communicated with the seller, he was not sure if the weights were in the clock. He later emailed to say that it did indeed have weights. I would have passed on the clock had it not come with the weights because the narrow bricks are the only type that will fit into the channels and they would have been almost impossible to source. The weight cords, clearly not original, are old and frayed and will be replaced with simulated gut. How old, well on the first night I raised the strike weight up about halfway and about 20 minutes later I heard a loud BANG. I knew exactly what happened; the cord had snapped and the weight had dropped. Luckily there was no damage.

The open moon steel hands are original.

The upper glass appears original and has the waviness you would expect from a clock over 172 years old.

The lower tablet has a cropped image of the Bay of Quinte (Ontario, Canada) taped to the inside – not original but old. The original 18X12 cm steel engraving was drawn by W. H. Bartlett and engraved by J. C. Armytage in 1840; the image can be found here. Since the image is from 1840 and appropriate to the period of the clock, I might just leave it there. It also tells me that the clock likely spent most of its life in Ontario, Canada.

The zinc dial is old though not as old as the clock itself since there is a patent stamp on the back of the dial dated Dec 1, 1863.

Dial patent date of 1863, a later addition to the clock

There is also a clock-makers inscription that says, “cleaned by Felo Bros, March XX 1901”. Obviously this particular dial would not have been on the clock at the time it was made. A wood dial would have been appropriate for the period.

The case looks good…from a distance. The veneer looks like mahogany or walnut, I am really not sure. There are a few small pieces of veneer missing at various places and mostly on the corners, a common issue. It has a two-tone appearance though the case might have been all one colour when made (??). There is a lot of grime on the darker surfaces and I have to decide whether to leave as-is or take it down a little bit to see what’s there. Attending to the veneer issues should be a fairly straightforward process. The break in the right corner of the base is a crude repair and that will have to be redone.

One of several areas of minor veneer loss

The movement is dirty but should clean up nicely. There is not a lot of pivot wear on the front plate of the movement but I will learn more once it is out of its case.

There are a number of other clocks in the queue but I am eager to tackle this one.

June 16, 2018

Ansonia cottage clock – a neglected clock brought back to life

Taking a look at this Ansonia cotteg clockwith the dial off

Last summer (2017) my sister asked me to look at her newly acquired Ansonia time-only 1-day cottage clock (circa 1895). “How much did you pay for it”, I said. “Only $25 but it doesn’t work, something is wrong with it,” she said without being specific. And she was correct.

The clock would have not cost much at the time, perhaps a dollar or so but today people collect small clocks such as this and prices can be higher than the more common mantel clock. In those days for an extra 50 cents you could buy a time and strike cottage clock with an alarm feature but his one is pretty basic. They were cheaply built, somewhat disposable since very few made their way to the repair shop and not as many have survived.

Several months have gone by and I thought I should take a look at the clock, repair the movement, spruce up the case and dial face and return it to my sister in working condition. Having completed a number of other projects I decided I had time to tackle this one.

It was dirty as expected and the gears generally loose, particularly the winding arbour. It was clear something around the mainspring was amiss. The click was loose and would not engage every time.

Top plate is removed — The top plate is removed

Time-only movements are the simplest to work on and this is no exception. If you are starting out in the world of mechanical clocks this is the movement to begin with. The movement is very small in comparison to mantel or kitchen clocks and measures only 2 inches wide by 3 inches tall. Despite its diminutive size, it is easy to work on. The case itself is only 9 1/2 inches tall by 7 inches wide by 3 1/2 inches deep.

The movement had been worked on before. The click anchor screw was stripped and there were punch marks on the escape wheel bridge.

New bushing but 2 punch marks are still showing — New bushing but 2 punch marks are visible

The most troubling issue was the main wheel arbour which had detached from the gear. It took a few punches on the brass shroud to push it in back into place and secure the wheel to the arbour. Not the prettiest of repairs but very functional. The click was also loose and would barely engage the ratchet. It took a couple of hits with a hammer on the holding pin to secure it tightly in place.

The arbour is now secured to the wheel and the click has been repaired

Four bushings were installed, the centre arbour (rear), the rear of numbers 2 and 3 wheels and the escape wheel bridge.

Centering prior to drilling a hole for a bushing. You can also see how small the plate is

The clock was mounted on the test stand and run for several days without issue. Once testing was completed it was returned to its case.

The numbers on the dial were somewhat faded. I decided to address the numbers with a little paint.

Faded numerals on dial face — Faded numerals on the dial face

I was concerned about being too invasive when touching up the dial but I thought the numerals should stand out a little more. I used a number 2 paintbrush and touched them up using flat black acrylic metal paint and a Sharpie pen for the small lines. The effect is subtle without being over the top.

After touching up the numbers with paint and a Sharpie for the thin lines — After touching up the numbers with paint and using a Sharpie and straight-edge for the thin lines

The case was cleaned up with a toothbrush and Murphy’s Soap. There is some finish loss on top but I will leave that as-is.

Here is the completed project. The movement is now back in its case.

Assembled, in beat and ticking away strongly

The hands, which appear original, are attached and the clock is running better than it has in years.

I am sure that my sister will be pleased when the clock is returned to her.

June 9, 2018

Looking for an antique Ogee clock? Now is the best time to buy

Ogee clock prices seem to be at their lowest level in years. If you have your heart set on an Ogee clock, there is probably no better time to buy than now.

Ogee clock; clock design that originated in the United States in the 1830s, distinguished by a case (usually pine) the front outer edges of which are curved into an S-shape (ogee). This shape is formed by the union of a convex and a concave line. A mass-produced variant of the shelf clock, the ogee clock stands about 30 inches (75 cm) high and is usually weight-driven. The movements were usually made of brass and were made to run for 30 hours or eight days. (Brittanica.com)

Earlier this year (2018) I bought three Ogee clocks at an estate auction. There were about a dozen clocks up for bid, some gingerbreads, a couple of mantel clocks and a few Ogee clocks. Fearing that the auction would bring out collectors I surmised that the clocks would fetch somewhat higher prices. Though there were many clocks there were few aficionados. I scored three clocks, all were in very good condition though they were running poorly.

Daniel Pratt reverse ogee and splat clock

This Daniel Pratt Jr clock caught my eye. It is reverse ogee and splat, time and strike with wood movement made in the mid-1830s. My winning bid was a mere 30CDN. Ogee clocks with wood movements have sold for at least 200CDN in years past and eBay asking prices for Daniel Pratt Jr. clocks are typically between 60US and 200US. Although Ogee clocks have hit rock bottom in Canada the same may not be true elsewhere.

I have written about the decline in clock prices in a previous post. There is a legion of unwanted clocks out there. EBay and other online sites are flooded with ordinary antique clocks though special interest clocks still command higher prices. Many reasons are attributed to the decline though the poor economy in recent years is a major factor. Since 2008 clock prices have been dropping steadily and an upward direction in the near future looks dim. Prices are at or near the bottom. As the economy improves and antique buyers return to the marketplace we will see an uptick in values. In the meantime, now is certainly the time to buy.

Clocks, manufactured and warranted by Daniel Pratt Jr

I paid 60CDN each for the other two Ogee clocks, one a Chauncey Jerome 30 hour time and strike, circa 1857, the other, a George H. Clark 30 hour time and strike, circa 1860.

Chauncey Jerome 30 hoir Ogee clock — Chauncey Jerome 30 hour Ogee clock

George H Clark Ogee clock — George H Clark 30 hour Ogee clock

Sellers are posting inflated prices but a clock is only worth what the buyer will pay. Do your research and learn to shop with a critical eye and you be rewarded.

June 1, 2018

Elisha Manross Steeple Clock – the early days of the American clock

I acquired four old clocks in a barn find. Two, a 30 hour ogee and a mantel clock were salvageable only that I was able to take veneer, case parts, one movement and a few pieces.

The two other clocks are worth preserving. Though it is missing some case parts one of them is an Ansonia Drop Extra wall clock. It is the subject of a future article.

Steeple clocks of the 1840s signaled the design of later steeple clocks

Ansonia Extra short drop wall clock — Ansonia Drop Extra wall clock

The fourth clock is an American Elisha Manross 30 hour steeple clock which is the subject of this article.

This is an interesting variant of the sharp Gothic steeple clock. These early Steeple clocks though simple in style, influenced the design of later steeple clocks.

Veneer could use some cleaning, right steeple is missing, door is off

The clock has accumulated years of dust and grime. The movement though dirty runs remarkably well. The case is scuffed, has a myriad of marks and scratches and one or two deeper gouges. This clock has seen its share of abuse and neglect over the years.

I took the access door off and found the bottom door pin to be original but the top pin has been replaced with a finishing nail. A piece of pinion wire was fashioned and glued in place. It is missing the right side steeple base and the spire. It is also missing the minute hand which appears to have been snapped off at some point and lost. Also missing is the bottom tablet with plain glass fixed in its place. The pendulum bob appears to be original as is the coil gong. The dial face has a nice patina and is in good condition with some losses. It has readable Roman numerals but covered with shellac or varnish at one point. The numerals have also been touched up.

Exotic woods were used to cover the pine case. Elisha Manross clocks were either clad in Rosewood veneer or Mahogany. The Mahogany veneer on this clock is much thicker than the veneers typically used today. Manross clocks are produced with the Mahogany veneer in a vertical orientation and Rosewood veneer in a horizontal orientation. Manross made two steeple clocks. One is 20″ high and 10″ wide, the other is 19 1/2 inches high by 9 1/2 inches wide. The larger case would have made for other labels but the smaller size (this is the smaller mahogany clock) was produced in the Manross factory.

Nice aged patine, numbers have been touched up

On the back of the door, left side of the upper tablet is the inscription 8/43, not once but twice. My first thought was an inventory or part number but if this is the month and date the clock was made it would be consistent with the brass mainsprings on the movement which makers used between 1836 and 1850. The label on the clock is in remarkable condition for a 175+ year old clock. However, the date (8/43) is inconsistent with the label which was printed by Elihu Geer at his shop on 10 State Street, Hartford Conn. According to one source Elihu Geer operated the print shop at this location after 1850. Perhaps but it seems reasonable that the clock was made in 1843.

Although Elisha Manross had been active in Bristol clock-making since 1812 or earlier he shows in the Bristol tax records as making clocks from 1842-1851. His business was dissolved in 1854 and the factory was purchased in 1855 by E.N. Welch.

Brass springs were invented and first used in 1836 by Joseph Shaylor Ives. Brass for mainsprings was evidently cheaper and more accessible than steel in the mid 1830s and 1840s. Silas B. Terry developed steel springs for clock use in the Bristol area circa 1847, and as steel improved and became cheaper brass springs quickly disappeared. In the history of the American clock brass springs had a very short life. The brass springs on the movement have survived a very long time which is unusual since most clocks of this age have had replacement steel springs.

The movement will be cleaned up and the case will be reconditioned including the replacement of the right steeple and base. I do not foresee the clock as being a daily runner.

Have you brought an old antique back to life be it a clock or a piece of furniture? Leave a comment about your own experiences.

March 15, 2018

Chauncey Jerome 30 hour Ogee – a 156 year old American clock that is a tribute to the man himself

I bought four wonderful clocks at an estate auction several weeks ago, this and three other Ogee clocks plus a parlour clock. This clock is no less interesting than the other three but I was lucky enough to research its maker and date the manufacture to within a year or two.

Noble Jerome’s invention showed that with the one-day brass movement, clocks could be mass produced economically and in great quantities

I wish I knew its provenance, how many hands it passed through, where it has been, what homes it has been in and even its last owner. All that is a mystery to me, nonetheless this clock is an excellent example of the classic Ogee weight driven shelf clock and a well-cared-for time-keeper.

Chauncey Jerome: The greatest and most far-reaching contributor to the clock industry

Chauncey Jerome 30 hour Ogee weight driven time and strike clocks are not a rarity. Thousands upon thousands were made. However, no-one can deny Chauncey Jerome’s historic contribution to the American clock industry in the 18th century when he substituted brass works for wooden works. He was “the greatest and most far-reaching contributor to the clock industry.” Although he made his fortune selling his clocks and his business grew quickly his company eventually failed in 1856.

Chauncey Jerome (1793–1868) was one of many pioneer American clock-makers. Jerome began his career in Waterbury, Connecticut (USA), making dials for long-case clocks. Jerome learned what he could about clocks, particularly clock cases, and went to New Jersey to make seven-foot cases for clocks. In 1816 he went to work for Eli Terry making “Patent Shelf Clocks,” and learned how to make previously handmade cases using machinery. His venture into business for himself eventually led to making cases and trading them to Terry for wooden movements.

In 1822 Jerome moved his business to Bristol, Connecticut opening a small shop with his brother Noble, producing 30-hour and eight-day wooden clocks. By 1837 Jerome’s company was selling more clocks than any of his competitors. A one-day wood-cased clock with wood movement sold for six dollars and had helped put the company on the map. A year later his company was selling that same clock for four dollars. As profits began falling combined with a general malaise in the manufacturing sector, it was not long before Noble Jerome’s patented clockwork innovation, the 30 hour brass weight driven movement introduced in 1839 changed clock making in America. The design was proposed by Chauncey in response to the 1837 nationwide depression that closed many clock factories. Noble’s invention showed that with the one-day brass movement, clocks could be mass produced economically and in great quantities.

Jerome also made clocks according to what he termed the “systematic approach” where selected workers made one part of a clock while other workers simultaneously constructed other parts in the same factory, a precursor to the assembly line method of manufacture.

In 1842 Jerome moved his clock-case manufacturing operation to St. John Street in New Haven, Connecticut. Three years later, following a fire that destroyed the Bristol plant, Jerome relocated the entire operation to Elm City. Enlarging the plant, the company soon became the largest industrial employer in the city, producing 150,000 clocks annually. In 1850 Jerome formed the Jerome Manufacturing Co. as a joint-stock company with Benedict & Burnham, brass manufacturers of Waterbury. In 1853 the company became known as the New Haven Clock Co., producing 444,000 clocks and timepieces annually. Jerome’s future should have been secure but in 1855 he bought out a failed Bridgeport clock company controlled by P.T. Barnum, (a good read, it is a very tangled story) which wiped him out financially, leaving the Jerome Manufacturing Co. bankrupt in 1856. Jerome never recovered from the loss. By his own admission, he was a better innovator and inventor than a businessman.

In the years following he traveled from town to town and took jobs where he could, often working for clock companies that had learned the business of clock making using Jerome’s inventions. Returning to New Haven near the end of his life, he died, penniless, in 1868 at age 74.

The ticking of a clock is music to me, and although many of my experiences as a business man have been trying and bitter, I have satisfaction of knowing that I have lived the life of an honest man, and have been of some use to my fellow men

Chauncey Jerome 1860

This the number 11 Ogee was the last of the Jerome clocks made no later than the fall of 1855 when Jerome Manufacturing Co. failed. Mike Bailey, a Chauncey Jerome clock collector has an excellent blog in which he meticulously details and dates Jerome cases and movements. After researching his site I was able to determine that my clock is a number 11 Ogee made just before the Jerome bankruptcy in 1855. It is the Jerome patent 30 hour brass movement number 1.314. The movement appears to be original to the case.

Chauncey Jerome one-day movement type 1.314, yes, very dirty

The clock has a zinc dial and an image of JC Brown’s house in the lower tablet. Jerome was the first to introduce the zinc dial. It might have originally had a mirrored lower tablet. However it now features the JC Brown’s home. The J.C. Brown home in Forestville was featured on the tablet of many of his (Brown) Ogee clocks and it is unclear why it is on this clock. From 1847-1855 Brown conducted business without partners as the Forestville Manufacturing Company or the Forestville Clock Manufactory.

On the back of the zinc dial are inscriptions that I can barely make out. It says 1860 April 9??? on the top of the dial and 1866, Feb 2 and UPO 477 on the bottom. I tried to enhance it as best I could. Could this dial be a later replacement?

Overall the veneer is in excellent condition though it has been covered at some point with a clear coat of varnish. The weights appear original with the strike side having the slightly lighter weight as one would expect. The pendulum bob is consistent with the age of the clock and the label is largely intact. This was the last label Jerome used before his company went bankrupt.

Label showing Benham Printer, 56 Orange Street, New Haven — Label showing Benham Printer, 55 Orange Street, New Haven at bottom center

The movement is not running reliably. It is very dirty and long overdue for a cleaning, plus, the movement has had some poor repairs over the years.

Much of the information for this post is from Chauncey Jerome’s autobiography entitled History of the American Clock Business for the Past 60 Years, a free copy which you can find here.

Next up is servicing the movement which I will cover in a separate post.

March 6, 2018

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These clocks are not uncommon on online auction sites

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The older the clock and the greater the number of owners means there is an increased chance that there have been minor and even significant changes to the clock

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sellers are interested in a sale and do not need to know anything about the clocks past

From time to time you will find service dates written or stamped inside vintage or antique clock cases. These dates give you an indication of the age of the clock and how well it was cared for over the years

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So, its a bit of a miss-match. Imperfect but attractive just the same

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Sperry and Shaw were not thought of as a high end clock company but some models like this 4 column New York style were quite attractive

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Steeple clocks of the 1840s signaled the design of later steeple clocks

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Noble Jerome’s invention showed that with the one-day brass movement, clocks could be mass produced economically and in great quantities

Chauncey Jerome: The greatest and most far-reaching contributor to the clock industry

The ticking of a clock is music to me, and although many of my experiences as a business man have been trying and bitter, I have satisfaction of knowing that I have lived the life of an honest man, and have been of some use to my fellow men

Chauncey Jerome 1860

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