Some time ago, I came across an ad on Facebook Marketplace for a clock owned by an older couple who lived about forty-five minutes from our home on the East Coast. When I first saw the photo, something about the clock caught my eye—it had character, a quiet dignity, and I had a feeling it might be special. I reached out to the seller through Facebook, and after a brief phone conversation, we agreed on a price that he felt was fair.
E Ingraham Huron Circa 1878
Finding their home wasn’t straightforward. We took a few wrong turns, but eventually found our way to a modest single-wide house nestled in the woods about twenty minutes from a larger coastal town. It was the kind of home that had clearly been lived in for decades.
A man in his early seventies greeted us at the door with a polite smile tinged with sadness. As we stepped inside, he excused himself and disappeared for a moment, returning with the clock in his hands. I asked him why he had decided to sell it, especially since he mentioned it had belonged to his grandmother and had been in his family for as long as he could remember.
He paused before answering, his eyes drifting toward the window. “My wife and I have decided to go our separate ways,” he said softly. “She wants to live in town, but I can’t bring myself to leave this place. Everything I care about is here—my shop (which was larger than his house!), my tools, my memories, but we have to get rid of some stuff”.
As he spoke, it became clear that the clock was more than just an heirloom—it was a piece of his past, a witness to the life he had built in that home. Letting it go wasn’t just about making space; it was about closing a chapter.
I examined the clock carefully, noting that it was complete and in good condition. “I’ll take it,” I said with a smile. Just inside the case, I noticed a penciled marking that read “Hebb and 1944.” The seller recalled a Hebb family who once lived in the Bridgewater area of Nova Scotia, near where I purchased the clock — perhaps a clock tinkerer.
“Okay,” he replied, then hesitated for a moment before adding, “Would you happen to be interested in Elvis Presley memorabilia?”
I glanced over at my wife, who was already trying not to laugh. The question caught us both off guard—we couldn’t have been less interested in that sort of thing, but his earnestness made the moment oddly endearing.
Huron shelf clock by E. Ingraham & Co.
It is a rosewood-veneered Huron shelf clock by E. Ingraham & Co., Bristol, Connecticut. It features a paper-on-zinc dial with a round glazed door and a lower glass access panel. The Huron is one of the less commonly found Ingraham models of the period, having been manufactured briefly between 1878 and 1880. The maker’s label remains intact on the inside of the backboard. The clock has a brass, eight-day, spring-powered movement and stands 16 inches tall.
The veneers are in excellent condition, with no splitting or cracking. The clock face shows a build-up of grime, which I chose to leave as is. The base corner pieces show slight wear, but both door catches are sound. The glass is perfect, the door hinges are in excellent condition, and both the upper and lower doors still fit with precision. The pendulum retains its original lacquer and presents well. Before examining the movement, a gentle push of the pendulum suggested that something was amiss.
Once I extracted the movement from its case, it was certainly not without its issues. There was plenty of solder applied here and there—evidently, a past repairer believed that the more solder, the better. During restoration, all traces of it were carefully removed, and the movement was thoroughly cleaned and brought back to full working order.
The movement was not without its issues
I’ve often said that if the day ever comes when I’m compelled to downsize my collection, this would be one I’d keep. Not for its rarity or provenance, but because it embodies everything I admire in a clock—the craftsmanship, the quiet dignity, and the enduring beauty of something well made and lovingly preserved, and the story that became part of it.
Ingraham Huron shelf clock
In the end, it’s pieces like this that remind me why I collect—not to own more clocks, but to honour the skill and spirit of those who built them, one tick at a time.
The term minimal invasive intervention refers to the delicate decision-making process regarding how much work should be done to repair, restore, or conserve a clock without significantly altering its original character. It encapsulates a challenge many collectors face: balancing preservation with functionality.
Some argue that any work performed on an antique clock detracts from its value, much like installing new fenders on an antique car. While it may improve appearance or functionality, it might make the piece less desirable to purists. So, at what point does intervention—however well-intentioned—compromise a clock’s value?
When original parts, particularly the movement or key aesthetic features, are replaced with non-original or modern components, the clock often loses collector value. Authenticity is a cornerstone of desirability for collectors. Replacing a worn movement with a reproduction or modern equivalent significantly reduces value, even if it restores functionality.
Excessive restoration, such as refinishing to a like-new condition, can erase the patina, wear, or other marks of age that contribute to the clock’s historical character. Collectors value the evidence of a clock’s journey through time.
Alterations that cannot be undone, such as resizing a case, changing its design, or permanently altering the movement, reduce value. Reversibility is crucial in maintaining collector interest.
Intervention may not compromise value if the repair restores function without altering original materials or craftsmanship. Rebushing and cleaning are interventions but are generally considered acceptable practices.
I always maintain that there should be Respectfor Provenance, that is, preserving historical repairs, markings, documentation, and patina when they tell the clock’s story through the ages. In addition, using methods and materials appropriate to the clock’s era maintain authenticity.
Let’s look at some definitions.
Repair, Restoration, and Conservation Defined
Repair involves correcting faults or addressing prior poor repairs, often resulting in changes to a clock’s form or function. Repair in a museum context typically addresses specific problems to restore mechanical function or structural integrity while still respecting the clock’s historical value and authenticity.
Restoration seeks to return the clock to an “as new” condition, sometimes requiring reconstruction of parts of the movement or case. Restoration in a museum context involves returning an antique clock to a state that reflects its original appearance or function, often as close as possible to how it was when first made.
Conservation focuses on preserving the clock in its current state while protecting it from further deterioration. This approach aims to maintain the clock as close to its original condition as possible for as long as possible. Conservation in this context prioritizes maintaining the clock’s historical authenticity and ensuring it can be studied and appreciated by future generations. This approach is guided by principles of reversibility, documentation, and respect for the original materials and craftsmanship. A reversible repair means future conservators can undo them if needed.
Some amount of intervention is often necessary and even desired by collectors, but how much is always a delicate balance.
A Case in Point: 1878 E. Ingraham Huron Clock
E Ingraham Hurons were made between 1878 and 1880
Take, for example, an 1878 E. Ingraham Huron time-and-strike balloon clock from my collection. The 16-inch high rosewood case is remarkably well-preserved for its 146 years, with no breaks, cracks, or missing pieces. The hands, pendulum bob, sash, and bezel hardware are all original, as is the movement. The case has been gently cleaned with soap and water and given a light coat of shellac for protection.
The clock face retains a layer of grime that contributes to its aged character, which I chose to leave untouched. However, the movement has suffered from less-than-professional repairs, likely due to the lack of skilled clockmakers in small-town Nova Scotia (Canada) during the clock’s early life. These repairs include soldered joints and realigned gears with pivot holes drilled directly into the plates—techniques probably applied in the 1940s, when soldering guns became more accessible.
Solder repair on the Huronmovement
The clock ran for two or three days before stopping, and even nudging the pendulum provides only a temporary fix. On removing the movement from its case, the extent of these invasive repairs becomes more apparent. Even more apparent was the need for a full servicing.
Solder repair on the second wheel
Deciding on the Right Approach
After consulting a certified horologist, we discussed the options: repair, restore, or conserve? He shared an example of a customer’s kitchen clock (or “Gingerbread clock”), a common family heirloom. While these clocks are rarely of high monetary value, they often hold deep sentimental significance.
He typically repairs such clocks but occasionally replaces irreparable movements with period-correct ones—an option acceptable to many owners, but one that collectors generally frown upon and approach I did not care for.
In the case of my Huron, replacing the movement would significantly reduce its value as a collector’s item. Restoring the original movement, however, would maintain its authenticity and desirability. That is the route we took.
Guiding Questions for Intervention
When deciding how to proceed with any antique or vintage clock, I consider the following:
Does undoing damage from a previous poor repair qualify as overly invasive?
If the repair was performed soon after the clock was made and is historically documented (e.g., markings inside the case), should it remain untouched?
Does the poor repair add or subtract from the clock’s historical provenance, making it part of its story?
Would restoring the movement to its original state be considered a repair or a restoration?
Does removing all solder work qualify as a minimally invasive intervention?
Will the repair enhance or detract from the clock’s value?
Would leaving the clock unrestored qualify as conservation?
The poor repair needed to be addressed. I believe that correcting a subpar repair will always restore the clock’s functionality without diminishing its value. Since only minimal work was done on the case and nothing was done to the dial, I would classify this approach as a repair plus conservation.
The Collector’s Dilemma
Collectors often value clocks that remain as untouched as possible. A pristine, unaltered antique clock that runs is exceedingly rare. However, some intervention is inevitable if the goal is to preserve function, as long as it respects the clock’s historical and aesthetic integrity.
In my view, conservation and repair align most closely with minimal invasive intervention and restoration is inherently more intrusive. Deciding how far to go with a clock involves weighing its historical significance, its condition, and your goals as a collector or caretaker.
When I acquire a clock, the first question I ask is: what outcome am I aiming for based on the price I paid? For inexpensive mantel clocks, I’m willing to undertake extensive case repairs, recognizing that a clock purchased cheaply likely won’t gain significant value. However, for more desirable clocks, I adopt a more cautious approach, carefully determining the minimal work needed to restore functionality and enhance the case’s appearance.
I’d like to hear your views on this subject and how you approach this delicate balance!
I often wonder about the stories behind my clocks.
Antique and vintage clocks evoke a time when life seemed simpler, a stark contrast to today’s frenetic pace. Old clocks serve as living memories, cherished relics of people and places that are long gone but not forgotten.
Ideally, they should be passed down through generations. Yet, when I look at online marketplaces, it’s clear that many clocks no longer stay within their original families. I can’t help but wonder—has sentimentality lost its place in today’s world?
Out of the 35 clocks displayed throughout our home (a small part of my collection), I wish I knew the stories behind every single one of them. If only they could talk! What tales they would share.
Still, two of my clocks come with stories that I hold dear to my heart.
Junghans Crispi time and strike wall clock
One of my clocks survived the 1917 Halifax Explosion. It is a Junghans Crispi wall clock. I know this because the previous owner had kept it in their family for over 100 years. It wasn’t in the condition you see it in today, though. It came to me as a box of parts, and I imagine they decided it was time to let it go after holding onto it for so long. They hoped that whoever bought it would bring it back to its former glory.
After restoring the clock, I contacted the former owner to show them what I’d done, sending them a photo of the clock in its restored state. I never heard back and I assume they experienced a bit of seller’s remorse.
However, I often look at the clock and try to imagine that fateful day, December 6, 1917, when it fell from the wall in a modest North Halifax home and broke into dozens of pieces.
Ingraham Huron shelf clock
Another story belongs to my Ingraham Huron shelf clock (circa 1878). It was a rare find considering it was made between 1878 and 1880. Some might call the style a balloon clock. It came from a small village outside Bridgewater, Nova Scotia. My wife and I made a day of the trip, enjoying lunch and some shopping after picking up the clock from an elderly couple who were in the process of separating.
The clock’s story unfolded when we met the couple selling it. The gentleman, in his early seventies, recalled seeing the clock in his grandmother’s home when he was a child. After some conversation, we learned that the couple was separating amicably, with the wife planning to move into an apartment nearby. “We need to get rid of a lot of stuff,” he told us. It was a bittersweet moment, knowing they were parting with something tied to childhood memories. My wife and I left with the clock, reflecting on how our connection to objects, even sentimental ones, can change over time.
It seems sentimentality can have a price. People grow tired of the things they once cherished or feel the need to unburden themselves of objects tied to past relationships and memories. Nostalgia can bring comfort, but for some, it may not be enough to hold onto the past.
I often wonder what will happen to my clocks when I’m gone. My wife knows that I’m not emotionally attached to all of them. Some were simply acquisitions that served to give me projects that helped me grow as a hobbyist. Yet, there are several clocks that I hope my children will keep—the ones I’ve spent countless hours restoring, the ones with stories and history.
Among them are my twelve Arthur Pequegnat Canadian-made clocks, two Vienna regulators, a Seth Thomas Empire-style clock, a Sessions Beveled No. 2, my Ingraham Huron, and my Junghans Crispi wall clock.
These clocks represent a blend of history, personal connection, and the passion I’ve poured into them. I think my kids will appreciate that.
Antique and vintage clocks evoke a time when life was simpler than the hectic times we live in today. Those nostalgic times when the things we bought and cherished were living memories of people and places that are gone but not forgotten. Antique clocks should be passed down from one generation to the next. Judging from the online marketplaces unfortunately many are not handed from father to son at all as so many have left their original owners. Is sentimentality lost on this generation?
Two such clocks have a story
Not including the the nine clocks I have in my home office there are 35 clocks displayed throughout our home. It saddens me to think that for many of my clocks I know absolutely nothing about them though I wish they all could talk. What stories they could tell.
Two such clocks have a story.
One of my clocks survived the Halifax Explosion in 1917. I know this because the people I bought it from had the clock in their family for over 100 years. It was certainly not in the condition you see here. It was a box of parts and I imagine they felt they had held onto it long enough and it was time to let it go. After I restored the clock I called back the previous owner and told him what I had done with the clock and would I kindly send him a photo of it restored to its former glory. I did and heard nothing afterwards. Sellers remorse, perhaps. I often look at the clock and try to imagine that fateful day when it fell of the wall in a modest home in North Halifax on December 6, 1917.
Junghans Crispi wall clock
Story number two. You have to feel something for some of the previous owners. This Ingraham Huron shelf clock (circa 1878) is a real gem and fairly rare, you just do not see it come up for sale very often. Some would call it a balloon clock. It was bought in a little village outside Bridgewater, Nova Scotia. My wife and I are about 2 hours away and we decided to make a trip out of getting the clock, having lunch nearby and doing a little shopping.
Do you know anyone who wants Jeff Gordon memorabilia?
Rare Ingraham Huron found on a local online for-sale site
We arrived at the sellers home, a modest nondescript bungalow. I was greeted at the door by an elderly couple. They had previously told me on the phone a day earlier that after consultation with their son they had decided on a fixed price for the clock and the price seemed very fair to us.
I asked how long they had the clock and the gentlemen who I would say was in his early seventies said that he could remember the clock in this grandmother’s home when he was quite young. He extended his hand palm down to about a meter from the floor and said, “I was this tall when I can first remember it in my grandmother’s home”. After a conversation with the couple I had discovered that they were parting ways, an amicable separation it seemed and the wife had decided to live in an apartment minutes away in Bridgewater. The husband was left with the home and his workshop in the back of the property. “He spends a lot of time out there anyway and besides, we need to get rid of stuff”. “Do you know anyone who wants Jeff Gordon memorabilia?” “No”, I said and left with the clock. It is sad that they had to part with such a memory but people change.
Seth Thomas column and cornice “Empire” style time and strike shelf clock
I guess sentimentality has a dollar value or people live with things so long that they eventually tire of having them. Deciding to get rid of things is about relieving yourself of all the stuff you’re hanging onto from past relationships and past memories. Secondly, our desire to hold onto piles and piles of old mementos can often be blamed on nostalgia. That’s because reminiscing about the past makes us feel good. It can lead to increased feelings of familial or social connectedness. If I have an old clock, looking at it can elicit positive emotions. Or, perhaps it was not an especially happy memory and getting rid of it expunges that memory.
I often wonder what will happen to my collection when I meet my fellow clock-makers in the sky. My wife knows that I have no real attachment to some of my clocks since I merely purchased them to learn how to repair them and to grow my hobby. Yes, you can have too many mantel clocks!
However, there are about ten clocks in my collection that I hope will be passed down to my kids. My four Arthur Pequegnats, two Vienna regulators, a Seth Thomas Empire style clock, my Sessions Beveled No. 2, my Ingraham Huron shelf clock and my Junghans Crispi wall clock. For some I appreciate their history and admire the folks who had them and for others they have become sentimental attachments because I spent so much time restoring them.
I am a retired educator living in Nova Scotia Canada. I collect vintage and antique clocks that I repair and maintain. I also write about horological areas of interest, interesting clocks and clock stories when I search for new acquisitions.
As most bloggers know the key to building a successful blog is not only attracting new visitors but keeping existing ones interested enough to come back
Baby Ben alarm clock with seconds hand
In the spring of 2015 I began my journey into blogging. The first few months of writing about clocks, clock collecting and repair were very challenging. How could I interest those who not only collect antique and vintage clocks but have just a passing interest? As time went by I began to realize that there was plenty to write about, that the world of clock collecting and repair is incredibly vast and that there is much to learn.
This blog has given me an opportunity to profile my own clock collection, walk the reader through the challenges of restoring and repairing my clocks and the knowledge gained from those experiences.
Cuckoo clock
As I write this article my blog has over 49,000 total views, 33% from United States, 17% from Canada and the remainder from around the world including the United Kingdom, Australia, Romania, Germany, India, The Netherlands, South Africa, Malaysia and 80 other countries. The top 5 articles this year were:
Mauthe Mantel Clock
Daniel Dakota Wall Clock
What is my clock worth?
How to wind a mechanical clock
U.M. Muller Box Clock
As most bloggers know the key to building a successful blog is not only attracting new visitors but keeping existing ones interested enough to come back. In the past year alone viewership has doubled. My visitors average 1.8 articles per visit with an average of 88 views on a typical day in 2017. November and December peaked at 100+ views per day.
Swiss made smoothing broaches
Providing enough stimulating content so that visitors want to return is always a challenge. I post 7 articles a month, sometimes one or two extra, usually spaced 4-5 days apart, on various topics of interest. I also attempt to appeal to all facets of clock collecting and repair from profiling my own acquisitions and experiences restoring and repairing my clocks to articles of general interest. I also inject historical horological context as much as possible.
I receive about 30+ comments per month on average. All comments and inquiries are welcomed. Interesting comments come from people who typically ask me how much their clock is worth, particular problems they have with their clock, strategies for repair and information about the history of their clock. All questions are answered to the best of my ability but I make no pretense that I am a trained professional.
Miniature one-weight Vienna wall clock, circa 1870
In 2018 my intent is to continue to write interesting articles about clocks in general as well as profiling my modest but expanding collection of antique and vintage clocks. I also plan to explore special areas of interest.
Future articles include, “Letting a clock sit without running”, “Mercedes clock – not made by the car folks”, my 4th Arthur Pequegnat clock, a second installment of the Waterbury Ogee 30 hour clock, a mini New Haven Ogee that has some curious modifications, how to set up your grandfather clock, “What style clock do I have?” and more Crazy Clock Ads.
Ingraham Huron mantel clock circa 1878
Mauthe Westminster chime mantel clock
Stay tuned and if there is an area of interest you would like to see me to explore, drop me a quick note. If you like what you are reading express “Like” it at the end of each article.
Thanks for your comments, your encouragement and your continued support.
There is a peculiar phenomena happening in the clock world today and that is tumbling clock prices. French cartelle clocks, American jewelers regulators, original E. Howard and Willard banjo clocks to name a few have retained their value but clocks that would have sold for hundreds of dollars a few short years ago can be had for almost nothing today. It is not a great sellers market.
Rare Ingraham Huron shelf clock was once sought after by collectors
Prices will not rise any time soon as modern generations have been conditioned to discarding old for new irrespective of merit and in contradiction to the ideology that recycling saves the planet
Why are clock prices so low?
I have acquired some very nice clocks for ridiculously low prices. While it is part luck there is ample evidence that recent clock prices have never been lower.
There are so many clocks that no one seems to want. Gingerbreads, school house clocks, mantel clocks, Ogees (30 hour or one-day especially), calendar clocks and most garden variety clocks go for very low prices. Good for collectors, not so good for sellers. Prices will not rise any time soon as modern generations have been conditioned to discarding old for new irrespective of merit and in contradiction to the ideology that recycling saves the planet.
Millennials are also facing a very different world than I and my contemporaries faced. Factory work or clerical positions are now considered a good job and young people are staying with mom and dad living in their old rooms as they try to pay off mortgage size student loans. Under those circumstances you will not consider buying a tall case clock or an 18th century French clock.
Thanks but I have no place to put one
My generation (I am in my 60s) did not typically have mechanical clocks in their homes (aside from Grandfather and cuckoo clocks), so younger people today do not have those kind of memories to inspire nostalgia. In my day mechanical clocks were thrown in the trash when they wore out to make way for the electric clock. For young people today the old clocks we loved are not in their sights for purchase. An offer to gift a clock to a millennial is often met with the reply, “Thanks but I have no place to put one” and of course, winding it is always a hassle. A visit to any antique store or clock fair says it all when observations show the average age of visitors and traders are often in their “senior” years.
Junghans Crispi wall clock, not rare but a fascinating history
Prices of clocks really did not begin their rise in value (at least in North America) until the mid to late ’50’s. Since then and up until the late nineties many ordinary clocks commanded high prices. Since the year 2000, the economy has been spiraling downward. Paralleling the declining economy is the decline of prices for antiques of all types. The at-times spectacular and troubling declines in real estate values, increasing unemployment and fewer discretionary dollars have all had an deleterious effect on dropping clock values. With the up-tick in the economy perhaps things will change
I collect clocks and other antiques for interest and history alone
I collect clocks and other antiques for interest alone and only those I can afford which often means that I will try to buy a clock for as little as possible. Collecting in this way allows me the comfort in knowing that there is no worry about future rises or drops in value. I acquire clocks simply because I want them, and pay a price that is worth it to me. If I see something that I do not have, it is unique or has some historical value and it is a reasonable price (to me), I will buy it.
However, many of us collectors are aging and downsizing. Few are in buying mode and many want to sell. The result is a glut of often lesser quality clocks that were once bought at higher prices.
French mantel clock, a very nice clock at a ridiculously low price
Unless you are prepared to learn how to repair or somehow care for an old mechanical clock you are faced with the prospect that the cost of repair far exceeds the value of the clock. Sentimental reasons always trump repair costs but the message from the clock repair person with integrity is clear, “keep it, it is not worth the cost of repairing”.
Will prices get better? Prices for antiques and collectibles is cyclical and chances are that they will go up again.
As a clock collector I have quite a few clocks in my home. Most are running daily. There are 34 clocks ticking away in my home as I write this blog article.
I have accepted them as normal sounds in my home
Some collectors have a dedicated clock room in their home but mine are scattered throughout the house. I try to arrange each one so that it fits more or less into the decor of the room. It is a big house and thankfully we have quite a few rooms in which I can display my clocks. I have all manner and styles of clocks including mantel, wall clocks, shelf clocks, carriage clocks, desk clocks, anniversary clocks but just one floor clock. My particular preference is wall clocks; I have 13 of them.
Kienzle clock on display with Ingraham Huron balloon style shelf clock
Gustav Becker Vienna Regulator and Seth Thomas round top
Arthur Pequegnat Brandon in an upper hallway
Mauthe Westminster chime mantel clock atop a Stromberg Carlson radio
So how do I put up with the cacophony of clock noises in the house? One, I thoroughly enjoy the sound of a mechanical clock and two, I have accepted them as normal sounds in my house.
However, there are rules in our house.
No striking or chiming clocks in or near the master bedroom.
No clocks in the bathrooms.
Clocks are stopped in those areas where guests are sleeping unless they do not object.
Are there clocks in the bedroom? Of course, three to be exact. Two are 400 day clocks like the one in the next photo and the third is a banjo clock.
9 inch miniature 400 day Kundo clock
The Ingraham Nordic banjo clock has a front-wind lever escapement and I would challenge anyone to hear this clock across a room. Is is no louder than an old alarm clock. The 400 day clocks are, of course, virtually silent.
We have a Mauthe box clock in our family room that makes such a wonderful sound that I actually pause the TV to listen to it
Ingraham Nordic Banjo Clock
This is my advice to those of you who love mechanical clocks but are bothered by the “noise”:
Some clocks are loud tickers and some are not. As a general rule American clocks tend to be much louder tickers than German or French clocks. Loud clocks should be placed in noisy areas
Avoid clocks that have a striking or a chiming train. If you are not fond of the sound of an hourly or quarter hour strike clock, simply search for a time-only clock.
Most chiming clocks (Westminster chimes are the most common) have a shut-off feature located on the dial face.
For time and strike clocks simply wind the time side only. However, purists would say that this is not good for the clock.
Carriage clocks, clocks with lever escapements (like the Nordic above) and 400 day clocks are exceptionally quiet and do not normally strike or chime (however, some carriage clocks do strike).
Locate your clocks in an area where you will not be bothered by them, a dedicated room, for instance.
Stop your clock or never wind it. Perhaps you can appreciate your clock as a piece of art or furniture rather than as a timepiece.
For the nostalgic, run your clocks only at certain special times of the year.
Mauthe Box clock
I rarely hear my clocks. Yes, I am aware of the ticking if I stop and listen. By and large I am not at all bothered by the sounds of my clocks. In fact, we have a Mauthe box clock in our family room that makes such a wonderful bim-bam sound that I actually pause the TV to listen to it.
Tick-Talk Tuesday is all about the letters and comments I have received from you, the reader, concerning your clocks, issues you might have had and challenges you face and my responses to your questions with advice on your particular clock concern(s). If I am stumped, I consult within my clock circles for the best possible answer.
I wrote a blog article offering advice for online purchases which you can see here.
Summarizing my advice for online shoppers;
Check the dates on the listings. The longer they are listed the more the seller is inclined to sell for a better price.
Meeting the same day is crucial; you do not want the seller to get cold feet and you do not want someone coming before you to buy the clock.
Cash is the rule. No cheques!
If you cannot negotiate a final price by email suggest talking it over on the phone
Be courteous and polite at all stages of the deal
Unmarked French clock, Kijiji purchase
JC writes, “Very good advice overall. I have only one small issue: I think asking about dates (how old is it?) is kind of pointless. I’ve seen clock-makers who have been in business for decades (30+ years) who can’t even correctly date a clock to within 100 years. I’m thinking of a specific example of a well known clock-maker who was explaining a repair on a comtoise clock “from the early 1700s”. The clock was actually from around 1840. I find that this sort of mis-dating happens often, and even with so called experts. Another example I can give you is a Black Forest clock specialist who had a particular clock he was demonstrating in a video, also apparently also “early 1700s” with wooden wheels, but it had an original coiled gong strike inside. The earliest evidence of coiled spiral gongs only date back to as early as maybe 1820-1830. Before this they simply just didn’t exist yet. This was from an EXPERT collector. Someone who specializes in Black Forest clocks. Some of his clocks are worth 5 figures.
That said, I would not trust the word of any eBay, Craigslist, Kijiji, or even auction house seller.
As far as your little clock goes, I think it was an absolute STEAL! True, the strike side could potentially have major problems, but even as a timepiece, the marble is gorgeous. With the price of shipping these days, it was an especially nice find. I haven’t been too lucky finding clocks locally. I think I’ve only bought a small handful, and they tend to be anniversary clocks, and mass produced American clocks (gingerbreads and mantle clocks) with a few German Art Deco style clocks.
I’ve bought a *LOT* of my clocks online (eBay) and for 95% of them, I just went with photos. If the photos were not good enough, I’d pass. It has largely worked out for me, but I ALWAYS assume they will not work. There is only ONE clock that arrived in pristine working condition.
Rare Ingraham Huron found on a local online for-sale site
Ansonia drop octagon, Kijiji purchase
My response to JC . “A good point JC and one that I will consider. The answer I usually get when I ask about the age of the clock is how long the seller has had it. If they say they’ve had it for years or it was their mothers, uncles etc. I am naturally much more interested than someone who is just selling the clock for quick cash. I have acquired some great clocks that have been passed down through family (see photos on this blog). They are not without issues but sometimes the story is just as exciting as the clock itself.
I get most of my clocks from online local for-sale sites that I can pick up within an hour or two from where I live. I scour the sites everyday and will sometimes send out emails to sellers without seriously considering a purchase but occasionally their reply piques my interest. I have had one very bad experience with an EBay clock purchase so I try to stay away from them (not saying I wouldn’t in the future).
I had a discussion with David, a horologist acquaintance who is currently working on my 138 year old Ingraham Huron mantel clock (pictured above) about clock repairs in days gone by. He said he had happened to have a conversation a few days ago with an 82 year friend who had been in the clock repair business most of his life who said that times were very different in the “olden days”.
Imagine a Canadian home in the 1920s or the 1930s. In those days a clock was like a refrigerator or a washing machine; it was an appliance. The clock was generally inexpensive and purchased for one reason, to tell the time. Quite often it was the only timekeeping device in the home for common folk. Despite the fact that they were relatively poor timekeepers, people in those days did not demand accuracy in a clock, not like today. If it was correct within a minute or two a week that was just fine. Not only was the clock cheap, it was sturdy, functional and withstood a certain amount of abuse. My Arthur Pequegnat kitchen clock, for instance, sold for $5 when it was new in 1912. Five dollars was a lot of money when the average person such as a a railway employee might have made $662 a year or about $12.75 per week, but the home had to have a clock.
This Arthur Pequegnat kitchen clock sold for $5 in 1912
There was always someone in the community that tinkered with clocks and for very little money, or a trade for services, the “appliance” was repaired and promptly returned to it’s owner. The tinkerer was usually someone who fixed things in their spare time rather than fix clocks as a profession. In larger urban centres clock repair persons (trained horologists) set up professional shops but in rural Nova Scotia those services were expensive and few and far between.
When the day came and the clock stopped running, it had to be fixed, and quickly. Often the request was, “just make it work”. The repair did not have to be pretty so long as the clock functioned and the cost of the repair was reasonable. Specialized clock tools were expensive and difficult to acquire so the tinkerer relied on tools they had lying around in the garage or the basement; a hammer, a pair of pliers, a punch, a file, a screwdriver and so on. The self-trained tinkerer did the best he could to make his neighbours’ clocks run often using questionable methods. Since brass bushings were not available the tinkerer would use a punch to close a pivot hole. In the 1940s when the soldering gun was commercially available and inexpensive, it too was added to the toolkit and often a piece of brass was soldered (or riveted) to the plate to accommodate a new pivot hole. They might also soak the movement in a bucket of gasoline overnight and then oil it with something like 3-in-1 oil. Sometimes this would be enough to clean out the gunk and allow the clock to run again, the costumer would be happy because their clock came back working and the tinkerer would charge very little for their “services”. The clock was not worth a great deal and the customer would not have had the money to pay a professional anyway. Common short-term solutions such as these often led to more frequent repairs and eventually replacement of the clock.
In the 1930s the synchronous electric clock began to replace the mechanical clock. Yet, homeowners in the rural areas who had no electricity hung on to them and kept them running, but eventually the electric clock gradually replaced the mechanical clock. Although, many of those old clocks were trashed, sent to the garage, the basement, or the attic, some were passed down to family members and are cherished keepsakes to this day. Not long after, the tinkerers in many communities began to disappear.
Today we covet our prized antique and vintage clocks that adorn our homes. When they are ticking away we marvel at the inventors and innovators of the past and when we want that certain clock, cost is no object. To repair them we employ all manner of modern technology; bushing machines, broaches, special files, clamps, spring winders and lathes to ensure that the “job is done right”, the clocks end up lasting years and are “better than ever”. But it was not always like that.
We look down upon those tinkerers of the past and the repairs they made without really understanding what it was like during those times. “What butcher worked on this?” I hear some people saying. Well, I have said it myself, but after talking to David I now have a better understanding of the clock tinkerers of past and the important work they did for their communities.
I have related the story of this most interesting Ingraham Huron mantel clock in an earlier blog which you can read about here. I purchased it at what I believe was a reasonable price from an older couple near Bridgewater, Nova Scotia who were in the midst of downsizing. It had been in their family for a very long time and although it was cherished for many years it was time to let it go.
Because it is such a unique design you don’t often see this style of clock in any of the antique stores and they rarely come up at the finer online auction houses. The last one I saw on EBay sold for US895.00 a year and a half ago.
The case is actually in very good condition for a 138 year old clock but the movement suffered at the hands of a butcher. The clock will run for about 2-3 days on a full wind and then stop. Nudging the pendulum will get it going again but only for about a couple of hours. To anyone who knows anything about clocks there is an serious power loss in the movement and it is not difficult to determine why once you see the photos. After taking the face off there is little to indicate that there are any issues with this clock.
Front of the movement
However, as you can see in the next four photos there are some interesting issues with the movement which undoubtedly contribute to it’s poor running. In the first photo you can see that the escape wheel arbour is at an extreme angle relative to the other arbours. In the next three photos arrows are pointing to solder that was used to “correct” various problems with the movement. The result is that although the clock will operate for a period of time on a full wind, it cannot and will not run the full 8-day cycle.
The escape wheel is at a precarious angle
A new pivot hole has been made and a lantern gear “repaired”
The first arrow shows an addition to the plate, the second a “new” pivot hole
A solder “fix” for the fan
Is this a repair job or a restoration? I brought it in to a certified horologist nearby who said that in situations such as this if the movement is likely beyond repair he recommends to the customer that the movement be replaced with a period movement correct for the clock. He agrees with me that this movement must stay with the clock to preserve it’s provenance and it’s authenticity, therefore restoration for this antique clock is required.
Why am I not doing this myself? Many of the clocks I have worked on require minimal adjustment/repair to get them to run reliably again and I am still in a learning phase. I have disassembled many clocks, cleaned them and even installed/replaced bushings but this is a job that must be left to someone who is familiar with clocks that have had very poor repairs such as this one.
It will take two or three months but at the end of the day this will be a properly restored timepiece. Once I get it back I will report on the steps it took to restore this clock.
Every clock owner wants to know what their clock is worth and every clock seller wants to know what price they can ask for. This article will provide a guide to buying or selling an antique or vintage clock.
I will attempt to answer the following questions beginning with comments about the unpredictable clock market.
What factors are considered when assessing the value of a clock?
Is it original?
What type or style of clock is it?
Does the clock have a label, trademark, or prominent name?
Is it from the correct period or is it a “knock-off” or “re-issue”?
Does the clock have provenance?
What is the age and condition?
Is the clock collectible?
What is the mechanism type?
It all comes down to research
The unpredictable clock market
Unfortunately, in this unpredictable market, it is almost impossible to determine the value of a clock. What you think your clock may be worth today may not align with what the experts say and what others are willing to pay. What has value today may not have value tomorrow. Many factors influence the buying and selling of clocks and the clock market can be a battlefield with many casualties.
Recently, I saw a mid-1990s Howard Miller grandfather clock listed for sale on a Facebook site. I tracked the ad over the course of several days. The owner originally wanted $3000 but later stated they would take “no less than $1500” when it became obvious to them that the ad was not attracting attention. Personal value tends to be subjective and while the owner might have paid $3000 or more for a beautifully carved oak grandfather clock, its present value is not anywhere near what he thinks it is worth. I stopped following the ad but the seller likely withdrew it from sale.
Even an appraised value is the subjective opinion of an expert assessment based on condition and collectibility which is always subject to shifts in the market. My Ridgeway grandfather clock is in excellent condition, runs well, and has a command presence in my home but it is not worth much in today’s market.
Ridgeway Grandfather clock, Hamilton Country
What factors are considered when assessing the value of a clock?
Is it original? Original clocks attract buyers. The value of a clock decreases if some or many parts have been changed out. Determining whether or not a clock is original can often be difficult to determine unless viewed by an expert. The many “Vienna Regulator” clocks found on eBay and other online for-sale sites are missing parts, have had parts added such as crowns, finials, dial faces, hands, and even movements, and have weights that are not original to the clock. Back in the 1960s, many Vienna Regulators came to America in wooden crates consisting of loose movements and cases which were then married, assembled, and sold.
Would you expect a 100% original clock when the seller suggests that it is complete and original while at the same time admitting that they know nothing about clocks? Reputable auction houses have more accurate descriptions of the clocks they offer for sale when they describe condition and state if parts are missing or questionable. Moreover, they do not exaggerate the condition of a clock if they value their reputation.
Gustav Becker 2 weight regulator clock. It looks good but many parts have been replaced over the years.
What type or style of clock is it? Many mantel clocks in my collection are worth almost nothing since thousands were made and few good ones have survived. That said, some American mantel clocks are desirable and command high prices such as the Patti line of clocks from E N Welch or Sonora clocks from Seth Thomas. An 18th-century English bracket clock, an ornate French Cartel clock, or an American jeweler’s regulator are styles and types that are sought after by collectors and have retained their value over the years. On the other hand, tall-case or grandfather clocks, some as old as 200 years, can be had for a fraction of their value. Wall clocks tend to command higher prices than mantel clocks.
Does the clock have a label, trademark, or prominent name? Clocks that have an identifying label or trademark are more desirable than those that do not. Collectors often ask if the label is intact or if the movement is marked. Replacement labels are frowned upon by collectors and unmarked movements are less desirable as they may be replacements. Clocks made by prominent clock-makers add value. Old English bracket clocks with subsidiary dials, made by prominent clockmakers come to mind. A marked E. Howard or an authentic Willard banjo clock has more value than an un-named/unmarked clock similar in style and age.
The rear panel of an Arthur Pequegnat kitchen clock showing the label
Is it from the correct period or a “knock-off”? Is it original or a reproduction? There are excellent examples of reproduction wall clocks that look very much like period clocks from the early 1900s that are no more than 30-40 years old. Seth Thomas made a reissue of the iconic Regulator #2 in the 1970s which is not as desirable as the original #2. Often the differences are very obvious and sometimes quite subtle.
Does the clock have provenance? Does the clock have a story or does it have historical significance or can it be placed within a historical context? This Arthur Pequegnat Canadian Time clock spent most of it’s life in a train station waiting room not 30 minutes drive from my home. In the early nineties when the station was decommissioned it was purchased by a collector and was in his hands until I bought it from him about a few years ago. This is a key selling point and may add value. The history of the clock may be an important element in a sale.
Canadian Time clock by Pequgnat C.1929
The Ingraham Huron shelf clock (below) had been with a Bridgewater, Nova Scotia family since the 1890s. Balloon clocks, as they are called, seldom come up for auction and are valued by collectors because of their interesting design and limited production. In the case of this clock, This model was made between 1878 to 1880.
Ingraham Huron shelf clock C.1878
What is the age and condition? Many people think their clock is worth a lot of money when they see a similar clock by the same maker sell for a high price at auction. If their clock is missing case pieces, large sections of veneer, the hands are broken and so on, the value will be adversely affected. If the dial has been badly repainted or there have been poor repairs, the clock is not considered as valuable.
The age of a clock does not always mean that it has more value. A clock may be a style, or by a maker, who, regardless of age is not popular with collectors. Sperry and Shaw 4-column New York-style 30-hour clocks, while attractive, and over 125 years old, are not sought after by collectors as Sperry and Shaw, retailers rather than clock-makers, were clock merchants who used questionable assembling methods and dishonest selling practices.
172-year-old Sperry & Shaw 4 column clock
Thousands of gingerbread or kitchen clocks were made during the period 1885 to 1915. Despite their age, few have any value.
Is the clock collectible? Rare clocks are rare because few exist or rare because few owners want to sell them. OG (Ogee) clocks are clearly antiques, some more than 150 years old, but because thousands were made they are not as collectible as a one-of-a-kind 17th century English lantern clock. 30-hour Ogee clocks are also tough to sell because of the hassle of winding them every day.
Desirability is also region-specific. Of the many parlour clocks made in Canada, those made by the Hamilton Clock Company in the 1880s (Hamilton, Ontario, Canada) are very desirable by Canadian collectors. Arthur Pequegnat clocks, wall clocks, hall clocks, mantel clocks, or kitchen clocks fetch higher prices than similarly styled clocks because they are actively sought after by collectors in Canada. Outside of Canada, they are worth far less.
Martin Cheney clocks (1810) made in Montreal (Canada) are highly collectible, of exceptional quality, and are very rare. True Vienna Regulator clocks such as those from the Biedermeier period made prior to 1850 and authenticated as original are very desirable, reflect high asking prices, and are valued more than contemporary versions.
The key is research. Check eBay, reputable auction houses, local buy-and-sell sites, clock shops, antique stores and online message boards to get a feel for the range of prices and bear in mind that markets are very volatile
Cartel clocks are exceptional 18th-century French clocks and those fabricated by clock-makers such as Joseph de Saint-Germain or Duponchel à Paris command prices in the many thousands of dollars.
What is the mechanism type? Generally, three train clocks (time, strike, and chime) are mechanically more complex and are normally valued higher than two trains (time and strike) clocks. Three-weight Vienna Regulator Grande Sonnerie clocks generally command higher prices than a single or two-weight Vienna Regulator.
American clock company Sessions sold inexpensive clocks for the masses and produced many thousands. The Sessions Westminster-A tambour style clock has an unusual 2-train chime movement (chiming clocks generally have three trains) and fetch higher prices on auction sites than other Sessions mantel clocks.
Weight-driven clocks generally command higher prices than spring-driven varieties.
Sessions Westminster A mantel clock, C.1927
It all comes down to research
Do your research: Check eBay, reputable auction houses, your local buy-and-sell sites, clock shops, antique stores, and online message boards to get a feel for prices. Keep in mind that markets are extremely volatile. Do your homework prior to making any purchase. What may have sold for several hundred dollars years ago (30-hour Ogee clocks) are worth much less today.
Ask questions before you purchase your next clock and if you are a seller, provide an honest description of your clock and disclosures (new pendulum, new mainsprings, etc.). Chinese, Korean, and most Japanese clocks are not particularly collectible or desirable. If you firmly believe your prized Chinese-made Daniel Dakota family heirloom is worth over $150, potential buyers may not be beating down your door but a fair price of $40-50 might result in a quick sale.
This 1960s vintage Daniel Dakota wall clock is worth almost nothing
Clock prices are all over the map and we will not see a stabilization of prices any time soon. With the advent of the internet, many clocks thought to be rare have flooded the market depressing prices. The law of supply and demand applies. As demand increases, supply decreases, and prices rise. As supply increases and demand decreases, prices drop. The only constant is high-end clocks, sought after by serious collectors that have managed to retain their value. But how many of us can afford them?
Now is a good time for that special clock. There are certainly bargains to be had if you search carefully, learn as much as you can along the way, and tread lightly into the buyers arena or if you are placing a value on your clock to prepare it for sale.
What is a shelf clock? If you have a number of clocks as I do it can be quite confusing to describe each specific type to the average person but it is really quite simple. Let me explain how you can identify the clock you might be looking at. The term shelf clock is a broad category but I believe it can be classified in the following ways.
Some 180 years ago the first shelf clocks were OG (Ogee) clocks. These were the first mass-produced American clocks, were inexpensive, and were made up to about the late 1870s. They represented the early years of American clock-making and the transition from more expensively produced wood movements to cheaper brass movement clocks. OG clocks are so named because of the double-curved molding on the front of the clock. The curved molding was designed to hide the weights. Many of these clocks were weight driven with 30-hour or 8-day movements and had mirrored or painted tablets. OG clocks were usually 25 inches in height and 15 inches wide and had hardwood veneers covering a softwood frame. They were surprisingly accurate and reliable.
Spring-driven and weight driven 30 hour OG (Ogee) clocks, made by the Canada Clock Company, circa 1872-76 (Canadian Clock Museum)
Later, more stylish clocks could be found. These are called Column clocks because they would either have a half-column or full column on the left and right or even stacked half or full columns such as the one pictured below. Moldings on the top and bottom would be brought together by columns on each side of the clock with mirrored or painted tablets. Column clocks were almost exclusively weight driven with 30-hour or 8-day movements.
Stacked Column clock, circa 1870 (Canadian Clock Museum)
At around 1840 Steeple clocks were introduced. They had a peaked centre section bordered by columns topped with finials and a peaked sash with a decorated (often hand-painted) lower tablet. They were spring driven with 8-day movements. Steeple clocks are very distinctive, stood about 15 inches high with veneered hardwood over softwood, often with reverse-painted scenes and are made by a number of well-known companies.
Arthur Pequegnat Maple Leaf “fan top” Kitchen clock, circa 1905
Kitchen clocks (Gingerbread) were simple or ornate with carved or steam-pressed patterns made by quick-saws and heavy steel presses, stood 22-24 inches in height and about 15 inches wide, and had a decorated sash which could be a very simple design as you see here or a much fancier reverse-painted glass scene. These inexpensive, visually pleasing timepieces sat in the kitchens of lower and middle-class homes and were produced by the thousands. They were so named because of their likeness to the design of gingerbread houses at the time (early 1900s). They are usually made of oak, walnut or even walnut trimmings on oak with a metal clock face and many had a simple alarm mechanism. The Gingerbread clock you see here is the Maple Leaf “fan top” by Arthur Pequegnat. The Maple Leaf came in 4 unique styles all characterized by the maple leaf decal on the glass door.
Some kitchen clocks had beautifully carved features and figurines such as this stunning clock made by the Hamilton Clock Company (Canada), though a clock such as this might be found elsewhere in the home and considered a parlor clock.
City of Hamilton, made by the Hamilton Clock Company, circa 1880 (Canadian Clock Museum)
When spring-driven clocks were introduced the Parlor clocks like this Hamilton Clock Company model became popular. They tended to be narrower than column clocks because they had spring-driven movements. These clocks mirrored the furniture styles of the time. This one reflected the Victorian era with its bold figurines, carved finials, elaborate patterns etched into its wooden frame, and the hand-painted floral design of the sash.
Seth Thomas round top cottage clock, circa 1930
Cottage clocks are less than 15 inches high and typically 8 inches wide are small, simple in design, and take up very little space. Many have basic alarm mechanisms but have one feature that distinguishes them from other pendulum clocks. They have a clip or a clasp that secures the pendulum rod for travel. The “round top” you see here was sold by Henry Birks and Sons an upscale Canadian jeweler. Others had “beehive” tops, flat tops, or octagon tops.
Pendulum rod clip for Seth Thomas round top
Smaller clocks are often referred to as desk clocks. They are usually mainspring driven with a flat dial. This Kundo 400-day anniversary German clock is an example of a desk clock but it might also be described more specifically as a torsion clock. This one stands less than ten inches tall and has a glass dome, a weighted wheel with 4 balls suspended by a ribbon called a torsion spring, and an exposed movement. It was typically given as a wedding gift.
Kundo 400 day anniversary clock, circa 1970
Finally, the mantel clock.
Mantel clocks can be ornate, larger, and the centerpiece in a room. This particular clock, a Mauthe pendulum mantel clock offers a precision-built sophisticated German Westminster chime movement in a relatively non-descript but attractive and well-built cabinet that is simple yet elegant.
Mauthe time. strike and chime, circa 1970
ASIDE: Is it mantel or mantle? I have always considered a mantle as something you wear, a garment or a part of the earth’s crust. A mantel on the other hand is a shelf above, say, a fireplace. I see this word interchanged so often when clocks are advertised or described that either word is universally accepted. I prefer the word “mantel”.
Ingraham Huron shelf clock, circa 1878
Mantel clocks were inexpensive to make, occupied very little space, and were part decoration and part practical timepieces. Mantel clocks were made with brass, wood, porcelain, slate, Bakelite, and metal though for the most part they were designed to be lightweight (slate clocks and cast iron clocks would be the exception), simple in basic design, and very practical. Mantel clocks have lasted so long, over two centuries, because they are dependable, versatile, and work so well in many domestic situations.
The categories of shelf clocks also include carriage clocks and lantern clocks. One of the first clocks whose movement and external structure was made predominantly from brass instead of iron or wood was the lantern clock. Although the shape of the clock looks somewhat like a lantern, the derivation of the name probably stems from the French word “laiton”, meaning brass. The earliest lantern clocks had striking mechanisms; later in the 17th-century alarms were sometimes added. Some lantern clocks had pendulums and could be hung on the wall.
Carriage clocks were spring-driven clocks developed in 19th century France and are made of plain or gilt brass. They are often no more than 8 inches tall, designed to be portable, and are characterized by a rectangular shape, glass or porcelain panels, and a carrying handle on the top. If you have a Breguet carriage clock as part of your collection you are very lucky indeed!
This is by no means an exhaustive description of the types of shelf clocks. There are others such as swinging clocks, tambour clocks, pillar and scroll, and so on. Whether you are shopping for a clock as a gift or adding one to your collection or even describing what you have seen to a friend, it is important to understand the distinctions between one type and another.
Restoring the case was relatively simple. After a thorough cleaning to lift the accumulated grime, a wax overcoat, touch-ups in discrete areas with yellow shellac, the case is very presentable for a 138 year old clock. I cleaned up the brass bezel but left the paper dial untouched. The hands are original and left those alone. The lacquer on the pendulum is still intact; no work needed on it.
And now to a further investigation of the movement.
After taking the dial pan off a couple of days ago my first impression was that the movement appeared to be in good condition. There are a number of newer bushings on the front which would have been expected for a clock of this vintage. The servicing of the front plate looked like a capable repair. I oiled the front pivots and gave the pendulum a push, adjusted the verge and found a good beat. It ran continuously through the night. The next day I decided that if I were to keep this clock running until I can do some work on it, the movement should come out to oil the back pivots. It must have been years since this movement last saw pivot oil.
No problem. Four screws and out it came.
The secrets of this clock were now being revealed. Here you can see the back plate. I immediately observed several distressing issues with the movement. The first two problem areas are indicated by the white arrows. The left one shows a piece soldered onto the plate to address a pivot issue. The second shows a new bushing where one should not ordinarily be.
Back plate showing two problem areas
The addition of a new bushing in that location must have been done for a reason. At this point I cannot speculate why it had to be done this way but it looks like shoddy workmanship. Otherwise, I do not see any other conventional bushing work.
You can see that the escape wheel arbor is clearly misaligned in the following photo. It works though theoretically it should not. Despite the fact that the clock is happily ticking away it is a poor fix for an unknown (to me) problem.
Arrow showing a misaligned escape wheel arbor
The next issue is a soldered lantern pinion seen here just off the main gear (see arrow).
Soldered lantern pinion
It is not a problem now unless one had to work on the pinions on that gear at some later date.
The fan was also repaired with solder. It looks ugly but it does not effect the running of the clock.
So what to do? A simple bushing job I can do but serious bushing work is obviously required from someone with the experience and knowledge of Ingraham movements and I don’t have that level of expertise – yet. I may put this aside until I gain more experience or have it professionally repaired.
I did discover one unusual feature. Although it has a wonderful gong tone on the hour it does not strike on the half hour.
For the moment is is ticking away and keeping good time.
My most recent acquisition (April 2016) is an Ingraham Huron shelf clock. The Huron is one of the less commonly found Ingraham models, having been manufactured briefly between 1878-80.
The clock you see here is Rosewood Veneer “Huron” Shelf Clock, by E. Ingraham & Co., Bristol, Connecticut. It has paper on a zinc dial with a round glazed door and lower glass access panel. The maker’s label is inside the backboard. It is a brass eight-day spring-powered movement, with a height of just under 41 centimeters.
The case is in very good condition. The veneers are in excellent shape (no splitting or cracking), the clock face has a build-up of grime which I may leave as is, the base corner pieces have a little wear but the 2 door catches are sound, the glass is perfect, the door hinges are in very good condition and the doors, top and bottom, still fit with precision. The pendulum retains it’s original lacquer and presents well. I have not looked at the movement yet but a little push of the pendulum tells me that something is amiss. Could simply be wound down springs or something more involved. I will leave as is until I have the time to look at it further this coming week and I will post my findings later.
I asked the seller who is about 70 years old, “what do you know about this clock?”. He extended his hand palm down out to about a meter from the floor and said, “I was this tall when I can first remember it in my grandmother’s home”. There is a penciled marking just inside the case indicating that it had been serviced by a person by the name of Hebb in 1944. The seller recalls a Hebb family who at one time lived in the Bridgewater area of Nova Scotia near where I purchased the clock.
Base of the Huron
The company had a long and renowned history. Elias Ingraham was the founder of this 19th-century Connecticut company that bore his name.
Ingraham won 17 patents between 1853 and 1873, all protecting the unique design of his clocks, most of which were made to hang flat on a wall or sit on a shelf. Ingraham was able to devote his attention to the physical look of his clocks because the technology inside them was rapidly becoming commonplace. By the middle of the 19th century, spring-driven clockworks were replacing weight-based ones, which allowed clocks to be smaller and lighter. These innovations permitted Ingraham to focus on the look of his clocks in order to differentiate himself from his competitors.
Dial door clasp
And that is precisely what he did. In 1844, he and his brother Andrew joined with Elisha Curtis Brewster to form the Brewster & Ingrahams (plural) company. The firm would become E. and A. Ingrahams Company in 1852, Elias Ingraham and Company in 1857, E. Ingraham & Company in 1861, The E. Ingraham & Company in 1881, and The E. Ingraham Company in 1885. These subtle name changes might seem overly petty, but they provide the modern collector of antique Ingraham clocks with a accurate way to date clock styles that were produced during a span of years.
Ingraham shelf clocks ranged from painted timepieces richly decorated with mother-of-pearl to round Venetian and Grecian styles clad in rosewood veneer and adorned with gilt columns. Versions of these shelf clocks were also created for walls—the Ionic style was so popular that Ingraham made it from 1862 until 1924.
Clock face showing what I believe are original hands
Side of clock showing striking veneer
In 1885, Elias’s son Edward took over the company and continued its innovation in clock case design. Double-dial wall and shelf clocks produced during this period told the time of day, the day of the week, and the month. As the 19th century wore on, Ingraham made mantel clocks with Chinese motifs and carved dragon’s feet, as well as a number of patriotic clocks depicting American war heroes.
winding key looks home-made
The Ingraham Clock Company continued to produce clocks through the 1920s continuing with the tradition of unique clock cases with Oriental designs and patriotic themes. Throughout the war years the company diversified into pocket watches and wrist watches. During the post war period the Ingraham company continued to produce wall clocks, mantel clocks and wrist watches but by 1967 the company was acquired by McGraw-Edison who converted production into making more profitable fuses spelling the end of formal clock production and the end of the Ingraham tradition of producing uniquely designed clocks for the masses.
Much of the information for this post came from this site.
Antique and Vintage Mechanical Clocks 
You must be logged in to post a comment.