Retirement definitely has its perks, especially the freedom to dive into passions that may have taken a back seat over the years. Soon, we’ll be heading to France—a mix of my love for horology and a chance to revisit the travels of my younger days. This trip feels like a journey back to history, culture, and even my own roots.
Travel, in my opinion, opens our minds in ways nothing else can. Seeing new places, experiencing how others live, and immersing in different cultures broaden our perspectives and help us rethink some of the things we take for granted. It’s like each new experience brings a little reminder of how vast and varied the world is.
France has an especially rich history in horology, with so many contributions to clockmaking over the centuries. I can’t wait to dive into museums and horological spots, seeing for myself the stories behind some of France’s most notable clocks and watches. For me, this trip is more than a hobby; it’s a chance to see some incredible sights and explore new places.
Charles de Gaulle Square, Lille, France
A quick online search reveals a variety of specialized clock museums scattered across France. We’ll be based in Lille, Belgium is just a short trip away—and it offers its own unique contributions to the art of clockmaking.
I’m excited to come back with fresh inspiration and knowledge. This journey is a chance to reconnect with the world that has fascinated me for years. For anyone thinking about retirement adventures, I’d say: take the leap. There’s so much waiting to be discovered out there!
I have been to Middleton, Nova Scotia many times. I have even passed the Macdonald Consolidated School where the clock museum is located without realizing what treasures lay inside. The clock museum represents a small section of the museum, the remainder of which is dedicated to the history of the area.
In the Spring of 2018 my wife and I set off on one of our many mini staycations. On my agenda was a visit to this museum and I was not disappointed.
Macdonald Museum main clock exhibit area
Holbeck made tall-case clock
It certainly ranks as the best exhibit in Atlantic Canada
Off highway 1 on School Street, Middleton, Nova Scotia stands the Macdonald museum. I had some expectations because I had been to two well respected clock museums, the NAWCC museum in Columbia PA. and the Canadian Clock Museum in Deep River, Ontario. Though not on the same scale as these two, it certainly ranks as the best exhibit in Atlantic Canada.
The Annapolis Valley Macdonald Museum is home to the Nova Scotia Museum’s collection of over 150 antique clocks and watches. This permanent exhibit showcases items collected by the late Norman Phinney and was one of the primary reasons for establishing the Macdonald Museum. Many of the clocks are in working condition. There are a wide variety of clocks and watches on display, with some dating back to the late 17th century. Anyone interested in clocks would do well to see this exhibit – one of the best in Eastern Canada.
The museum is well laid out with enough information on each of the clocks on display to satisfy the general public and clock enthusiasts alike. Each display highlights its significance as an important development in horological history. We were alone as we walked though the main exhibit area and an adjacent room which contained a fascinating old clock-maker’s shop and a well laid out and informative interactive display on how mechanical clocks work.
Clock-maker’s shop
How mechanical clocks work
At least one example from the Baird Clock Co. of Montreal and five examples from the Arthur Pequegnat Clock Co. of Berlin (now Kitchener) Ontario were on display including the Arthur Pequegnat Regulator #1, that the company once advertised as “The finest clock made in America”.
Baird clock from Montreal
Arthur Pequegnat Regulator #1
None of the clocks were running, however. Though the clocks appeared to be in excellent condition, the sound of ticking clocks make for a more authentic experience. All other clock museums make a practice of running some clocks on a rotating basis at any given time.
At the entrance to the clock collection there is a simple plaque dedicated to Norman D. Phinney. Learning more about Norman D. Phinney, his contribution to the Macdonald Museum and the story of how the museum received his clock collection would add to the experience.
Norman D Phinney
If you are a clock fan or even if you only have a casual interest in the world of horology, this small clock museum may surprise you
Though perhaps not within the scope of Phinney’s original collection, examples from the Canada Clock Co. and the Hamilton Clock Co. or more peddlers clocks from Nova Scotia and New Brunswick would have provided an enhanced Canadian horological perspective.
Steeple or sharp Gothic clocks
However, these are minor quibbles and should not detract you from appreciating the high quality of the exhibits which contained British, American, French and Canadian examples or the many styles that included Pillar and Scroll, tall-case, shelf, beehive, steeple, drop octagons, mantel, alarm clocks and Ogee clocks, all of which were well represented.
If you are a clock fan or even if you only have a casual interest in the world of horology, this small clock museum may surprise you.
Oh, and while there, visit the rest of this fascinating museum.
In the early spring, my wife and I travelled to Portugal and Spain. We attended our daughter’s destination wedding in Sintra, Portugal and we decided to expand our stay, visit Spain and see the sights in Barcelona and Montserrat. Spain has always been on our bucket list and it did not disappoint.
Being a clock enthusiast I did a little research beforehand to find out if there were any clock museums along our travel route. Alas, we travelled to places that were very distant from the well know clock museums. Clocks in Europe were made in specific regions and that is where you will find clock museums. Here are a few clocks that I found in various places in Spain (Barcelona) and Portugal. I will let the photos tell the story.
Tall case clock in a Barcelona cathedral
Little card on the side simply said “High box clock, school clock”, Barcelona
A marriage of movement and case found in a shop in Sintra, Portugal
Town clock in downtown Sintra, Portugal
A very ornate clock in poor condition, Pena Palace, Sintra, Portugal
The most ornate clock I found is this working example at the Porto basilica
Unknown mantel clock, Tivoli Hotel, Sintra, Portugal
Unknown gallery clock. I could not find an opening on this clock. No arbour holes on the clock face. Found on an estate in Sintra, Portugal
Flea market clock. Time and strike English or German clock, the 1960s
Flea market clock. Time and strike French clock with matching candelabra
Used goods store, time and strike wall clock, possibly French
I was not specifically looking for these clocks but as we visited churches, museums, shops and public places I photographed any I discovered in our travels.
We were making our way to Missouri after beginning our journey in Maine in early May (2017). We only had one very important stop along the way because for the past 5 years I have always wanted to see the NAWCC clock museum in Columbia, Pennsylvania. Ever since I seriously wrapped my head around clock collecting and repair my dream was to visit this museum. Getting there was no problem but Interstate traffic is truly a disaster! Unfortunately, we budgeted too little time for a thorough tour in the hour and a half we had but we saw as much as we could in that short time.
Waiting in a hot parking lot for the museum to open was not much fun. Couldn’t you just open the front doors a little earlier than 10:00am? To kill time we walked around the town of Columbia. It might be neat and tidy place and one of the “top twenty small towns to visit in America”, so the sign says, but like all small towns in America the decline is evident in the number of vacant storefronts and absence of activity in the streets.
Sign in Columbia Penn.
We finally got into the museum. We (my wife and I) were the first in and being a NAWCC member my wife and I got in free. During our time there we saw only one other couple. So, not a terribly busy time but there are likely peak periods in the summer.
I was wondering how I would describe my visit to the National Association of Watch and Clock Collectors Museum in Columbia Pennsylvania on that day in May. It was wonderful and more than I had imagined. There is simply not enough time to see everything and take it all in. The museum is very well laid out and there are displays to please everyone.
Vienna Regulator with Grande Sonnerie movement
For me the highlight has to be Engels Monument Clock (see Youtube video below). There was only ourselves and one other couple at the time so we were happy that the staff were able to put on a real show for us. The staffer walked us through the history of the clock and followed with a fascinating demonstration. AS he did so I imagined what it must have like to attend a local fair and see this wonderful clock in action. The clock was exhibited around the country for 74 years and last displayed in 1951 at the Ohio State Fall.
There is an emphasis on American clocks as you would expect but there are excellent examples of French, German, English and Japanese clocks. There is a broad selection of tall case clocks all the way back to the 1700s The history of time was very interesting as are the interactive displays which I am sure would please any children visiting the museum.
In a later article I will post more photos.
Whether you are an avid collector or merely have a casual interest in clocks this is great place to visit.
There is no maker’s mark anywhere on the case or the movement
The clock is an unsigned 8-day carriage clock in a rectangular brass case. This attractive little clock has a white enameled dial with Roman numerals, blued steel hands and a spring driven time-only movement with platform lever escapement visible through the top beveled glass. The brass case has 4 beveled glass panels complete with a fold-down travel handle.
In taking the movement apart to clean it I can see “73” stamped on the bottom of the case, the case handle, the door edge and 2 or three places on the movement and the letter “B” on the back of the front plate but no maker’s mark. What do the numbers mean? I think it is an internal production stamp. Thousands of these generic carriage clocks were made and I may never know the maker. The only taper pins on this movement are those that attach the dial face to the movement. However, judging from what see and its general construction I would comfortably date this clock to the 1880s.
The movement plates are secured by screws rather than taper pins. Older carriage clocks would have taper pins securing the movement plates. This clock would have been produced for the English market since it has “S”and “F” stamped on the escapement (Slow and Fast). The key has “France” inscribed on it so if it is original, then the clock is French.
Unsigned French Carriage Clock
Time-only carriage clocks are relatively easy to work on although the platform escapement takes a extra care. I chose not to service the escapement at this time.
First, let the mainspring down to release the power. If you take a wound clock apart it can injure you. Some of the compression points between cogs can have a very high gearing so even a weakly wound clock has the capacity to trap or pinch your fingers as well as throwing out and damaging components. I use a let down key that can be purchased at any clock supply house.
Carriage clock platform escapement
Movement side view, re-assembled
Taking the movement out of the case involves releasing 4 machine screws in the base. I use several elastic bands to keep the glass in place while I lift the sides and door off the base. When holding the clock firmly observe the effect of loosening the screws. The pillars have become loose and the glass can now move a little in the frame. If you unscrew all the screws completely without understanding that the glass is loose, it is too easy for the glass panels to slide out and break. They are not easy to replace! I’ll describe my work on glass cleaning later.
There are two screws which hold the base to the movement. Unscrew those and proceed to take off the front face. The enameled face is secured by 4 taper pins. In my case they were difficult to get out so I decided to take the back plate off the movement to allow my pliers inside to release the pins. Removing the platform escapement requires releasing 4 very tiny screws. A precision slotted screwdriver is absolutely necessary. It is best to unscrew all 4 together and leave them in place once off the movement so you do not have to fiddle with them when reattaching the escapement later, unless, of course, you intend to service the escapement.
Back plate after a cleaning
I then separate the plates and inspect the wheels, pinions, pivots and pivot holes. I found a little bit of play in two pivot holes only observable with a loupe but not enough for bushing work. I polished the pivots, pegged the pivot holes and cleaned the wheels, plates and other pieces except the platform escapement in the ultrasonic cleaner.
Assembly of the movement is relatively simple as there are so few gears. Attaching the hour hand was interesting, however. Both the hour and minute hands are pressure fit, but the hour hand was a challenge because I had to use a screwdriver to push the hour shaft forward (gently) through the clock face while simultaneously attaching the hour hand. It was very tight. After a number of tries I managed to press it in securely.
It is actually quite small
Back to the glass. It is also important to put each panel back where it belongs. I discovered that there is a top and bottom orientation to each glass panel, they are cut so fine! There is enough resistance if you try to put the wrong end into the channels you will encounter difficulty. Each glass panel is taken out and cleaned with Windex and, of course, put back exactly how they came out.
Once everything is assembled the clock is oiled, wound and the time is set. Polishing the brass case is the final step. Brasso was used to clean up the brass and bring the clock back to its former glory.
Would you like to tell the world about your special clock?
Would you like to tell the world about your special clock? Is it a clock you have had for years or was it handed down to you or you did you win it an an auction or find it in a dark corner of an antique store?
Is it a favorite clock you would like to see profiled on this blog? It could be one of the clocks in my collection or it could be one of your own (or several that you own). If you would like to profile your own clock(s) send me as many photos as you can (1 meg each is fine) but include shots of the movement as well. If I use your photos I have your permission to post them. If you are using photos that someone else took (Google or eBay for example) it becomes more problematic from a copyright perspective.
Circa 1890 French Black Marble time and strike desk clock
I will keep your name and location private
Provide me with a history of the clock and/or some interesting details that I could include in the blog article and let me know if you want your name included. If not I can assign an identifier, the first and last letters of your name and of course I will keep your location private.
It is a question many clock owners face when confronted with a nonfunctional antique or vintage clock. Whether it’s a handed-down family heirloom, a vintage find from a flea market, or a sentimental gift, deciding whether to invest in repairs can feel daunting. Beyond its monetary value, a clock’s worth often lies in its history, craftsmanship, or the memories it holds. In this article, we’ll explore key factors to consider—such as the clock’s condition, sentimental significance, and potential repair costs—to help you determine whether restoring your clock is the right choice for you.
1) Sentimental value:
An antique clock passed down through generations often carries more than just the weight of its years; it holds the stories, traditions, and memories of a family or a special person. Such a clock may be destined to continue its legacy with future generations.
Similarly, a clock might hold personal significance as a cherished anniversary present, a thoughtful retirement gift, or a token of friendship. In these cases, the emotional value far outweighs its replacement value, making the clock truly “one of a kind” and irreplaceable. Repairing a clock with this kind of sentimental importance is unquestionably worthwhile. When entrusted to a trusted, professionally certified repair person (horologist), the restoration ensures its continued presence in your life, regardless of its resale value.
For instance, my 114-year-old Gustav Becker two-weight Vienna Regulator, a retirement gift from my wife, holds immense sentimental value. Initially purchased as a project clock on eBay, it required substantial investment to function correctly. Today, it looks stunning and runs beautifully, but repairing it wasn’t about the cost; it was about preserving something irreplaceable. In such cases, the expense of repair becomes less of an investment and more of a necessary operating cost to keep a beloved treasure alive.
Gustav Becker two weight regulator, a retirement gift from my dear wife
I own a Ridgeway grandfather clock that I plan to pass down to my children. It holds deep sentimental value, reminding me of a clock my wife and I nearly purchased over 30 years ago. At the time, we decided not to proceed with the deal but made a promise that we would one day own a grandfather clock like it. That promise was fulfilled in 2012 when we found a Ridgeway Hamilton Country grandfather clock, made in 1996 and in pristine condition. If and when it eventually requires repair, the cost may equal its market value, but to me, the repair would be well worth it. Its sentimental significance far outweighs any monetary considerations.
Ridgeway Hamilton Country Westminster chime tall clock
2) A decorative item: The second type of clock is one with no emotional value—purely a decorative piece that no longer works. Perhaps it was a flea market find you got running for a time, but now it has stopped. In this case, you have two options: let it sit as a decorative item or repair it. When considering repairs, the replacement value of the clock should play a key role in your decision. If the repair costs exceed the cost of replacing the clock, it may make more sense to simply replace it.
However, if you have the tools and skills to repair it yourself, weigh the cost of new parts against your time and effort. For quality clocks, even a full overhaul of the movement may cost less than the clock’s actual value. With common antique clocks, such as American mantel or wall clocks, repair costs often approach or even exceed their market value. For rare or unusual clocks, however, repairs are typically more economical relative to their value, making the investment worthwhile.
3) Collector value: The third category includes clocks with collector value.
If a clock has been purchased as an “investment,” for resale, or simply as part of a collection, the repair costs should not exceed its overall value. For high-grade clocks requiring repair, especially if parts are unavailable, it’s important to carefully consider whether repairing it is worthwhile. When selling a clock, remember that buyers almost always prefer one in working condition, and as original as possible, so minimal repairs may enhance its appeal and value.
For example, I recently acquired a miniature Vienna Regulator. Not only is it in good working order, but it is also in exceptional condition—an impressive feat for a clock that is 145 years old.
One-weight Vienna miniature wall clock, circa 1870
For collectors, determining a clock’s value can be challenging, especially with the significant fluctuations in clock prices in recent years. However, certain types of clocks, such as high-quality French bracket clocks, English lantern clocks, carriage clocks, and jeweler’s regulators, have managed to retain their value. Clocks that are unique, exquisitely crafted, low-production, or one-of-a-kind are typically far more valuable than common, mass-produced examples.
4) Quick re-sale: The final category includes clocks purchased for quick resale.
Many individuals buy and sell antique and vintage clocks purely for profit, often through online marketplaces or specialized sales. When acquiring a clock with the intent to resell, it’s important to factor in both the time and cost of repairs or parts needed to make it marketable. Since buyers almost always prefer a functioning clock, a fully serviced clock is not only more desirable but can also command a higher price than one left unserviced.
This Ingersoll-Waterbury mantel clock (photo above) was purchased at a flea market for a very reasonable price and has since been fully serviced. If I were to sell it, I would need to recover the initial purchase price along with the cost of my time and supplies.
It’s worth noting that many clocks sold on online marketplaces are marketed to unsuspecting buyers. Sellers often claim the clock is in “excellent running condition” while adding a caveat that it “may require adjustment after shipping.” If you’re involved in buying and selling, keep in mind that buyers are often looking for a bargain. Additionally, you may not always achieve the price you believe your clock is worth, so pricing realistically is essential.
Final thoughts
There are many reasons why people acquire antique and vintage clocks. Deciding whether they are worth keeping or repairing ultimately depends on your purpose—whether it’s for profit, sentimental value, or a passion for collecting, as it is for me. Each clock has its own story and value, and understanding your connection to it will guide your decision.
I have in my collection an unsigned 8-day carriage clock in a moulded rectangular brass case. This attractive little clock has a white enamel dial with Roman numerals, blued steel hands and a spring driven movement with platform lever escapement visible through the top beveled glass. The moulded brass case has beveled glass panels on all sides complete with a fold-down travel handle and two sided key.
Next to a Sessions Beveled No. 2
Although my knowledge of carriage clocks is somewhat limited, searching the origin of the carriage clock on the net reveals that this type of clock was a very popular item for well-to-do travelers in days gone by. Carriage clocks were spring driven clocks popular in the late 19th and early 20th century designed for travel. It’s golden age was somewhere between 1860 and 1900. The first carriage clock made by Abraham Louis Breguet was designed exclusively for Emperor Napoleon of France in 1812. More information about this fine inventor and horologist can be found here. Many came with a sturdy leather carrying case with one hinged panel that opened to check the time. Mine came without one.
The movement plates in my clock are secured by screws rather than pins suggesting that it was made at a later period. This clock would have been produced for the English market since it has “S”and “F” stamped on the escapement. If one assumes that the key which has “France” inscribed on it is original, then the clock is French. There are no markings on the outside of the clock save for the number “73” stamped twice on the inside access door and once on the bottom of the carrying handle. There are numbers visible on the inside of the plates that I can barely see but once I get the clock apart I can determine if they mean anything and report in a subsequent blog entry if I find anything of significance.
It’s diminutive size, 3 inches wide by 4 1/2 inches tall (without the handle) and 2 1/2 inches deep makes it exceptionally portable. If it is to be displayed on a mantel, a shelf or a desk, it is small enough to be placed anywhere in the home without dominating a room.
The balance and spring-driven platform jeweled escapement that comprised the working mechanism of the carriage clock made it ideal for transportation. The fact that it needed to be transported means it was more robust in dealing with jostling and movement than any other type of clock in it’s day. They were built to last which is why so many of them survive in very good condition to this day. Many had time and strike mechanisms, some with a repeater function, but this is a simpler time-only version.
Back plate showing winding arbour and lever for speed adjustment, with verdigris present
I managed to revitalize the case as you can see in the first two photos. However, the back plate shows a significant amount of oxidization though one hopes that the movement itself is in good condition. This oxidation is called Verdigris. Verdigris is a bright bluish-green encrustation or patina formed on copper or brass by atmospheric oxidation, consisting of basic copper carbonate.
Although the clock came to me in running condition the movement is very dirty and requires disassembly and a thorough cleaning. I am encouraged by the fact that the clock ran through an eight day cycle so I must assume that the jewels in the escapement are in good condition. Repairing jeweled escapements is not something I can do at this stage.
At the moment I see two issues with my clock. One, there is a small break in the lower corner of the beveled glass on the left side which is barely visible and two, the pull handle on the access door is slightly bent. There may be other issues once I get it apart but we’ll cross that bridge when it comes. I might even find that missing piece of beveled glass trapped somewhere in the movement.
During my research concerning the repair and servicing of carriage clocks I have discovered that letting down the mainspring is critical prior to disassembling. I read about a case where the platform escapement was taken off without letting down the mainspring and the result was the contrate wheel (having teeth that are at right angles to the plane of rotation) below the escapement was seriously damaged. I want to avoid that.
At the moment I have too many other clock projects on the go. However, in the meantime, that won’t keep me from displaying this beautifully crafted timepiece in a prominent location.
In a future blog I will report on the steps I will take to bring this clock to a healthy running condition.
Antique and Vintage Mechanical Clocks 
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