Exploring a 30-hour Ogee clock from the Canada Clock Co. (Hamilton)

I recently had the opportunity to expand my collection with more Canadian-made clocks, including a 30-hour Ogee clock produced by the Canada Clock Co. at their Hamilton plant between 1880 and 1884.

Canadian clock companies have historically struggled to survive due to fierce competition from American manufacturers. Companies like Westclox in Peterborough survived largely due to their connections with U.S. parent companies, while smaller firms like Pequegnat persevered independently for as long as possible until the market and materials eventually declined.

Clockmaking in Whitby & Hamilton, Ontario

From 1872 to 1884, a group of Canadian clockmakers sought to compete with American companies by producing locally-made clocks designed for the Canadian market.

The Canada Clock Co. (Whitby, Ontario), the Hamilton Clock Co. (Hamilton, Ontario), and the Canada Clock Company (Hamilton, Ontario) faced significant challenges in the 19th century during a 12-year span as they sought to establish Canada’s presence in the clock-making industry.

The Canada Clock Co. was founded in Whitby, Ontario, in 1872, but its operations ceased after just four years, largely due to a catastrophic factory fire.

In 1876, key figures from the failed company, including manager John Collins, relocated to Hamilton to form the Hamilton Clock Co. Despite this renewed effort, the company folded after four years, halting production in 1880.

Later that year, another attempt was made to revive the industry with the creation of a new Canada Clock Co., reusing the old name and operating out of the former Hamilton Clock Co. factory. Unfortunately, success remained elusive, and the company declared bankruptcy in 1884, marking the end of a dozen turbulent years of clock production in the Canadian market.

Movements were made in Canada though they were essentially copies of American movements, most notably those manufactured by the Waterbury Clock Company. Case styles were also “borrowed” from Waterbury, Ansonia, and New Haven. Made in Canada, yes, original designs, no!

30-hour Ogee Clocks

Fortunately, many clocks from the three companies have survived to this day and occasionally they show up on online auction sites and other for-sale sites.

I have one other Ogee clock from this group of companies, one from the Hamilton Clock Company. It is exactly the same dimensions as a typical American Ogee of that time and mirrors the clock’s dimensions described in this article.

The brass movement of the Hamilton clock is a 30-hour time and strike and weight driven. Of particular interest is the use of an etched tablet that resembles a silk screen technique.

I have four other 30-hour Ogee clocks, two from Chauncey Jerome, a George H. Clark, and a Waterbury. All share the same dimensions as my two Canadian-made clocks.

Why were they so popular?

They were popular in the 19th century for a number of reasons. Most households did not need clocks with extended run times, and daily winding became a routine part of life, so the 30-hour duration was not seen as a disadvantage.

They were more affordable to produce and purchase, making them accessible to a broader audience. The weight-driven mechanism was simple, reliable, and required little maintenance. Unlike steel springs, which were expensive to manufacture in the early days, the weights were cheap to produce, further reducing costs.

Finally, the Ogee clock’s distinctive double-curved molding often made with exotic veneers was visually appealing and complemented the furniture styles of the period.

Canada Clock Company Ogee

My latest Ogee was made between 1880 and 1884 at the Canada Clock Co. factory in Hamilton, Ontario.

This clock has several intriguing features. First, it is the only one in my Ogee collection that includes an alarm function. Before the widespread availability of affordable alarm clocks or reliable pocket watches, many people relied on their household clock to wake them up in the morning. This was especially helpful in agrarian societies, where waking up early was essential for tending to livestock or starting farm work.

Second, the glass tablet showcases a unique cherub figure that differs from any designs I have encountered on similar clocks from the three companies. Unfortunately, the cherub has partially faded over time.

Third, the clock features an imitation wood-grained finish that I have not encountered on other Ogee clocks. Genuine exotic or high-quality wood, such as mahogany or rosewood, was expensive. By using cheaper, locally available wood like pine or basswood and applying a faux wood grain finish, clockmakers could mimic the look of luxurious woods at a fraction of the cost.

_{Overall the imitation grain looks good}

While most of the “grain” is still intact, some of it has worn away in the Ogee section on the right side. Although it requires cleaning, I must be careful to preserve the “grain.”

Fourth and final, it is one of the few Ogee clocks I have encountered that still has the dust blocks for the pulleys intact. There are two, one on each side located on the top of the case. These are frequently lost at some point in the clock’s life.

The label is mostly intact missing the bottom left-hand corner section. A clock’s label includes the name of the manufacturer. This helps identify where the clock was made and by whom, which is essential for authentication. This is particularly important when there is no maker’s stamp on the movement.

Servicing and Cleaning

This might turn into a winter project since I have several clocks waiting for servicing. However, I’d like to focus on the case first to preserve the faux grain. The plan is to give it a light cleaning and apply a coat or two of traditional shellac to help protect the finish.

I noticed that the hammer lever (strike-side) got stuck when I briefly ran the clock. It’s probably just a small adjustment, but I’ll need to disassemble the movement regardless. While I’m at it, I will also take care of any wear issues.

October 11, 2024

Exploring the Iconic Hamilton Tall Clock by Pequegnat

I recently added two more Pequegnat clocks to my collection: the Dandy model and the Hamilton Tall, the latter of which I will be profiling in this article. I now have a total of 12 Arthur Pequegnat clocks in my possession.

For those unfamiliar with the Pequegnat name, the Arthur Pequegnat Clock Company is arguably the most iconic antique clockmaker in Canada. No Canadian antique clock collection would be complete without a Pequegnat piece.

The Arthur Pequegnat Clock Company

The Pequegnat Clock Company was a Canadian clock manufacturer that operated from 1904 to 1941. It was founded by Arthur Pequegnat, a Swiss immigrant who brought his family to Canada in search of a new beginning.

Pequegnat, a skilled clockmaker and entrepreneur, saw an opportunity to establish his own clock company in Kitchener, Ontario (then known as Berlin). However, the story of the Pequegnat clocks begins even before 1904.

In 1897, Arthur expanded his Berlin jewelry shop to include bicycle manufacturing. By 1904, with declining demand for bicycles, he shifted focus to clockmaking, using his Berlin Bicycle Manufacturing plant to produce clock movements. The company’s motto, “Buy Canadian – Pequegnat clocks are better than foreign-made ones,” resonated with Canadian consumers.

_{Taken at The Canadian Clock Museum, Deep River, Ontario}

Initially, Pequegnat sourced wooden clock cases from local furniture makers, but eventually, the company began producing its own cases. The Pequegnat Clock Company became known for high-quality, reliable clocks, offering a wide range of designs, including wall clocks, mantel clocks, and hall clocks.

The Hamilton Tall

Cashing in on Canada’s identity as a nation, Pequegnat saw the value in naming clocks after Canadian cities, cities such as Stratford, London, Toronto, Moncton, Montreal, and, of course, Hamilton. This marketing strategy undoubtedly struck a tone with buyers.

Interestingly, there are two models named Hamilton, which collectors differentiate as the “Tall” model and the “Wide” model (or shorter and taller by some). Among the two, the Tall model is considered more desirable by collectors.

Another model, which could have been a variant of the Hamilton but instead named St. Thomas, shares an identical case. However, it has a mission-style dial, which, in my opinion, complements the case more effectively. In the photo below, the St. Thomas is shown in the bottom left corner.

_{St. Thomas on the bottom left, photo taken at The Canadian Clock Museum}

Berlin, Ontario, was renamed Kitchener in 1916, due to anti-German sentiment during World War I. This change provides a useful reference when dating Pequegnat clocks, as labels, movements, or dials marked “Berlin” indicate the clock was made in 1916 or earlier, while those marked “Kitchener” were produced after 1916. However, many Pequegnat models were produced over an extended period, making it challenging to pinpoint exact manufacturing dates for specific clocks.

_{Time and strike movement with a two-toned strike}

A common characteristic of Pequegnat movements is the nickel-plated front and back plates. Nickel-plated movements had a more polished, attractive finish, further appealing to customers.

The Pequegnat Clock Company initially used steel plates for their clock movements but later transitioned to brass plates, with the shift occurring around 1907-1908 (though this date is unconfirmed). Steel plates were more susceptible to rust and corrosion, whereas brass offered greater resistance to corrosion and was easier to machine, making it a more suitable material for clockmaking. Despite this transition, Pequegnat continued to nickel-plate the movements to further protect against wear and enhance the perceived quality of the clocks.

The heavy brass-sheathed pendulum bob is visible through a glass panel on the front of the case.

Two Issues

Two factors keep this clock from being in perfect condition. First, a keen eye will notice that it has two strike hammers but only one rod gong. At some point, the second rod broke off. Tuned rods, considered an upgrade in a Pequegnat clock, contribute to a rich and vibrant sound. I have not investigated the movement closely but it appears that the half-hour strike is meant to strike the rod that is missing.

I spoke with the previous owner, who had the clock for several years, and he mentioned that it was already in that condition when he acquired it. He had been in the process of sourcing a new gong block and rod, but due to personal issues, he was forced to sell off his collection before completing the repair.

_{Rod block on the upper right of the photo}

The second is the lack of a label. Labels often contain artwork, company logos, or slogans, adding to the clock’s aesthetic and historical charm. A clock with an intact, legible label is often considered more desirable and can command a higher price than one without.

That said, the case is in very good condition, and despite minor imperfections—such as one or two nicks and a slightly dented lower left front corner—it has held up remarkably well for a 110-year-old clock.

Case Construction and Condition

The case is made of quarter-sawn oak and stained dark oak. Quarter-sawn oak is not a type of oak but is created by cutting the wood logs at a specific angle—perpendicular to the growth rings. Quarter-sawn oak is more stable and less prone to warping, splitting, or twisting over time compared to flat-sawn wood. This makes it an ideal material for long-lasting clock cases.

The enemy of a clock case—moisture—is effectively mitigated by using quarter-sawn oak.

Most importantly, quarter-sawn oak enhances the grain in any clock case. The dark stain has a rich, elegant appearance, but it requires cleaning and polishing to restore it to its original condition.

_{A portion of the interior is unstained}

For reasons unknown to this writer the company chose not to stain the entire interior of the case. It is not just this clock but other Hamiltons I have seen online.

_{The Pequegnat name with Berlin as the place of manufacture is on the bottom part of the dial}

The clock was available with two types of dials: a plain spun-brass dial and a piecrust dial. This particular clock features a simpler, more understated dial. The dial itself appears to be enamel-coated, distinguishing it from the painted dials typically found on their less expensive models. All Hamiltons had spade hands.

A notable feature is the two flanking quarter columns adorned with wood-carved capitals.

A Prestigious Clock for the Times

Arthur Pequegnat manufactured a range of clocks for the general public, but for those who could afford it, more ornate and visually appealing options were available. These luxurious designs conveyed a sense of status and sophistication, making them highly attractive parlour clocks.

Two challenges

In the coming weeks, I will be exploring options for the missing rod gong. Should I look for a replacement gong block and rods, or should I consider finding a second rod?

The second challenge is the case. The case appears to be in good condition and is definitely not a candidate for refinishing; however, a light sanding and waxing might be all it needs to give it a refreshed look.

The previous owner did not service the movement, so it will require cleaning. In the meantime, it runs well, keeps accurate time, and strikes—though only on one gong—on the hour.

October 4, 2024

Three Canadian Antique Clocks Won at Auction

About a year ago, I shifted my focus to collecting clocks made in Canada or those with a Canadian connection. Of course, there are exceptions if a particularly interesting clock comes along. In keeping with my goal, I won three Canadian clocks this week at auction: an Arthur Pequegnat Hamilton “Tall”, an Arthur Pequegant Dandy, and an ogee crafted by the Canada Clock Company of Ontario. All are shelf or mantel clocks. Two are spring-driven while the third is powered by weights.

Since the bidding was online, I don’t have the clocks yet, but I expect them to arrive within the next week or so.

Arthur Pequegnat Hamilton “Tall“

I’m not sure what inspired me to take a photo of the Hamilton during my visit to The Canadian Clock Museum in Deep River, Ontario this past summer—but I did! Maybe it was a secret wish to own one someday.

The clock I photographed features a piecrust dial, while the one I won at auction has a plain dial. Both styles were available in the early 1900s.

_{Auction photo http://www.harrisandsonsauctions.com/}

The Arthur Pequegnat Hamilton “tall” shelf clock is a classic piece from one of Canada’s most renowned clockmakers. Named after the city of Hamilton, Ontario, this model is part of Pequegnat’s line of shelf and mantel clocks and showcases the craftsmanship that made the company famous.

The Hamilton “Tall” features a distinctive upright design, making it stand out among other Pequegnat clocks. It had either a piecrust or plain dial (as I mentioned), adding to its collectible nature. The clock is typically housed in a sturdy wooden case often made with quarter-sawn oak, with half columns and capitals, an attractive crown, making it a simple yet elegant style.

The Hamilton “Tall” features an 8-day time and strike movement with distinctive nickel-plated movement plates, powered by a spring-driven movement. It strikes on both the hour and half-hour.

The Arthur Pequegnat Clock Company, founded in 1903, was one of the few successful clock manufacturers in Canada, with the Hamilton model being one of its many iconic designs. As Pequegnat clocks were made exclusively in Canada (Berlin, later Kitchener, Ontario), they hold significant value for Canadian clock collectors, and owning a Hamilton “tall” shelf clock is like holding a piece of Canadian horological history.

It’s often challenging to determine a clock’s condition from auction photos, but this one seems to be in good shape. Unfortunately, it lacks a label, which is a minor disappointment.

Arthur Pequegnat Dandy

The Dandy is a compact and attractive mantel clock, featuring a solid wooden case, often crafted from oak. The case design is simple yet elegant, with clean lines and minimal ornamentation, giving it a classic, timeless appeal. The dial is plain with black Arabic numerals, making it easy to read.

The Dandy is also powered by an 8-day time and strike spring-driven movement. It strikes the hour and the half-hour. The movement is well-known for its durability and precision, hallmarks of Pequegnat craftsmanship.

Although not as grand as some of the larger models like the “Hamilton,” it has its own charm, particularly for collectors who appreciate smaller, more understated clocks.

From the auction photos, I can tell the clock is in average condition, which is reflected in the relatively low price I paid for it.

Canada Clock Company 30-hour ogee with Alarm

The Canada Clock Company’s 30-hour ogee clock is a significant piece in the history of Canadian clockmaking. The ogee clock design itself was popular in North America during the 19th century, and the Canada Clock Company produced their own version during their brief existence.

The ogee clock is named for its case design, which features the distinctive “S” or double curve molding along the front, giving it an elegant and classic appearance.

The Canada Clock Company’s ogee clocks were typically made with wooden cases, often finished in mahogany or rosewood veneer. The clock has a large rectangular face, featuring Roman numerals, and a clear glass lower panel that reveals the pendulum.

This model is equipped with a 30-hour movement, which means it needs to be wound daily. The movement is powered by weights, which descend slowly as the clock runs. The clock only strikes the hour. The use of a 30-hour movement made this a more affordable option for consumers at the time compared to clocks with 8-day movements. This clock also has an alarm feature.

The auctioneer advised that there is an issue with the coil or rod gong, something I will look into once I receive the clock. The case, I am told, has been refinished.

The Canada Clock Company operated in Ontario during the 1870s and early 1880s. It was one of Canada’s first significant clock manufacturers, aiming to compete with the American clock industry. Although the company’s existence was short-lived, their clocks are highly valued by collectors today for their historical importance and their role in establishing Canadian clockmaking. The 30-hour ogee clock is a prime example of a typical mid-19th-century clock that found its way into many Canadian homes.

It was a very successful auction day. For each clock, my wife and I adhered to our strategy of setting a maximum bid well beforehand, which helped us secure all three pieces effectively.

In sum, the Hamilton is a classic shelf clock with a distinctive upright design, a quarter-sawn oak case. Though lacking a label and with condition difficult to assess from photos, it appears to be in good shape.

The Dandy is a compact mantel clock with a simple, elegant oak case and plain dial. Its condition is average, reflecting the modest auction price.

The 30-hour Ogee is a classic 19th-century ogee clock with “S” curve molding and a 30-hour movement. It features an alarm and has a refinished case, with a noted issue with the gong.

Each clock adds a unique piece of Canadian horological history to my collection.

September 13, 2024

After veneer repairs, the Hamilton ogee case is finished

Just before Christmas 2022, I published an article on a Hamilton Clock Co. 30-hour ogee that I won at auction earlier in 2022. I had been delaying repairs on the case for months and finally found the time to tackle the veneer work.

I seem to be strangely attracted to ogee clocks, this is my fifth acquisition over the past 6 years and I think that’s it, no more except for that seemingly rare-ish eight-day version from any American maker.

The Hamilton Clock Co is in no way associated with any American company or companies and is a wholly home-grown Canadian Company that made clocks in the late 1880s. in Hamilton, Canada that were styled after American ogee clocks of the time.

Hamilton Clock Co. ogee – a dull and tired case needs help

_{December 2022 article}

The clock was complete with weights, pendulum bob, original hands, dial, and even the top dust caps which are often missing from these old clocks. The movement was in good shape and other than installing 5 new bushings to address enlarged pivot holes there was no significant wear. The cables were replaced with braided nylon and the pendulum suspension spring/leader was also replaced.

The case needed veneer remediation, particularly the top corners. The entire side trim piece required a considerable amount of work and the bottom veneer strip was missing altogether.

The next photos showed how hopeless the top right and bottom sections appeared when I first received the clock and had a good look.

Some might argue that the case should be left as-is since the repairs however poorly are part of the history of the clock. This is the never-ending conservation/restoration argument that arises. Preserving some clocks as they are is certainly important but this was not an expensive clock and in this situation, I take the view that a repair will not only improve the appearance of the clock but enhance its desirability if completed correctly.

Step 1 – cleaning

The case is solid and no structural repairs are required.

My go-to cleaner is Murphy’s Soap which I cut half and half with water. I begin by cleaning the case which unfortunately means removing some of the shellac. This is unavoidable but there is enough shellac remaining that the case would not be stripped in the true sense of the word. I removed the right side trim completely to work on it separately. The plan was to glue it and the bottom trim piece back on when I was finished with the veneer repair.

Step II – veneer work

I usually keep a supply of veneer harvested from old clocks. I am not the best judge at identifying wood types and find myself confusing Rosewood with mahogany at times but I make a comparison based on what I have and what seems to look the best by comparing colouring and grain and for the most part, it looks acceptable when the job is completed.

I have also learned recently that makers will occasionally use different types of wood veneer on the case surfaces at the time of manufacture and simply dye/tint them to match. In fact, while cleaning the dust caps a bit of colouring transferred to the rag and it looked very much like ocher.

_{Hide glue} _{on a heating pad to maintain the temperature}

Medium-strength hide glue is mixed prior to the project. The working temperature is about 160-170 degrees Fahrenheit.

Painter’s tape is used to ensure that the ends are not damaged during the cutting of the veneer.

An artist’s or carpenter’s blade is used. Ensure it is good and sharp, you don’t want the blade pulling on the veneer as you cut.

Depending on the bonding strength of the hide glue you have a limited amount of time to secure the veneer in place.

_{Clamping the veneer to the trim strip}

Have plenty of clamps large and small on hand.

_{Attaching the veneer strip to the case}

Once the veneer is attached to the trim piece and allowed to dry for 24 hours it is time for gluing and clamping the right and bottom border strips to the case.

Step III- – the shellac finish

Once the case has dried for 24 hours the shellacking can begin. I use an artist’s brush for the application of shellac using long and even strokes. For larger areas, one might opt for a French polish technique which is essentially a piece of cloth shaped into a ball and wrapped into another piece of cloth and dipped into the shellac. The main idea is to dip and apply the shellac using smooth even strokes.

I generally apply 2-3 coats of shellac, and between coats smooth the surface with 4-zero steel wool.

Final thoughts

I am certainly not the foremost expert in veneer repair but along the way, I have mastered the fundamentals. Each project offers its unique challenges and this one was no exception.

I was somewhat surprised that after cleaning the left and right trim pieces and shellacking both that the right side and bottom trim piece were somewhat lighter than the left side. However, the new pieces added to the right trim section matched quite nicely. This shows up more dramatically in a photograph. But I think the lighting had a lot to do with the contrast. The light and shadows of the clock combined with the sun coming in from the right side of the clock seem to make the difference more pronounced.

It is also possible that the right side was tinted to match at one time and cleaning removed the tint. Comparing it to other ogee clocks in my collection for some there is a slight variation from side to side and top to bottom but not as striking as on this clock case.

_{Light source from the left, the contrast is not as striking}

At the end of the day, I am pleased with the final result. I would imagine that in time the new or lighter sections of the case will darken somewhat.

I can now add it to other Canadian clocks in my collection.

January 24, 2023

From chaos to order – reorganizing my clock office

My wife calls it the clock office. It is, after all where I work on my clocks and where some are on display. It is also where I compose articles for this blog.

However, it has been getting very cluttered, and I am tired of how disorganized it looks.

We have 4 bedrooms in our 2-story home and my office is in the smallest one. It is also the one I prefer because of the afternoon sun and it is probably the brightest room in the house with two large windows facing west.

In 2018 the office was manageable but as anyone who collects things or has a hobby, space runs out very quickly.

By December 2022 the office was getting very crowded and it was at that point that I decided a major change was necessary. I was also getting tired of looking for places to put things and losing things amid piles of stuff.

The small desk and hutch had to go. It is a real junk collector but more importantly, the hutch area limits the size of computer monitors I can use and I always work with two monitors. The computer desk and hutch will now go to the curb. The computer desk will remain in the same location, however. A new computer desk with a more open design and a back upper shelf for the monitors is replacing it.

_{Corner bookcase} _{with spring winder and Bergeon bushing machine}

I have been making small changes in the last 4 years but this will be the biggest redo ever. In 2018 I built a shelf for my ogee clocks putting them up on display where they belonged instead of on the floor.

_{From the left are clocks made by Waterbury, George Clark, and two Chauncey Jeromes}

In early January 2023, I added a shelf on the south wall for my Canadian Clocks, the same width, and height.

_{From the left are clocks made by the Hamilton Clock Co, an Arthur Pequegnat Canuk, two Arthur Pequegant Maple Leafs, and a steeple clock made by the Hamilton Clock Co.}

The new computer desk may look smaller but it is in fact one foot wider and made with tubular steel and the finest Chinese pressed wood and veneer that money can buy. It also allows for the scanner (not yet placed in the photo) to be located on a lower shelf. The wires in the back are a bit of an eyesore at the moment but a little cable management will fix it.

The bookcase has been moved to a closet that has had the door removed. With the bookcase out of the way, it frees up space for the lathe.

The basement has a work area where clock case repairs, restoration, painting, veneer work, and so on are done. A year ago I moved my Taig metal lathe to the basement but with the reorganization of my office bringing it back up will eliminate frequent trips up and down stairs.

So, that’s it for now. It’s not finished yet, call it a work in progress. When everything is where I want it to be and I am happy with the reconfiguration I will update with a few photos.

January 17, 2023

Clocks won at auction – at a fair price

I never actually went to this auction but participated online. It is not quite the same as the rush of bidding in a live auction hall but exciting in its own way.

This particular auction had quite a number of clocks but I would say that most were in rough or what I would call “hobby-ready” condition.

I was looking at one particular clock but three more grabbed my attention. A total of four clocks, two shelf clocks, and two wall clocks.

My budget was $300CDN and I stuck to it. I set the maximum I would pay for each item and placed all bids within the last minute of the auction and walked away from the computer. For two of the clocks, I was prepared to let them go if bidding got too high but at the end of the day I won all four. With fees and taxes, the final invoice was $379 (a little over $300US and 240BP).

Bidding online is always a gamble. What the photos reveal does not always tell you what you are getting and I have been surprised more than once. I have a number of other photos from the auction but these are a good representation.

Hamilton Clock Co.

Clock number one is a 30-hour weight-driven ogee made by the Hamilton Clock Co. based in Hamilton, Ontario in the late 19th century. This was a clock I was anxious to have since I am in the process of building a small collection of Canadian-made clocks.

I have one other clock from The Hamilton Clock Co., a 30-hour time and strike steeple clock, and one from the Canada Clock Co., a 30-hour time and strike cottage clock.

I am grouping the two companies together because one essentially grew from the other and made clocks within the same factory and with the same machinery.

Those two have etched lower tablets as on this new acquisition.

_{Canada Clock Co. Hamilton Cottage Extra}

_{Hamilton Clock Co Gothic steeple clock}

The Hamilton Clock Co was formed in 1876 and went out of business in 1880, a very short run for a clock company, unfortunately. The exact year of manufacture is unknown but I may know more when I receive the clock.

This clock looks like every 30-hour ogee ever made and that was the original intent, a familiar clock style that appeals to the masses. The dimensions of this Canadian-made ogee are very similar to American-made ogees and the movements, though made in Canada, are essentially indistinguishable (minor differences aside) from 30-hour ogee time and strike movements made by a number of American manufacturers of the time.

The clock appears to be intact, has its own weights and the lower etched glass tablet seems to be in fine shape judging from the auction photos but the case will need a thorough cleaning and some veneer work.

Daniel Pratt Jr

Clock number two is a Daniel Pratt Jr which I’d like to call a reverse ogee with a splat top but the splat top is missing.

I have just one Daniel Pratt Jr clock in my collection and it has an early woodworks movement. The older Pratt clock shows what the splat should look like.

_{Daniel Pratt Jr with woodworks movement}

According to the label on which the date 1843 is inscribed, one can assume that this is the date of manufacture, approximately.

In any event, it may have a woodworks movement. There were still a few companies who continued with the cost-effective woodworks movement but by that time the rolled brass plate movements were becoming more common.

The loss of the splat top certainly makes the clock less desirable but it was one of the cheaper clocks in this grouping and, who knows, I might have a splat made, we’ll see.

The green banding on the upper and lower glass sections looks somewhat suspicious and could have been added later. This clock also comes with weights and what looks to be an authentic-looking pendulum bob.

The lower tablet might just be a card-stock image, again, likely not original but old nonetheless. The dial has some losses but what there is of the case looks good.

Unknown gallery clock

Clock number three is an unknown gallery clock. I have no idea of the maker and cannot even guess. I took a chance and I hope the gamble pays off.

The auction information describes it as 14 inches in diameter so I am assuming the clock face is about 10 inches or so. The hands look very interesting, the case looks well-made (mahogany?) and the clock definitely has a mid to late 1800s English look.

The centrally located winding arbour tells me that it has a time-only mechanical movement.

The dial looks to have been redone but I am more curious about the movement inside.

_{A shot of the movement from the bottom}

I am not sure what I am seeing in the photo above. Certainly, a homemade door catch on the left and a large gear (perhaps a mainspring barrel), and cylinder-shaped pendulum bob. Fusee movement? I doubt it. I think it has a conventional spring-driven time-only movement but I will know in a few days.

Six-inch gallery or ships style clock

The last is a smaller gallery, ships, or marine-style clock which is spring-driven with a balance wheel. The speed adjsutment lever below the 12 is the give-away.

It is 8 1/2 inches in diameter (6-inch dial), key wound time-only 30-hour clock with a seconds bit. I cannot even guess who the maker is but could be a Waterbury, E N Welch, or some other American manufacturer.

The chunky oak case needs some attention but with a good cleaning and a coat or two of shellac, it should show nicely. Apparently, it is in working order.

Okay, so, two clock makers I am familiar with and two unknowns. I wonder what surprises await me when I open up the two unknown clocks.

In a day or so we shall see what we get. We are driving down to the auction house in the next couple of days but we will make something of our 3+ hour journey and enjoy the sites, have lunch in Annapolis Royal (Nova Scotia) and do some antiquing along the way.

June 13, 2022

30-hour clocks in my collection – a complete list

While I have over 85 clocks in my collection twelve are 30-hour or one-day clocks. One of the twelve is a relatively modern clock.

The history of mass-produced clocks in America began in the 1820s and 1830s with 30-hour clocks that had woodworks movements. While the clock business was booming with many companies selling clocks to the masses, an economic recession in the late 1830s brought clock production to a halt.

Pioneer clockmaker Chauncey Jerome, who was in the clock business at the time, considered his “business troubles and disappointments” and he along with his brother Noble formulated the idea that movements could be made from brass. Noble Jerome received patent number 1200 for his brass clock movement, issued June 27, 1839. Woodworks movements began to be phased out and replaced by brass movements which were made in the hundreds of thousands. 30-hour brass movements were made well into the 1860s and were eventually replaced by the 8-day brass movement.

Because 30-hour clocks were produced in the thousands many examples have survived to this day. Most clock aficionados today have at least one ogee clock in their collection.

Of the 12 in my collection 5 are running continuously. Yes, winding a clock everyday is a hassle but we often forget that at one time the thirty hour clock in the form of the bedside alarm clock was a fixture in every home but for this post I am excluding the dozen alarm clocks in my collection.

Half are weight driven, so let’s begin with those.

Sperry and Shaw

This, a four-column shelf clock designed in the “New York” style was made between 1841 and 1851. Sperry and Shaw were assemblers and distributors and sourced parts from various producers. The movements and cases could have been made by Silas Hoadley or Chauncey Jerome or both.

I bought the clock from student in Halifax, Nova Scotia in the fall of 2018 and he would not budge on the price. My only question to him prior to making the deal was whether or not the clock had the original wafer weights which would be almost impossible to source if missing.

Daniel Pratt and Son

This is the only clock I have with a woodworks movement. Daniel Pratt worked with others but eventually went out on this own in the 1830s. I would date this clock to around 1837. This clock was won at an estate auction for the price of $30 during a time when clock prices were hitting rock bottom. The clock has a wood dial and a mirrored lower tablet (may or may not be original) and the case is in very good condition for its age.

Chauncey Jerome

This clock is from around 1855, made just before Chauncey Jerome’s company went into bankruptcy. This was also bought at auction a few years ago. It came with an extra mirrored lower tablet and a “spare” dial. I am not sure if either the mirrored tablet or the JC Brown picture are original. The veneer, however, is in perfect condition.

George H. Clark

This is an ogee from around 1857. There is no makers mark on the works but it is a Waterbury type 2.411 movement. The case is well-preserved and in excellent condition, obviously well-cared for by a previous owner. The beehive tablet looks to be original.

Waterbury Clock Co.

This an ogee style clock from 1865. It was bought at an antique store in Halifax. There was no price on the clock. I asked the owner what he would sell it for. He said, name a price, I said $40 and he said, sold! Evidently it been in his shop for a while. It is the first clock on which I learned how to replace very worn trundles.

Cuckoo clock

This is a 30-hour cuckoo clock with a Regula movement, made about 1976. A cheap German made mass-produced “tourist” clock that was given to me by a relation. It still works but it is on its 3rd movement.

And now for the spring driven clocks.

Ansonia Cottage clock

This cottage clock is from about 1895. This another clock that was given to me. These were probably dollar clocks at the time. They had cheap movements but were solid and reliable. Surprisingly, these command good prices on the auction sites since so few remain.

Canada Clock Company

The Hamilton Cottage Extra is from about 1880. These are now very difficult to find since so few have survived. It is Canadian made and collectors will happily pay hundreds of dollars for one. It has a very cheap case made of softwood with no veneers. The acid etched lower tablet is quite unique. It was bought in a local junk store for $40. I could not believe my find.

Elisha Manross

The Manross is a thirty hour time and strike and called a steeple clock. One interesting feature is that the Rosewood veneer is in a vertical orientation on the side columns unlike most that have a horizontal orientation. It is also the only clock in my collection that has brass mainsprings which were phased out in the early 1840s making the clock historically significant. Needless to say that in order to preserve the mainsprings I run this clock infrequently.

Hamilton Clock Company

The style is known as gothic steeple. The clock is from about 1876 and features a religious expression on the acid etched lower tablet, “Cling to the Cross”. There are some veneer losses but the clock is in decent shape. The steeple tips never seem to survive on these clocks.

Hamilton Clock Co. 30 hour time and strike

New Haven

This is a spring driven time and strike ogee from around 1875. Unfortunately the veneer has been stripped from the case and the softwood re-stained but it is an attractive little clock nonetheless. The dial is a replacement and the lower tablet has some losses.

New Haven

This a called a Sharp Gothic according to the label. It is an American-made clock sold by a jeweler by the name of Thomas B. Spike in Halifax, Nova Scotia (Canada) in the 1880s. The lower tablet features a seaside Parthenon scene which might suggest it was one of many produced for foreign markets. There are some veneer losses but the clock is in running order and keeps reasonably good time. It has replacement mainsprings because it will run for 3 days on a wind. Not bad for a 30-hour clock!

I hope you enjoyed this little tour of a part of my collection of 30-hour or one-day clocks and please leave a comment. As for expanding my collection of one-day clocks I am not sure that I would continue acquiring them unless I came across something quite unique or if one were given to me.

September 7, 2021

A new & exciting direction in clock collecting & repair

I have been collecting clocks for over 8 years. In that time I have enjoyed my hobby immensely and I am constantly on the lookout for new and interesting acquisitions. It is more like a daily passion.

However, I now realize that as my collection steadily grows I have more than I need or want. I cherish some of my clocks and intend to keep them for years; my Arthur Pequegnats, selected Seth Thomas clocks, clocks made by the Hamilton Clock Co. and the Canada Clock Co., my Vienna regulators and some of my German wall clocks. I don’t mind parting with other clocks now or in the foreseeable future. Some I will miss and others I will not.

A house can only hold so many clocks

My daughter correctly pointed out that I should adopt a one clock comes in another goes out approach. “One-in, one-out”, she says and it makes perfect sense.

A house can only hold so many clocks. In my small office which is 10X12 I have a total of 15 clocks, 10 of which are running daily and the remainder in various states of repair. Outside my office, at any given time, there are 26 clocks in a number of rooms around the house. I am not one of those persons on YouTube who feel the need to cover their walls with clocks. I prefer to display them in a natural way, as an integral part of the decor of my home. The number is not all that important but I am trying to keep it manageable.

Kienzle clock on display with Ingraham Huron — Kienzle World Time clock and Ingraham Huron balloon style shelf clock

I have decided that now is the time to sell some of my clocks. My objective is not to make money but to recover the cost of the original purchase plus my labour on each clock that I sell. These are the clocks that have left my collection recently.

I am making more critical choices when adding pieces to my collection

Mauthe Westminster chime mantel clock, circa 1950

Juba Schatz Bim-Bam mantel clock, circa 1948

Four spandrels surrounding the chapter ring — Hermle Westminster chime with moon phase circa 1985

I have also gifted eight clocks over the last 3 years and most have been mantel clocks. Antique and vintage clocks make wonderful gifts to friends and family. It is cool to see them displayed and running in their homes when I visit though I know darn well that they are wound just hours before my arrival.

On a clock forum site recently someone said’ “How many clocks do you need”. The answer, “Just one more”

As my knowledge of the clock world grows and my experience repairing and restoring them expands I am making more critical choices when adding pieces to my collection. However, those critical choices often translate into spending more money. For example, recent acquisitions have been a Seth Thomas Regulator #2 and an Arthur Pequegnat Moncton, both wall clocks.

Seth Thomas Regulator #2, time-only, weight driven clock Circa 1922

Arthur Pequegnat Moncton, double spring time only clock, Circa 1930

I believe my new approach is a natural progression and perhaps I have been subconsciously heading down that path for a year or more. Unless a clock has an interesting provenance, is rare, uncommon, unique and/or is a challenge to restore I will now shy away from most of the garden variety clocks one sees on online for-sale sites and yes, I still have a few of those.

On a clock forum site recently someone said’ “How many clocks do you need”. The answer, “Just one more”.

I knew during the course of collecting antique and vintage clocks combined with increased knowledge/experience that my hobby would evolve and continuing my horological journey in a slightly different way is about time,

February 22, 2019

Interesting steeple clock from the short-lived Hamilton Clock Co. (Canada)

I wasn’t on the lookout for another steeple clock but when I discovered this on a local online for-sale site I just could not pass it up.

Let’s clear something up from the outset. The Hamilton Clock Co in the United States and the Hamilton Watch Co were probably associated with each other in some way but the Hamilton Clock Co. located in Hamilton Ontario, Canada which operated between 1876 and 1880 was not in any way affiliated with the American company.

I bought his Hamilton Clock Co. 30-hour time and strike steeple clock from a local seller. I am sure the seller thought he did well with the sale as he did not budge from the 100CDN he was asking. However, I consider this a win-win situation. We were both pleased because clocks from the Hamilton Clock Co. are sought after by Canadian collectors and this example would easily fetch much more than the price I paid. I was particularly intrigued by the etched tablet with, “Cling to the Cross” a religious phrase that was popular at the time. It is the larger of two versions at 19 ¼”. The Hamilton Clock company made the only true steeple clocks and very few survive.

The 30-hour time and strike movement is appropriately stamped HAMILTON CLOCK CO. HAMILTON ONT. The suspension spring is mounted higher up than a photo I saw on the Canadian Clock Museum site which shows the suspension spring mounted below the hour cannon. There is also a pin through what looks like the intermediate gear on this movement. There had to be some variations over the period the movement was made.

The clock is not without issues, after all, it was made between 1876 and 1880 and some wear and tear is expected for a 140-year-old clock. Everything seems to be there and it is in good shape including the “Cling to the Cross” inscription on the tablet. The etched glass tablet was the result of an association with glass factories in the Hamilton area and unlike anything offered by other companies. There were a whole series of clocks made with similar religious messages.

30-hour time and strike movement with clock company inscription on the bottom of the front plate

The original dial face is faded/worn, the hands are original and the 30-hour movement has the correct pendulum. There are minor veneer losses here and there consisting mostly of chips. The right steeple is also missing its tip.

Veneer chips on left side of base — Veneer chips on the left side of the double-curved base

The label is not complete but is quite readable.

Half the label is missing but enough to identify the clock. — Half the label is missing but enough to clearly identify the clock-maker

A complete label should look like this better example

The clock runs surprisingly well but requires a thorough cleaning and repair work on the time side ratchet click which slips when the arbour is wound. Generally, the clock appears to be in reasonably good shape.

I am always intrigued by clocks made entirely in Canada. The following information is taken from the Canadian Clock Museum located in Deep River Ontario (Canada). A must visit if you are in Canada, love clocks and are especially interested in Canadian makers.

“This company was established in 1876, after the failure of the Canada Clock Company in Whitby, Ontario.

The machinery and other tools and equipment were purchased and moved to Hamilton by two business men, James Simpson and George Lee. Simpson, born in Scotland, had been active in Hamilton for years as a partner in a wholesale grocery business. He assumed the title of President of the clock company. Lee, born in Ireland, was also active in food wholesaling, and the operation of hotels, and restaurants. He became the Business Manager. Neither man had any prior experience with factory operations or clock making.

Technical expertise was provided by John F. Collins, who had previously acted as Manager of the Canada Clock Company in Whitby and had been instrumental in equipping and operating that enterprise. He was brought from Whitby along with the equipment and given the title of Mechanical Superintendent.

Collins utilized tools, dies and designs he had created at Whitby, so the Hamilton company was really a continuation of his previous efforts. He was able to broaden the range of movements and case styles, and hence to offer a more complete line of merchandise. Unfortunately, after a few years, he appears to have fallen out with the new owners and left the company in 1879.

George Lee, in turn, suffered health problems and was obliged to leave around 1880.

This left James Simpson as sole proprietor. He ended production under the name Hamilton Clock Company and proceeded to make major changes. The factory and equipment were retained, but a completely updated product line was developed. Simpson found new investors and incorporated the firm as a public company that was renamed The Canada Clock Company Limited.

The Hamilton Clock Company appears to have made a valiant effort to provide clocks for the Canadian market, in competition with the huge U.S. clock factories that already dominated the market. Hamilton clocks matched competitive products in appearance and their quality was quite adequate. The volume achieved, however, was never very large and the product line was simple and limited. No catalogs or printed material have ever been found from the company and our opinions can only be based on an examination of surviving clocks. Perhaps, like the attempt in Whitby, the available capital and ‘know-how’ were insufficient to ensure a major success.”

There is nothing novel or unusual about Hamilton Clock Co. clocks. They had movements and cases similar to American made clocks but since the production was limited to 4 years, fewer were made, they are rare and therefore more desirable for collectors.

Overall I am pleased with this acquisition.

May 10, 2018

I have good luck finding a great deal on a clock

I seem to be one of those people who manage to find a great clock deal. I don’t think it takes a special talent but patience, research, and timing are three key elements in finding a bargain.

I often cruise the online for-sale sites for interesting clocks. In Canada, we have something called Kijiji. In the States Craig’s List is quite popular and I am sure other countries have something very similar.

What makes Kijiji (and similar sites) interesting and fun is that you can connect with people locally or in my case our province of Nova Scotia. There are a wide variety of sellers. Some know what they are selling and price items accordingly. Some have really no idea and either price items clearly for much more than they are worth or conversely for far less than their actual value.

It is nice to be able to meet the seller, find out the history of the clock, learn something about the seller, and their motivation for selling, negotiate a price, and bring the item home. There is no post office or courier service to “screw” things up. No “oh crap” sigh when you open the package. With online auction sites, you often get a “pig in a poke” which means that something is sold or bought without the buyer knowing its true nature or value, especially when buying without inspecting the item beforehand. This does not happen with Kijiji. You find the item advertised, connect with the seller several times electronically or personally if necessary, see the item beforehand, ask questions about it, inspect it for any immediate issues or potential problems and you have the choice to walk away if you are not completely satisfied. All transactions are cash with no pesky sales tax.

Clocks are interesting items to collect and prices are all over the map as you would expect. However, I have found a few gems in the last few years. Let me tell you about my latest experience.

A few weeks ago I saw this clock advertised on Kijiji (photo below). Now, this looks like any ordinary Gothic steeple clock but what grabbed my attention was the unique tablet inscription. The acid-etched glass tablet says “Cling to the Cross”, a religious expression not often found on this style of clock. I knew immediately that this was a very special Canadian-made clock.

Why, because several months ago I watched a video presentation by Jim Connell. Jim Connell is well known in Canadian clock circles. According to the introductory remarks found at the aforementioned site “He has amassed a large collection of clocks of all types with an emphasis on those with a Canadian origin. As his collection and knowledge grew, Jim prepared and presented numerous articles, talks, and displays on Canadian clocks and their history. He is the respected author of the Charlton Standard Catalogue of Canadian Clocks and he co-authored Early Canadian Timekeepers and The Canada and Hamilton Clock Companies with Jane Varkaris.”

In his presentation, he described this exact clock and mentioned in his presentation that there were very few copies left, a very rare Canadian clock indeed.

I wanted to confirm that this was the clock I thought it was and asked the seller to photograph the label. He did so and sent this to me.

Seller's photo of the label affixed on the back of the clock — Seller’s photo of the label affixed on the back of the clock

I attempted to negotiate a price. The seller wanted 100CDN and I offered 80CDN. He replied that he would not accept anything less than 100CDN. In the meantime, I checked with the curator of The Canadian Clock Museum to confirm its authenticity. Upon discovering that this was a Hamilton Clock Co. clock made between 1876 and 1880 I decided that, yes, this was a good find and in my email reply to the seller I said, “100CDN it is”.

It is what I would consider one of those happy win-win situations. The seller got more than he thought the clock was worth and I got a clock that is worth much more than I paid for it. My motivation, however, was not to celebrate a great deal at a great price but to acquire a piece of significant Canadian horological history at an affordable price.

We met and settled the deal. I am now the owner of a Canadian-made 30-hour time-and-strike Hamilton Clock Co. Gothic steeple clock.

In a later blog article, I will profile this clock and describe my strategy to address some of its issues.

April 11, 2018

Clockmaking in Whitby & Hamilton, Ontario

30-hour Ogee Clocks

Why were they so popular?

Canada Clock Company Ogee

Servicing and Cleaning

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The Arthur Pequegnat Clock Company

The Hamilton Tall

Two Issues

Case Construction and Condition

A Prestigious Clock for the Times

Two challenges

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A house can only hold so many clocks

I am making more critical choices when adding pieces to my collection

On a clock forum site recently someone said’ “How many clocks do you need”. The answer, “Just one more”

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