Tag: willard

Tick Talk Tuesday #43 – Is this a Simon Willard banjo clock?

Tick-Talk Tuesday

Tick-Talk Tuesday is about the letters and comments I have received from readers concerning clock issues, challenges faced, a clock you would profiled or advice on your particular clock concern. For those comments and questions that stump even me, I consult within my clock circles for the best possible answer

TM writes, “We have had a banjo clock in our family for multiple generations, and knowing my family’s history it would not surprise me if it was a Simon Willard original. I understand that is a long shot but it is so hard to find information about banjo clocks or reputable people to deal with. It is in relatively good condition, not knowing when my family acquired it exactly, but it is original to us. I am attaching a picture and would greatly appreciate your opinion.”

The family banjo clock

I am not an expert on Willard banjo clocks but have seen and read enough to inform me that Simon Willard clocks have distinctive features that separate his clocks from others.

My reply was, “Hi, and thanks for your email.

It may or may not be a Willard patent banjo. It would have to go through a process of authentication. An expert would identify the classic hallmarks of a Willard clock which would include movement design and construction, distinctive case features, door catch characteristics, construction of the dial, how the movement is mounted, design of the throat and lower tablets, and so on.

However, two things immediately strike me as odd. First, I have never seen a Willard patented timepiece (banjo clock) with an Arabic dial. Secondly, Willard banjo clocks have simple barbed spear hands, none as ornate as the ones on your banjo clock. Your clock could be a variant or the dial and hands could be replacements or the clock could have been crafted by another maker altogether.

Again, an expert in Willard clocks would provide the answer you are looking for.”

Simon Willard Patented Timepiece, C.1810; photo taken at the Simon Willard Clock museum in 2019

Simon Willard did little to protect his patent and as a result, many copies were made during the Federal period in Boston and in New England. Associates of Willard and apprentices to Simon and his brother Aaron produced clocks by the hundreds. Some of the copies were of high quality though they did not have the desired cache of a Simon Willard clock. And of course, many are fakes.

Willard clock; photo was taken at the American Watch and Clock Museum 2019

According to Robert C. Cheney, executive director and curator of the Willard House and Clock Museum proclaimed that the timepiece is “probably the most faked American clock found today.” Is TM’s clock an original, another maker, or a fake? An expert would immediately determine if it is real.

The photo at the beginning of the article is the only one sent to me and one photo is really not enough to make any kind of definitive judgment but I don’t believe TM has a Simon Willard Patented Timepiece.

Sawin banjo clock – almost done, 3 more items to address

I have written about this clock several times in the past 10 months but I am making good progress which I will detail in this article.

This is how it arrived at my house last spring, dull and lifeless but with good bones and most everything original.

Dirty and dusty and ready for restoration

First, some background information about the clock.

This federal-style banjo clock was made in the 1840s perhaps as early as 1840. I am reasonably certain it was made by John Sawin of Boston, by either himself or one of his apprentices or associates.

The movement and case construction bears a strong resemblance to a Willard timepiece and there is a good reason for this as John Sawin apprenticed under Simon Willard and was a journeyman under Aaron Willard, famous clockmakers of the day and makers of the original patent timepiece.

The movement which is based on the patent timepiece by S. Willard

Unfortunately, there are no identifying markings on the movement or the case but key indicators such as the placement of the movement mounting “ears” and the design of the door and bezel catches tell me that there is a very strong connection to John Sawin, enough to say that he is the clockmaker.

So far…

I have completed repairs on the case aside from the wood bezel mentioned later in this post. The repairs include new veneer pieces, harvested from an old mahogany ogee clock, a new post for the acorn finial, and two applications of traditionally prepared shellac.

The hands are attached to measure timekeeping

The movement has been cleaned, serviced and wear issues addressed.

The glass dial was broken and new flat glass was ordered and installed. The old weight cable was replaced.

The dial, with some stains and discoloring, will be left as-is.

Three issues that have slowed me down

The three issues are a weight cable that is too short, a twisted suspension spring, and a cracked wood bezel.

Weight cable that is too short: The clock stops when the weight is three inches from the bottom of the case and runs six days instead of the usual eight. I have run the clock several times and the clock consistently stops on the 6th day. I believe that the brass cable was frayed from wear and a previous owner shortened the cable rather than buy a new one. I have various sizes of cable and have chosen a slightly thicker brass cable with a nylon core. The nylon core prevents the cable from snarling and coiling plus the more robust cable is more than enough to carry the heavy iron weight.

However, a thicker cable results in a double layer. The cord will wind down from the top layer and the diameter of the drum has been increased due to the first layer. This means that with each turn more length of the cord will be removed from the top layer. Thus, the weight will reach the bottom of the case sooner than intended, reducing the runtime. A thicker cord makes it even worse. I believe I have struck the correct balance between thickness and length as the clock now runs its full 8-day cycle. Had the cable been any thicker the runtime would increase.

Since it had to be taken apart to install the new cable I cleaned the pivots, pegged out the pivot holes, and re-oiled the movement. Problem solved.

The Keystone

Twisted suspension spring: The keystone is the piece between the suspension spring and the pendulum leader. It very nearly hits the large wheel of the motion works on the left side as a result of a twist in the suspension spring. A bent spring is a consequence of leaving the pendulum assembly on the movement during transport.

A weight driven banjo clock must be partially disassembled when transporting and damage could result if the steps are ignored.

Unfortunately, I cannot source the suspension spring as a separate item and must purchase either the keystone and suspension spring together from an American supplier or the entire spring, leader, and stake for about $55.00 from a Canadian supplier. It does not make much sense but in the meantime, I have managed to straighten the suspension spring and it is functioning better than it was. Problem partially solved.

Cracked wood bezel: The crack is just above the number eleven on the dial. It was cracked initially and I used hide glue to close the gap. I now realize that hot hide glue I am using has a low bonding strength because it separated after a few weeks (a dry house in the winter does not help).

Cracked bezel

I have ordered a band clamp designed for furniture repair and will use stronger glue. However, I run the risk of the bezel splitting again and perhaps not in the same place. Another option is to fill it and simply live with a slightly larger bezel that may not fit the dial catch exactly. Problem not solved, yet.

There are three iron pin hooks that hold the dial in place. The hooks are twisted inward to secure the dial.

In the meantime, it is keeping perfect time.

Clock face is installed, missing is the wood door dial bezel

I am in no hurry for this clock. It is worth moving slowly with the repairs and ensuring that everything is completed correctly.

The quest for an authentic banjo clock

Searching for a weight driven time-only banjo clock can be a challenge and acquiring an authentic example would go a long way to completing my collection. Securing an authentic Willard would certainly be the icing on the cake.

The style was widely copied by other members of the Willard family of clock makers and many others clock-makers

I was fortunate to have seen several Willard banjo clocks during my visit to the Willard Museum in Grafton Mass. in June 2019.

Banjo clock, circa early 1800s, Macdonald Museum, Middleton, Nova Scotia. Notice the location of the winding arbour

Few American clock-makers at the beginning of the 18th century were innovative. One of the most notable achievements was the small 8-day, weight-driven clock developed by Simon Willard. The Willard clock is a uniquely American wall clock with a banjo-shaped case designed and constructed by Simon Willard. Willard was originally of Grafton, Massachusetts, later of Roxbury, Massachusetts, and patented his unique clock in 1802.

The Willard banjo clock has no striking mechanism and indicates time only by its hands and dial. It is correctly defined as a timepiece.

Continue reading “The quest for an authentic banjo clock” →

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