Restoring the Balance of a Mauthe Horse Crown Vienna Style Wall Clock

Some clocks have a way of drawing you in immediately, and this Vienna-style wall clock made by Friedrich Mauthe was one of those pieces. The moment I saw it, I knew it had presence—it becomes part of the room.

With its rich walnut case, turned columns, and the distinctive horse finial crowning the top pediment, the clock reflects the late nineteenth-century taste for decorative wall regulators. These clocks borrowed heavily from the famous Vienna regulators but were produced by German makers for a wider market.

When I purchased the clock, I inspected it carefully enough, and everything appeared to be intact. It was not until I had it safely home and hanging on the wall that something seemed slightly off.

The clock didn’t quite look balanced.

At first glance, it was difficult to say exactly why, but the longer I looked at it, the more obvious it became. A closer inspection of the lower portion of the case revealed the problem: one of the decorative finials at the base was missing. There was clear evidence that a piece had once been there.

The likely explanation came from the seller when I contacted them later on. At some point in the clock’s journey from Germany to Canada, the lower finial had been snapped off so the case could fit inside a suitcase. Whether the piece was discarded or simply lost along the way remains a mystery.

Fortunately, aside from this small detail, the clock remained remarkably original.

Still, once you notice something like that, it becomes impossible to ignore.

Finding a Suitable Replacement

My first thought was that replacing the missing trim piece should not be too difficult. There are a number of suppliers that specialize in clock case hardware and decorative parts, and I began browsing through the usual clock parts sites in search of something that would suit the design.

There were several options, but eventually I chose the finial you see here.

It is flat on one side and comes without a peg, making it adaptable for installation on a variety of cases. Most importantly, its shape complements the overall style of the clock without drawing attention to itself.

When restoring an antique clock, the goal is often to restore balance rather than create perfection. The replacement does not have to be an exact replica as long as it harmonizes with the original design.

In this case, I think it strikes the right balance. It may not be precisely what the factory installed over a century ago, but it looks convincing enough that even a careful observer might assume it has always been there.

Matching the Finish

The trim piece arrived unfinished, which meant it needed to be toned to match the rest of the case. Examining the clock more closely, it appeared to retain its original walnut finish.

With that in mind, I applied several coats of stain until the color blended naturally with the surrounding woodwork. Matching old finishes can be tricky, but patience—and a few test coats—usually brings things into alignment.

Once installed, the difference was immediately noticeable, and balance has been restored.

Restoring the Clock’s Symmetry

Seen from a couple of meters away, the clock now looks exactly as it should. The case once again has the visual symmetry that its original designers intended.

Small decorative elements like these finials may seem minor, but they play an important role in the overall composition of a clock case. Remove one piece and the entire design can feel subtly incomplete.

The “Horse Crown” Vienna Case Style

The decorative horse finial that crowns the pediment is what collectors often refer to as a “Horse Crown” Vienna-style case. While traditional Vienna regulators made in Austria tended to be somewhat restrained in their ornamentation, German makers frequently added dramatic sculptural elements to appeal to export markets.

The rearing horse was a popular motif at the turn of the twentieth century and symbolized strength, motion, and vitality—fitting imagery for a mechanical clock. Mounted above the pediment, the figure gives the clock a distinctive silhouette and immediately draws the eye upward.

Combined with the turned columns, carved mask, and stepped base, the horse crown transforms what would otherwise be a fairly conventional wall regulator into a much more decorative statement piece. Often, you will find clocks offered for sale missing this critical decorative piece.

The movement inside the clock was produced by Friedrich Mauthe, one of the largest German clock manufacturers of the late nineteenth and early twentieth centuries. Founded in 1844 in Schwenningen in the Black Forest region, the company became known for producing reliable, well-engineered movements that were exported throughout Europe and North America.

The Mauthe Movement

Many Vienna-style clocks from German makers used spring-driven two-train movements with time and strike trains mounted between brass plates. These movements typically strike the hour and half-hour on a coiled gong and are known for their durability and relatively straightforward construction.

Clocks like this were produced in large numbers between about 1890 and the early 1920s, when Vienna-style regulators were still very popular in homes and offices.

A Small Piece, A Complete Clock

From a distance of a few meters, the clock now looks exactly as it should have all along. The case once again has the visual balance that its designer intended.

The replacement may not be identical to the original piece that once adorned the base, but it blends naturally with the rest of the case. Unless someone knows exactly where to look, they would likely never suspect that a small piece of trim once disappeared somewhere along the clock’s long journey from Germany to Canada.

And like many antique clocks, it carries with it not only the passage of time—but a bit of history and a story of its own.

FMS Mauthe horse crown; servicing the movement; I have been putting off servicing this movement for a while, and a long time has passed since it was properly serviced. So, let’s get started.
Mauthe century old wall clock; The clock was advertised locally in the Truro, Nova Scotia area. The seller knew little about it beyond its provenance, but what he did share was an interesting, albeit brief, story.
Seven clocks in my collection that have family connections; not necessarily with my own family, but clocks that I am able to trace back through families, mostly in Nova Scotia (Canada). The stories are sad in some cases, but interesting nonetheless.

April 13, 2026 1

The Unique Charm of Mauthe Buffet Clocks

Mauthe mantel clocks are widely available in various shapes and sizes, often appearing on online marketplaces, at garage sales, flea markets, and in antique shops. However, not all are well-preserved—many show signs of age and neglect. This particular round-top mantel clock stands out for its excellent condition, especially considering its age.

While commonly referred to as a mantel or shelf clock, Mauthe marketing literature described this style as a “buffet clock.” In the mid-20th century, clocks of this design were often intended to sit on buffets, sideboards, or credenzas in dining rooms. This placement allowed the clock to serve both a decorative and a practical purpose, complementing the room’s furnishings. The term “buffet clock” reflects its association with this specific setting, distinguishing it from mantel or shelf clocks, which were typically placed in living areas or on fireplaces.

This three-train Westminster chime pendulum clock features a five-rod gong block and plays a musical tone every quarter hour. I discovered it at an antique shop in Great Village, Nova Scotia (Canada) in 2015. The movement is unmarked, lacking a trademark, but bears the number 50089 on the bottom right of the rear plate. There is no doubt that the movement is original to the case.

This clock runs on a complete eight-day cycle and produces a very pleasant sound. The case features a simple yet attractive design, is in excellent condition, and the movement is clean, having been serviced in 2015.

Mauthe – The Company

Mauthe clocks were produced in Germany by a company with a long and distinguished history, manufacturing thousands of wall, mantel, office, and hall clocks. Founded in 1844 by Friedrich Mauthe and his wife Marie in Schwenningen, Germany, the company initially focused on producing watch parts. By the late 1860s, Mauthe began making its own wall clocks and movements—some produced through the Gewerblern method (a form of cottage industry), while others were made through a more industrial, factory-based approach.

In 1876, the Mauthe sons, Christian and James, took over the business. A decade later, in 1886, the company began manufacturing its own spring mechanisms.

By around 1900, Mauthe offered a wide range of clocks, including alarm clocks, pendulum wall clocks, grandfather clocks, office clocks, and “Buffet Uhren” (buffet clocks). At the time, the company employed around 1,100 people. The third generation of the Mauthe family took control in 1904, with Eugene Schreiber (Christian Mauthe’s son), Dr. Fritz Mauthe, and Alfred Mauthe (sons of Jacob Mauthe) joining the leadership.

_{In it’s day, it would have displayed in this manner}

In 1925, Mauthe introduced a new trademark featuring an eagle with outstretched wings clutching a three-part round plate marked with the letters F, M, and S. By 1930, the company was producing approximately 45,000 clocks per week and employed more than 2,000 people. Around 60% of their production was for export, with England being their primary market.

In the mid-1930s, Mauthe began manufacturing wristwatches, some of which were supplied to the German Army (Wehrmacht). After a brief pause during the war years, Mauthe resumed production in 1946, focusing on wristwatches. The company continued operations through the 1950s, 1960s, and 1970s, but ultimately declared bankruptcy and closed in 1976.

Why I Sold It

While it’s a lovely clock with a beautiful chime, I ultimately decided to focus on other types, particularly those made in Canada or with a Canadian connection. I also have a soft spot for wall clocks, which now form the core of my collection. I have no regrets; this one went to a good home.

Using Someone’s Photo Is Copyright Infringement

Not long after I sold the clock, I came across another one listed on a local online for-sale site. When I looked closely at the photo in the listing, I realized the seller had used my photograph (the first photo in this article) to advertise his clock—an infringement of copyright. I wrote to him and asked that he take the photo down. He refused, saying, “I found it on the Internet,” implying that anything online is free to use. I explained that I own the photo and my permission is required to use it, and told him that if he didn’t remove it, I would file a complaint with the site administrator. He eventually took it down, but the incident left me wondering how copyright can truly be protected when so many people assume that anything found online is fair game.

And Finally

This Mauthe buffet clock is a fine example of the company’s craftsmanship, combining reliable timekeeping with a pleasing chime. Its well-preserved condition and recent servicing make it a standout piece for its present owner.

June 6, 2025 2

Mauthe Mantel Clock – called a buffet clock by the marketing folks at Mauthe

Mauthe mantel clocks are widely available in various shapes and sizes, often appearing on online marketplaces, at garage sales, flea markets, and in antique shops. However, not all are well-preserved, with many showing signs of age and neglect. This particular round-top mantel clock stands out for its excellent condition, especially considering its age.

RS Mauthe mantle clock (30) — _{Mauthe buffet clock}

While this is commonly called a mantel or shelf clock, in Mauthe marketing parlance it is referred to it as a “buffet clock”. In the mid-20th century, clocks of this style were often designed to sit on buffets, sideboards, or credenzas in dining rooms. This placement allowed the clock to serve both a decorative and practical purpose that complemented the room’s furnishings. The term “buffet clock” reflects its association with this specific setting, distinguishing it from mantel or shelf clocks, which were typically placed in living areas or on fireplaces.

This 3-train Westminster chime pendulum clock features a 5-rod gong block and plays a quarter-hour musical tone. I discovered it at an antique shop in Great Village, Nova Scotia (Canada) some time ago. The movement is unmarked, lacking a trademark, but bears the number 50089 on the bottom right of the rear plate. There is no doubt that the movement is original to the case.

RS Mauthe mantle clock (29) — _{Back of the clock showing the 3-train movement}

RS Mauthe mantle clock (28) — _{Mauthe clock and Stromberg Carlson console radio}

Mauthe – The Company

Mauthe clocks were produced in Germany by a company with a long and distinguished history, manufacturing thousands of wall, mantel, office, and hall clocks. Founded in 1844 by Friedrich Mauthe and his wife, Marie, in Schwenningen, Germany, the company initially focused on producing watch parts. By the late 1860s, Mauthe began making its own wall clocks and movements, some produced through the “Gewerblern” method, a form of cottage industry, while others were made in a more industrial, factory-based approach.

In 1876, the Mauthe sons, Christian and James, took over the business. A decade later, in 1886, Mauthe started manufacturing its own spring mechanisms.

By around 1900, Mauthe offered a range of clocks, including alarm clocks, pendulum wall clocks, grandfather clocks, office clocks, and “Buffet Uhren” (Buffet clocks). At this time, the company employed around 1,100 people. The third generation of the Mauthe family took control in 1904, with Eugene Schreiber, Christian Mauthe’s son, Dr. Fritz Mauthe, Jacob Mauthe’s son, and Alfred Mauthe, Jacob’s other son, joining the leadership.

In 1925, Mauthe introduced a new trademark featuring an eagle with outstretched wings, clutching a three-part round plate marked with the letters F, M, and S. By 1930, the company was producing approximately 45,000 clocks per week, with over 2,000 employees. Around 60% of their production was for export, with England being the primary market.

RS Mauthe mantle clock (11) — _{Clock face showing three arbour points}

This clock runs a complete 8-day cycle and produces a very pleasant sound. The case features a simple yet attractive design, is in excellent condition, and the movement is clean, having been recently serviced.

June 14, 2015

Tag: Schwenningen