Not a clock to be seen anywhere and that’s not a bad thing!

We enjoyed a week-long stay at a resort in the Cayo Coco region of Cuba, where the accommodations were fantastic and catered to all our needs. The goal was to unwind after spending the winter teaching at our local community college campus in rural Nova Scotia. There wasn’t a clock in sight, which was just as we expected.

beach scene

After a day or so we began to realize the absence of clocks started to shift our routines. At home we have breakfast early, lunch around noon, and dinner at 7 pm. But during our stay, we began to enjoy breakfast in the late morning, lunch in the mid-afternoon, and dinner between 8 and 9 pm.

While the resort offered Wi-Fi that was accessible from nearly every spot on the premises, we preferred to leave our phones in the room. Instead, we let our mood and appetite lead us through each day.

the grounds of a Caribbean resort

There is no doubt clocks plays a significant role in structuring our daily routines by providing a sense of time and establishing a schedule for various activities. Clocks help us manage our time by allowing us to plan and allocate time for different tasks and responsibilities throughout the day. A clock helps us create daily routines, such as set times for waking up, eating meals, and going to bed. This can contribute to a sense of stability and consistency in our lives.

moonlit night on a Cuban resort

While clocks help us organize and manage our lives, stepping away from them occasionally can offer a sense of freedom and relaxation from the pressures of a scheduled and regulated routine.

Resorts and spas aren’t the only places where clocks are uncommon. Religious spaces such as churches, temples, monasteries, and meditation centers often refrain from displaying clocks to promote spiritual practice and mindfulness without distractions. Similarly, art galleries and installations may omit clocks to keep the emphasis on art and creativity rather than the passing of time. In darkened settings like theaters and cinemas, clocks are absent to maintain focus on the performance or film. In minimalist homes, clocks may be left out to cultivate a serene and uncluttered atmosphere.

While clocks are a staple in many environments, all of the places mentioned above aim to foster a sense of presence and focus that can be disrupted by the constant awareness of time.

Now that we’re back home, our familiar habits quickly returned. The break was undeniably beneficial for us. It allowed us to step away from the usual hustle and bustle, providing a much-needed reset. Being free from the constraints of the clock gave us a chance to reconnect with our own rhythms and truly unwind.

Tick Talk Tuesday #11 – clocks of Cuba

Tick-Talk Tuesday is about the letters and comments I have received from you, the reader, concerning your clocks, issues you might have had and challenges you face and my responses to your questions with advice on your  particular clock concern(s) and of course, general comments. For those comments and questions that stump even me, I consult within my clock circles for the best possible answer.

On my trip to Cuba in March of 2016 I happen to capture a number of interesting clocks. The two pictured below prompted a comment from JC.

wall clock
Wm Gilbert clock found in a restarant

Floor clock
Malaprade Floor clock

The first two clocks are the most interesting to me. The Gilbert looks fairly standard (often called a “Store Regulator”) but I think it’s been painted black. Normally these are in oak cases, occasionally (but rarely) in walnut. The colour would have matched the interior back.

The second clock looks like a fine and expensive Jeweler’s Pinwheel Regulator. I’m wondering if you’re wrong about it being spring driven. These are normally always weight driven. The weight normally hangs behind the pendulum. Is it possible you didn’t see the weight? The movements from these are almost always Swiss made (near the Jura region of France), with pinwheel escapements. They are VERY EXPENSIVE clocks. The movement alone would fetch around 1000$. I have no idea what that circle is on the dial. I’ve seen some with inlaid marble dials, but most have enameled dials like this one. Cases can range from plain to extremely elaborate, and from 5 feet to 9-10 feet.

The name and place on the dial is the retailer where the clock was sold. It is never the manufacturer (this is typical on all French and some Swiss clocks of this type/vintage – the same is true of Comtoise clocks and French mantle clocks).

The rest of the clocks (with the exception of the 2 figure 8 wall clocks) seem to be imported German clocks from 1930 and later. These include both tall clocks and all the 400 day clocks shown. The figure 8 clocks are either American or Asian made copies (likely from Japan) from the early 1900s.

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